Dark House

Leave a comment

Last year I completed an odyssey that began over a decade and a half ago.  I finished reading the Dark Shadows serial novels by Marilyn Ross.  Not because they were great literature, but because they were an important part of my childhood.  Slowly, over the years, I regathered the books and read them until the whole series was done.  One of the used book sellers was offering a collection of the books, and although the collection had some duplicates of what I’d already found, it contained some of the more difficult to locate titles.  When it arrived, I found it also included House of Dark Shadows.  This novelization wasn’t part of the series, and like most things in my life, I can’t claim to know everything about Dark Shadows.  As a child I didn’t know there had been a movie, let alone a novelization.  (I bought the books as I happened to find them, at Goodwill and watched the TV show.)

In the present, I’d just finished Octavia Butler’s Parable of the Talents and felt that I needed something lighter for my next fictional project.  House of Dark Shadows proved a better read than most of the series books, perhaps because it was based on a movie script written by the screenwriters.  Marilyn Ross was actually William Edward Daniel (W. E. D.) Ross, and he wrote more than 300 novels.  His Dark Shadows oeuvre became repetitious in its dialogue, across the series.  His characters always seem to say “at once” instead of “immediately” or “right now.”  I’m pretty sure the word “mocking” appears in each of them—certainly the latter ones—multiple times.  Having the script must’ve really helped keep those trademarks to a minimum.

Of course, now that I’ve read the novelization I need to go back and watch the movie again.  It’s been almost two years and some of the details escape me.  It’s largely because the movie goes “off script” from the long-running daily show (and the other novels).  I also realized that Tim Burton’s Dark Shadows movie was really a kind of reboot of House of Dark Shadows, unfortunately screen written by Seth Grahame-Smith as a comedy.  I’m no expert on Dark Shadows, just a reasonably enthusiastic fan in search of a lost childhood.  The movie makes the premise of the series untenable—both can’t exist in the same world, so it’s kind of a Dark Shadows multiverse, rather than a simple universe.  And it’s very complex.  I’d need to start again at childhood to become an expert in it, but at least now I’ve read all the books.

Playing Authors

Leave a comment

My family looked at me funnily, but not for the first time.  With a holiday gift card I’d ordered a book on the card game Authors that I’d blogged about recently.  You see, there’s not a ton of information on it on the web, and it was a formative influence in my life and I wanted to know more.  I suppose it’s typical for someone raised as a fundamentalist not to immediately think of evolution, but Authors has evolved over the years.  And quite a lot.  For one thing, you can’t copyright an idea and other game-producing companies made their own versions of the original game.  And what I’d assumed had been the original (since it was the one I had as a child) was only one of many versions.  The book even documents the Bible Authors game I’d mentioned.  My real interests included that age-old question—did it ever include Edgar Allan Poe?

Today is Poe’s birthday.  It’s fair to say that he’s one of the most recognizable authors in the world now.  He also had a tough time being accepted.  This book, which I haven’t read through—it’s more of a reference book, in any case—points out that Poe was indeed included in more than one edition of the game.  He isn’t one of the strongly recurring authors (which include several of whom I’d never heard).  This is the fate of writers.  Reading about Dickens lately, I came to realize that even after several best-selling novels (at numbers that would make any modern publisher gloat), he was effectively living off debt until well into his forties.  And he died at 58.  He was famous, but until his final years not what you could consider wealthy.  

Another realization dawned.  Writing for a wider readership means getting away from academic publishers.  I had an agent interested in my current book project for a couple of months before he decided it wasn’t for him.  I’ve also come to see that several authors I respect, and whose books are priced below $20, have published with presses that aren’t part of the Big Five.  And they earn some profit from their efforts (unlike academic publishing).  In other words, becoming an author of either fiction or non, often involves book sense that I’ve been slow to gain.  At the Easton Book Festival a few years back I met several local writers who were putting additions onto their houses with the royalties they earned.  I’d published three books at that point and was turning my pockets inside out hoping for forgotten spare change.  Authors is a game.  Those who are included are those who figured out how it’s played.

