Ephrata Cloister

Conrad Beissel isn’t exactly a household name.  I never heard of him until a visit to Ephrata Cloister during a Lancaster staycation.  My wife knew about the Ephrata Cloister due to a music course she took at the University of Michigan; he was influential in developing a distinctive musical style.  Since we were in the area we stopped in for the tour.  Beissel was banished from what would become Germany in the early eighteenth century.  He made his way to America where he established a kind of monastery in south central Pennsylvania in the early 1700s.  Not Catholic, he was inspired by German Pietists, the Anabaptists, and Christian Mysticism.  Not ordained, he established what became a Seventh-Day Baptist association because whenever he tried to settle as a hermit others came to him.

Celibacy has always been a hard sell for religions.  Once his Camp for the Solitary was established, it grew to about 300 members, with only some 80 celibates, or solitaries.  This 80 was half men and half women.  They built around 40 buildings in what was then the frontier and they couldn’t have survived without the 120 or so married people who joined the church but continued to live at home with their families.  Like many separatist groups, the Seventh-Day Baptists were expecting Jesus’ return at any day and lived their lives accordingly.  Not strict about others joining him in this, Beissel was an early vegetarian, eventually becoming primarily a vegan (although that name wouldn’t develop for a couple centuries).  They had midnight worship services since they believed Jesus would return in the middle of the night.  They were, with the supportive families, self-sufficient.  The group established a printing press, and at one time it was possibly the largest printing operation in the colonies.

After Beissel died, the community continued.  They realized that, like all celibate communities, it would be difficult to survive and the celibacy rule was dropped.  The last celibate member died in 1813.  The community by then had taken on the form of an independent church and it survived until the 1930s.  The remaining land—some of it had been sold off over the years as the community shrank—was bought in the early forties to be preserved by the state.  Theirs was never a very large group, but it was significant enough that their memory was felt to be important enough to preserve.  Beissel wasn’t alone in establishing such sects here in Pennsylvania.  The tradition is, interestingly, part of the American heritage and demonstrates how the religious, ordained or not, live in their own worlds.


Not Just Horsemen

With the way they’ve been in the news, UFOs have started to arouse some curiosity.  Since I’ve been reading about the culture of the Hudson, Linda Zimmermann’s Hudson Valley UFOs caught my eye.  I hadn’t realized that the book was essentially self-published.  There are legitimate reasons for self-publishing, primarily that established presses can be quite standoffish.  What you find in book form is largely determined by publishers who decide what will or won’t merit their attention.  Self-publication comes with its own set of problems, including marketing and, as I written before, lack of editing.  Zimmermann’s book is quite interesting but could have used some editorial attention.  It does aid credibility.  Subtitled Startling Eyewitness Accounts from 1909 to the Present, the book is essentially that, collated accounts, some in their own words, some retold.

As became clear shortly after starting the book, this is a second volume for a previous book that I hadn’t heard of.  There is a fascination reading such accounts.  Many can be dismissed and each should be treated with some skepticism.  The thing is, there are so many reports from this area that it’s difficult to jettison the lot.  People with nothing to gain, withholding their names, see things in the sky they can’t explain.  As Zimmermann points out, Project Blue Book didn’t help with its prosaic and often bizarre explanations that are harder to believe than the eyewitness accounts, many of them from Air Force personnel.  What’s emerged in recent years—some would argue since the end of the Second World War—is that the government actively advocated ridicule and intimidation, perhaps because of secret weapons testing.  This policy has made the truth behind UFOs difficult to excavate.

Books like Zimmermann’s have their place in collecting information.  Civilians, however, generally lack the resources necessary for analysis.  Governments worldwide have recently been coming out of the closet.  They too have been treating this seriously while telling everyone simply to ignore it.  People are curious by nature and we live in an apparently infinite universe.  Strange things happen and ridicule is one of the surest ways to shut down serious discussion.  There’s quite a bit of information in this book, and some of it could help point to the long associations of the Hudson Valley with the unusual.  Mainstream publishers are beginning to lose their shyness about the topic and we as a species don’t know as much about this universe as we think we do.  As long as we talk about what we see, this will remain a topic of interest.


