Two Outlooks

SexInTheBibleThe word polymath used to be applied more easily. In these days of highly specialized training, it is difficult to have expert knowledge in more than a couple of areas. The two areas, sexuality and scripture, dealt with in J. Harold Ellens’s Sex in the Bible: A New Consideration, are such zones of specialization. Students of the Bible have recently begun an intensive exploration of how sex fit into the ancient worldview. Ellens’s book surveys all of the biblical legislation about sexual matters and a fair number of the stories involving the same, with the sensitivity of a professional counselor. Indeed, his practical knowledge of human sexual development and psychological needs based on it should inform society’s understanding of scripture. The Bible is no pristine book. Neither is it a romance novel. Still, ancient people were not as shy about sex as post-Victorians tend to be. The Bible is often frank on the subject.

The main danger of a project like this is trying to decide where to take the Bible literally and where not. Ellens, while he has some training as a biblical scholar, falls into a familiar trap. He assumes, as parts of the Bible do, that Israel’s neighbors were sexually depraved. Not only did they condone things like bestiality, according to Ellens, but they incorporated sexual deviancy into their worship. Ancient records, readily available for decades, give the lie to that outlook. Ellens makes the case that biblical writers had no way of knowing, however, that homosexuality, for example, is a biological predisposition that can’t be changed at will. Other sexual practices that are now considered normal and healthy were perversions in the biblical period. Medical science should inform our understanding of Holy Writ.

This is an argument Ellens can’t win. Passionate though he may be about how all of this just makes sense from a scientifically informed point of view, the fact can’t be changed that the Bible does condemn some sex acts outright. Even more damaging, in my opinion, is that the Bible clearly views women as the sexual property of men, and men regulate the sexuality of their females. Anyone arguing that the Bible is a moral guidebook in regard to sexual mores must face this issue head on. There’s no tip-toeing around it, even with verified psychological pedigree. The Bible is the product of a patriarchal structure that did not tolerate sexual practice outside prescribed limits. We now understand the same behaviors from a scientific point of view, but the written text doesn’t change. It is just that dilemma that makes it very difficult to be an expert on two fields so diverse as sexuality and biblical studies.


Book Culture

The book is not dead. Yesterday, on a warm, sunny spring day that veritably screamed “outdoors,” I found myself standing in line. I was at the Hunterdon County Libraries’ book sale. Having awoken in a panic a few weeks back gasping, “I missed the Bryn Mawr book sale!,” I made it a point to catch this one. You see, I read a lot of books on the bus. My job doesn’t pay very well, so I get inexpensive tomes where I can. And I wasn’t the only one in New Jersey sacrificing a rare, sunny weekend to look at books. I arrived twenty minutes before starting time and was well back in line. Although I seldom find items from my wish list, it always does me good to see so many people out for the purpose of literacy.

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A book sale, like life, is like a box of chocolates. By far the majority of books here are publications vastly overprinted by excessively optimistic publishers. Of course, some people may buy books without the intent of keeping them, as difficult as that is for me to fathom. Since these are donations, it’s difficult to say much about how they reflect the taste of New Jersey readers. I couldn’t help but notice, however, as I wended my way to the religion table, that those who got there before me were racing through this particular table with a focus I can no longer muster, snapping up the gems, manically filling their bags. About the only other table where I saw that kind of passion was the science fiction section. I get overwhelmed in such environments. Too many titles, too close together, in only the loosest of orders (and sometimes very mis-categorized) can make for frustrated hunting. Nevertheless, I’m glad I marked my calendar.

The religion tables were mostly filled with predictable material that fails to challenge the intellect. Still, if it gets people reading, I have no cause for complaint. After about half an hour it was impossible to get through a single aisle without having to excuse myself a few times. Every subject, every category, had its readers. I was especially glad to see so many young people there. This may be the most hope for the future that I will see all year. Home with an aching shoulder and a supply to keep me going for forthcoming weeks, I notice the clouds drifting over what began as a glorious blue sky. No matter. If it rains, I will have plenty to do indoors. Resurrecting the mind from its slumbers is the most religious of all activities.