Truthful Fiction

1 Comment

Octavia E. Butler is a name I’ve known for some time.  Various people, most of whom I don’t know, had recommended her books, particularly Parable of the Talents.  It turns out to have been one of the scariest novels I’ve ever read.  It’s not horror—it’s science fiction.  It’s scary because it’s just too plausible.  The first inkling I had that something was amiss was when I read how Andrew Steele Jarret ran for president to “make America great again.”  Jarret pretends to be Christian to get the vote and America suffers terribly when he’s elected.  I flipped back to the copyright page.  1998.  I read on anyway.  It’s not too often you find a sci-fi book about someone starting a religion.  And named after a biblical story, as well.  I was doing fine until Jarret’s supporters destroyed Olamina’s peaceful community and enslaved the survivors.

It’s all just too plausible.  Of course, there’s a lot going on here.  Butler was an African-American whose ancestors had been slaves.  The religions presented in the book are a bit too black-and-white, but the followers of Christian America behave like many followers of Trump.  Butler saw this two decades before it happened.  The slavery part of the book was difficult to read.  There was so much pathos here, so much deep memory.  Although Olamina is a flawed character, she is a visionary with the best interest of the human race at heart.  This dystopia is perhaps a little too close to reality.  Those who recommend the book say that it’s hopeful, so I kept on reading.  And yes, there is a hopeful ending.  Getting to it left me floored.

Religion defines us.  In the growing materialism—false, as anyone who feels deeply knows—the idea that a story could be built around religion seems unlikely.  Butler has done that, and done it in spades.  I was surprised to learn that she’d studied at the Clarion Workshop, not far from where I grew up.  Being from an uneducated family I never heard of the Workshop until I was an adult.  And besides, it left Clarion, Pennsylvania for Michigan before I even got to high school.  Still, it gives me a sense of connection with a woman who saw more than many did.  Although Parable of the Sower is earlier, I’m not sure that I have it in me to pick it up.  At least not right away.  I’m still trembling a bit from Butler’s second parable.

No Agency

2 Comments

I’ve worked in publishing since 2006.  That seems like a goodly time, but the industry is a complex one.  I started trying to publish again around 2010—losing my job at Nashotah House sent me into a tailspin in that regard, although I wrote a novel or two in the meantime.  My first post-dissertation book was published in 2014.  I soon learned that academic publishers each have their strengths and weaknesses.  Most have trouble with marketing—people just don’t know about your books.  (And can’t afford them if they do.)  If the publisher won’t advertise, well, the voice of one ex-academic isn’t very loud.  So I wrote on.  My sixth book has existed in draft form for a few months now.  I know that to get a publisher who knows how to market you often need an agent.  I also know that as an unknown writer it’s difficult to get an agent’s attention.  I finally found one, however.

Agents change books.  Mine asked me to rewrite yet again.  All of my books have been rewritten multiple times, so this was par for the course.  I had to leave out a lot of the stuff I liked.  Then the agent changed his mind.  Hey, I get it.  Agents live off the advances their authors get so if they don’t see enough zeroes they shy away.  That’s just how it works.  I’ve found what looks like a good publisher (not an academic press) but I couldn’t simply go back to the version I really liked—I’d made improvements for the agent—so I had to blend the two versions together.  The problem is, that’s difficult to do on a computer.  I know from working in publishing that side-by-side comparative screens in word processing programs are difficult to find.  Of course, if you just print both versions out all you need is a table and a red pen.

I wasn’t born into the computer era.  Flipping between two screens doesn’t come easily but printing out two three-hundred-page manuscripts is time and resource consuming.  So I’m flipping screens.  I hope to finish this book soon because the next one is already brewing and I really can’t wait to start getting the ideas out.  And I even have a publisher in mind—one that doesn’t require an agent.  I don’t think agents really get me.  Or maybe I’m just not a “commercial” enough thinker.  There are plenty of presses out there, however, and if you do your research you can find a home for this project that’s taken years of your life.  It’s just difficult to do the screen flipping.  But then, I’ve only been doing this for about a decade.  I’ll get the hang of it soon.

