Mostly Clear

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“Chiasm” is a literary technique based on the name of the Greek letter chi, shaped like a latinate X.  The idea is fairly simple and generally resembles a sideways V more often than an actual X.  It goes like this: a poem, or story, begin at a large, or wide premise, narrows down in steps to a center, and then, by corresponding steps, again out toward a larger, or wider resolution.  Another way to think of it is a set of Matryoshka dolls; first you take them apart, and then you put them back together.  David Mitchell’s Cloud Atlas is a chiastic story.  Starting on a cross-ocean voyage at an indeterminate time in the recent past centuries, it moves on to a Briton on the continent in about the turn of the last century, then a mid-twentieth-century American investigative journalist, a late twentieth-century or present-day rogue publisher in Britain, a clone in future Korea, and finally, to a planet of the apes-like Hawaii of the distant future.  Not really finally, though, since after the center of the X, it moves back outward through the nesting stories to bring us back to the beginning.

I’m not going to attempt to retell the story here, so don’t worry—it doesn’t get any more complicated.  There are, however, a couple of remarkable things about the tale.  In the brutish, nasty, post-collapse future that marks the center of the narrative, religion is central.  Some of the Hawaiians have come to believe the protagonist of the nesting story, the clone mentioned above, was a god.  To find her story, however, you’ll need to read the book.  Suffice it to say, that origin myth is part of the overall complex structure.  The second of the remarkable features, and one that makes this book very salient, is that in all the ages the issue of accepting those who are different is central.

In the outside framing story, the initial and terminal points of the chi, one of the characters is a missionary.  He’s trying to “improve” he life of Polynesians by making them into slaves, whereby they benefit from the largess of Christianity.  Quite a bit of the narrative draws its energy from the eventually faltering sense of superiority of the AngloSaxon “race.”  In that sense it’s definitely a parable for our time.  A story that deserves to be read.  Defying easy genre identification, Cloud Atlas is a thought-provoking novel that doesn’t fear religion and its larger implications.  A couple of the nesting stories have exquisite twist endings worthy of the Twilight Zone.  This book will make some demands on your time, but its message makes it a sound investment in a world rapidly heading toward a future that reveals just how troubled our species is.

Time Saving

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As we suffer through another pointless Daylight Saving Time, I’m thinking of rituals that have lost their meaning.  Life is full of them.  We do things because we’ve always done them this way and even when they become harmful because of the way lifestyles change (auto accidents, for example, increase after shorting people of an hour’s sleep) we can’t seem to let go.  DST alone should’ve been enough to convince those who claimed religion would simply go away when science kicked in that they are wrong.  This is one reason that I’ve always found the origins of ideas fascinating.  Why did people believe this?  Why did they do this?  What started this whole process?  (Just to be clear, I’m not asking this about DST; I’ve written about that before.)

We can’t know the ultimate origins of religion.  I’ve suggested in the past that what we would term religious behavior has clear origins in the behavior of animals.  A somewhat fully developed consciousness provides incentive to rationalize such behavior.  The earliest organized religion of which we know involved state functionaries (priests) supporting, probably for sincerely believed reasons, the “secular” government.  Kings and priests needed each other and people quickly conformed.  Even when those on the inside came to realize that they were merely pretending, they kept on doing so.  It was too late (or if DST, too early) to change anything, so the mascarade continued.  Tracing the history of religious ideas reveals perhaps more than we want to know.  And human beings are natural actors.

Once, while in a restaurant, I sat near the kitchen.  The smiling servers, as they neared that portal lost their smiles and harried looks came to their faces as they told frantic cooks what the couple at table eight wanted.  Yet they continued to pretend they were happy when at table-side.  Or think of work with its “public facing” information that is inevitably different from what is known by those on the inside of the company.  Actors.  We’re all actors.  Perhaps it’s the price to pay for living in a civilization.  If we stopped to think about why we’re doing something as inane as pretending five o’clock is now six o’clock, or even that all people are the same and should be at work between nine and five, society could not stand the scrutiny.  Anarchy would erupt in the streets.  We should be thankful that people don’t think about these things too deeply.  Or, then again, maybe I didn’t get enough sleep last night.