Odd Getaway

It’s small.  Almost cramped, you might say.  But then again, a Pennsylvania Railroad caboose wasn’t really designed to be a two-bedroom apartment with en suite bath.  Why the Gideon Bible was laid open to Ezra 2.62–4.19 I couldn’t fathom.  I suppose the story begins in Wisconsin, and ends up with me deep in Trump territory for an overnight getaway.  Let’s start at the Badger State.  I’ve always been a sucker for the unusual.  In that regard, I suppose getting a job at Nashotah House was inevitable.  When I spied Weird Wisconsin in Books & Company in Oconomowoc, it became an obvious birthday ask.  When we moved to New Jersey I learned that Weird NJ was a magazine as well as a book, and I bought, and read, every issue.  I also bought both volumes of the book and those of nearby New York and Pennsylvania.  It was in the latter that I first read about it.

The Red Caboose Motel began as a kind of a lark in the late sixties.  A Lancaster county man bought a bunch of cabooses at an auction and then had to figure out what to do with these tons of steel.  He settled on refurbishing them as individual hotel rooms.  I read about them in Weird Pennsylvania and hoped that someday I might stay in one.  My family, feeling restless after more than two years of pandemic isolation, wanted a short staycation.  Hotels involve corridors and breakfast rooms, often tiny, and too many Americans just won’t get vaccinated.  This seemed an ideal opportunity to spend a night in a discrete, self-contained caboose.  And, I admit, to tick something off my bucket list.

Driving behind Amish buggies to get there after a hot day on the streets of Lancaster—a surprisingly busy and loud city—the Red Caboose felt like a good getaway.  Given the number of cars parked outside cabooses, we weren’t the only ones with this idea.  Lancaster is more than just Witness territory.  Known for its boutique shops and pretzels, as well as its thriving Central Market, it’s a busy place in July.  Bumper stickers and loud, aggressively roaring pickup trucks indicate that outside the city the Trump myth reigns supreme.  In town we visited two independent bookstores, one of them quite large.  With at least seven to choose from, Lancaster feels like a readerly place.  Indeed, I could, had I the money and time, envision renting a caboose for a month or two to do nothing but write.  Why they wanted me to read about rebuilding the Jerusalem temple I just don’t know.  I’ll chalk it up to being weird in Pennsylvania.


Blog Writing

From time to time someone will ask me about my personal writing process.  Those who know that I write at all, primarily, I suspect, think I do mostly blog posts.  I have, however, written five nonfiction books and have completed seven unpublished novels.  Thirty of my short stories, also fiction, have been published.  I also have a few novels and at least four nonfiction books currently underway.  Like other writers, I require quite a lot of alone time.  From at least seminary on, I have carved that out of the early morning hours.  I’ve gone through phases when I slept normal hours like a civilized human being, but when at Nashotah House, where morning chapel was a daily requirement, I began awaking early to write.  When I began commuting into New York City, that writing time got pushed back to 3 a.m., and that is mostly still true today.

It is said that Isaac Asimov had three typewriters in his study, each loaded with a different writing project.  That way he could work on the one he felt like writing when the mood struck.  Yes, we writers use our emotions extensively.  What I work on in the morning depends on which me gets out of bed that day.  Is it the long fiction me?  Is it the nonfiction me?  Is it the short story me?  Is it the academic article me?  Is it the blog post me?  Ah, the blog posts.  They take a lot of time.  And, like most writing, they are driven by my moods.  Sometimes I write about current events, often posted after the fact.  Why?  Because I have other posts that have been waiting to be presented.