Ninth Day of

Leave a comment

I read Les Standiford’s The Man Who Invented Christmas back in 2017 and learned a lot from it then.  Some of what I read on the bus, however, has faded a bit with time and I was curious to read it again in the light of the reading I’ve done about Washington Irving.  Irving was a bit older than Charles Dickens and had, it seems, given Dickens the idea of writing, first, a sketch book (Sketches by Boz), and second, writing about Christmas.  From what I’ve read about Irving, he had a cautious liking of Dickens but wasn’t terribly impressed.  Standiford does note that it was Irving who suggested an American tour to Dickens (it didn’t turn out well) but he (Standiford) indicates that Irving was a staunch fan of his English colleague.  Were I able to spare the time, I would follow footnotes and read letters to see if I could get to the heart of the matter.  Of course, I’ve become much more interested in the history of modern literature in recent years.

It would be difficult to overestimate the influence of Dickens in English literature.  As Standiford points out, he helped to invent novel publication as we know it.  Although he took up the gauntlet of international copyright (something Irving had earlier understood as important), he became internationally famous partially through pirated works.  We still use the phrase “What the Dickens” to express surprise. (It turns out that the expression predates Charles—now that’s influence!)  As Standiford notes, however, we’ve passed the era when a single author can have such great influence.  Dickens was a singular talent and read by vast numbers of his compatriots and also grew a respectable readership in the United States.  He also had a great deal of influence on how we celebrate Christmas.  I was this time looking for Irving lurking in the shadows.  And I found him.  Dickens was an enthusiastic fan of Irving.

Standiford brings Irving into the discussion often, but also perpetuates the association of “It was a dark and stormy night” with Edward Bulwer-Lytton (who did use it) without mentioning that the phrase originated with Washington Irving.  One gets the sense that Irving was completely eclipsed by the work of his young fan, Charles Dickens.  Standiford mentions Irving quite a lot in this little book, but it’s about Dickens and not his American colleague, of course.  And Standiford also notes that crediting Dickens with the “invention” of Christmas is overstatement.  The story is nevertheless fascinating.  To me this second reading underscored the importance of Irving for the Christmas holidays, and also how terribly difficult it is to make a living as a writer.  I’m glad I came back to it, even when life otherwise threatens to be too busy for re-readings.

Reading 2023

Leave a comment

As has become my tradition, I’ll end the year reflecting on the books I’ve read.  For a variety of reasons this is the first time in nine years that I haven’t cleared seventy books.  (I ended up one shy.)  But looking back over what I read, I may see some logic behind this.  Many of the books were academic, and specifically, academic in fields outside my formal training.  That also means they generally didn’t make it to my list of favorites.  2023 was also unusual in that it wasn’t until about late spring that I started to read books I really enjoyed.  The first on my list of memorable titles is Andi Marquette’s The Secret of Sleepy Hollow.  This was followed by a couple other fiction titles, Grady Hendrix’s Final Girl Support Group and Gina Chung’s Sea Change.  Those ended up being my favorite three fiction titles of the year.

For nonfiction, I finally read John Hersey’s Hiroshima, memorable, if terrifying.  Also along the lines of history, I found Lesley Pratt Bannatyne’s two books Halloween and Halloween Nation, to be particularly good.  Mark Dawidziak’s Mystery of Mysteries may well have been my favorite historically-oriented book of the year.  Donna Kornhaber’s Silent Film: A Very Short Introduction was also quite well done.  I always enjoy books on horror films, and two on The Exorcist were noteworthy: Nat Segaloff’s The Exorcist Legacy and The Exorcist Effect by Joseph P. Laycock and Eric Harrelson.  Why It’s OK to Love Bad Movies by Matthew Strohl, which I read a bit earlier in the year was also quite good.  By far the most helpful book in a personally troubling year was The Boy, the Mole, the Fox and the Horse by Charlie Mackesy.

