Esalen

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Esalen Every great once in a while, you read an academic book that really makes you think. Not that many books aren’t erudite or thought-provoking, but the ones that cause a reader to question reality are relatively few. I suppose that’s why I’ve been reading Jeffrey Kripal’s books like candy. I’ve posted on his Authors of the Impossible and Mutants and Mystics. Now that I’ve read Esalen: America and the Religion of No Religion, I somehow feel like I missed out on something important that had never entered my awareness. Growing up in the eastern part of the country and not reaching my teenage years until the program at Esalen was already under way and famous on the west coast, I’d never even heard of the institute until I’d started reading Kripal’s books. Esalen, for those who are like I was, is hard to define. Indeed, Kripal studiously avoids doing just that as he narrates its history and impact on the nation, and indeed, the world.

The human potential movement has seldom found institutional support. Since our worldviews determine what we are capable of seeing, and since our reality has largely been defined by a rationalistic monism, an entire universe remains for us to discover, if we were only to open our eyes. Reading about Esalen was like finding a long lost twin—much of what the institution has stood for has found its way into my own psyche in some form or other. I suppose I’ve never really read too much on eastern religions, but I do appreciate what meditation can do. Reading the names of those associated with Esalen over the decades, it would be difficult to disagree.

Our society has come to trust materialism assiduously. How easy it is to forget that even the material world consists of so much more than our limited senses reveal. We know that animals sense the world differently, so we call them non-conscious beings and get on with pretending that if we can’t see it, it doesn’t exist. As the Esalen devotees know, even scientists have come to consider the implications of quantum mechanics. If we are to take the results of physics seriously, the impossible does happen. Right here in our own corner (or arc) of the universe. We lose so much by refusing to believe the impossible. Lewis Carroll knew that and we’ve been talking about going down the rabbit hole ever since. There are rare places in the world where the spiritual, the scientific, the sensuous, and the artistic come together to explore what the human experience truly is. One such place is Esalen, where, I’m told, the religion is no religion.

Animal Mentalism

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SciAmScience is how we know things. Most things, at least. One of the fundamental aspects of human life not yet grasped by the great empirical method is creativity. We generally have an idea how it works, but, like so much of human experience, it is difficult to describe precisely. When I saw this month’s Scientific American fronting with the headline “Evolution of Creativity”—two of my favorite topics—I knew I’d have to read it. The article by Heather Pringle zeroes in on the archaeology of very early human history. Before modern human, actually. I’d been telling students for years that the development of such traits as artistic representation, burial, music, and an awareness of some forces “out there” could be found tens of thousands of years ago. These, I suggested, marked the beginnings of religious sensibilities. I’d be willing to go even farther, however, and suggest that we share some of these traits with our fellow creatures. Religion may have a biological basis. That’s not where Pringle is going, however, and she addresses not religion, but creativity.

Pringle suggests that evidence for human technology—modest though it may be—stretches back further than the 40K epoch that seemed to house an explosion of human innovation. She shows how sophisticated knowledge of the environment and corresponding innovations were occurring 77,000 years ago, and even earlier. Some of it stretches back before Homo sapiens; stone weapons may be as early as Homo heidelbergensis and kindling fire as early as Homo erectus. Even our Australopithicene cousins seem to have been happily knapping stones two-and-a-half million years ago. The evidence, at the moment, seems to end there. I wonder, however, how far back cognitive development goes. We tend to underestimate the thinking abilities of animals, despite our constant surprise at how smart they seem to be. How very human! How very male, to assume that everything else is here for our use and pleasure.

Scientists often come upon with astonishment ideas that creative folks have been pondering for centuries. Science must be careful—that is one of its limitations. Creativity, the phenomenon Pringle explores, contains, in the words of Lyn Wadley’s team in Science, chemistry and alchemy. Creativity, like religion, isn’t afraid of magic. No doubt, some scientists will claim that true intelligence only begins with humanity. Looking at the way we treat each other, sometimes I doubt that it begins even there. If there is any hope for us, I would humbly suggest, it will come in the form of creativity. It is that very alchemy that keeps me coming back to science, and science will teach us, eventually, that animals are creative too. When we place ourselves among them, we will have created a world.