Long Journey

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Although it may be only a venial sin, overwriting is nevertheless an offense.  As a professor I read many papers from students who had great difficulty clarifying what they were thinking only to disguise it with too many words.  I have finally finished Andrea Perron’s House of Darkness, House of Light.  Because academics too often dismiss personal testimony, I feel compelled to consider it.  Now over 1,300 pages later, I have discharged my duty.  Ed and Lorraine Warren, despite being famous, are difficult to assess in book form.  Yes, they (ghost-)wrote ten books, but they never had permission to include the Perron story that stands behind The Conjuring.  The eldest daughter took on the task herself and even seems to be aware of (in the acknowledgements) a dubious talent for overwriting.  What the Warrens saw as demons, she sees as ghosts.  Who has the right to decide?

I wish the author well in her writing career—those of us who write tend to be natural boosters of others—but it would’ve been nice to have had a more condensed version focusing on the events in the Harrisville house.  One interesting thing caught my attention here: according to Perron the Warrens called by phone after the Perrons moved from the offending house and tried to talk Carolyn, the mother, into a book deal.  Offering a healthy income from the proposition, they gave a hint of what other writers have claimed—they had the business angle firmly in mind.  I’ve read enough from people who actually knew the Warrens to believe they sincerely believed they were helping people.  They also had to make a living, and ghost stories tend to sell well.  Some use that as evidence that they were only trying to make money.  I’d remove the only, without dismissing the financial incentive.

It’s nearly impossible to read a very long book and feel that you haven’t come to know the author.  Also, it’s difficult to dismiss material written, even if overwritten, so sincerely.  We live in a world that we don’t understand nearly as well as we think we do.  Call it old school on my part, but I believe in extending the benefit of the doubt to eyewitnesses, particularly when there are several of them and they have a decade to observe closely what many others never get a chance to see.  This set of three books is a window into a realm over which the drapes are usually drawn.  For those willing to do some hard mining, there’s something of value here.

The Price Is Wrong

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The costs for academic books can seem criminal.  Don’t get me wrong; I work in academic publishing and I know the reasons—or at least the reasons publishers seem to believe—for such pricing.  Still, when I see a book that my little public library will never be able to convince its network that it should be able to borrow, I look at the prices and blanche.  At least the pallor looks good with my skin type, or so at least I’m led to believe.  Why are books so very expensive when so few of them retain any resale value?  Publishing—the information business—is unlike any other.  In fact, it could be argued that the printing press was the earliest internet.  Ideas could be spread more quickly, among those who were able to read, than they could have previously.

These days books are the handmaidens to the internet.  The problem, of course, is that the web contains ideas that haven’t been vetted.  Publishers offer that service, but you have to pay for it.  Books don’t sell like they used to—physical books, I mean.  Inflation, however, ensures that the cost of paying employees is constantly going up.  This is the hidden factor of “overhead”—the cost of doing business.  You need to sell a lot of books to pay a staff.  Not only that, but unlike most “commodities”—I shuddered as I typed that word—books can be returned to a publisher if they don’t sell.  It’s like an entire business model run on consignment.  And the honest truth is—academic authors may want to cover their eyes for this part—very few books sell more that a couple hundred copies.  That means that the per unit cost has to go up.  Next thing you know you’re selling a kidney to continue your research.

I keep a running list of books I’d like.  Some are for research and some are for other pleasures.  The list grows quite lengthy when more and more interesting books get published.  I look at academic books and I wonder if maybe there’s another way.  If they were priced down in the range of mere mortals, would they sell enough copies to meet their costs?  I’m well aware that Holy Horror is priced at $45.  Believe it or not, that’s on the lower end of academic extortion pricing.  Many books on my “must read” list cost three times as much.  Are we paying the price for keeping knowledge solvent?  Or is all of this just criminal?

Lingua Franca

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The history of Israel and its neighbors has been appropriated deeply in the mindset of western cultures.  Both the British and Americans, for example, have thought themselves the “new Israel,” for once a people is chosen so all people wish to be.  I’ve been thinking about this in linguistic terms of late.  To get to the main point, we need to read a little history—it’ll be painless, I assure you.  Israel was a nation frequently conquered.  The imperial powers to the east, beginning with Assyria and continuing through Babylonia and Persia, overran the land.  This hostile takeover involved not only Israel, but its neighboring nations as well.  These early, violent attempts at globalization worked themselves out linguistically, in part, by the necessity to communicate in a common language.

