Easter Fools

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One of the most interesting aspects of Easter is its peripatetic nature.  It wanders around the calendar awaiting the first Sunday after the first full moon after the vernal equinox.  By definition it’s always in spring, but it can range widely as to when it actually falls.  This year it meets up with another unusual holiday—one with very uncertain origins.  April Fools’ Day is poorly documented and understudied.  This is one of the reasons I find holidays so fascinating.  Scholars seldom take them seriously and, well, April fools.  Who’s going to look into that?  When working on The Wicker Man (which is about holiday horror), I found there was little to find about April Fools’ Day.  There’s no agreement as to why it’s called that or how it started.  I have a pet theory, but no evidence to back it up.

Image credit: Heinrich Vogtherr the Younger, public domain via Wikimedia Commons

We tend to think of April Fools’ as a day for practical jokes.  Indeed, the horror movie based on it is a big, long practical joke.  I wonder, however, if it goes back to my other old avocation, the weather.  The weather led me to write a book as well, of course.  For those in the northern hemisphere—particularly up in the more temperate parts of that hemisphere—April can indeed fool.  Around here it’s been decidedly cool for spring after a real warm spell a couple weeks back.  One year while living in Wisconsin we took a family trip for my wife’s mid-April birthday only to end up playing mini-golf in the snow.  April fools, you see.  We’re not out of the woods yet, regarding winter.  This understanding of seasons makes me think April Fools’ Day evolved from a statement about the weather.

Irish Celts believed spring began at Imbolc, at the start of February.  In that viewpoint, summer begins on May Day (Beltane), just a month away.  Now that Easter has fallen on the last day of March we’re left with an April bereft of official holidays, other than April Fools’ Day.  In fact, work-wise it’s a barren period from Presidents Day, in mid February, through Memorial Day at the end of May.  Just as the weather’s warming up to make the occasional long walk through the woods a magical journey of discovery, we’re confined to our offices—virtual or physical—gazing longingly out the window as nature invites us out to play.  Well, April fools, does it not?

What Would Ostara Say?

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Easter is an uneven holiday.  In Britain it leads to days off work.  In the US, which prides itself on being religious, it’s business as usual.  Nobody closes for any days surrounding the holiest day of the Christian year.  That irony has always struck me about this season.  Of course, going to college there were breaks in the spring, and at a Christian school, special observances for sacred times.  In seminary it goes without saying.  In my case, working on a doctorate in the UK (an activity with few true breaks), we experienced the British sense of holidays surrounding Easter.  At Nashotah House you simply couldn’t miss it.  In fact, the Triduum was a contest of endurance with late night services and hours and hours in chapel.  Once I was forced into secular life, the shift was blinding.

Capitalism rolls right over Easter without even slowing down.  Who brakes for a Sunday holiday?  I am a believer in significant days.  I write about holiday horror, and holidays in general, because I’m certain of their importance.  The relentless pursuit of gain that is the American way is wearying.  Most everyone I know who isn’t retired is just plain tired.  Tired all the time.  We’re given few pauses and fed many worries.  So much so that resurrection from the dead can feel like something scary indeed.  Will work in the afterlife be as unrelenting as it is in this one?  All of this becomes especially evident to me on years like this one where Easter creeps up on me.  Not a fixed day in the calendar, sometimes you don’t even look up until you’re practically on top of it.

I remember in high school spending practically all day on Good Friday in church.  When working at Ritz Camera (after seminary, trying to stay ahead of student loan payments), managers looked at you funny if you asked for it off.  You see, I need spiritual time to recover from the onslaught of work.  Easter, however, is just another Sunday.  Watched on Zoom, with maybe special music.  If you’re able to be there in person there may be lilies with their distinctive Pascal scent.  Then the next day it’s back to work as usual.  Thinking about Easter always make me think about hearts being where the treasure is located.  When we take treasure too literally, it leads to too much work.  My mind, I fear, is that of a professor, with built in spring break.  And semester breaks.  Not exactly holidays, but unstructured time to catch up on work.  Holy days.