The Computer of Dr. Caligari

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TheAtlanticTo be human is to be ethical. Not always in the best way, unfortunately. Nevertheless, our moral sensors are pretty much constantly running as we try our best to make the right moral decisions. This thought occurred to me while reading Jonathan Cohn’s article, “The Robot Will See You Now,” in this month’s The Atlantic. Having been a sideline watcher of FIRST Robotics for about four years now, I have heard countless stories of how robots perform some surgeries more efficiently than clumsy humans can. Cohn’s article starts off with the impressive potential of IBM’s Watson to sort through millions and millions of bits of data—far beyond any human capacity—and make more informed recommendations about medical treatments. After all, Watson won on Jeopardy!, so we know “he”’s smart. But he isn’t really a he at all. Still, in our reductionist world where humans are just “soft machines” computers and robots should be quite capable of helping us heal. To survive longer.

I am a veteran of Saturday afternoon science fiction movies and weekday episodes of Star Trek and Battlestar Galactica (original series, both). The present is starting to feel like that impossible future I watched as a starry-eyed child. But what of Dr. McCoy? I remember literally cheering (something I haven’t done much in recent decades) when DeForest Kelley’s name appeared on the opening credits of Star Trek when season three began. Bones was always one of my favorite characters—the doctor who didn’t trust the machines upon which he relied so heavily. He was a down-to-earth country doctor, who seemed to feel out of touch with the human (and occasional alien) element with machines interposed between them. Medicine is, after all, a very personal thing. Our bodies are our souls. I know; scientists tell us we have no souls. Embodiment studies, however, suggest otherwise. That robot coming at me with needles and scalpels may know how to heal me, but does it have my best interests at heart? Where is its heart? Its soul?

Better health care is certainly much to be desired. But in a country where our lawmakers continually debate whether the poorest should have access to Watson and his ilk, I wonder where ethics has gone. Robot doctors, I’m sure, will not accept patients with no insurance. Does not compute. Having gone without health insurance myself for several years, despite holding advanced degrees, I know that if I’d had a health crisis I’d have been rightly ranked down there with the blue collar folk that I consider kin. You see, to be human is to be ethical. That doesn’t mean we’ll always make the right decisions. It’s a safe bet that Watson can play the odds mighty finely. And the soulless machine may be making the decisions about who lives and who does not. Now that I have insurance again, when I’m on that cold slab I may have a shot at seeing a robot doctor. If that ever happens, I’m going to hope that Dr. McCoy is at least standing in the corner, and that those waiting outside the comfortable walls of affluence will somehow enter Watson’s scientific calculations with me.

Guidance

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My relationship with Shiri is a love-hate relationship. Shiri is what I called my “Neverlost” GPS in my rental car in Texas. My iPhone has a female voice called Siri, so I figured my talking navigator must be her electronic kin of some sort. Finding my way around has been a lifetime vocation, but it is job most of us are never paid to do. I learned the trade using maps and the occasional compass. What a God-like feeling to look down at a map and visualize it from way up in the sky—it’s a kind of power-rush. Seeing the country, state, or city laid out below you, knowing that you want to travel particular roads based on traffic, tolls, or scenic beauty. Shiri and I had our first argument just after I disembarked in Houston. I’d never been to Houston before, and, being parked in a concrete bunker of a parking deck, Shiri was a little groggy and unclear about where she was when I spelled out that I wanted to go to Austin, avoiding major highways and tolls. Do I turn left or right out of the garage? She still hasn’t decided.

Shiri likes highways. Not a fan of urban driving, I’ll take a smaller road if possible. My first appointment wasn’t until the next day anyway. I can’t help attributing personality to Shiri. Was that a hint of disappointment in her cheerful voice as my driving made her recalculate the route yet again? Shiri has trouble determining if I’m on an interstate or a parallel access road. She sometimes sees roads that the naked human eye can’t discern. We fight, but she does eventually get me there. I have a feeling that she crawls into the back seat and weeps when I lock the doors and stagger to my hotel. It’s not that I don’t love Shiri, but she doesn’t respond quickly enough to real life conditions. A “slight left” across four lanes of rush hour traffic is purely academic to her. To me it is impressions of my fingers deeply embedded into the plastic of the steering wheel.