In the broad sweep of world history, the conquering nation tends to impose its language on the conquered.  Think of Alexander of Macedon and the adoption of Greek as the “lingua franca”—the official language of empire.  Ironically—and this is what captures my attention—when Assyria overran Israel, it also conquered “Aram.”  (Aram was the area north of Israel, roughly what we think of as Syria today.  Their language was Aramaic, which is closely related to Hebrew.)  Instead of the Assyrian language being imposed on the defeated peoples, the invaders adopted Aramaic as the official imperial language.  Some of this may have to do with the fact that Aramaic, being alphabetic, was much easier to learn to write than syllabic Assyrian (known generically as Akkadian, along with Babylonian and its dialects).  It may have been the last time a conquering nation admitted at least some of the culture of the defeated was superior.  (Ironically, the Romans felt that way about the Greeks.  Those who have ears…)

Aramaic continued in favor even as the conquered adopted Alexander’s Indo-European Greek centuries later.  Lingering into Roman times many of the people of what was left of Israel were bilingual, knowing Greek and Aramaic.  The latter was the language of Jesus.  Aramaic later survived in the form of Syriac, but the area was overrun by Arab invaders and Arabic became the lingua franca.  Still, nestled in the middle of this linguistic history is that episode of the ascension of Aramaic to imperial levels.  That’s the thing about globalization—it’s an exercise in compromise.  Many distrust and hate it, and even today some sub-cultures fear they’re being wiped out by granting too much to those who “don’t belong.”  In some ways it’s an understandable fear.  Learning new languages is hard, especially for adults.  There is perhaps a lesson in the survival of Aramaic, though, that might still come in handy when cultures collide.

Sustainability

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There comes a time, it seems to me, when each generation realizes it’s made a mess of things.  Well, at least the thinking members of a generation do.  I mentioned a few days ago that I kind of idealize the sixties.  The book about them that I mentioned wasn’t shy about showing the misguided aspects of the time.  In many respects life is better for many—not for all, and that’s important to remember!—and we’re more connected with better, if too expensive, medicine.  More people are finding some kind of enlightenment and realizing that we continue to use up this limited planet far too swiftly.  At the moments when such thoughts become oppressive, I recall the young.  Perhaps we’ve done something right by gifting ourselves our forward-looking offspring.

A website my wife recently pointed out to me, Sustainable Millennial, is a locus of hope.  For too long we’ve bought the lie that anything really is disposable.  Bread cast upon the waters comes back, even if you put it on a rocket and send it to space.  You see, society has bought into what was a deliberate economic plan—help people find meaning in consuming (the war was over and the economy slowing, we were restless).  If you could get people to spend money for things to make themselves happy, well, just ask MC for the results.  Problem is you only have room for so much stuff.  Better make it “disposable.”  Trash heaps never fill up, do they?  Heaps become hills and hills become mountains, and all the sudden we need to get Daniel on the phone.

Our young understand something we’re slow to ken.  We’ve polluted, used up, and “thrown away” what can never be replaced.  The good news is that there are other ways to live.  We can reduce waste and even stop paving any space wide enough for a car to squeeze through.  All that’s being made is mere money.  What we’ve needed is voices not long enough vested in the system to try to change it.  By the time you’re middle aged you spend far too much energy trying to figure out how retirement’s supposed to work to have any left over to challenge the system.  The young are, and always have been, the future.  There are fewer angry white men because they realize that the plan of their forebears for personal gain simply hasn’t worked for the majority of people.  Daniel isn’t the only visionary, but even his young companions fade before they started worrying about disbursements and tax consequences.  If the young don’t lead we’re lost.  

Frankly

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Even in the 1960s, if I recall, Dracula and Frankenstein really weren’t that scary.  I mean this in the sense of the 1931 Universal movies that began the entire trend of “horror” films.  They were, nevertheless, monarchs among those of us who claim the sobriquet “monster boomers.”  (I’ve never considered myself as part of any generation, but there’s so many people that you’ve got to sort us somehow.)  Recently I talked my wife into watching/re-watching these two films with me.   The pacing makes it seem like everything in the 1930s was stuck in slow motion.  The frights are difficult to feel, given what we’ve seen in movies since then.  And they are both, it occurs upon reflection, movies in which religion is the norm against which we measure monsters.  God is assumed.