In years past I’ve generally had more commendable books on my list.  I did, however, finish the last three Dark Shadow’s novels by Marylin Ross, reaching the bucket-list item of having read the entire series.  I also found Jessica Verday’s three-volume series strangely memorable, although written for young adults (found here, here, and here).  While the number of books I really enjoyed wasn’t as high as in some other years, these highlights make me optimistic regarding 2024.  I used to follow the Modern Mrs. Darcy’s reading challenge guidelines, until they stopped being published, and now I find myself left to my own devices, for the most part.  Much of my reading is driven by research, and I suppose I should also mention that my own fifth book was published in 2023 as well.  I don’t expect it’ll be anybody’s favorite, but it is nevertheless an honor to be part of the conversation.

Ushering In the New

Leave a comment

I’m not at all certain I’ll finish it, but at my daughter’s suggestion I watched the first episode of Netflix’s new series, The Fall of the House of Usher.  This isn’t set in Poe’s day.  The action is in the present and it opens with a funeral for three of Roderick Usher’s children.  What’s particularly striking about this funeral is that the priest’s homily is composed of lines from Poe.  I think we all know that Poe is undergoing a great surge of popularity these days, but this series seems not content just to name characters and companies after Poe’s names, but it also weaves his thought deeply into the fabric.  It uses his images in literal ways that add depth to the plot.  I’m not sure that I can spare the time to watch it the whole way through, but I’m sorely tempted to do so.

With C. August Dupin as the Assistant District Attorney, the series ties Poe’s ratiocination stories in with his horror tales.  Like most recent media efforts, the cast reflects diversity in many ways.  This diversity isn’t the reason the house of Usher is falling, but it’s because of disloyalty.  The family owns an unscrupulous company that has shown disregard for the suffering it causes, buying its way out of legal difficulties.  (This part is quite realistic and one can’t help but to think of Trump and others like him who simply buy injustice.)  But someone in the Usher family has decided to speak out.  Dupin won’t reveal who it is, so Roderick and Madeline Usher put the family up to the task of rooting out, and killing, the informant.

Perhaps with some time off over the holidays I’ll be able to catch more of the series.  It intrigues me, however, that Poe is being used essentially as scripture.  Literally.  The priest’s homily fades into the background as the surviving family members check in on each other, but his words are drawn from a variety of Poe’s writings.  I’ve long felt that our canon of scripture is too small.  Inspired literature did not cease to be written in the second century.  As someone who has listened, and still listens to sermons, it’s clear that the Bible alone isn’t a source for knowledge.  I haven’t read all of Poe—he left a massive paper trail through his life—but what I’ve read sticks with me and hearing him as sermon material makes me think I need to try to find time in coming weeks to pick up another episode or two.

Bears Repeating

Leave a comment

I read Robert C. Wilson’s Crooked Tree before I began this blog, I guess.  I remembered it being better than it seemed this time around, but it works as a horror novel.  In fact, the first third or so was quite unnerving, although I’d read it before.  After that the plot tends to require greater suspension of belief.  But then again, American Indian horror has come a long way since then.  Wilson, according to the limited information about him online, isn’t an Indian.  These days publishers are very concerned with appropriation—something that wasn’t an issue back in 1980.  And these days the work of Stephen Graham Jones, who is both a Blackfoot and an excellent horror writer, raises the bar considerably.  But Wilson is honest about the situation in his laying out of the novel.

Axel Michelson is a lawyer and he’s working to preserve the fictional Crooked Tree State Forest and prevent development.  Many of his colleagues and neighbors in Michigan are Indians, and so is his wife.  Axel’s efforts are hampered by a sudden onslaught of black bear attacks.  The description of the first three or four are scary enough to dissuade you from ever going camping again.  Axel’s assistant is an Ottawa and and he and his family suspect a bearwalk is involved.  This is the reason I read the novel the first time.  As a Native American folkloric monster, the bearwalk is difficult to uncover.  There are a couple more novels—one of them hard to find—that feature the tales, and there’s a university press book on folklore that has some accounts.  Not much more is out there that I can locate.