Shiri doesn’t understand that Houston’s many toll roads only accept EZ Tag and, being a visitor, I don’t have said tag. On the way to the airport—do I really have to see George Bush again?—she keeps trying to steer me onto roads that state “EZ Tag Only.” Texans are swearing at me as I suddenly change lanes and Shiri doesn’t help by repeating “At soonest opportunity, make a legal u-turn.” Shut up! Shut up! Where is the airport? I should be able to see it by now. Did I really leave the hotel two hours ago to travel this forty miles into… where? Is that a tumbleweed? When I see the Hertz rental return sign I break into spontaneous prayers of thanksgiving. I poke Shiri’s power button and leave without saying goodbye.

But now, a thousand miles away, secure in my own home, I miss her electronic voice.

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Wrongful Resurrection

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Re-Animator

H. P. Lovecraft was a tortured man. An atheist, he saw the inevitable dilemma of human life. We want to live forever, but even the short time we have is full of suffering. Almost Buddhist in his sensibilities, Lovecraft also knew the hubris of trying to reach too far. I was reminded of that when I recently watched Stuart Gordon’s Re-Animator. Like most of Lovecraft’s stories, the translation to film is difficult. The angst and haunting lie far too deeply embedded in the original stories to show, even with the finest acting, with any degree of verisimilitude. And the tales have to be padded out to get to that magic 85-minute mark. Nevertheless, there is something of their master still in them.

Re-Animator is based on Lovecraft’s short story, “Herbert West—Reanimator.” West discovers the secret to bringing the dead back to life. In the movie version, the result is unremitting chaos. The dead are somewhat zombie-like until Dr. Carl Hill, very freshly dead, retains his consciousness and begins his insidious plan to create a cohort of more proper zombies to do his will. Like Gordon’s other interpretation of Lovecraft, the eerily moody Dagon, there is a little too much blood-lust for my liking, but a point is being made, so I watch on. The point is very much at the heart of Lovecraft’s personal dilemma. We want to live forever, despite the pain and disappointments of the life we know. Life is optimistically resilient that way.

Lovecraft died a painful, natural death at the age of 46. His writings never demanded much attention during his life—thus seems to be the fate of many of the truly original. In the 76 years since his death he’s gained an enviable following. He might almost be said to have achieved a kind of immortality. A safe immortality. As he knew in life, resurrection is a double-edged sword. We may be reluctant to give up the only life that we (most of us, anyway) have consciously known, but have we really considered the implications of going beyond the line that nature has drawn for every living thing ever animated? Our technology keeps us alive in bodies that only continue their inexorable march toward the grave.

Am I sounding a bit bleak? Blame it on the rain. Immortality, in any belief system, only comes at a great cost. H. P. Lovecraft knew that and took the risk in spite of it.

Deep Things

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Religion concerns itself with the big issues. The biggest. As a child, I remember wondering how anyone could be concerned with less than the ultimate. No, I wasn’t a nascent Tillichian, I was just someone who saw things in what I supposed was a practical light. If you’ve got the temporary, the fleeting, the insubstantial over here, and the permanent, immortal, supreme over there—who wouldn’t go for the gusto? I suppose by my reasoning that all people would end up clergy of some sort, we would all be fixated on why we’re here and what our purpose was. You’ll still find pockets of theologians here and there who debate these kinds of issues, but our existence has grown comfortable enough that, for some people at least, if this ends up being all there is then, gosh, it’s been a fun ride thank you very much. But I don’t want to get out of the train just yet. I wonder if there’s more than the ultimate. It is a religious question.