Brain Dead

I’ve been thinking about brains (is there any more existential thing to do?). Reading a book this week about the mind (see Thursday’s post) probably has something to do with it. And also having finished a book on zombies maybe contributes as well. You see, I find it strange when scientists assume that we can figure out all the answers with our limited brains. Although we are endlessly fascinated by them, neuroscientists have long noted that they do have weaknesses—they (brains) are easily fooled, and, for those who find no room for the mysterious in the universe, we’ve made up gods to keep us company. We know that relative brain size—relative to body mass, that is—is a large factor in intelligence, but we seem not to imagine the possibility of larger brains than those we carry around. I suppose it’s not without reason that alien brains are disproportionately larger than our own, according to the standard image of the “grays.” We don’t like to think there’s something smarter than us hanging around. It’s a frightening thought.

Screen Shot 2015-05-02 at 5.35.48 AMOn the more earthy side, brains have been the usual fare for zombies in one sub-division of the zombie movie neighborhood. George Romero gave us flesh eating as a paradigm, but eventually zombies settled on brains. This was on my mind as I finished the epic Strangers in the Land that Stant Litore kindly sent me in Kindle form. I’d read What Our Eyes Have Witnessed on my own, and the author wanted me to read more. Litore’s zombies are more in the canonical Romero sector—they eat flesh and their bite conveys zombiehood. Strangers in the Land takes its base story from the book of Judges. Only Deborah becomes a zombie slayer. Brains aren’t eaten here, but they must be destroyed for a zombie to—what? Redie? Full of colorfully drawn characters, the story rambles through the countryside of ancient Israel, plagued with zombies. It is the brain that keeps a zombie going.

While I have to stand by my recurring assessment that the zombie is a hard sell in novelistic form (here goes my mind again! Reading a book gives your brain too much time to focus on the utter impossibility of bodies missing organs or vital tissue to move, or “live,” even with a brain) Litore is onto an interesting idea here. Looking at it metaphorically (as surely he intends it) helps. Perhaps I just miss the lumbering revenants of Return of the Living Dead calling out “Brains! Brains!” The Bible, however, is endlessly open to reinterpretation. What Our Eyes Have Witnessed was post-biblical. This current installment moves us into the realm of reception history. I’ve been researching reception history and the undead for a few months now. I have some conclusions to share in an academic paper a few months down the road, but for the time being, I’m still trying to figure out brains. Or maybe I’m just out of my mind.


Mind the Gap

HistoryOfMindThere’s something on my mind. I guess that’s the normal state of a conscious being. William H. Calvin’s A Brief History of the Mind might clarify that a bit. Although I have trouble accepting Calvin’s belief that mind is the same as brain, he does allow, in this wonderful little book, for a somewhat more expansive view. Subtitled From Apes to Intellect and Beyond, the story is more than just a survey of archaeological finds and their physiological counterparts. This is a story. It is a story of how we developed minds. Calvin approaches the topic with the realization that others will have different stories, and that future discoveries (some of which may have already been made in the decade since the book was written) may change it a bit. The book ranges from the quasi-technical (at least from the perspective of sitting on a bus) to the amusing, but always keeping in sight of the fact that this is of human interest.

Particularly compelling is Calvin’s consideration that we may have, at least from our modern perspective, gotten ahead of ourselves a time or two. In discussing the migration of hominids from Africa, he makes the brilliant point that perhaps we weren’t quite ready for that adjustment at that time. We seem to have perhaps driven other hominids to extinction. Our technology might have been outracing our conceptual knowledge of how to handle it. When he returns to this theme later in the story, the results are even a little frightening. We do sometimes get to the point where we can do things that we shouldn’t do. Before our minds have realized the full implications. Atomic bombs, anyone?

Unlike many scientists who believe in materialism, Calvin does not ridicule religion. He notes that it can be taken too literally, but does not suggest we are fools for believing. In fact, he discusses a couple of sects that have turned dangerous over time. He shows how they acted logically, following their thought process in an orderly, if clearly wrong, direction. Some would use this as a cudgel to bash religion in general. Instead, Calvin seems to suggest that we might learn from all of this. Minds, while impressive, are not perfect. Logic can have its flaws. We can, despite the tragedy, learn valuable things about how the mind works. This is an open-ended story; the future of mind is being constantly disclosed. If there is a future for us, we can perhaps prepare a bit better by understanding what’s on our minds.


