Saving Face

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Although it has been commented upon in Rate My Professor, my beard is not intended to be impressive. In fact, it’s not really. Since I was quite young I dreamed of being a bearded man. I don’t know why. My father and my step-father were clean-shaven. The pictures of Jesus with which I grew up, however, seemed to suggest that a kindly man must be a bearded one. Nature deemed, however, that my facial hair would be less impressive than that of many boys I knew in high school who were already contending with five o’clock shadow. I never liked shaving. To me, nature dictated that men should be bearded, and who was I to combat nature? Except for a brief stint when I had to make a living in retail, I’ve worn a beard since I’ve been able to do so. I don’t fuss with it, trying to make it something it’s not. It is simply who I am.

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So when my wife sent me an infographic from the Washington Post about religious beards, my curiosity was piqued. It actually makes me a little self-conscious, I have to admit. I vehemently dislike anyone commenting on my appearance. There’s also something vaguely sexual about facial hair, coming as it does with the onset of puberty (a few years later in my case). Looking at the ways various religious groups condone facial sculpting, I couldn’t help but think that traditionally religions have said, to borrow a phrase from Frozen, “let it go.” Or let it grow. God and nature are one here. Genetics may determine what kind of beard may grow, but it takes religions to say it is God’s plan. For me, standing before a mirror before dawn, scraping my face with a very sharp piece of metal while I’m still yawning hardly seems civilized. Wash and go seems much more natural to me.

In the biblical world, the beard was a symbol of experience. Lifespans in those days were precarious. Guys surviving to my level of whiteness were revered. Today we are considered scruffy and lazy and unwilling to play by the rules society has set. I suppose it’s no accident that I was always a fan of John the Baptist with his unkempt appearance. Like Elijah before him he was a man of the wilderness. As nature made him. I last shaved in 1988. Were I to do so again, I fear what I might find underneath. Harrell Beck, before he died, once said to me, “you’ll never shave it off.” Although once I did, he has proved himself among the prophets. Just don’t say anything about it to me since, like religion, to me it is a very private thing.

I’m No Legend

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First there was The Last Man on Earth with that rare, disappointing performance by Vincent Price. Then there was The Omega Man, putting Charlton Heston into the role that fit him better than Moses. Finally, returning to the original title, I Am Legend featured Will Smith as Robert Neville. Having watched all three movies, I knew I should have read Richard Matheson’s short novel first. After all, it was a vampire story, and who doesn’t feel utterly alone once in a while? I finally decided to make an honest man of myself. It occurred to me as I started to read that I didn’t know how this story would end. All I had ever seen were cinematic treatments—and who writes anything serious about genre fiction? Still, I needed to know.

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Matheson was one of the writers who had caught Rod Serling’s attention on the Twilight Zone. Having read some of his short stories I could see why. Not knowing the ending, some of them can actually be scary. I Am Legend isn’t exactly frightening. It is, however, thought-provoking and sad. Matheson, a New Jersey native, wasn’t among the most literary of writers. Nevertheless, he conveys some deeply disturbing images of humanity in this particular novel. After all (spoiler alert!) Robert Neville is the evil one. He has been killing vampires with a cold calculation, no matter whether they are living or undead (good or bad). Who has a right to kill whom depends on your point of view.

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In I Am Legend, Matheson makes it clear that Neville, the last man alive, is an atheist. The problem, as it usually is, is theodicy. How could a god allow such a massive tragedy to strike not only himself, but the entire world? After the vampire virus had spread, Neville finds himself dragged into an evangelistic meeting by terrified survivors who had turned to religion to make sense of their tragedy. Neville escapes as quickly as he can. The movie versions tend to ignore this poignant aspect of the narrative. After all, the audience watching must sympathize with Neville or the whole draw of the movie is off. In a nation where atheists are trusted about as much as vampires, it seems that Matheson left us a parable as well as a legend.

The Lure of Lore

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SleepyHollowOne of my doctoral advisers, Nick Wyatt, has become a friend over the years. I’m sure he would agree that he is often called a maverick, but in the best possible way. He is one of the brightest people I’ve ever known. When it was time for his Festschrift to appear, I had been unceremoniously tipped out of academia and left to my own devices. Being his first doctoral student, I had to contribute a piece, and so I settled on one I had written about an Edinburgh ghost story that seems to have roots in ancient Sumer.  Nick is the kind of scholar who can appreciate such ventures. This paper came to mind while reading Legends and Lore of Sleepy Hollow and the Hudson Valley by Jonathan Kruk.  Kruk labels himself a storyteller, and that was a venerable role in ancient times.  In fact it was a priestly one.  Kruk draws out the many tales of headless horsemen and other spirits mentioned in Washington Irving’s “Legend of Sleepy Hollow.” Nothing is proven here, but that’s not the point.