Dracula, of course, fears the crucifix.  His chosen home in England is a ruined abbey.  Although the source of his monstrosity is never discussed, he is intended to be an embodiment of evil, draining the life of innocents.  Renfield craves flies and spiders in order to ingest their life.  Christianity can’t tolerate such evil and Dracula must be staked (off screen).  Frankenstein’s monster is much more obviously theological.  Opening with a warning to the audience that the film may shock due not only to its frights, but also because of Henry’s desire to create life, the film has philosophical discussions between Henry and his associates, and ends with the moral dilemma of what to do with an evil created by human hands, yet clearly alive like other people.

Metaphorically speaking, these first two horror films set the stage for later developments in the genre.  It isn’t so much fear and startles that define the genre as it is a deep dread of offending the powers that be.  Childhood was so long ago that I can no longer recall just which movies I saw on Saturday afternoons, but these two were among them.  Even as I was beginning the spiritual journey that would assure my job was never far from the Bible, I recalled with fondness the frissons of watching Dracula and Frankenstein—and then the host of other Universal monsters such as The Wolf-Man, The Invisible Man, and The Creature from the Black Lagoon (the last being scary in the classical sense).  The world in which they operated was deeply religious, for even the gill-man was an implicit condemnation of evolution.  These monsters were informing a religious outlook that would last a lifetime.  Going back to Dracula and Frankenstein is like turning back to the first page of Genesis and beginning again.

Symbolic Delays

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Weather affects more than the Psalms, of course.  With all the hype of the latest winter storm things were closed or delayed before any accumulation even started.  Now I’ll admit up front that I’m a fan of snow days; we dutifully trudge to our desk jobs as if we’re doing something vital when many of us are really just trying to make money for the man.  A snow day’s a little unplanned levity in our lives when staying off the roads seems like a good idea.  It’s one of life’s guilty pleasures.  Of course, the dreaded delayed opening brings its own set of issues.  You can’t sleep in unless it’s announced the night before, and once you’re up your mind heads to work anyway.  Working remotely, alas, means you have no excuse, no matter what the weather.

Snow is a great symbol.  I don’t mean its whiteness and purity—there are plenty of white things that aren’t pure.  No, I mean it’s a great symbol in its ability to control people.  We don’t like rain, although we understand its necessity.  Snow, however, fills us with a childlike wonder.  Anticipation.  Unlike a winter rain, it can be fun to play in.  It covers everything.  The suggestion of a blanket ironically makes us feel warm, even as the temperature dips below freezing.  But for me the most potent symbol is light.  I awake early, even on snow days.  As I make my way downstairs in the dark, it’s immediately evident when snow covers everything because the sky is lighter than it should be this time of day.  Whatever light’s trapped below the clouds reflects off the snow creating a luminosity that’s almost otherworldly in its calm.  It doesn’t last too long for the sun is rising earlier, at least it is until our pointless time change, but for a few hours we’re in the midst of an unnatural light.

Darkness is far too prevalent.  We know that someday even our mighty sun will use up all its fuel.  We crave the light for it’s limited.  Days are noticeably longer now than they were at the start of December.  Those few moments of serenity before the sun comes up, when the snow produces what seems like its own light, are among the most tranquil of life.  Before the plows begin scraping metal against asphalt, hoping for a snow day while wrapped in a fleece throw, face clouding the chilly window before it.  Yes, it’s a powerful symbol.  Even if the internet means work awaits just as usual.  

Strange Ending

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Perhaps it’s from growing up as a biblical literalist, but I’ll probably always have problems with post-modernism.  You see, when you’re taught as a kid that there is one absolute right and you already know it (it’s Genesis to Revelation, no Apocrypha, please), you kind of get the idea that things are just what they seem.  Po-mo teaches, among other things, that there’s no true objectivity—reality is subjective and there is no neutral ground upon which to stand.  I’m down with that, but the old ways of looking at things remain.  This is a long-winded way of saying I finished Kohta Hirano’s ten-volume manga, Hellsing.  Over the past year I’ve been reading for a friend of mine, but manga has never really been my thing.  I read The Watchmen as a graphic novel, but looking at pictures somehow feels like cheating.  It’s that literalist thing again.

I might be dropping some spoilers here, so if you’re even slower than me be warned.  There’s quite a bit of shape-shifting here and it’s not always easy to tell who’s who.  In a kind of homage to my childhood monsters there’s vampires, werewolves, and even a Frankenstein’s monster in the series.  All of them are engaged in a constant state of combat against which the Protestant Hellsing organization stands for a stable civilization.  The Catholics are associated with Nazis along the way.  It’s a fascinating look at how an eastern culture might view the religious wars of those in the west who all go by the name “Christian.”  I think this is the genius of the series.  The friend who lent me the volumes has no declared faith, but he finds the dynamic fascinating.  Real religious fighting has made it easy for him.