A bearwalk is a kind of shape-shifter.  A spirit that can control bears, in this case.  Axel becomes the white savior who uncovers the ancient ritual to stop the bearwalk, which has taken control of his wife—his main motivation for stopping it—while the Indians can’t figure out what to do about it.  They do tell him about the ritual, but mourning the loss of their culture, they fear it’s gone forever.  Meanwhile the bear attacks continue but once the shock of the first few attacks has worn off, they don’t scare so much.  There’s also a lot of supernatural involved, mostly drawn from native traditions.  It seems clear that, like Axel, Wilson did quite a bit of research on American Indian folklore.  He treats the Ottawa culture with respect and wrote a novel that might’ve had more influence than it seems. It’s well worth the read the first time around.

Author! Author!

1 Comment

It happened in Salem.  In 1861.  The classic American card game, Authors, was published.  G. M. Whipple and A. A. Smith devised the game, which has remained available ever since then.  It’s one of the few games I remember having as a kid.  We, of course, had the Bible Authors game as well, which I’m kind of nostalgic for, but not enough to see if it’s on eBay.  The object of Authors, an early form of “Go Fish,” is to collect sets of four cards for each author.  Each card lists a different work.  Poets are represented by poems, of course, but prose authors mostly by books.  I have to confess to having eBayed this some time back and having beetlebrowed my family into playing it with me.  I noticed, however, a few curious omissions.

Edgar Allan Poe isn’t among their number.  Neither is Herman Melville.  Rather strangely, they included Shakespeare—centuries earlier than the others—and Alfred, Lord Tennyson.  The only female is Louisa May Alcott when there were perfectly acceptable Brontës in the room, as well as Jane Austin.  The game reflects its time.  A couple years back I was in Michaels—you know, the arts and crafts supplies store.  In fact, Michaels is one of those places for family outings, for families like mine.  (We tend to be creative types.)  While I’ve never been into scrapbooking, I walked down that aisle and found a set of stickers labeled “Literature.”  Two authors were represented: Shakespeare and Poe.  People smarter than me have argued that worldwide Poe is probably the best recognized American author.  I think it’s safe to say Shakespeare occupies a similar role in Britain.

Poe had fallen afoul of many in America because of an intentionally damning obituary by Rufus Wilmot Griswold, whom Poe had named his literary executor.  If it weren’t for Poe nobody would likely know Griswold’s name today.  In 1861, when Whipple and Smith were inventing their game, Poe wasn’t really considered worthy of emulation, largely because of Griswold.  He wasn’t the kind of guy you’d want your kids to be too curious about as you tried to teach them about literature.  Authors has gone through over 300 editions over the years.  I’ve never seen any of them (apart from Bible Authors) other than the Whitman edition from my childhood.  Each time I pick it up, smell the cards (go ahead—try smelling your Kindle), and thumb through the authors I feel like I’m missing something.  Go fish.

Black Bird

Leave a comment

Although we prefer typecasting—it’s so much easier!—Edgar Allan Poe had both depth and width as a writer.  He penned funny as well as scary, love poems and detective stories, even something like a scientific treatise.  One thing I’m sure he didn’t anticipate was his name being suborned for cheap horror movies.  Roger Corman is a Hollywood legend—a good example of a guy making it in the film industry on his own terms.  He paired Vincent Price with a number of Poe titles that had little to do with the actual works of the writer.  One that oddly stayed with me since childhood is The Raven.  This was well before I’d read the poem.  It’s funny how very specific things will stick in your mind.  I remembered the strange hat Price wore.  And I remembered—misremembered, actually—Price using a spinning magical device with sparklers.  Misremembered because that was Peter Lorre’s character, not Price.