Headless ghosts were a staple of nineteenth-century lore not only in the Hudson Valley, but also in Scotland and Germany, as well as in many other locations.  How a spirit became decapitated is generally part of the draw to such ghoulish stories, and Kruk convincingly points to the tradition of the Wild Hunt as an element in Ichabod Crane’s famous ride.  The point is that stories often contain a truth that facts can’t match.  Case in point: the legend of Sleepy Hollow is alive and well. There have been periods, and will likely be more periods, when interest wanes, but we keep coming back to the story because it teaches us something about ourselves.  Empiricism is all fine and good until you find yourself facing a headless phantom on a nighttime highway.  Experience all of a sudden takes the wheel.

What does this have to do with Professor Wyatt?  My Festschrift article was reviewed, at a much earlier stage, by the journal Folklore.  I received a very sniffy rejection letter, citing, among other scholarly infractions, that I had referred to a popular publication (say it isn’t so!) as a source of the Edinburgh ghost story text. Where else was I to find it?  What scholar would bother to replicate an obviously—let’s just say it—uneducated tale?  Isn’t it beneath scholarly dignity? The stories we tell, I’ve always believed, make us who we are. It may be that materialists will have the last laugh.  When they are carted to the graveyard, however, I can guarantee that there will those among the common mourners who will be able to make a believable tale that their lives meant something after all.

Washington Irving

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WashingtonIrvingLess known now than he was in his own lifetime, Washington Irving is an odd literary character. Many writers, at least of tomes we now have our children read in school, were not necessarily stars in their time. Some were obscure, their genius only becoming clear when they were safely dead. Washington Irving, however, rocketed to fame fairly early in his life and became what Brian Jay Jones refers to as an icon. He was one of the most famous men in America in his lifetime. Although he was never properly a novelist, he pretty much earned his career by writing. Today he is best remembered for “The Legend of Sleepy Hollow” and “Rip Van Winkle,” two tales from his Sketchbook. Those of us who work in Gotham may not realize that Irving gave New York City its famous nickname. He also coined the sobriquet “knickerbocker” that still describes New Yorkers and their basketball franchise.

Washington Irving: The Definitive Biography of America’s First Bestselling Author, by Jones, is a revealing look at the author. Irving was raised in a strict, religious family with a father known to many simply as “the Deacon.” As Jones makes clear, Irving did not accept the harsh religion of his father, moving on to become skeptical of religion itself. Like his attempt to make writing a profession, in his religious outlook Irving was ahead of his time. Having been raised with a deity who had no respect for humanity, it is no wonder that a mere mortal might turn his back on the divine.

This was during the flowering of the age of reason. Like his younger contemporary Edgar Allan Poe, Irving knew early losses yet did not call out for a supernatural deliverance. Although evangelical sentiment has never been far from the surface in America, it would not bubble through to anything like modern proportions until Irving had been dead for about sixty years. Indeed, he died the same year that Darwin’s Origin of Species was published. Jones does not go into detail concerning Irving’s religious affiliations during life, but he had his funeral among the Episcopalians, and found his final resting place in the cemetery at Sleepy Hollow. Today his legacy in that regard lives on. With a difference, however—in the most recent movie and television versions, religion has been injected in an obvious way into what Irving wrote as a merely secular tale.

Pacific Rim

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Pacific Rim is a movie that once again brings monsters and religion together in the cinema. Since I’m generally late seeing movies, I won’t worry too much about spoilers here, but in case you’re even later than me here’s the gist of it: giant monsters from outer space (properly an interplanetary portal) are emerging from the Pacific Ocean to take over the earth. These radioactive, dinosaur-like aliens are called Kaiju. Although they can be taken down with conventional weapons, the most effective fighting tool is the Jaeger, a colossal robot piloted by two humans acting as the two hemispheres of the brain. These humans must “drift”—share their brains—in order to control these massive machines in unison. Lots of action and destruction, of course, ensue. We later find out that dinosaurs were an earlier invasion of these same aliens, but that our environmental degradation has made the atmosphere much better for them, and this time they’re back for good.