There’s a bit of illusion involved in writing.  Apart from the fact that all of my blog posts are written in the early morning, it isn’t evident from the post itself when it was written.  (Unless I refer to something as having happened “yesterday” or “last week.”)  I don’t follow current events closely.  I can get depressed just fine on my own, thank you.  I don’t start out the day with the newspaper.  Writers often live in their own worlds.  Reality intrudes too much, most of the time.  I may never become a bestselling author.  I may never be able to court an agent—believe me, I’ve tried.  I may never have more than a few followers on this blog, but one thing I will do is continue writing.  It wouldn’t surprise me, and in fact I think it would be entirely within character, if I died with my fingers on the keyboard.


Stay Safe

I’m not an impulse buyer.  Having grown up poor, I tend to walk into stores with a list firmly in hand and I don’t deviate from it.  Advertising has virtually no impact.  I don’t pay attention to ads unless they’re for things I know I need, and even then I shut them out most of the time.  I do let my guard down in independent bookstores, however.  So it was that I found in Aaron’s Books in Lititz, Your Guide To Not Getting Murdered in a Quaint English Village.  It was totally an impulse buy, easily read in a sunny afternoon in a caboose motel.  Or a rainy afternoon in an English manor house.  Maureen Johnson and Jay Cooper have produced a wonderfully witty illustrated guide here.  It helps to have lived in the United Kingdom for a few years.

Shelved face out in the thriller section, it’s a great opportunity for murder-mystery, gothic literature, horror movie fan types to laugh at themselves.  Some parts are snort out loud funny.  Okay, so I was on staycation and being a bit free with cash for a change, but I’m sure I will keep this one near my desk and turn back to it from time to time.  Maureen Johnson is known for her young adult novels and Jay Cooper is a children’s book illustrator.  Their talents, however, work together incredibly well for this slightly naughty guilty pleasure read.  The Wicker Man even gets a nod or two.  Something that those who disdain horror don’t often realize is that it quite frequently has its own sense of humor.  It’s an intelligent genre that doesn’t take itself too seriously.  At times it does, of course, but those of us who are fans can tell fantasy from real life.  Maybe.

Independent bookstores are starting to make a comeback.  A significant part of our population isn’t on board with retailers trying to convert everyday life to the metaverse.  We want to hear our music with the occasional pop and microphone hiss.  We want to drive our own cars.  We want to browse in actual bookstores.  Given my buying record online, I have to laugh every time I look at the recommendations.  The electronic world brain doesn’t know me very well at all.  It assumes it knows why I bought that ladder or that round blank four-inch stamped electrical cover.  Some of us play in nontraditional ways with such things.  And we get ideas from wandering into independent bookstores.  As long as they’re not in quaint English villages.


Time Well Spent

If you want a bookstore mostly to yourself, go on a fine, sunny summer weekend.  There will always be those with reading on their minds, of course, but since we’re still dealing with a pandemic, going when it’s quiet feels right.  Having to drop someone off for an event in rural New Jersey, I found myself with a couple of hours and the prospect of sitting in a hot car and trying to read or to find another way to use time productively.  It was a fine, sunny summer weekend day.  I realized the event wasn’t far from Frenchtown.  Now, I’d been through Frenchtown several times, often with my wife on her way to a weekend stint at work.  I’d noticed Frenchtown Bookshop, but since we were always on our way somewhere, we could never stop.

Public parking in Frenchtown is difficult on a fine, sunny summer weekend.  There is a bike and hike trail that passes near the Delaware there, and there’s also the river itself.  Kayaking and rafting on the border between New Jersey and Pennsylvania are popular pastimes.  The mercury was creeping up to 90, so people were out, either sweating on the trail or cooling their heels in the water.  Both public lots in town were full, as was all the on street parking I could find.  A bank tow-away lot—the bank was closed—seemed like the only option.  Independent bookstores are national treasures.  I always carry a list with me since it’s too easy to lose my head when surrounded by print.  If my specialized tastes aren’t represented, I can always find something.