Plainly Ghosts

GhostsSometimes I’ll buy a book and secret it aside to read later as a kind of reward for making it through some heavier material. Research monographs don’t always do the job for which they are required in the commuter’s life—keeping me awake on a long and tiresome bus ride. I look forward to the book that has more appeal, and I don’t want to rush through it right away. I picked up Roger Clarke’s Ghosts, A Natural History: 500 Years of Searching for the Truth in Princeton’s wonderful Labyrinth just after Christmas (the traditional time, I learned, for telling ghost stories). Now that spring is more or less firmly in place, and I’ve gotten through some erudite studies that I might use for an academic paper or two, I picked it up to pass the time on my weary ride. As regular readers will know, ghosts have long been a preoccupation of mine, but one on which I’ve always been ambivalent. Clarke doesn’t set out to prove anything here. His book is more experiential than agenda-driven. He begins with the simple observation that people do see ghosts.

Lamenting that he himself has never seen one, Clarke sets out upon a partially autobiographical explanation of where this fascination began. Being from the United Kingdom—often cited as the most haunted country in the world—he goes through some of the more famous accounts with a sharp eye. Crying shenanigans when they’re obviously there, he questions how one can claim that any one country is more haunted than another. More importantly, he notes how seeing ghosts is a marker of class. Historically, the rise of the middle class led to the death of the ghosts. The rich and the poor see ghosts more often. Those in the middle associate such sightings with poor education, while those who are most educated and refined take ghosts for granted. It is only with the rise of reality television, the true opiate of the middle class, that ghost belief has become acceptable in the broad center.

Clarke also frames his work against the religious background that Catholics, with their belief in purgatory, had room for ghosts in their theology. Protestants tended to see anything reported as a ghost as a demon, since the soul either went to heaven or hell after death, meaning that there’s no ghost left to wander around. While doubtlessly skeptics exist, I have always been intrigued that even hard-nosed scientific views of the paranormal world tend to go a bit softer on ghosts than they do on cryptids and aliens. I suspect that’s because ghost reports have been around as long as written records and, presumably, long before. People have always seen ghosts, and in such large numbers that it is difficult to simply call them names and say they’re foolish. Yes, we may be a credulous lot, but we can still find books like Ghosts at a reputable bookstore. And we can tuck them away as guilty pleasures to take the chill off an otherwise very dull ride.


I’m No Legend

First there was The Last Man on Earth with that rare, disappointing performance by Vincent Price. Then there was The Omega Man, putting Charlton Heston into the role that fit him better than Moses. Finally, returning to the original title, I Am Legend featured Will Smith as Robert Neville. Having watched all three movies, I knew I should have read Richard Matheson’s short novel first. After all, it was a vampire story, and who doesn’t feel utterly alone once in a while? I finally decided to make an honest man of myself. It occurred to me as I started to read that I didn’t know how this story would end. All I had ever seen were cinematic treatments—and who writes anything serious about genre fiction? Still, I needed to know.

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Matheson was one of the writers who had caught Rod Serling’s attention on the Twilight Zone. Having read some of his short stories I could see why. Not knowing the ending, some of them can actually be scary. I Am Legend isn’t exactly frightening. It is, however, thought-provoking and sad. Matheson, a New Jersey native, wasn’t among the most literary of writers. Nevertheless, he conveys some deeply disturbing images of humanity in this particular novel. After all (spoiler alert!) Robert Neville is the evil one. He has been killing vampires with a cold calculation, no matter whether they are living or undead (good or bad). Who has a right to kill whom depends on your point of view.

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In I Am Legend, Matheson makes it clear that Neville, the last man alive, is an atheist. The problem, as it usually is, is theodicy. How could a god allow such a massive tragedy to strike not only himself, but the entire world? After the vampire virus had spread, Neville finds himself dragged into an evangelistic meeting by terrified survivors who had turned to religion to make sense of their tragedy. Neville escapes as quickly as he can. The movie versions tend to ignore this poignant aspect of the narrative. After all, the audience watching must sympathize with Neville or the whole draw of the movie is off. In a nation where atheists are trusted about as much as vampires, it seems that Matheson left us a parable as well as a legend.


The Lure of Lore

SleepyHollowOne of my doctoral advisers, Nick Wyatt, has become a friend over the years. I’m sure he would agree that he is often called a maverick, but in the best possible way. He is one of the brightest people I’ve ever known. When it was time for his Festschrift to appear, I had been unceremoniously tipped out of academia and left to my own devices. Being his first doctoral student, I had to contribute a piece, and so I settled on one I had written about an Edinburgh ghost story that seems to have roots in ancient Sumer.  Nick is the kind of scholar who can appreciate such ventures. This paper came to mind while reading Legends and Lore of Sleepy Hollow and the Hudson Valley by Jonathan Kruk.  Kruk labels himself a storyteller, and that was a venerable role in ancient times.  In fact it was a priestly one.  Kruk draws out the many tales of headless horsemen and other spirits mentioned in Washington Irving’s “Legend of Sleepy Hollow.” Nothing is proven here, but that’s not the point.