That was it.  I didn’t remember that Boris Karloff was also in the film.  I was too young (as was he) to recognize Jack Nicholson as well.  Although I watched The Twilight Zone, I didn’t realize the script was by Richard Matheson.  This film was loaded with talent, but it really was goofy.  I recollected Price was a magician, but I didn’t know this was a rather silly battle to become chief magician.  Lorre’s ad libbed lines were surprisingly funny, even after all these years (I was about one when the film came out).  Surprisingly, the movie did well at the box office, despite its taking a sophomoric approach to perhaps Poe’s most serious poem.  

I’d avoided watching it again for all these years because of that sparkler scene.  I’m not sure why that particular moment wedged itself so firmly in my young brain.  It seemed so not Poe that I couldn’t get back to the movie, apparently.  With Price and Lorre camping it up—Karloff was, by all accounts, most professional as an actor—and Nicholson uncharacteristically timid, the cheap special effects, it’s obvious that viewers enjoyed a good laugh at this one.  It’s not true to Poe, of course.  It’s true to Roger Corman, however, a filmmaker who knew how to deliver cheaply and quickly and still earn some money at it.  I’d last seen The Raven about half a century ago.  I may be tempted to watch it again, after having seen it as an adult, but if I wait too long I’ll need to leave that duty to someone who’s read this and who isn’t afraid of sparklers. 

Who’s Knocking?

3 Comments

I’m by no means alone in enjoying Stephen King novels.  I’ve read a fair number over the years.  I was put on alert for The Tommyknockers by a scholar who pointed out some of the religious elements in it—again, not rare in King’s oeuvre—but I’d never heard of it before that.  I’m not really a good fan boy, I guess.  In any case, I saw a copy with the shiny copper of King’s name worn off at a library book sale for a buck.  It sat on my shelf for many months because, well, it’s long.  I finally pulled it down in October only to discover that it wasn’t my favorite King story.  For one thing, it’s simply too long.  For another, the characters aren’t the easiest to cotton onto.  If you’ve not read this one and you plan to, a spoiler of two might slip out but I’ll do my best not to ruin the ending.

I think horror when I think King, although I know it’s unfair to typecast authors like that.  Tommyknockers is more King’s hand at science fiction.  Well, at least it has a space theme, which is generally a cue for sci-fi in my book.  Bobbi Anderson discovers a buried flying saucer on her Maine property.  With the help of an alcoholic friend (Jim Gardener) she begins to excavate it.  The saucer, which has been buried for millions of years, is reactivated by their interaction with it and soon the entire town of Haven, except those with a lot of metal in their bodies—like Jim, are under its power.  They invent advanced gadgets (and weapons) using power from the ship and standard batteries.  They begin physically transforming into something less than human.  Jim, mostly immune, tries to help Bobbi out but he, along with a fairly extensive cast of disposable characters, are powerless to stop things.

Like most King novels, it’s well written.  Like some of his other material, it’s over-written.  Having had my own written work chopped down  (and, let’s face it, I’m now an editor), I see places where cuts could be made.  As with any long book, however, I’m left feeling a bit lonely now that characters I’ve read about nightly for many weeks are gone.  Even though I really had a difficult time evoking much empathy for them, hey, they’re people too.  Or so it seems.  Such is the magic of fiction.  Besides, there are bits of the old King horror still present in the book.  I know it won’t ever be my favorite King novel, but it won’t stop me from reading another, when I have the time.  Hopefully the next one will be a few pages shorter.

Biggest Book

Leave a comment

As a bibliophile it’s kind of embarrassing to admit that I’ve only just learned about the world’s largest book.  If you’re like me you’re probably imagining an enormous tome that required acres of trees and fifty-five-gallon drums of ink to print.  But that’s not it at all.  This particular book is located in Mandalay in Myanmar.  If I say it’s a religious text you might be clued in that it represents the Tripitaka, or Pali Canon.  These are Buddhist scriptures.  They are extensive, as scriptures tend to be.  I’m certainly no expert on religions in that part of the world, but it’s clear that the world’s largest book, as a monument, required a massive amount of effort to put together.  Housed at the Kuthodaw Pagoda, the texts were inscribed on stone housed in 729 stupas that are stunningly beautiful.  (Take a look for other photos online—it’s impressive!)

