It smelled like Christmas. I was out of the office for a rare lunchtime errand, and I had just turned the corner from Madison Avenue onto 34th Street. It hit me like childhood—the scent of pine. I couldn’t believe it as I looked ahead. Wreaths lay piled up on the sidewalk. At least a dozen newly harvested trees were leaning on a makeshift frame along the street. Long disused store windows from B. Altman’s were fully decorated with Christmas scenes. Five minutes later, after my errand, I walked through the scene again. Tourists were snapping photos to paste on Instagram, Snapchat, or Facebook. Clearly the people responsible were getting ready for the holidays extremely early even for money-grubbing New York. Of course, it was all a set for a television shooting. Working in Manhattan is like being on a movie set most of the time.
It isn’t at all unusual to walk through the line of trucks and trailers parked along one of New York’s lesser used cross streets on my way to work. I see set artists working to make a store front look as if a fire had recently broken out there. Famous people lurk inside their trailers until handlers can get them out and away from hoi polloi. We’re all actors here. This isn’t an authentic existence. As I walk through today’s Christmas set, I step past the homeless with their grocery carts full of their worldly possessions. They’re the only ones on this street who aren’t actors.
I’ve been working in Manhattan for six years now. The dizzying extremes of wealth and poverty juxtaposed hard up against one another is disorienting. We would rather live in a fantasy world than help those who are suffering in real time. Yes, there are people who dwell in hells of their own making. I’m not naive. I also know that we create hells for those we don’t like. Those who “underperform” or who don’t value mammon as much as a red-blooded American should. We cast out those who have mental problems and politely ignore them as they rage on the street corner. We do, after all, have to get to work. New York is an experiment in which the virtues and vices of humanity are concentrated and magnified. We then project it onto the silver screen for all to see and covet. But just off the set there are hurting people. They won’t appear on the camera, but they’ll be there after the crew is gone. If we wanted to, amid all these trees and wreaths, we could find a way to help them. We could make this world a better, more authentic place. It’s my Christmas wish that we will.