Headless ghosts were a staple of nineteenth-century lore not only in the Hudson Valley, but also in Scotland and Germany, as well as in many other locations.  How a spirit became decapitated is generally part of the draw to such ghoulish stories, and Kruk convincingly points to the tradition of the Wild Hunt as an element in Ichabod Crane’s famous ride.  The point is that stories often contain a truth that facts can’t match.  Case in point: the legend of Sleepy Hollow is alive and well. There have been periods, and will likely be more periods, when interest wanes, but we keep coming back to the story because it teaches us something about ourselves.  Empiricism is all fine and good until you find yourself facing a headless phantom on a nighttime highway.  Experience all of a sudden takes the wheel.

What does this have to do with Professor Wyatt?  My Festschrift article was reviewed, at a much earlier stage, by the journal Folklore.  I received a very sniffy rejection letter, citing, among other scholarly infractions, that I had referred to a popular publication (say it isn’t so!) as a source of the Edinburgh ghost story text. Where else was I to find it?  What scholar would bother to replicate an obviously—let’s just say it—uneducated tale?  Isn’t it beneath scholarly dignity? The stories we tell, I’ve always believed, make us who we are. It may be that materialists will have the last laugh.  When they are carted to the graveyard, however, I can guarantee that there will those among the common mourners who will be able to make a believable tale that their lives meant something after all.


Washington Irving

WashingtonIrvingLess known now than he was in his own lifetime, Washington Irving is an odd literary character. Many writers, at least of tomes we now have our children read in school, were not necessarily stars in their time. Some were obscure, their genius only becoming clear when they were safely dead. Washington Irving, however, rocketed to fame fairly early in his life and became what Brian Jay Jones refers to as an icon. He was one of the most famous men in America in his lifetime. Although he was never properly a novelist, he pretty much earned his career by writing. Today he is best remembered for “The Legend of Sleepy Hollow” and “Rip Van Winkle,” two tales from his Sketchbook. Those of us who work in Gotham may not realize that Irving gave New York City its famous nickname. He also coined the sobriquet “knickerbocker” that still describes New Yorkers and their basketball franchise.

Washington Irving: The Definitive Biography of America’s First Bestselling Author, by Jones, is a revealing look at the author. Irving was raised in a strict, religious family with a father known to many simply as “the Deacon.” As Jones makes clear, Irving did not accept the harsh religion of his father, moving on to become skeptical of religion itself. Like his attempt to make writing a profession, in his religious outlook Irving was ahead of his time. Having been raised with a deity who had no respect for humanity, it is no wonder that a mere mortal might turn his back on the divine.

This was during the flowering of the age of reason. Like his younger contemporary Edgar Allan Poe, Irving knew early losses yet did not call out for a supernatural deliverance. Although evangelical sentiment has never been far from the surface in America, it would not bubble through to anything like modern proportions until Irving had been dead for about sixty years. Indeed, he died the same year that Darwin’s Origin of Species was published. Jones does not go into detail concerning Irving’s religious affiliations during life, but he had his funeral among the Episcopalians, and found his final resting place in the cemetery at Sleepy Hollow. Today his legacy in that regard lives on. With a difference, however—in the most recent movie and television versions, religion has been injected in an obvious way into what Irving wrote as a merely secular tale.


States Right

Can you name your state insect? State bird? State dinosaur? The concept of united states, perhaps more obvious in Europe where languages differ, is a complex one. In the United States of America we’ve got our culture wars that generally divide along predictable state lines, but each state has a mix of progressives and conservatives, and caricatures may be funny but are hardly accurate. In this jambalaya of divergent ingredients, each state develops its own image in keeping with a couple centuries (for some) of tradition. We even have quarters that show our distinctive features on the reverse side! As one of those whose profession (whatever that is) has moved me across state borders periodically, I know that choice of domicile often depends on what it might offer by way of employment. Although one of my parents was born in New Jersey, I moved here not out of family loyalty but out of desperation to find work. Nearly every day I cross a state border to get to a job, but it feels pretty much the same to me.