Photo credit: Wagaung at English Wikipedia, published under GNU Free Documentation License

The monument was completed in 1868.  When the British invaded southern Asia, however, there was much looting and damage was inflicted on the shrine.  It was eventually repaired and still stands as the largest book in the world.  It’s no real surprise that this honor would be relegated to a religious text.  Bibles of all sorts become symbols and their symbolic nature often supersedes what’s written inside.  The idea of the sacred book has an unyielding grip on the human psyche, whether we think the book comes from God or an enlightened human being.  Indeed, the sacred itself is an integral part of being human.  When one group wants to dominate another, it often goes for its sacred artifacts.  Cathedrals as bombing targets in the Second World War demonstrate that well enough.  Ironically, we’ve ceased paying much attention to the sacred but we still revere it.

Books represent the best of our civilizing nature.  They’re ways of coming to see the point of view of others.  It really is a privilege to read.  Banning books is, in its own form, a crime against humanity.  Those who ban almost inevitably end up promoting yet more sales of the offending book.  I often see books that make me angry or upset.  My knee-jerk reaction is to want to deface them—this is a human enough response.  But taking time to reflect, I realize that these writers are entitled to their opinions, benighted though they may be.  A civil exchange of ideas is essential to getting along in a world with billions of different opinions.  Every nation should have a monument that shows its love for books.

Mystery of Poe

1 Comment

I’ve read my fair share of books on Edgar Allan Poe, but I have to say that Mark Dawidziak’s A Mystery of Mystery: The Death and Life of Edgar Allan Poe is perhaps the best.  Like Dawidziak, I realize that writers, as well as other historical figures, come to be who we need them to be.  This book, which pinwheels around the unsolved cause of Poe’s death, is probing of his life as well.  His younger years and his likely psychological profile as a child who never felt he received the love and affirmation that he required, really spoke loudly.  This explains much of his behavior, which was often contradictory and didn’t serve his own best interests.  Today Poe is an icon of horror, but as this wonderful book explains, Poe was so much more.

People are often typecast.  We have limited time and our own lives are so crowded with stuff we have to do that, as a matter of survival, we need to “profile” others.  I’m constantly reminded of this when I spend time with people (which is not often), particularly those I know well.  I leave realizing that I don’t know them as well as I think I do.  I’ve only seen the surface, or just below, if I managed to engage with any depth.  My own involvement with Poe goes beyond memory.  As in a dream, I don’t know when I was first exposed to him or his writing.  Still, I know that I’ve had a lifelong “parasocial relationship” with him.  I suspect that many of us who appreciate his writing do.  Well, back to the book.

A Mystery of Mysteries begins near Poe’s death, setting the stage.  The chapters then alternate, going back to a chronological treatment of his early life, and then picking up the narrative of his death.  Along the way, a compelling portrait is painted.  Like the majority of us who write, Poe didn’t find much recognition in his own lifetime.  Of course, he died young, but his lifestyle might well have created that situation, regardless.  Jealous of others who received more attention, Poe knew he had a special intelligence that was unappreciated.  It still is.  Yes, Poe has many, many fans, but many, I suspect, don’t have a good idea of who he was as a human being.  For as much as he wrote, Poe didn’t really give us reliable details of his own life.  Dawidziak ends with some well-reasoned speculation of Poe’s cause of death.  But I won’t tell you what he suggests because I want you to read this excellent book.