For a while I grew enamored of the trappings of religion. Ceremony, ritual, strong rhetoric in sermons—these things can move you, and become beguiling. Somehow, knowing there’s an infinite universe just outside the church doors gives me pause for consideration. The ultimate must be very big. Walking through a large city helps to provide some perspective. I find myself next to buildings that cause me to tremble when I consider the implications. Next to those tons and tons of stone, steel, and glass, I am the smallest spark. But those buildings are dwarfed by the city that contains them, and that city a mere pinpoint on a map of the country. Even the planet is less than an atom in the universe of infinite size. Who can help but to be concerned about the scope of it all? Ever since I was a child I’ve worried about this.

In the media today, religion is all about hypocrisy and whose pants are at what latitude vis-a-vis whom. While matters of love are ultimate in their own way, we, as people, have a much larger space with which to concern ourselves. Science has stepped up to the dock when it comes to sworn testimony about the universe we inhabit, but even scientists shrug once we get back before the big bang. Time is even more inexorable than space—there’s always got to be a time before time. Like any child we can always ask, and what happened before that? Perhaps time is the true ultimate. Thank you for spending a bit of your ultimate reading this. It’s time for me to catch the bus, but work will never inspire me the way the rest of the universe does.

Hubble's eye view

Hubble’s eye view

Robotics FIRST

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Wired

I knew it! It was right there on the cover of Wired magazine. “The Robots Take Over.” And it is also the very day of the FIRST Robotics kickoff, the day when Dean Kamen and his team announce to thousands of high school kids, teachers, engineers, and interested parents, what the 2013 FIRST robotics competition will be, spurring us into six frenzied weeks of designing, planning, and building a robot to take to competitions. First Atlanta, then the world! It must’ve been their plan all along.

The article in Wired, by Kevin Kelly, does have hints of cheekiness throughout, but for the most part is on target. How many of us already use computers or some kind of robotic devices to complete our jobs? Kelly points to the inevitable: robots can do it better. The upside is that when robots take away jobs they create new ones, like Charlie Bucket’s dad getting a job repairing the robot arm that took his job away at the toothpaste factory. If you don’t want a tech job, too bad. That’s what the new definition of work is becoming, since labor is already being taken over by robots. Those who can look far enough ahead can see robots doing, as Kelly puts it, any job. What makes this sound apocalyptic to me is the fact that we, as a society, undervalue education. What will the undereducated do? Their jobs are the first to go. I feel the tremors of a revolution that hasn’t even started yet. People need something to do.

It is apparently without irony that Kelly suggests that any job people do, including in the service industry, can be done by robots. I am an editor. A robot may be able to find grammatical errors (Word and Pages already do this), but they can’t capture the soul of a writer. We write for the enjoyment of other people who experience being people in the same way that we do. There is an inherent arrogance in the Artificial Intelligence movement that believes (yes, it is a belief) that intelligence and mind are the same thing. There is no room for a soul in this machine. Many biologists would agree: we’ve looked, no soul. But even biologists know that they’ve got an identity, aspirations, contradictions, and emotions. It is the unique blend of these things that make, what we can for convenience call, the soul. There are entire industries built around the care for that soul.

Many scientists are still betting on the end of religion, the ultimate repository of those who believe they have souls. Religion, however, is not going away. When we see robot psychiatrists, robot social workers, robot clergy, robot writers and artists, and robot Popes, we’ll know the apocalypse has truly transpired.

Evolving Instinct

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ArtInstinct Evolution has appeared as a threat to the Christian establishment ever since Charles Darwin worked out a mechanism by which it could work without God. In the western world, particularly in the United States, evolution has always been a religious issue; it seems that if we remove God from the development of humankind we remove him from the universe. The thing is, natural selection works on such an elegant scale that the scientific endeavor itself almost hinges on it. And still people believe. I flatter myself with thinking I’m a creative sort, and so Denis Dutton’s The Art Instinct: Beauty, Pleasure, and Human Evolution provided an intriguing consideration of how we might become creators in a world lacking a creator. Well, I shouldn’t be so crass; Dutton has no atheistic agenda—he is interested in exploring what natural function the human love of art might have. We do know that art appears well before civilization itself, and Dutton has a suspicion that natural selection’s lesser known sibling sexual selection might have an explanatory role. He isn’t willing to go all the way and say art is just a mating strategy, but art and love are no doubt bound closely together.