Tracing Writers

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Ratiocination.  Detection.  There’s something compelling about that clear, crystalline logic that leads to solid conclusions.  I was floored by Don Foster’s Author Unknown: Tales of a Literary Detective.  I found the book by following up a reference to “A Visit from St. Nicholas,” aka “’Twas the Night before Christmas.”  Like most Americans I credited the poem to Clement Clarke Moore, but he did not, in fact, write it.  If you trust anyone with literary detection, it should be Don Foster.  Although this cleverly written book is not an apologia for the author’s personal accomplishments, it nevertheless builds trust in his methods and his sense.  It begins as he discovers an unacknowledged text was written by Shakespeare.  The evidence is carefully laid out, and is convincing.  Then others began to ask him to “prove” who wrote other pieces.  It’s quite a ride.

While Foster takes great care not to claim the ideas as his own, he’s nevertheless drawn into the case of the Unabomber, and Monica Lewinsky, and Thomas Pynchon.  His methods of ratiocination demonstrate repeatedly what he explains in his excellent introduction—our writing is every bit as indicative as our DNA.  With an adequate writing sample size, a piece with an unknown or disputed author can, with a great degree of probability, be attributed to the correct author.  You don’t even need to know of the cases to find the outcomes fascinating.  And those who disagree, being human, are simply not convinced by his conclusions.  They’ve already made up their minds.  In this regard the case of Wanda Tinasky (I’d never heard of her) is utterly compelling.

The Santa Claus chapter, the final one in the book, is a real pay-off.  Henry Livingston Jr., of Poughkeepsie, wrote the famous poem that defined Santa Claus as we know him.  Considering Christmas’ importance in our capitalistic society, this attribution is an important one.  Clement Clarke Moore was a very wealthy professor of Bible at the newly formed General Seminary.  Foster demonstrates probable cause in his claiming, and keeping alive, the mythology that he wrote the famous poem.  The way that this chapter is laid out and presented is especially witty.  Those interested in getting at the truth behind who wrote what will find this a page-turner.  Although he wasn’t seeking out the attention that came (most of us, as academics, are surprised when anyone show any interest at all in what we write) Foster has given the world a real gift in this book.  It reminded me once again why research is the most intriguing thing on earth.  And learning can be like reading a good mystery.

Balance

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Spring came early this year.  I’m not talking about Punxsutawney Phil, but rather the fact that a leap year shifts the vernal equinox a day forward.  According to experts, spring begins today.  In The Wicker Man (it’s about oh so much more than the movie!) I discuss the seasonal holidays of the Celts.  The vernal equinox was surely known, but the beginning of spring was understood to be Imbolc, around February 2.  Since their summer began on May Day (thus the eponymous Wicker Man), the equinox was halfway through spring.  Modern paganism traces the equinox celebrations back to Ostara.  The day takes its name from the germanic goddess Ēostre, who also gave her name to Easter.  The holidays were intertwined, just as Christmas was entangled with Yule.

I find the equinoxes and solstices times for a spiritual pause.  Sure, there’s the simple astronomical fact of equality of light and dark, but there’s also something more.  Something that feels cosmic and that helps direct our destiny.  From now on there will be more light than dark.  But only for six months.  Even with Daylight Saving Time, our capture of light is of limited duration.  It makes sense to make use of the light while we have it.  Of course, those of us who rise early end up falling asleep before dark, but even so it’s starting to get lighter in the mornings again.  The equinox is a time for reflection.  And like most times for reflection, business doesn’t recognize it as a holiday.  Who ever heard of a holiday on a Tuesday?

The thing about spiritual messages is that they often come to you rather than the other way around.  At certain times, however, conditions are just right for something to break through.  It does require some listening, however.  So today, as nature holds everything in balance, try to take an unrushed moment to ponder.  For some of us it may come before the fury of work tears through our peaceful meditations, while for others it may come with the calm that five o’clock brings.  However we find it, this is a special time because this day is unusual.  It is a time of balance.  We all know how rare such things are in life in a topsy-turvy world.  The earliest flowers are already blooming around here, suggesting that as light increases so will hope greet us, if we watch for it.  The world is full of wonder, and an equinox is a time to look for it.

Keeping Time

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How we keep time (or better, mark time) is fascinating to me.  Unlike our concept of schedules, the earth’s revolution and rotation do not give us evenly long days or years.  Yet we still work 9-2-5 and even though many studies show a four-day work week is more productive, we just can’t give up old ways of marking time.  A weekend (a fairly new development) is two days only.  A leap year, however, contains an extra day for “the man.”  That’s because today is not a holiday.  It’s a necessary day to keep months in sync with years, otherwise March would slowly have September weather.  All of this is human convention, of course.  As is capitalism and its “more is always better” outlook.