The resistance is led by a mysterious marshal named Stacker Pentecost. Pentecost, of course, is the festival celebrating either the giving of the Torah (Jewish) or the giving of the Holy Spirit (Christian). In either case, it is a holiday celebrating God’s plan for humanity. As Pentecost leads his beleaguered and shrinking army of jaegers against the Kaiju, scientists Geiszler and Gottlieb disagree about how to conquer the beasts. Gottlieb swears, “Numbers are as close as we get to the handwriting of God,” while advocating the predictive elements based on the statistics of the attacks. Science and religion have come to an uneasy truce here. As Geiszler seeks a Kaiju brain to drift, he observes some of the masses in Tokyo praying to the fallen beasts. A blackmarket dealer in Kaiju remains explains that they believe the Kaiju have been sent by God. Pentecost unwittingly concurs when he declares it is time to end the apocalypse.

Pacific Rim, like most Guillermo del Toro films, is a complex movie. There is also more than a sprinkling of H. P. Lovecraft here. The worship of the Kaiju keyed me in to the fact that these were the old gods, come to earth, under the sea, from space. As the first category 5 Kaiju swims past the camera, I couldn’t help but think of Cthulhu. Although Kaiju is Japanese for “monster,” it even sounds like his sacred name. We fear that which is larger, stronger, and unknown to us. When that fear becomes reverence we are on the brink of worship, and our monsters have become our deities.

Paper Oxford

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PaperTownsIt looks like a brilliant blue morning here in Oxford, yet my body is telling me that it’s the middle of the night. And that’s saying something, since I normally get up around 3:30 anyway. Routine is kind of a religious thing. In fact, it seems to be the root of ritualistic behavior. The passing of time is a matter that affects us all in some way. Jet lag is one of those ways. I’ve got an important meeting to attend in an hour—that’s why I’ve come all this way—and yet my mind will be telling me I should be elsewhere. Perhaps back over the north Atlantic, looking down at icebergs from the air, wondering if climate change is really that far advanced. Are there any polar caps left at all? Didn’t the Titanic hit an iceberg at this time of year, and wasn’t it a great surprise? At least on a ship you don’t get jet lag. There’s nothing like travel to shake you out of the ordinary.

I suppose that’s part of the draw to John Green’s Paper Towns, which I read on the flight over. Although it’s young adult literature, Green has a way of capturing what it was like to be a teen on the cusp of adulthood, and the need to become who we are meant to be. It is a story of leaving home, and of living on the edge. Once a friend said to me that he couldn’t understand someone wanting to leave the place they grew up. I, on the other hand, was only too eager to leave a verbally abusive situation in an industrial town that was slowly dying with no prospects for the young. Needless to say, Paper Towns resonated with me. I can’t remember the last time I read a novel in a single sitting. Although I’ve been an adult for decades, I can still remember the feeling of being young, of falling in love, and wondering what this was all about. High above the north Atlantic, I was sure I still hadn’t figured it out.

There’s nothing religious about Paper Towns. The characters in it assume God to exist, as most Americans do. We make a lot of assumptions. My body is assuming it’s only two in the morning. My clock is telling me that it’s seven. Time is relative, but only one of those placeholders will determine if I am late to work in this place I find myself waking up. I remember being young, and although Oxford has its usual charm, I also know what it feels like to have to leave. The clock tells me that I have to go. The novel in my head tells me the same thing. I’m not sure what time it is. For the moment my paper town is Oxford, and it seems very real indeed.

Accept Cookies

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You have probably noticed it. As expected as the warmer days of spring are also the Girl Scout cookies. A symbol of wholesome fundraising, Girl Scout cookies have some dedicated buyers, and many imitators. Like any human organization, the Girl Scouts have their troubles, but I can’t help but compare them with the Boy Scouts in which I grew up. Well, at least for a few years. We’ve watched as the media have declared on the excluding of various demographics from the Boy Scouts. To rise to the top you must not deviate from the mythic model of the perfect man. Meanwhile, as an article in Tablet notes, Girl Scouts have been tolerant of difference from the beginning. In a day when being Jewish was still suspect in the wider community, Girl Scouts were founded with early troop leaders who were Jewish, and this was in the days before the First World War and the ensuing tragedy of the Holocaust during the Second. From those early days, Girl Scouts have continued to have a policy of acceptance of those who differ in religious outlook. It erects no barrier.