The story, however, falls clearly into the generation of those without absolutes.  For someone my age a plot clearly laid out is a thing of beauty.  In college we used to argue about how absolutes might exist.  Where did they come from, and which is the strongest?  Did God make them or does God have to conform to them?  Even without the answers, the fact that absolutes existed was assumed.  Argument-driven science tells us that a theory is never proven.  Science is the best explanation we have at the moment, based on the evidence amassed.  In its own way, it has become post-modern.  Hellsing is a kind of mind-blowing work.  It will likely be a long time before I attempt another manga series.  Although I accept the po-mo premise, I still find old-fashioned fiction my favorite.

Stranger and Stranger

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Like many fans of the X-Files and the early years of Sleepy Hollow, I’ve fallen into the Stranger Things orbit.  While I don’t have a Netflix account, I have friends who do and they got me hooked.  If you’ve watched it you’ll know why, and if you haven’t I’ll try not to give too many spoilers away.  The reason I raise it now, when we’ve gone such a long time without a new season, is that Stranger Things 2 took on shades of The Exorcist, but without any of the attendant religion.  Secular exorcists do exist, and possession is a feature of cultures with all different kinds of belief systems.  Exorcism works based on the belief system of the possessed, it seems, and if there’s no religion there’s no problem—call a secularcist!

Spoiler alert: Will is possessed by the mind flayer.  As the authorities flail around and get eaten by demidogs, his mother figures out how the exorcism has to work.  The thing about possession is that nobody really knows what demons are.  Dungeons and Dragons, which I confess I’ve never played—my life is too complicated already, thank you—gives the analogy for the possessing entity.    No matter what the demon, however, the only way to get it out is through exorcism.  Quite apart from sci-fi and fantasy, this is also the case in real life.  Part of the appeal to Stranger Things, I suspect, is that it indulges in the mysterious without the burden of religion.  While religion makes for good horror, good horror may exist without it.  Or can it?

Contrast this with Sleepy Hollow, now defunct.  Possession was a trope there as well, but the story had obvious elements of religion embedded in it.  As I point out in Holy Horror, religion often drives the fear.  That doesn’t mean it’s the only driver.  People fear being taken over by something else.  Stranger Things knows that if nobody can really figure out what that something else is, it can be scarier still.  We know it comes from the upside down.  We know it can possess people.  And we learn that it can be exorcised.  Although the setting is completely secular, there are elements of religious thinking even here.  It’s simply part of the human psyche.  We can deny it exists.  We can try to describe it only by analogy.  We can try to exorcise it.  It is there nevertheless, even as we eagerly await the advent of the third season.

How Many, Now?

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One thing you can say for the Bible—it’s been interpreted six ways to Sunday.  This point was brought home to me in reading Michael Willett Newheart’s “My Name Is Legion”: The Story and Soul of the Gerasene Demoniac.  Part of the Interfaces series, now apparently defunct, it takes an unusual biblical character and explores it.  Them, in this case.  The story of the Gerasene or Gadarene demoniac is one of the more famous episodes in the Synoptic Gospels.  Jesus and the disciples cross the Sea of Galilee and the possessed man runs out at them.  He has superhuman strength, and he lives among the tombs.  Jesus asks the man, or the demon, its name only to receive the reply “Legion.”  He then casts the demons into a herd of swine that drown themselves in the lake.

Newheart approaches the story creatively, first by considering the Gospel of Mark as a book, and then treating his version of the story via narrative criticism.  This was pretty good, and I learned quite a bit from his analysis.  The book then moves on to psychological criticism.  I have to admit that this approach is one I haven’t ever used and, like many reader-response methods, it can seem somewhat arbitrary.  That’s not to suggest it shouldn’t be utilized, but rather to note that results could be uneven.  Your psyche’s not my psyche, savvy?  Subjective approaches may be all that we really have when considering an ancient text, but I always tend to look at things historically.