Our lives have changed with both the internet and the pandemic.  We work more, not less.  And I, for one, think we need to give working stiffs another day off.  We could start with today.  (I know, big man, that you fear losing money—I realize this is important to you!  What I’m suggesting might make you wealthier, however.)  After all, today is a gimme.  What would we do with a whole other day if we had one?  I know, our standard answer is work, but what if life were more than just what you were paid to do?  It would be a holiday.  The thing about holidays is that we don’t know what ancient events prompted the origins of some of them.  Those for solstices and equinoxes are obvious enough, but other days became special for unknown reasons.  Why can’t February 29th be such a day?

Some employers make up the difference by making election day a holiday.  That one should be a national holiday, really.  And since presidential elections fall on leap years, I guess we get February 29 off on the first Tuesday in November.  Holidays have always fascinated me since they project an aura of something special happening on that particular day.  Something that makes it different from other days.  People born on this day joke about aging four times slower or faster, depending on your perspective.  Doesn’t that seem enough to qualify as a special day?  For most of us, however, today is just another Thursday, and for many it’s just another Thursday at the office.  And it propels other marked days in the year ahead so your birthday next time around skips a day.  There’s a kind of magic to today.  Maybe we should mark it in some way.

Love Life

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Photo by Priscilla Du Preez 🇨🇦 on Unsplash

I suppose that it’s good to keep Valentine’s Day mostly private, but there was some wisdom to how it was practiced in school when I was growing up.  In primary school the rule was that everyone had to give everyone else a valentine card.  You couldn’t just give them to the people you liked.  Valentines Day was a day of equity, and, as children understand it, love.  Love for everyone, not just those of your nation or ethnicity.  Kids of any gender received cards from kids of any other gender.  The point was, love one another.  Looking at the way that hatred has become the new normal with right-wing politicians leading the way, Valentines Day has become a much-needed symbol.  We should be loving those who are different.  Instead we go to the polls and elect extremists who start wars and who brag, even before votes are cast, of the damage they intend to do in their next term.  Where’s the love?

I confess to being an idealist, but I do wonder why love is so difficult to achieve.  Are we so much the victims of tribalism that we can’t see there’s enough to go around?  We live in a world where, were it properly administered, we could see to it that most people, if not all, would have their basic needs met.  Where love could be our highest motivating factor.  Instead, we want the love of only those we love and everyone else can fend for themselves.  And whatever facsimile of love we can muster ends at an artificial line we call a national border.  Those on the other side are our enemies and we want to take what they have.  Is this a sane way to spend Valentines Day?

The irony of all this is that those who perpetuate this divide and conquer mentality were raised in religions founded by leaders who insisted on love.  Love your neighbors.  And, more radically, love your enemies.  What if Valentine’s Day were more than just a time for romantic dinners and little treats, and those things which are best kept private?  What if it were a day when we all tried to love that kid who’s always picking on you?  Or who looks different?  That kid that doesn’t seem to have any friends?  Childhood taught us that everyone’s shoebox got a card today.  We may have been too young to understand some aspects of love, but one thing we got right.  Everyone deserves ours.  Why not try love?

Out of Season

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Culture fascinates me.  And one of my favorite aspects of culture is holidays.  I realize that’s a privileged thing to say but were we living among the hunter-gatherers I’d probably have ended up a shaman.  In any case, I had my eye on Stanley Brandes’ Skulls to the Living, Bread to the Dead: The Day of the Dead in Mexico and Beyond for some time now.  Like most observers of lugubrious culture, I’ve noticed the symbols of el Día de los Muertos creeping into Halloween displays in the United States for many years.  I knew that the Day (properly Days) of the Dead was connected in some way to All Saints and All Souls days.  I wanted to find out more, however.  Now, I know that one source doesn’t give you all the information, but time is limited and Brandes was recommended.

This book contains a lot of information.  I am, however, a worker in the publishing industry and that made me wonder a number of things.  The trim size (dimensions) and cover design suggest this is a textbook.  I suspect Blackwell (the publisher) wanted it so.  It is, however, written for ethnographers.  I’ve read enough anthropology over the years to have an idea of how this works, but inside the book it seemed that this was a toned-down academic monograph.  It doesn’t use a lot of technical terms, but the writing is geared toward other ethnographers, it seemed to me.  There is a bit of a dilemma here.  If you’re wanting an authoritative book you generally go to academic publishers, such as Blackwell.  On the other hand, sometimes you just want an overview that doesn’t get lost in the weeds.