The success of social progress depends on how we train our young. Prejudice has to be learned. Children are accepting of those with differences until they learn not to be. Radical groups have to recruit constantly. Fear of strangers is natural, but when it becomes a paradigm it is a pathology. One of my professors once claimed that early Christianity thrived because it was exclusive. Only true members could join, like a country club, making it desirable among hoi polloi. Further research has demonstrated the falsity of this view. There were many varieties of Christianities in antiquity. Only by declaring itself uniquely correct, and convincing Constantine of the same, did one sect become dominant. And dominance was what it was about.

Society is all about getting along. We have come together around money to build the tallest structures on the planet. The tallest buildings used to be in the United States. Then China, Malaysia, Taiwan, Saudi Arabia, the United Arab Emirates. A tower serves no purpose without a collective to take pride in it. Religions, unfortunately, often measure themselves by those who stand outside. Taking the view that it only feels good to be right if others are wrong, it is easy for such thinking to slip into a prejudice that promotes and rewards exclusivity. One percent, anyone? Many aspire to such menial goals as getting more money. For me, a life that has a box of Girl Scout cookies available is enough. And I’ll take a tall glass of tolerance with that, and hope that others will feel free to share.

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Pop Goes the Bible

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BiblePopularCultureIn keeping with a theme, I followed up The Bible in Film—The Bible and Film with The Bible in/and Popular Culture, edited by Philip Culbertson and Elaine M. Wainwright. It is pretty clear that my professional interests have shifted towards reception history. That is to say, how the Bible has been interpreted over time. Not so long ago—perhaps even when I was a student—Bible interpretation was the purview of experts. Serious biblical scholars tended to look askance at the hermeneutical efforts of mere clergy, just like clergy tended to treat lightly the opinions of the mere laity. The respect of opinion was expected to flow from bottom to top. I have to admit a kind of heady satisfaction with learning to read languages unheard for thousands of years. Who wouldn’t be impressed to find you standing before Hammurabi’s stele, reading away? Like most aspiring biblical experts, I took languages very seriously. As I was teaching, however, it was clear that all my learning failed to sway those who came in with opinions firmly fixed.

One of the takeaways from a study like The Bible in/and Popular Culture is that the Bible changes with those who read it. Who is to say the opinion of the tweedy, bespectacled professor is any more valid than a country-and-western singer, or a novelist, or a screenwriter? Certainly all of them reach much larger audience than just about any biblical scholar. Their ideas about what the Bible says become, in a very real way, the truth. The essays in this slim volume are diverse, showing the wide range of biblical interpretation taking place in a strangely religious secular culture.

What emerges is a somewhat uncomfortable truth—especially for the biblical scholars who’ve spent thousands of dollars and many years to receive a parchment declaring them experts. The truth is, anyone can be an expert. The Bible is out there for the reading. Churches have historically gotten around this by adding tradition next to Scripture as a counterbalance. The culture, however, has decided that the Bible alone bears the weight of verisimilitude. Not all share the same tradition. The Bible, an iconic book, is instantly recognized as authoritative by Catholic, Protestant, and Jew. Even Muslims recognize its status as a holy book. Books, however, change with the reading. Popular culture reflects what the people are willing to believe. What they believe is the Bible. What they mean by that, however, is open to anyone’s interpretation.

New Faiths

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Scientology is never far from controversy. In the light of the new HBO documentary on Scientology by Alex Gibney (with New Jersey roots) the Star-Ledger ran a Sunday piece about the Jersey origins of the religion. L. Ron Hubbard wrote Dianetics while living in the state. The article, by Vicki Hyman, points out that the current head of the Church of Scientology, David Miscavige, grew up in the Garden State. John Travolta and Tom Cruise are also New Jersey sons. Living in a religiously diverse state has tempered my perspective on New Religious Movements somewhat. That applies to Scientology as well.