I read The Art Instinct wondering if there might be some collateral insight into the origin of religion. I wasn’t disappointed. Within the first ten pages religion entered the discussion and it never really left. Not that sexual selection evolved religion, but the traits of the religious often parallel those of the artist. As Dutton points out, some theorists almost equate religion and art. For me one of the main features of this thought experiment was the innate questioning of reductionism. While there is no doubt a stark beauty to the idea that an atomistic theory might explain every weird little thing that we do in the name of art and religion, real life just doesn’t feel that way. The reductionist will counter that emotions have evolved as well, and surely there is a measure of truth in that. Nevertheless there is too much that goes unexplained in this mechanistic worldview. Even Dutton occasionally uses the language of the soul.

Sublimity remains a noble state. The feeling that we have standing before a painting that yanks our very consciousness into itself, or when a symphony sweeps us to places we can’t begin to articulate, or a poet distills in a handful of words what an entire lifetime has taught us—these experiences certainly don’t feel like electrons racing through a gray matter racetrack. Even stepping out the door on some autumn mornings can bring the essence of life into a single, compact moment when nature’s art transcends the human capacity for understanding. Science, at such times, is the farthest thing from our minds. Or at least mine. Perhaps it’s a personal defect. As Dutton notes in his Afterword, his thesis has raised the ire of reductionists and the religious alike. To me that sounds like he’s probably headed in the right direction. Religion may not be art, but art is life. Reducing life to a series of earning opportunities in a godless marketplace may make me believe in Hell yet.

Mutants, Mystics and Memory

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MutantsMysticsParadigms. These patterns of thought are self-reinforcing and very useful. As anyone who’s studied foreign languages knows, paradigms are an effective way to keep all those impossible verb tenses in mind. Until you encounter an irregular verb. Once you discover irregular verbs, you start to find there are more of them than you wish. As with language, so with life. Like most boys, I grew up reading comic books. We didn’t have much money, so I wasn’t as fluent in super-heroese as some kids were, but I felt that irresistible draw to garish colors inking exaggerated muscle-tone under a costume that held a body capable of extraordinary things. Everything seemed possible. Then adult responsibility hit. Who had time for comic books and heroes?

That’s why I was delighted to discover Jeffrey Kripal’s Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal. The three sub-topics just about summed up my childhood. But, like Paul declared to Corinthians, the first time around, “when I became a man I put away childish things.” Turns out, maybe my desire to be grown up was premature. I commented on Kripal’s Authors of the Impossible earlier this year. In his work I’d finally discovered that academics can sometimes get away with asking unorthodox questions. Perhaps it was my exposure to biblical studies, a discipline which goes one of two ways—overly facile attempts to maintain a literal reading, or a staid, solid approach tied to serious linguistics and archaeological records—that forced me into a reductionist paradigm. Well, everybody else was doing it! Academic thought had little room for the unusual, the bizarre, the irregular verb. The same applies to our no-nonsense, money driven society. Just shut up and do your job.

Mutants and Mystics, however, shows that our repressed unusual experiences, like a freudian phobia, will find ways into daily reality. It is a mind-stretching book. As for Authors of the Impossible, Kripal is to be congratulated on allowing himself to consider walking down paths that most academics assiduously bypass. Coming to his work as a fellow student of religious studies, I see that he has arrived at similar conclusions to mine, although clearly more advanced. I’d just assumed that since I never had the serious backing of a serious university my way was the low-way. The way of the kid who just couldn’t bring himself to grow up. There is a reason we spent our formative years reading about heroes for whom the impossible was daily reality. Perhaps we were in training after all, and comic books prove the point of old Isaiah that a child may indeed hold knowledge adults often just can’t see.