The fault is entirely my own, I realize.  And I don’t mean to criticize since I learned an awful lot from this book.  Nothing is ever simple, not even holidays.  Especially holidays.  These are times we take from the ordinariness of daily living to find meaning, and often joy, in our lives.  A safe space where work can’t reach us and we can concentrate on celebrating the occasional, the unusual.  The Day of the Dead is, in the eyes of many, an unusual take on the late autumn holidays.  (Halloween is also unusual, but the two holidays are distinct.)  This book provides a lot of information on the culture of Mexico—information that derives from its most famous holiday.  You can tell a lot indeed from looking at what people celebrate.  There’s more going on than meets the eye.

For the Music

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Believe me, I’ve tried.  I took a year of piano lessons but just couldn’t get it.  I married a musician.  I tried to learn guitar.  (I would still play with it, but I broke a string last time I tried to tune it and who has time to get to a music store where it can be restrung?)  I can’t sing—I’ve never been trained and I just don’t seem to have the voice for it.  (In fact, since I no longer teach those close to me say I speak so softly that it’s a strain to hear me.)  But the fact is I love music.  That’s why I don’t listen to it as background.  If there’s music playing, that I like, I find it difficult to concentrate on anything else.  It goes directly to my brain, it seems.

My memory is such that if a piece of music is too familiar I sometimes just don’t want to hear it.  I’m also out of touch with contemporary music.  I have strong tastes, and not too much appeals to me.  When something does, it’s transcendent.  It’s like I’ve fused with the performers.  It’s mystical and amazing.  Growing up, we couldn’t afford much in the way of records.  (I’m sure I need not say anything about cassette or 8-track tapes.)  I listened to the radio with my brothers from time to time, and enjoyed what we heard.  I secretly enjoyed what I heard coming from my older brother’s room.  Left to my own devices, however, I tend to pick up a book and I can’t listen to music and read at the same time.  I know that this is my own neurological issue, but I’m letting you in because anything transcendent is worth sharing.  

Photo by Jefferson Santos on Unsplash

Although the quality isn’t as good, services such as Spotify and Amazon Music Unlimited have slowly introduced me to music of the nineties and later.  Why the nineties?  That’s when I began teaching and my spare time was spent researching (reading) and I had little time for other diversions.  You see, music may just be what it’s all about.  It’s being absorbed and enjoying every second of it.  Humans are visually oriented, but when we focus on sounds something happens to us.  I can be in a crowded store and stop dead right in the middle of the aisle if one of my special songs comes on in the background.  I have to stand and listen, shopping forgotten.  Transcendent moments are few.  If we were in transport all the time I fear it would become ordinary.  And such things are worth pondering on Groundhog Day.

Demonic Night

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There’s a type of film—I don’t have the vocabulary for it—where the action is loud, brash, and in-your-face.  Colors are often lurid and, in horror, gross sounds are emphasized.  I’m not sure what it’s called, but it’s the style used with Night of the Demons.  I didn’t realize until after I’d seen it that it was a remake of an earlier film by the same name.  The one I saw was the 2009 version.  I’d just finished a book about demons, and I was looking over Amazon Prime and what I could watch without spending any more money.  Well, I did learn something.  But first, a little plot reveal: a group of friends are going to a Halloween party in a haunted mansion.  Mainly they’re looking for controlled substances and uninhibited sex.  The party hostess has rented said haunted mansion for the night.

Once they get there the final girl, Maddie (and you can tell from the beginning that she’ll be the final girl) starts to realize that there seem to be supernatural forces at play.  The cops show up and break up the rave, but seven kids remain behind since they’ve been locked in.  They find a hidden room where the bodies of six previous victims have decomposed.  This leads to the possession of the woman hosting the group and these demons are transferred either by bite or sex—they are sexually transmitted demons.  So, naturally, all the friends except the final girl fall victim.  These demons dissolve in the sunlight unless they get seven victims, so when Maddie makes it through Halloween night, the demons are defeated.