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Many critics claim that Scientology began as a scam. There are those who claim that it still is. It seems clear, however, that there are many people who believe in it with all sincerity. No religion is free from episodes of abuse or poor judgment. Thus it is with human institutions. No universally accepted definition of religion exists, making categorizations difficult. What members of Scientology do, in as far as this is known, sounds very much like what other religions ask of their members. Oddness of belief is hardly unique to any religion. All ask for contributions from their members. Religions offer a community for those who belong, and many are strongly hierarchical. Even should a founder have had less than pure motives, that doesn’t translate to any less verisimilitude on the part of the faithful. Some viable religions have been based on known fictions.

Ironically, a common response to religions is anger on the part of unbelievers. (If we are believers of one religion we are, by default, unbelievers of others.) A friend of mine recently mentioned Heaven’s Gate on his blog. Although the outcome was tragic, can we say that those who followed Marshall Applewhite appear to have been true believers. Fear of Scientology may largely be based on the horrific outcomes of Heaven’s Gate, the Branch Davidians in Waco, and the People’s Temple in Jonestown. Religions can lead to people doing strange things. And those of us who live in New Jersey know that is indeed saying something.

Out There…

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Spring is a time of hope. As crocuses poke their heads through the slowly yielding soil, we’re reminded that the long months of darkness are only temporary after all. It was only appropriate, then, that my wife should point out to me the returning of the X-Files. Only a limited season of six episodes, but after hearing rumors for years that the third movie was in the works, we’ll gladly take six episodes to remind us that the truth is out there. I’ve not always been a fan or the X-Files, but there are reasons for that which have to do with living in the middle of the woods in Wisconsin in a seminary where the paranormal was, at times, just a little bit too readily at hand. And also because the very topics addressed are those of taboo. The anomalous is fodder for ridicule. Nobody could be so naive. Meanwhile the show was winning awards and creating enduring cultural memes.

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As I’ve suggested many times on this blog, the paranormal and religion are closely related categories. While not many X-Files episodes directly dealt with religion, the second movie made the connections explicit, blending Bible and spooky effects at a distance with abandon. The X-Files and religion share a fascination with wonder. It is all right not to know. Sometimes wanting to believe is enough. We can find information on nearly any topic instantaneously by pulling out our phones and tapping into the local wifi network. We access any bit of random information with ease. And we wonder at our lack of wonder. Where has it gone?

Thirteen years ago the haunting music died. We’ve been left with a reality that feels dull and devoid of possibility. We need some sign of hope. Ironically, it is Fox that offered a world of possibilities far beyond a Republican purview. This was a realm where humanity was no longer in control. Forces outside of and more powerful than us swept into our mundane setting to remind us that even government control is only an illusion. Human pride requires timely mementos that we are simply the dinosaurs of our age. The incomprehensible overshadows us as we spin away our time on a planet nowhere near the center of our galaxy, let alone our universe. And yet we tell ourselves we are capable of discovering the laws that lie behind it all without stepping foot on even the nearest of other planets. Welcome back, X-Files. Remind us where the truth may be found.

The Film’s the Thing

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BibleFilmIn the context of teaching, I often described how movies portrayed the Bible. There is an aspect of this that may go overlooked since the Bible is, in the nicest possible way, inert. That is, the Bible frequently functions as a character in movies. In a minor, or supporting role perhaps, but clearly it has an impact on what the other characters do or say. The story wouldn’t be the same without it. So it was that I finally got around to reading The Bible in Film—The Bible and Film, edited by J. Cheryl Exum. This is a collection of 11 academic essays about the Bible in various cinematic guises. A number of the essays focused on Jesus, being the most obvious biblical character to star in movies; he had another one this past summer. The collection, however, is wide-ranging in its biblical characters.

More interesting to me, and this is just a personal preference, is the way that the Bible shows up in movies. Those who decry the study of sacred writ seem to be in denial concerning just how deeply embedded in our national psyche the Good Book is. As the various contributors to this volume show, the Bible appears in ways both subtle and overt in many films. Like it or not, the stories represented in the Bible are classics, and many film-makers find a rich source of material here (when they’re not busy making sequels). The Bible is, to a large extent, who we are.

That’s not to deny a religious pluralism to the United States. We are diverse and that is one of our strongest assets. Still, even though our founders were primarily deists, and not evangelical Christians, their culture was pervaded by the Bible. A large difference between then and now is that, although they weren’t “Bible believers” our founders knew their Bible. In a sense that is almost incomprehensible today, they realized that you don’t have to believe it to see its value. The Bible does have some good things to say. Even now when I get overwhelmed, I can still find some balancing sanity in parts of Sacred Writ. It’s not all about killing your enemies or keeping women silent in the churches. It is a very human document. That’s why, in my humble opinion, we keep coming back, as a society, to the Bible. Anything that is so momentous is bound to find its way into our movies and our other art forms. How we take that is, of course, a matter of personal taste.