Gitche Gumee

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Up on the rugged western shore of Lake Superior the lamp atop Split Rock Lighthouse will be illuminated for the only time this year tonight. Immensities and superlatives fail at some sites, and as the cold waves lap eternally at the shore, this is one of them. Split Rock illumines its beacon in commemoration of the sinking of the Edmund Fitzgerald on the far end of that great lake on this date many years ago. While not as large as the Titanic, the Edmund Fitzgerald outstretched two football fields and carried more than fifty million pounds of cargo, immeasurables we are forced to recalibrate into yardage and tonnage. When the Fitzgerald sank during an unnamed November storm in 1975 only twenty-nine people died, but the tragedy soon became part of American legend. The image of immensities battling for the souls of twenty-nine human lives possesses an eerie, epic quality. When faced with the raw rage of nature, we are helpless indeed.

Shipwrecks may be the ultimate metaphor, for like ships we are consciousness in a protective vessel. Of course some deny that a soul exists, but in November it is difficult to doubt. A century ago the Titanic sank, and we still wonder in fascination. Human life is fragile when confronting the north Atlantic, or Lake Superior, or even the great waves that wash ashore and sweep some away. Great bodies of water, some psychologists say, represent forces larger than ourselves in the human psyche. Some suggest the ocean in dreams represents sex, but others would say it’s God. In the realm of metaphor anything is possible. It is no accident that many Christian sects begin the rite of membership with total immersion in water. When the Fitzgerald was baptized, twenty-nine men died.

Standing on the vast shoreline of a gray Lake Superior has a way of making you feel insignificant. Enormity was easily related to divinity in the primitive mind, but standing next to something truly vast still sends me into a protective crouch as I ponder just how little I really am. In this year of destructive storms, as we’ve taken to naming the winter squalls that whip across the continent with noble names such as Athena and Brutus, we are still at the mercy of something unspeakably large. The weather is the ocean above us, and it bears children named Andrew, Irene, Katrina, and Sandy. Each reminds us that we are constantly at the mercy of something far larger than human comprehension. Every year as the tenth of November rolls around I think of the Edmund Fitzgerald and the overwhelming forces that surround us. There is indeed a metaphor hidden here, for those willing to plunge into the frigid depths to find it.

Beyond Science

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The nature of reality is not easily parsed. As a society we are still under the spell of rationalism, that wonderful left-brain system that seems to explain everything. Until we break down in tears and don’t know why. Like the proverbial chicken-and-egg, reductionists say it all comes down to electro-chemical reactions in the brain, to which non-reductionists reply “believe that if you want to.” Knowledge and belief, belief and knowledge. The truth is nobody knows. So when I see Heaven on the cover of Newsweek, I can’t resist wondering what’s inside. Dr. Eben Alexander, a Harvard-educated neurosurgeon, has just written a book called Proof of Heaven. In the Newsweek article he explains how during a week-long coma he had the most vivid experience of his life. While his brain was shut down. It might be more accurate to say he had the most vivid experience of his afterlife.

The classic debate for Near Death Experiences—so common they have their own acronym, NDEs—revolves around timing. Reductionists say the thought could have happened very, very quickly, just as the brain was shutting down. We all know how dreams can feel like they last far longer than we’re asleep, and how vivid they are. Those who accept the reality of an afterlife argue that many of the classic symptoms such as seeing your own body from above, or being able to describe in detail what was happening in another room at the time, count as evidence. It is the problem of the occasional phenomenon again. This is something no lab can measure, but it happens just often enough to make you wonder. The shaman might say, along with Inception, that the dream is the reality. That might explain why so much of “real life” is unpleasant.

As comfortable as the belief that reality is solid, material, quantifiable, may be, it does not count for the totality of human experience. Alexander’s heaven may not be the same as mine. Reality may not be one. Maybe Occam was wrong. Reading about shamans over the past couple of weeks, it became clear that some believe humans have more than one soul. (I can hear the reductionists rumbling—one soul is already too many!) Some cultures recognize as many as seven souls in a single individual. These, they suggest, account for the uncanny experiences of human life. Why do some people see ghosts and why are dreams so vivid and how does faith healing work? Reductionism calls them all illusions, tricks of the brain. Until his coma Dr. Alexander would have agreed. Now the newsstands suggest a different paradigm may be emerging. Dare we believe that the truth is out there?