What makes this moving interesting is the type of demons on show.  These seven demons are so bad that they’ve been kicked out of Hell—they don’t follow the rules.  This made me think.  Logically, no demons in Hell follow the rules.  The root of the word “pandemonium” means “all demons.”  If none of them obey rules, how can any be kicked out for breaking rules?  Laws and rules are what preserve any civilization.  Those who use their money and power to flaunt the law are, in their own way, demonic.  These demons are kept at bay by spells written on the walls of one room in the house.  Those rules they must obey.  Is this a parable about free will?  It doesn’t seem sophisticated enough for that.  Night of the Demons is one of those fast, loud, lurid movies that need a monster.  Demons, which have no basic form, seem to be purpose made to fill such gaps.

Christmas Monsters

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Gremlins holds up pretty well with the years.  My renewed interest was sparked by holiday horror—I had last seen the movie in a theater in 1984, when it came out.  Having grown used to CGI, I was surprised to re-learn that the gremlins were puppets but that it was so obvious was also a surprise.  Although comedy horror, or horror comedy, had been around for years at that point, as critics pointed out, the contrast here was stark.  This could be a kid’s movie (and was one of the reasons behind the shortly new PG-13 rating) but the nasty gremlins could be unexpectedly brutal.  I’d forgotten that Billy’s mother was so effective—killing a gremlin in a blender and another in a microwave.  The story has been retold and/or parodied often enough that a summary isn’t necessary, but given my recent interest in both gremlins and holiday horror, it’s worth a few moments’ reflection.

Holiday horror is more than a scary movie that happens to occur on a holiday.  In my definition, the horror has to derive from the holiday itself.  In Gremlins the gift of Gizmo is based on the fact that it’s Christmas, otherwise Rand wouldn’t have been looking for a gift for his son, starting the whole chain of events.  More than that, the reason I didn’t go back to the movie again in my college and grad school years was the story Kate tells about her father on Christmas.  Like some parents, I felt like what was a fun little story was a bit too distressing given the holiday setting.  Would the story have worked set at a different time of year—remember, it was released in summer—with the commentary that it makes about consumer culture?  No, this had to be a Christmas movie and the fear comes from that fact.

The gremlins are given minimal backstory here, although Murray Futterman tells Billy and Kate  that gremlins come from foreign merchandise and they tinker with machines.  Gremlins had been used in horror before, and given that the canon of classic movie monsters was being set from the thirties through the fifties (gremlins appeared as monsters as early as the forties) they fit right in.  They’re inspired monsters.  People naturally feel vulnerable on planes and monsters in the atmosphere can be particularly frightening.  And the fact that technology frequently malfunctions, well, wouldn’t it be nice to have a monster to blame?  Reading up on the movie made me curious to see the sequel, which, it seems wasn’t too badly received.  I’m glad to have used a small portion of the holiday season to have refreshed my memory.

Ninth Day of

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I read Les Standiford’s The Man Who Invented Christmas back in 2017 and learned a lot from it then.  Some of what I read on the bus, however, has faded a bit with time and I was curious to read it again in the light of the reading I’ve done about Washington Irving.  Irving was a bit older than Charles Dickens and had, it seems, given Dickens the idea of writing, first, a sketch book (Sketches by Boz), and second, writing about Christmas.  From what I’ve read about Irving, he had a cautious liking of Dickens but wasn’t terribly impressed.  Standiford does note that it was Irving who suggested an American tour to Dickens (it didn’t turn out well) but he (Standiford) indicates that Irving was a staunch fan of his English colleague.  Were I able to spare the time, I would follow footnotes and read letters to see if I could get to the heart of the matter.  Of course, I’ve become much more interested in the history of modern literature in recent years.

It would be difficult to overestimate the influence of Dickens in English literature.  As Standiford points out, he helped to invent novel publication as we know it.  Although he took up the gauntlet of international copyright (something Irving had earlier understood as important), he became internationally famous partially through pirated works.  We still use the phrase “What the Dickens” to express surprise. (It turns out that the expression predates Charles—now that’s influence!)  As Standiford notes, however, we’ve passed the era when a single author can have such great influence.  Dickens was a singular talent and read by vast numbers of his compatriots and also grew a respectable readership in the United States.  He also had a great deal of influence on how we celebrate Christmas.  I was this time looking for Irving lurking in the shadows.  And I found him.  Dickens was an enthusiastic fan of Irving.