Final Final Frontier?

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Over the past several months my wife and I have been making our way through the Stars. Not really Trekkies or Jediists, we both came of age during the early days of Star Trek and the dawning of the original Star Wars. Both franchises have continued to grow and have become cultural markers in their own rights. We have survived all the episodes of Star Wars I through III, and have made it, so far through Star Trek V: The Final Frontier. As we switched off the DVD player, we mused that we hadn’t seen this particular installment (with good reason) since we had originally watched it together shortly after it came out. It has its moments, but it just doesn’t measure up to what Kirk and Spock can usually muster. Watching it as a somewhat jaded critic of space movies, however, its religious elements simply couldn’t be ignored. After all, this is the episode where they find God, then shoot him in the face.

Opening with Sybok, the emotional Vulcan messiah, with a tacked-on identity as Spock’s brother, healing his first convert, the movie follows a typical kind of progression of a boy and his god. The town on Nimbus III (every Trinity watcher surely caught that reference) is named Paradise. Some wag painted the Miltonesque “Lost” after the town name on the gate through which Sybok rides like Jesus entering Jerusalem. Hijacking the Enterprise turns out to be remarkably easy, even with Spock, Bones, Uhura, Sulu, and Kirk in the shuttlecraft. And soon we’re off to the Great Barrier, which, as it turns out, is just a bunch of colored lights.

When God appears, he takes the shape of a typical Terran, white beard and everything. When Sybok questions him he briefly turns Vulcan, but we get the sense that God is whoever you want him to be. He is definitely masculine, and he has anger issues. His Eden is a barren rock, and he feels trapped and requires a starship to get about. We are forced to conclude that this is no deity after all and life is but a dream.

Despite its many disappointments, Star Trek V is a theologically aware movie. Its conclusion of science trumping the need for the divine leaves us with three old men around a campfire waiting to die. A trinity in its own right, but one where the only hymn to be mustered is “Row, Row, Row Your Boat.” And God lies dead at the center of the galaxy.

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Unconventional Resurrection

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GospelLivingDeadWith talk of resurrection in the air, it seems natural to turn to zombies. In this internet age the monster of choice seems to change from day to day, but since the turn of the millennium zombies have been a contender for popular favorites. In a world where many of us feel zombified by our work, this is no surprise. Late capitalist power structures drain the life, leaving only the shell. In a situation where zombies appear so frequently, it is difficult to keep current. I bought Kim Paffenroth’s Gospel of the Living Dead shortly after it was published. Subtitled George Romero’s Visions of Hell on Earth, it saves itself from too my obsolescence by taking the narrative from Romero’s movies, and one remake, thus leaving room for the many other zombie movies to come and go. While it does make reference to 28 Days Later and Shaun of the Dead, most of the discussion stays pretty close to Romero, taking the reader through his quaternity of movies in the genre.

Roughly paralleling Romero’s oeuvre with Dante’s Inferno, Paffenroth treats the movies theologically. Not surprisingly, sin and ethics play a large part in his analysis. The undead, after all, are not un-spiritual. As I read along, however, I often thought how a western Pennsylvania connection gives some insight into what Romero is trying to do. Perhaps we are in danger of over-reading without the context (what biblical scholars call isogesis, but which post-modernists call simply reading). For example, some of the place names are given a theological significance in Gospel of the Living Dead that some of us who grew up in the area recognize as just another town. This always comes home to me when watching Night of the Living Dead. The posse out to hunt zombies always reminds me of people I knew in high school. After all, the first day of buck season was a local holiday.

Still, I have trouble seeing Romero agreeing with the dialogue revolving around sin. Yes, his first two movies were as much social criticism as they were horror. The Vietnam War and consumerism were true evils to be cast in parables and shown to the public. Zombies were prophets. Paffenroth suggests that zombies will never become mainstream commodities, but time has shown that even zombies can be bought out. World War Z was a Hollywood extravaganza. The Walking Dead is hardly the domain of outcasts and pariahs. Romero’s monsters were, alas, not more powerful than capitalism. Even zombies can be purchased. Zombies and vampires can indeed earn money, and resurrection itself comes with a price.