This book caught my attention because I’m researching demons.  You can’t really ignore a book with this title if you’re trying to figure out how the New Testament looks at them.  In any case, the historical method seems to me the only way we can really engage the question of what the ancients thought demons were.  I don’t want to say too much or you won’t have any reason to buy my next book.  (That’s a joke, by the way, before anyone suggests I’m exploiting my readers.)  Newheart doesn’t really raise the question of what demons are.  He does briefly mention The Exorcist, but it isn’t his main interest.  The character of Legion, however, is difficult to place if we can’t really say what demons are.  I did find the allusion to the Roman occupancy to be worthy of consideration.  The demoniac, however, may have begged to differ.  It couldn’t have been easy being an unnamed character in the Good Book.  And demons are often not what they seem.

Christianity sans Christ

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Pieter Breughel the elder

“He that is without sin among you, let him first cast a stone at her.”  (Please pardon the sexist translation, but the King James is in the public domain.)  That verse, and many others, have been going through my head since my former United Methodist Church decided to close its doors to those who are different.  The reason this verse sticks out is pretty obvious—according to the Good Book we’re all sinners.  The “Christianity” that the UMC has embraced is that of Paul, not that of Jesus.  In fact, Jesus seems to have exited, stage left.  You see, only with a great deal of casuistry of exegetical caliber can anyone claim that Jesus (aka God) said anything about homosexuality.  Not a single word.  His response in the famous story of an adulteress (what of the adulterer who partnered in her crime?) caught in flagrante delicto, he gave our opening quote.

At one point Peter, exasperated with his master’s kindness, sputtered how many times did he have to forgive—seven times?  More like seven times seventy.  The one without sin has itchy fingers where stones are abundant.  Once at Nashotah House we had a student from Kenya.  He was already a priest, and he had a family back home.  At one point I asked him about his wife.  He informed me that his brother now had her as wife while he was gone.  It was the way of their culture.  This same student—for we are all students all the time—had harsh words for American sexual practices.  He later tried to find a way to stay in the United States, leaving family behind.  The Bible may turn a blind eye to polygamy, but polyandry is definitely stone-worthy.  Who is without sin?

Ironically the UMC has lined up against the Gospels.  Christianity’s sexual hangups began with the apostle from Tarsus, not the carpenter from Nazareth.  We have been forced to see, time and again, what comes of making priests remain celibate.  It’s against nature, and none of us has a free hand to grope for a stone.  Instead, we queue up ready to judge.  Love, the church says, is wrong.  God, says the Gospel, is love.  There’s a mansion with many rooms above our heads.  We’re not told if the doors come with locks or not.  Unless this seem unnaturally profane, anyone who has truly loved another knows it is more than just a physical act.  Such spiritual intimacy is difficult to spread too thinly without cheapening it to the point of a tawdry sit-com.  Even then, however, we shouldn’t judge.  There aren’t stones enough in the world for that.

Like a River

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It still gives me the creeps, to be honest.  Although a myth, well, let’s not dignify it with that noble term—although an urban legend, the origin of the “peace sign” with “Nero’s cross” upset me as a child and still has its hooks in me.  I remember distinctly the Christian comic book that showed a “Christian hater” turning a cross upside-down and breaking it.  The physics of it puzzled me even as a youngster—to break something like that you needed to have some kind of tension.  Snapping two arms off a cross simultaneously must’ve required some kind of magic.  In any case, it was a scary thought.  Now I’ll be the first person to admit that I need more time to study the symbols here, but it seems that “Nero’s cross” was a myth—er, urban legend intended to demonize the peace sign.

The “peace sign” has a documented history going back to the 1950s.  Gerald Holtom designed it based on the superimposed semaphore letters N and D which stood for “nuclear” and “disarmament.”  This was part of the British Campaign for Nuclear Disarmament, a cause that even then evangelical Christians did not support.  Being hawkish, this aggressive, masculine belief system wanted no long-hairs wearing a sign that to them looked like an inverted, broken cross.  Back in Nero’s day crucifixions were disturbingly common.  I suspect many people would’ve been only too happy to see crosses broken and government behaving a bit kinder.  Did they actually circulate a “Nero’s cross” as a hate sign for Christians?  You have to wade hip-deep through Evangelical websites claiming so before you can get anywhere near a site that has actual history on it.  Even then you’ll be left scratching your head.