Standiford brings Irving into the discussion often, but also perpetuates the association of “It was a dark and stormy night” with Edward Bulwer-Lytton (who did use it) without mentioning that the phrase originated with Washington Irving.  One gets the sense that Irving was completely eclipsed by the work of his young fan, Charles Dickens.  Standiford mentions Irving quite a lot in this little book, but it’s about Dickens and not his American colleague, of course.  And Standiford also notes that crediting Dickens with the “invention” of Christmas is overstatement.  The story is nevertheless fascinating.  To me this second reading underscored the importance of Irving for the Christmas holidays, and also how terribly difficult it is to make a living as a writer.  I’m glad I came back to it, even when life otherwise threatens to be too busy for re-readings.

A Year of Hope

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The older I get the more I appreciate New Year’s Day as a holiday.  Part of the reason is that, although I saw no hint of religion in it as a child, I have come to realize that holidays are for reflecting.  As a self-critical individual, I don’t wait for any date to make resolutions, preferring to do that in real time as soon as I learn about my bad behavior.  Still, although it’s a somewhat artificial marker, January 1 is a time of hope.  It seems that since 2016 years have been something of a slump.  Trump certainly has something to do with it, but Covid has become a monster in its own right and it’s hard to know when we might be able to get back to feeling comfortable in large gatherings of people.  Even as an introvert I miss that from time to time.  Still, optimism comes out with the start of a new year.  Who doesn’t like new things?

Technology has made us hyper-aware of bad things happening elsewhere.  This evolution of a hive mind has caught us unaware, it seems.  We do have a desire to improve (with some exceptions, such as politicians only in it for themselves) and that focus makes our next steps optimistic.  What greater hope can there be that an entire year stretching out in front of us, yet to be written?  There’s the old saw about a blank sheet being a source of fear, but why not do our best to write our own futures on it?  Put our good intentions into the mix to try to balance out the negativity that some others seem intent on dragging the rest of us through.  New Year’s can become almost religious in that way.  We consciously reject the bad that has grown on us throughout the previous twelve months.  We can do better.  We can be smarter.  We only need to believe.

I know that I keep hoping every year that HR will see the wisdom of allocating holidays.  We work more efficiently now, and people smarter than the rest of us suggest that we should not be stressing ourselves so much over things like work.  My own outlook is that days given off work for reflection are increasingly important.  Capitalism with its worship of mammon is, hopefully, entering its late stages.  I can see a future that’s better than what we’ve managed so far.  Let’s hope the wisdom exists to make 2024 a year of avoiding disaster.  A year of hope.

Reading 2023

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As has become my tradition, I’ll end the year reflecting on the books I’ve read.  For a variety of reasons this is the first time in nine years that I haven’t cleared seventy books.  (I ended up one shy.)  But looking back over what I read, I may see some logic behind this.  Many of the books were academic, and specifically, academic in fields outside my formal training.  That also means they generally didn’t make it to my list of favorites.  2023 was also unusual in that it wasn’t until about late spring that I started to read books I really enjoyed.  The first on my list of memorable titles is Andi Marquette’s The Secret of Sleepy Hollow.  This was followed by a couple other fiction titles, Grady Hendrix’s Final Girl Support Group and Gina Chung’s Sea Change.  Those ended up being my favorite three fiction titles of the year.

For nonfiction, I finally read John Hersey’s Hiroshima, memorable, if terrifying.  Also along the lines of history, I found Lesley Pratt Bannatyne’s two books Halloween and Halloween Nation, to be particularly good.  Mark Dawidziak’s Mystery of Mysteries may well have been my favorite historically-oriented book of the year.  Donna Kornhaber’s Silent Film: A Very Short Introduction was also quite well done.  I always enjoy books on horror films, and two on The Exorcist were noteworthy: Nat Segaloff’s The Exorcist Legacy and The Exorcist Effect by Joseph P. Laycock and Eric Harrelson.  Why It’s OK to Love Bad Movies by Matthew Strohl, which I read a bit earlier in the year was also quite good.  By far the most helpful book in a personally troubling year was The Boy, the Mole, the Fox and the Horse by Charlie Mackesy.