Although I’ve lived in these states for nearly half a century (some of my years were spent abroad) I didn’t know that states had a choice of books. I don’t know if every state has a book. It saddened me to hear that New Jersey rejected “Born to Run” as state song since it was about trying to get out, but I don’t know if we have a state book. The Godfather, perhaps? Moby Dick? When NBC announced that Tennessee had its proposal to name the Bible as its state book shot down, I was a bit shocked. What is a state book? Tennessee, which (as a caricature) still takes pride in the Bryan side of the Scopes Monkey Trial, often leads the way, like Davy Crockett, against the untrusted, heathen other. The undiscovered country of modern thought. The Bible can be a comfortable book in that way.

The Bible justifies our prejudices. Written mostly by white men who believed they were specially chosen by God, well, is it any wonder that it bestows a sense of entitlement? Radical in its time, the Bible now stands for status quo ante, ante meaning before women and non-whites won the right to be considered equal. It is a kind of Paleolithic justice. A caveman ethic. What better way to demonstrate that your state, like Indiana, is a special haven of the Almighty? Only here can the truth be found. If you’re looking anywhere this side of 1611 you’ll miss it. We don’t need to know what came before. Protestants, now partnering with conservative Catholics when it fits the political agenda, have always recognized book over state. We the people and all that. I really do wonder, can you name your state dinosaur?

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Paper Oxford

PaperTownsIt looks like a brilliant blue morning here in Oxford, yet my body is telling me that it’s the middle of the night. And that’s saying something, since I normally get up around 3:30 anyway. Routine is kind of a religious thing. In fact, it seems to be the root of ritualistic behavior. The passing of time is a matter that affects us all in some way. Jet lag is one of those ways. I’ve got an important meeting to attend in an hour—that’s why I’ve come all this way—and yet my mind will be telling me I should be elsewhere. Perhaps back over the north Atlantic, looking down at icebergs from the air, wondering if climate change is really that far advanced. Are there any polar caps left at all? Didn’t the Titanic hit an iceberg at this time of year, and wasn’t it a great surprise? At least on a ship you don’t get jet lag. There’s nothing like travel to shake you out of the ordinary.

I suppose that’s part of the draw to John Green’s Paper Towns, which I read on the flight over. Although it’s young adult literature, Green has a way of capturing what it was like to be a teen on the cusp of adulthood, and the need to become who we are meant to be. It is a story of leaving home, and of living on the edge. Once a friend said to me that he couldn’t understand someone wanting to leave the place they grew up. I, on the other hand, was only too eager to leave a verbally abusive situation in an industrial town that was slowly dying with no prospects for the young. Needless to say, Paper Towns resonated with me. I can’t remember the last time I read a novel in a single sitting. Although I’ve been an adult for decades, I can still remember the feeling of being young, of falling in love, and wondering what this was all about. High above the north Atlantic, I was sure I still hadn’t figured it out.

There’s nothing religious about Paper Towns. The characters in it assume God to exist, as most Americans do. We make a lot of assumptions. My body is assuming it’s only two in the morning. My clock is telling me that it’s seven. Time is relative, but only one of those placeholders will determine if I am late to work in this place I find myself waking up. I remember being young, and although Oxford has its usual charm, I also know what it feels like to have to leave. The clock tells me that I have to go. The novel in my head tells me the same thing. I’m not sure what time it is. For the moment my paper town is Oxford, and it seems very real indeed.


Pop Goes the Bible

BiblePopularCultureIn keeping with a theme, I followed up The Bible in Film—The Bible and Film with The Bible in/and Popular Culture, edited by Philip Culbertson and Elaine M. Wainwright. It is pretty clear that my professional interests have shifted towards reception history. That is to say, how the Bible has been interpreted over time. Not so long ago—perhaps even when I was a student—Bible interpretation was the purview of experts. Serious biblical scholars tended to look askance at the hermeneutical efforts of mere clergy, just like clergy tended to treat lightly the opinions of the mere laity. The respect of opinion was expected to flow from bottom to top. I have to admit a kind of heady satisfaction with learning to read languages unheard for thousands of years. Who wouldn’t be impressed to find you standing before Hammurabi’s stele, reading away? Like most aspiring biblical experts, I took languages very seriously. As I was teaching, however, it was clear that all my learning failed to sway those who came in with opinions firmly fixed.