Shaman on Us

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My reading habits are unorthodox. I don’t follow a fixed plan, but hope for something that will keep me engaged for the fifteen or so hours I spend commuting each week. I began October with a book about werewolves and followed it up with a book on the Hmong. Apropos of neither and both, I turned next to Shamanism: An Introduction, by Margaret Stutley. While not the best organized book, it does provide a smorgasbord of shamanistic traditions, principally from Siberia, where Shamanism was first recognized. Before I’d finished, I’d read about both epilepsy and werewolves.

Shamanism is not a “religion” per se. There is little agreement among scholars about what a religion is at all. Shamanism is very much a local set of beliefs and practices that have only very basic elements in common (shamans being one of them). It is a good example, however, of how moral heathens can be. Shamans often accompany egalitarian societies who do not require governments and religious leaders telling them to be nice to each other. No, this is not the noble savage myth, but it is a clear indication that major religions are not required for morality. It evolves on its own. Often shamanism is not constrained by overly left-brain influence, and sees connections science can only deny. The plight of Lia Lee was explained here in a way physicians could access—epilepsy and other diseases are problems of the soul as much as the body—if only they read books about religion. Healing involves calling the soul back. Treatment of the body misses the point. And sometimes the dead become werewolves.

We live in a world where real suffering is caused by lack of understanding about religion. Assuming a cultural hegemony of Christianity, or Islam, and sometimes even other religions, we discount those who believe differently than we do. The New Atheists frequently overlook just how seriously people take the world of the emotions and belief. That realm is a large part of what makes us human and it plays by no logical rules. Nor does it care to. In a country, such as the United States, where money is believed to be the very warp and woof of the good life, shamans sometimes secretly cut the thread. Still, don’t ask universities to expand the study of something as insignificant as religion because all intelligent people know that nobody really believes that stuff any more.

Babel’s Gate

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Up north past Edinburgh, beyond the Cairngorms, on the shores of the chill North Sea lies the village of Cromarty, Scotland. A death occurred in Cromarty, according to CNN earlier this week. And why would CNN be concerned with a single death in a small village in a remote corner of Scotland? Because with Bobby Hogg’s death, his language also died. Hogg was the last speaker of Cromarty. Having lived in Scotland for over three years, I heard many an impenetrable accent, but even as I strained to understand, I loved it. The loss of Cromarty is part of an on-going, world-wide extinction of languages. Sure, the big ones survive, thrive even. The small ones pass away, often forgotten. Those who unabashedly champion “progress” take no time to mourn the passing of the idiosyncratic, the individualistic, the non-conformist languages. Dominoes are easier to stand, after all, if they are all a uniform size and shape.

I taught Hebrew to my students for many years. Those who wish to be clergy should be able to read God in his original tongue, it stands to reason. As complaints began to simmer, as they always did, at the difficulty of learning a semitic language, I liked to remind students that a language is far more than a collection of vocabulary and a smattering of grammar and syntax. Languages are worldviews. We don’t know who invented language, but we do know that it evolves more rapidly than biology, once human populations are separated. As in the case of Cromarty, languages often reflect lifestyles—they preserve the words and phrases necessary for distinct ways of life. Automation, however, prefers one-size-fits-all. Those who can’t understand are less efficient players in the colonialization of the world by capitalism. Languages allow for diversity and specialization. Cromarty was the language of fishermen.

Yes, multiple languages reduce efficiency. You don’t have to read too far into your Bible to discover that. Yet even efficiency comes with a price. Year by year, the cacophony of human expression becomes more uniform. Yesterday there were a thousand languages, today only nine-hundred-ninety-nine. Yarns were spun in Cromarty, just as surely as they were in Hebrew. Young ears will never hear that ancient language, and with it a way of looking at the world also died. Yawn if you will, but if all the minor languages disappear the one remaining worldview will be all the poorer for it. Yiddish to Aari, languages reflect who we are—and Mr. Hogg’s passing is a loss to all humanity.