Witching Season

Leave a comment

I can’t be sure I understood White Is for Witching, but Helen Oyeyemi’s novel grew on me once I started to piece together what was happening.  A long sit in a waiting room finally got me hooked.  This is an odd story that’s quite a bit about atmosphere.  Miranda Silver and her twin brother Eliot, live in the Silver family house (through her deceased mother’s side) with their father.  They run it as a bed and breakfast, but Miranda’s ill.  She suffers from pica—a disorder where a person eats indigestible items rather than food.  Her mother, who died young, and her mother, and grandmother, continue on in the house, but not as ghosts proper.  They are more a controlling presence guiding the way for the lost daughter who, it seems, is destined to join them.

Miranda’s not an unreliable narrator because she’s never the narrator.  Sometimes it’s her brother, other times it’s her girlfriend, and other times it’s the house itself.  Oyeyemi’s writing is compelling, and she’s great when she takes the narrative thread and runs with it.  The fault is entirely mine, of course, but I prefer a straightforward story where I’m not confused from the start.  I recently put a book down because I was confounded about the issues raised.  I’m flummoxed enough by life itself so that when I want to sit down and read I prefer something that makes sense.  Or that I can follow.  The novel has a wonderful gothic atmosphere and the tragic young woman definitely has shades of Poe.

My compulsion to read appropriate books in October led me to White Is for Witching.  It’s set in England, however, and having lived in the United Kingdom for three years I know autumn there is not the same as fall in North America.  That’s not the fault of the story, of course.  The tale is textured and complex, exploring avenues of madness and isolation (it’s set in Dover and Cambridge).  The part where Miranda falls in love with Ore, at college, becomes quite gripping.  There’s some confusion as to why her twin brother acts as he does, with one of the narrators suggesting that he’s unreliable.  There are speculative elements but no ghosts seen clearly.  And race is obviously an issue.  It’s not the central issue (beyond the author perhaps suggesting something by the title).  There’s a lot going on here.  Normally I don’t read synopses before reading fiction, but this is a case where that might be helpful before indulging in this moody, thoughtful tale.

Learning too Late

4 Comments

Threads of this, crumbs of that.  My life has been a grasping at small bits.  I know the things I like, but which circumstances keep me from.  Nobody is paid to read only, and writing brings in so very little money.  I’ve read Edgar Allan Poe since I was a child, but I haven’t read all of his written works.  (The same is true of the many other writers I admire.)  When I wrote Nightmares with the Bible, I tried to tie the theme of demons to Poe.  I began a chapter with an epigram from “The Raven”—“And his eyes have all the seeming of a demon’s that is dreaming.”  At this point in my life I had not read, or if I had I’d forgotten, “Alone.”  Not published in his lifetime, Poe wrote the poem at 21.  It ends with words that would’ve been appropriate for my Nightmares venture:

From the lightning in the sky

As it pass’d me flying by—

From the thunder, and the storm—

And the cloud that took the form

(When the rest of Heaven was blue)

Of a demon in my view—

Some printed editions end the poem with a period.  The ambiguity of that final em-dash, however, would’ve made particularly well the point I was struggling to convey.  Demons are not what we think they are.  As I continue to read about The Exorcist and its impact, it becomes clear that media mediates reality.  That view of demons has become canonical, but many, from Poe both backward and forward, have wrestled with them.  Not every entity with which we struggle through the night ends up blessing us in the morning, disjointed hip or not.  “Demon” is a very slippery word.  And concept.  In a materialistic world we boldly claim there are no such things.  As Poe wrote, “Of a demon in my view—”

There’s more going on beneath the surface than most people would be able to guess.  This is perhaps why I have a penchant for staring at the ocean.  Misunderstood, certainly.  But never, I hope, shallow.  There are great depths to be explored, but as the ocean teaches us, humans can’t stand the immense pressure at the bottom of the sea.  No, our lives are more like the bits and pieces of seashells plucked from beaches.  We don’t have the whole picture.  All writing reflects a stage on a journey.  Those who embark must earn their keep as they go.  And finding validation after the fact is one of the small joys of life that keep the traveler moving forward.