One of the takeaways from a study like The Bible in/and Popular Culture is that the Bible changes with those who read it. Who is to say the opinion of the tweedy, bespectacled professor is any more valid than a country-and-western singer, or a novelist, or a screenwriter? Certainly all of them reach much larger audience than just about any biblical scholar. Their ideas about what the Bible says become, in a very real way, the truth. The essays in this slim volume are diverse, showing the wide range of biblical interpretation taking place in a strangely religious secular culture.

What emerges is a somewhat uncomfortable truth—especially for the biblical scholars who’ve spent thousands of dollars and many years to receive a parchment declaring them experts. The truth is, anyone can be an expert. The Bible is out there for the reading. Churches have historically gotten around this by adding tradition next to Scripture as a counterbalance. The culture, however, has decided that the Bible alone bears the weight of verisimilitude. Not all share the same tradition. The Bible, an iconic book, is instantly recognized as authoritative by Catholic, Protestant, and Jew. Even Muslims recognize its status as a holy book. Books, however, change with the reading. Popular culture reflects what the people are willing to believe. What they believe is the Bible. What they mean by that, however, is open to anyone’s interpretation.


The Film’s the Thing

BibleFilmIn the context of teaching, I often described how movies portrayed the Bible. There is an aspect of this that may go overlooked since the Bible is, in the nicest possible way, inert. That is, the Bible frequently functions as a character in movies. In a minor, or supporting role perhaps, but clearly it has an impact on what the other characters do or say. The story wouldn’t be the same without it. So it was that I finally got around to reading The Bible in Film—The Bible and Film, edited by J. Cheryl Exum. This is a collection of 11 academic essays about the Bible in various cinematic guises. A number of the essays focused on Jesus, being the most obvious biblical character to star in movies; he had another one this past summer. The collection, however, is wide-ranging in its biblical characters.

More interesting to me, and this is just a personal preference, is the way that the Bible shows up in movies. Those who decry the study of sacred writ seem to be in denial concerning just how deeply embedded in our national psyche the Good Book is. As the various contributors to this volume show, the Bible appears in ways both subtle and overt in many films. Like it or not, the stories represented in the Bible are classics, and many film-makers find a rich source of material here (when they’re not busy making sequels). The Bible is, to a large extent, who we are.

That’s not to deny a religious pluralism to the United States. We are diverse and that is one of our strongest assets. Still, even though our founders were primarily deists, and not evangelical Christians, their culture was pervaded by the Bible. A large difference between then and now is that, although they weren’t “Bible believers” our founders knew their Bible. In a sense that is almost incomprehensible today, they realized that you don’t have to believe it to see its value. The Bible does have some good things to say. Even now when I get overwhelmed, I can still find some balancing sanity in parts of Sacred Writ. It’s not all about killing your enemies or keeping women silent in the churches. It is a very human document. That’s why, in my humble opinion, we keep coming back, as a society, to the Bible. Anything that is so momentous is bound to find its way into our movies and our other art forms. How we take that is, of course, a matter of personal taste.


Unconventional Resurrection

GospelLivingDeadWith talk of resurrection in the air, it seems natural to turn to zombies. In this internet age the monster of choice seems to change from day to day, but since the turn of the millennium zombies have been a contender for popular favorites. In a world where many of us feel zombified by our work, this is no surprise. Late capitalist power structures drain the life, leaving only the shell. In a situation where zombies appear so frequently, it is difficult to keep current. I bought Kim Paffenroth’s Gospel of the Living Dead shortly after it was published. Subtitled George Romero’s Visions of Hell on Earth, it saves itself from too my obsolescence by taking the narrative from Romero’s movies, and one remake, thus leaving room for the many other zombie movies to come and go. While it does make reference to 28 Days Later and Shaun of the Dead, most of the discussion stays pretty close to Romero, taking the reader through his quaternity of movies in the genre.

Roughly paralleling Romero’s oeuvre with Dante’s Inferno, Paffenroth treats the movies theologically. Not surprisingly, sin and ethics play a large part in his analysis. The undead, after all, are not un-spiritual. As I read along, however, I often thought how a western Pennsylvania connection gives some insight into what Romero is trying to do. Perhaps we are in danger of over-reading without the context (what biblical scholars call isogesis, but which post-modernists call simply reading). For example, some of the place names are given a theological significance in Gospel of the Living Dead that some of us who grew up in the area recognize as just another town. This always comes home to me when watching Night of the Living Dead. The posse out to hunt zombies always reminds me of people I knew in high school. After all, the first day of buck season was a local holiday.