Do you hear what I hear?

Deadly Morass

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Swamplandia! is a novel ensconced in the reality of death. It is one of those books that I knew I would need to read as soon as I heard about it.  Alligator wrestlers, ghosts, and even a biblical-sounding Leviathan theme park based on hellish imagery create an eerie, almost supernatural feel to the narrative.  At the same time, it is a very human story of loss, assimilation, growing up, and more loss that might be gain.  I’ve read many novels where the characters and events faded relatively rapidly after I closed the back cover.  The cast of Karen Russell’s Swamplandia! has stayed with me, wraith-like, for several days.  As I’ve tried to work out why the story sticks so close at hand, and I think it may be because so many of the characters—the entire protagonistic family—are outsiders.  The loss of the mother spirals a carefree, largely off-the-grid family in a Floridian swamp into a forced confrontation with the mainland.  In these times of economic hardship, the loss of a dream is something too many people can understand.  I certainly can.
 
Death, in whatever form it may appear, is a religious issue because it deals with ultimates.  Paul Tillich, a theologian of the last century, famously declared that God was that on which a person staked their ultimate concern.  For many people today, by this rough definition, death has become a kind of god.  In the ancient world s/he was literally so. Of course, death is entirely natural.  Consciousness is the factor that makes it seem foreboding and dreary.  Swamplandia! deftly ties death and love, hope, and a kind of diminished redemption together in a tale where a young girl travels through an unlikely underworld to rescue a sister who saved her own life by her doubt.  It may not be the most profound novel, but it is certainly a moody one.
 
On my campus visits I’m increasingly hearing that novels are favored by some instructors to get at deep truths that textbooks miss.  Indeed, the analytical urge is strong, but not omnipotent.  Sometimes the truth can best be experienced by letting yourself go and just feeling what is happening rather than thinking it through.  Swamplandia! does a bit of that. Thinking back over my own long, academic tenure, I realize that the teachers I enjoyed most were those who had me read what were, at the time, unexpected things. In a world where education has become nothing but job training to produce satisfied cogs in the corporate machine, death as a character in our own stories can’t be far from the truth. Sometimes even alligators and ghosts aren’t the scariest features of our non-fictional landscape.

Pipe Dreams

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While I was off in Indiana, Jesus was coming down in New Jersey. Well, at least a graven image was. My wife saved the front page of Thursday’s New Jersey Star-Ledger that had a front-page, above the fold headline, “Workers give Jesus a much-needed lift.” The caption notes that in a gusty storm on Tuesday the 200-300 pound Jesus (this is America, after all) tumbled off his pedestal at Saint John’s School in Orange. A crane hoisting the fallen Lord dominates the first page. Clearly a bit of irony on a slow news day, the social commentary is thick indeed. Despite Magritte’s assertion, we still say the painting is a pipe. The representation is the object. This is the native logic behind the “idols” of old—to capture an image is to somehow to encompass some of the essence. This is precisely why the Hebrew Bible forbids images to be made.

I realize that “essence” is a disputed concept these days. Some scientists have declared that no such thing exists, along with souls, deities, and free will. Nevertheless, most mornings I wake up aware that I am me and not you, that my physical body is relatively near where I last remember it being, and that it faces the same hopes and limitations it did the day before and before and before. Perhaps this continuity is an illusion, but I can’t afford to treat it as such. It’s hard for an identity-less person to hold down a job. As usual, it is money that comes back to define us.

We recognize that it is disrespectful to mistreat representations of what we hold sacred. Does Jesus suffer any real harm for his image laid out on the ground? The nuance necessary to separate likeness from reality is something we obviously possess, but as we deal with the physical world the distinction frequently fades. Religion may have lost much of its explanatory value for the material world we inhabit, but images of a fallen savior demonstrate that we still operate otherwise. Much of our religious life concerns appearances. And for many people that step between appearances and reality is a very small step indeed.