Middle Eastern Idol

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As the Passover-Easter complex of holidays approaches, our stern, scientific face turns toward the more human sensibilities of religion and its impact on our lives. PBS recently aired the Nova special The Bible’s Buried Secrets (originally aired in 2008) and when a colleague began asking me about it I figured I’d better watch it. As an erstwhile biblical scholar there wasn’t much here that was new to me, but one aspect of the program bothered me. Well, to be honest several things bothered me, but I’ll focus on one. When referring to the gods of the Canaanites, among whom the program readily admitted the Israelites should be counted, they were invariably referred to as “idols.” The problem with this terminology goes back to an issue I frequently addressed with my students—the term “idol” is a way of demeaning the gods of a different religion. Implicit in the word is the assumption of the monotheistic worldview and its attendant problems.

The Bible’s Buried Secrets seemed to adopt an overly optimistic view of the monotheistic religions sharing the same god while everyone else worshipped idols. The view is as fraught as it is simplistic. Historically Judaism, Christianity, and Islam are certainly connected. Each recognizes in the others a glimmer of its own theology and outlook, but the concept of deity has shifted somewhat at each development. Judaism and Islam are rather aniconic, especially compared to many varieties of Christianity where images are allowed, or even encouraged. It is difficult to grab the attention of the magazine-reading public with an image of invisibility on the cover. It should come as no surprise that some Jews and Muslims believe Christian images to be, well, idols.

An idol moment?

An idol moment?

The word “idol” is by nature pejorative. Ancient people were sophisticated polytheists. That statue that represented a deity was not thought to be that deity in any absolute sense. Rituals assured the ancients that they were instilling some aspect of divinity into the statues they used, making them sacred in the same way a Christian consecrates a church building. What’s more, it is natural for people to seek a visual focus for its devotion. It is difficult to conceptualize the Almighty as a person without giving it (often him) a body. Islam, especially, has been adamant that this can’t be done, and looking back at Christian practice it is sure to see idols abounding. As the holy days begin for our vernal celebrations, we should perhaps use the opportunity to rethink such religious vocabulary since every orthodoxy is someone else’s paganism.

The Art of Religion

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RastaIf you take a train along the Raritan Valley Line en route to New York City, you will see many of the less highly regarded sights of New Jersey. The properties along the rails are often industrial and neglected. Graffiti abounds. On one particular concrete underpass is a truly monumental graffito reading “Paint the Revolution.” Since I can’t afford to take the train on a regular basis, seeing that prophetic line is a rare occasion for me, and it always casts me in a reflective mood. No doubt injustice has become deeply entrenched in our society where politicians are synonymous with distrust and wealth is carefully corralled by a passing insignificant number of individuals. These thoughts recurred as I was reading about Rasta, the religion that developed in 1930s Jamaica, and is now found throughout the world.

Perhaps the most rewarding aspect of being an editor is exposure to new ideas. Of course, anyone can achieve this by reading, but as a person whose job is to find new books, an editor often has to go beyond passive, to active reading. So it was that, while at Routledge, I came to Darren N. J. Middleton’s Rastafari and the Arts. I immediately fell for it. I’d read about Rasta before, but Middleton’s use of art as a means of exploring the religion was captivating. Now that his book is out, I reacquainted myself with what drew me to the project in the first place. Admittedly, a large part of the draw is the fascination with Rasta itself. While some, perhaps many, would claim that it’s not a religion, Middleton demonstrates pretty clearly that it is, or that it at least has all the hallmarks of one. Moreover, it is a religion profoundly based on the concept of social justice, something that many religions possess in diminishing quantities.

The African diaspora led to the development of several new religions as African thought was forced into a mode of accepting Christianity. Among those many new religions, Rasta stands out for its association with a particular musical style, reggae. Of course reggae can be secular, but one of the many insightful observations of Rastafari and the Arts is that the global spread of Rasta often begins as music travels. While reggae is generally identified by its musical style, it is also noted for having a heavy dose of social consciousness. People who’ve been oppressed, no matter what their race, often express their victimhood in their arts. Not particularly numerous, and certainly not politically powerful, Rasta has been painting its own revolution. That revolution is associated with peace and love, and, in a way almost unique among belief systems, its music.