Still, I have trouble seeing Romero agreeing with the dialogue revolving around sin. Yes, his first two movies were as much social criticism as they were horror. The Vietnam War and consumerism were true evils to be cast in parables and shown to the public. Zombies were prophets. Paffenroth suggests that zombies will never become mainstream commodities, but time has shown that even zombies can be bought out. World War Z was a Hollywood extravaganza. The Walking Dead is hardly the domain of outcasts and pariahs. Romero’s monsters were, alas, not more powerful than capitalism. Even zombies can be purchased. Zombies and vampires can indeed earn money, and resurrection itself comes with a price.


The Art of Religion

RastaIf you take a train along the Raritan Valley Line en route to New York City, you will see many of the less highly regarded sights of New Jersey. The properties along the rails are often industrial and neglected. Graffiti abounds. On one particular concrete underpass is a truly monumental graffito reading “Paint the Revolution.” Since I can’t afford to take the train on a regular basis, seeing that prophetic line is a rare occasion for me, and it always casts me in a reflective mood. No doubt injustice has become deeply entrenched in our society where politicians are synonymous with distrust and wealth is carefully corralled by a passing insignificant number of individuals. These thoughts recurred as I was reading about Rasta, the religion that developed in 1930s Jamaica, and is now found throughout the world.

Perhaps the most rewarding aspect of being an editor is exposure to new ideas. Of course, anyone can achieve this by reading, but as a person whose job is to find new books, an editor often has to go beyond passive, to active reading. So it was that, while at Routledge, I came to Darren N. J. Middleton’s Rastafari and the Arts. I immediately fell for it. I’d read about Rasta before, but Middleton’s use of art as a means of exploring the religion was captivating. Now that his book is out, I reacquainted myself with what drew me to the project in the first place. Admittedly, a large part of the draw is the fascination with Rasta itself. While some, perhaps many, would claim that it’s not a religion, Middleton demonstrates pretty clearly that it is, or that it at least has all the hallmarks of one. Moreover, it is a religion profoundly based on the concept of social justice, something that many religions possess in diminishing quantities.

The African diaspora led to the development of several new religions as African thought was forced into a mode of accepting Christianity. Among those many new religions, Rasta stands out for its association with a particular musical style, reggae. Of course reggae can be secular, but one of the many insightful observations of Rastafari and the Arts is that the global spread of Rasta often begins as music travels. While reggae is generally identified by its musical style, it is also noted for having a heavy dose of social consciousness. People who’ve been oppressed, no matter what their race, often express their victimhood in their arts. Not particularly numerous, and certainly not politically powerful, Rasta has been painting its own revolution. That revolution is associated with peace and love, and, in a way almost unique among belief systems, its music.


Animal Form

Mort(e)The fear of insects is fairly common among people. It is difficult, however, not to appreciate the “hive mind” and how insects in colonies work for the betterment of all, often at the expense of the individual. Now imagine that the hive mind resents what humans have done to insects over the millennia. And suppose that their massive mind allows them to develop a hormone that transforms animals into partial humans with consciousness and, for the most part, workable hands. Then you’ve got the premise of Mort(e) by Robert Repino. A debut novel about a cat (Mort(e)) and his desire to find a friend in the fog of war that follows the transformation of animals into people, the story is as compelling as it is creative. Add in a strong dose of religious concepts (Mort(e) is considered a messiah among the battered human population, and he has a prophet) and you’ve got a captivating story perfect for comment on this blog.

While not all novels I read have a religious element, a surprising number do. And this isn’t because I pick stories with religious themes. It is because religion pervades the human outlook on life. Repino’s novel, however, does go beyond a casual mention of religion. It turns out to be central to the plot in a way that, were I to describe it here, would constitute a spoiler, and since I want to encourage reading of Mort(e), I don’t want to reveal too much. Suffice it to say, without religion a large part of the story would be missing. No matter whether you believe religion is good or bad, you’ll find plenty to think about here.

These days I read novels liberally mixed in with non-fiction reading. Sometimes I’m disappointed after I spent a few hours on a book and find it to lack substance. (Sure, I do read as a guilty pleasure from time to time, but here I mean the kinds of books you invest in.) Mort(e) is a substantial story. The world in which the protagonist operates can be described as apocalyptic, and end-of-the-world scenarios have a way of raising questions about what we believe. The time spent reading Mort(e) is a good return on investment. And once it has been out there long enough, I’ll want to return to that plot spoiler to investigate it further. It’s that kind of book.