Some liturgical vestments (sorry to talk shop) such as a chasuble, occasionally have a cross with “broken arms” on them.  Back in the 1950s Evangelical cats hated Catholic dogs and even as a kid I heard rumors about how such symbols were “anti-Christian.”  Were they inverted “Nero crosses?”  Religious symbols have long, rich histories.  We know that the “peace sign” first appeared in the 1950s to protest nuclear buildup.  We know that Evangelicals prefer to sacrifice doves on the altar of “national security.”  Might as well use some olive branches for kindling while you’re at it.  Although I know the origins of the “peace sign,”  I still always hesitate a moment before using it.  Such is the power of early indoctrination.  Even if it defies the laws of physics. 

Tempestuous Wind

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There was quite a windstorm that blew through here yesterday.  It reminded me rather forcefully of Weathering the Psalms.  Firstly, it blew loudly enough to wake me up a few times in the night.  When I finally climbed out of bed, listening to the blustery concussions beating the house, I remembered that the first chapter of Weathering was about the willful wind.  That’s not just a poetic phrase—according to the Psalter, the wind does the will of God.  Like much of the weather, it’s weaponized by the Bible.  Seeing what the wind can do, the reasons for this should be obvious.  Hurricanes are tremendous windstorms (although unknown in the land of the Bible), but they are also known for their tremendous rain.  Tornadoes, however, are pure wind and are among the most destructive forces on the planet.  (Before people came along, anyway.)  Wind commands respect.  We’re a very long way from taming it.

When thinking of meteorology, it’s easy to forget wind.  Rain and snow are pretty obvious.  Even desert heat is impossible to ignore.  The wind, invisible and powerful, is perhaps the most godlike of weather’s many features.  To the ancient way of thought, it was also inexplicable.  We understand the earth’s rotation and temperature differentials between water and land and the uneven heating between the surface of the ground and air aloft.  The ancients understood it more to be a pure act of God.  The wind certainly can seem spiteful.  It’s not difficult to attribute agency to it.  Such things go through my mind when the howling is loud enough to wake me.

Invisibility suggests power.  It wasn’t so much the “monotheism” of Israel that made it distinctive as it was the inability to see its deity.  That lack of visual confirmation not only necessitates a kind of faith, but it also veils a threat.  We humans tend to be visually focused.  We fear the dark.  Foggy, misty settings can give a story an atmosphere of foreboding.  Placing the divine out of site only enhances supernatural powers.  So it is with the wind.  As is to be expected, the windstorm has mostly blown itself out by now—moving on to another location until the temperature differentials even out and its howl becomes more of a whimper.  It will have done its work, however, for even as it passed through it brought to mind the proper respect for that which cannot be seen.  

Sixes and Sevens

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Few eras conjure mental images as readily as the sixties.  As the first decade of my life, I idealize them a bit, I suppose.  I wasn’t old enough to appreciate the truly wonderful and troubling things going on around me, and being raised in a Fundamentalist family I probably couldn’t have enjoyed many of them in any case.  Morris Dickstein’s Gates of Eden: American Culture in the Sixties was written in the seventies.  Since he’s a literary scholar much of the culture he analyzes is print culture, emphasizing the works of Jewish novelists and African-American writers.  That fits the sixties image pretty well.  He also looks at the music, but not as much as I had anticipated he might.  For me the music of the decade conveys what it really was about.

At one point Dickstein describes the political situation in the fifties that led to this incredible decade.  I had to remind myself that this was written forty years ago, for he seemed to be describing, with eerie prescience, the world of Trump and his followers.  Repressive conformity and the superiority complex of that era led to a breaking point where individual expression tumbled long-held rules and regulations that had tried to repress women and those that didn’t fit the WASP mold.  Most of us thought those controlling, catatonic days were over for good.  It seems we underestimated the will of those who lack imagination of where things might go if freedom were allowed to be free.  Some people, it seems, believed the sixties were a disease to be cured.

Historians who have a wider grasp than I do say that time has to pass before accurate pictures can emerge.  Instant potted histories tend to miss much of what becomes clear only with the slow passing of further decades.  To me the music defines them.  I only started to become culturally aware in the seventies, and that was in a small town.  When I learned to look back, largely in the eighties, I could see, and hear, that I’d lived through an extraordinary time.  The nineties, largely spent at Nashotah House, were again isolated from culture.  Who knows how this new millennium will be assessed?  Has a new music emerged that will help define us?  Or will it be, as Dickstein unwittingly projects, a new era of acceptance, love, and peace?  Or did the world really end at the millennium?   It could be, we might dare to dream, that a new decade as remarkable as the sixties is waiting to usher in Eden again.