In years past I’ve generally had more commendable books on my list.  I did, however, finish the last three Dark Shadow’s novels by Marylin Ross, reaching the bucket-list item of having read the entire series.  I also found Jessica Verday’s three-volume series strangely memorable, although written for young adults (found here, here, and here).  While the number of books I really enjoyed wasn’t as high as in some other years, these highlights make me optimistic regarding 2024.  I used to follow the Modern Mrs. Darcy’s reading challenge guidelines, until they stopped being published, and now I find myself left to my own devices, for the most part.  Much of my reading is driven by research, and I suppose I should also mention that my own fifth book was published in 2023 as well.  I don’t expect it’ll be anybody’s favorite, but it is nevertheless an honor to be part of the conversation.

Not Tomorrow

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Two of the sweetest words I know are, in the context of a vacation, “not tomorrow.”  They’re especially sweet after you’ve had a couple days off and you start feeling anxious that time is running out, only to realize that although work will start again soon it’s “not tomorrow.”  You have another day when you can stay in your pajamas, read, watch movies, or, if you’re a certain personality type, write.  Or play games, put a puzzle together, visit friends.  Whatever it is you do to find meaning in life outside work.  Outside academia I’ve never worked for a company that gave more than one day itself for the Christmas holiday.  (Two, if you count New Year’s Day, but that’s technically on next year’s meager holiday tally sheet.)

Each year I cash in vacation days so that I can feel “not tomorrow” more than a day or two in a row.  One of the more depressing recollections I remember is climbing onto an empty bus well before sunrise to commute to an otherwise empty office my first December working for Routledge since I hadn’t accrued enough vacation to take the week off.  I’ve worked for two British companies and it doesn’t help knowing our colleagues in the UK automatically have that week off.  Colonials, however, have far fewer holidays, and if that means trooping to the office for form’s sake, so be it.  Very few people answer their emails between Christmas and New Year’s.  Her majesty’s realm thrived for my presence, I’m sure.

The pandemic has taught us that many, if not most, workers are self-motivated when not confined to an office.  We also know that the United States has the lowest life span among developed nations, and my guess is that one contributing factor is that we don’t have enough “not tomorrows” until it becomes literally true.  Life is a gift, and spending it doing the things we value is something we tend to deny ourselves in the hopes that someday we might retire.  Many companies have begun to cap the number of vacation days you can accrue at numbers so low that the year looks like a desert from January through late November.  It’s that stretch of “tomorrow is a work day” punctuated by weekends so vapid that they vanish by the time errands you can’t do during the week are done.  Why have we done this to ourselves?  For me personally, I only have two more regular work days off.  I’m beginning to feel anxious about it.  Then I tell myself that, for today at least, although I have to start work again soon, it’s not tomorrow.

Boxing

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Christmas is too large for just one day.  I know that, of course, not everyone can take a string of days off work.  I realize there are people who work Christmas day.  For the rank and file of us drones, however, who sit in front of computers 9-2-5 making money for “the company,” this season should be a respite.  The day after Christmas goes by many names—the second day of Christmas, the feast of St. Stephen, Boxing Day.  Christmas, like ancient Roman winter festivals, couldn’t be contained in a single day.  For me, being a professor meant living life in semesters.  And semesters had breaks that included a couple weeks in December to regain your bearings.  To me, that remains how it should be.  So we continue to celebrate Christmas another day.  We do so without an agenda.  We do so by relearning how to relax.

Mental work is harder than it looks.  The work day takes up so much time that when I finally have a few days off I wonder how I ever get things done for the rest of the year.  Out of necessity, obviously.  You have to work.  You have to mow the lawn.  You have to visit the tax guy in tax season.  And so on.  I’ve been reading about bees lately.  They’re a lot more intelligent than people tend to think.  The hive mind has its own logic.  Still, worker bees literally work themselves to death.  Lifespans are measured in weeks.  It’s the price they pay for the success of the life of the hive.  And when, after a few years a queen dies, changes take place that make a worker a new queen.  The hive can continue.

Humans aren’t bees, of course.  Our society has different values.  We investigate when any of our species dies under mysterious circumstances, believing that all have certain rights.  (War, of course, cancels those rights, but we think and dream of peace during the Christmas season.)  Since the Christmas season remains with us but a few days each year, it makes sense to me that we build in some time for the drones and workers to recharge.  Across much of the world Boxing Day is a bank holiday—a day off work.  A time when the hive isn’t so worried about the concerns that mark most of the other days of the year.  Holidays are important.  They make us human.  As much as I appreciate bees, even the hive hibernates during winter.  Let’s give Christmas its due.

Photo by Max van den Oetelaar on Unsplash