Books are one of the great achievements of humankind.  Although circumstances may have prevented many women from making careers in writing early on—Enheduanna proved even among the Sumerians that women had wisdom to convey.  Once novels came to be written, the form was well populated with female sages.  Reading and writing were kept from slaves for fear of what might happen could they see what the knowledge of humanity really said.  The internet has, of course, become the great democratizer of writing, but has made it more difficult to get a publisher’s attention.  Apart from all that, books laid out on a table, or stacked neatly on shelves, are one of the simple, usually inexpensive, joys of life.  For about the price of a movie you can stretch that entertainment dollar out over several days.  Even when they’re fine, sunny summer weekend days.


Tone Deafness

Tone deafness isn’t just for music any more.  Perhaps because of the incessant torrent of the internet, we might think we understand something better than we do.  Or this may be what comes after years of what Linda Stone has called “continuous partial attention.”  We’re all so busy that we don’t have time to think things through.  I’ve run into several instances of tone deafness lately, where the sound comes not from music, but from a lack of considering the society.  For example, Black Lives Matter.  When I sometimes feel pressed upon by the fact that the mongrel peoples who came together to eventually deliver me benefitted from slavery I feel helpless.  I can’t understand how Black folks feel, as much as I want to help.  This can lead to tone deafness when I think I’m actually able to explain.

Photo by saeed karimi on Unsplash

This also applies to other aspects of our lives.  If someone we know is too busy, asking them to fit us into their schedule may be tone deafness.  Unless we pick up on the many hints that “not this day, but that day might work” conveys, we tend to miss the point.  I’m always amazed just how many people don’t pick up on the stress conveyed in such situations.  Even professional service folk.  You can almost hear them looking at their screens instead of the distressed look on your face.  When we’re all too busy, ironically, the way to address this is to spend a little more time listening.  Paying attention to someone else.  The world won’t end if we do.

Short emails may show tone deafness as well.  Those who send one or two word emails probably don’t realize how rude it seems on the receiving end.  Perhaps they think it’s the same as texting.  There’s a reason I don’t text.  If someone is important enough for me to contact, I feel that I need to give them the required time.  Look at them, not the screen.  Try to hear the pitch they sing in, the cadence they use.  People make beautiful music.  Lives are symphonies.  Do we really want to approach their performance preoccupied by what’s next on our agendas?  I remember getting dressed up and going to a formal concert hall to listen to live music.  I also remember sitting across a table or desk from someone with no devices, being listened to carefully.  Even if it was a viva it was a wonderful feeling that someone was actually listening.  Now what was it you were saying?


Bushkill

Waterfalls are fairly plentiful in this part of the country.  Although they’re not the Rockies, the Appalachians are mountains, and mountains lead to waterfalls.  Niagara is an outlier, of course, where one great lake drains into another.  In the area around Ithaca and Watkins Glen, in New York, there are great falls where the water, through the eons, has eroded the softer rock to flow down to sea level.  While most of the waterfalls in Ithaca are free, you have to pay to get into Watkins Glen.  The waterfalls cascade down into Pennsylvania as well, where the geology is similar, where the bedding planes of ancient seas left layer after layer of rock washed away by yet more water millions of years later.

Bushkill Falls, like Watkins Glen, is privately owned.  Deep in the Poconos, it offers a shaded walk around what has been called “the Niagara of Pennsylvania.”  When we went, it had been mostly a dry summer.  Still, there’s a draw to all that water.  Like Watkins Glen, there are stairways to ease the access among tourists; there are those who might be inclined to sue should they lose their footing.  There were lots of others there the day we went.  Many speaking languages other than English, deep in Trumpian, xenophobic territory.  In nature we’re all just human.  Water washes and water erodes.  Water smooths out rough edges.  There are many parables in water.  It makes life as we know it possible.  It flows to the lowest point, creating incredible beauty as it tumbles over many different types of rock that make up the crust of the earth.  There’s a wisdom in water.

The red trail, around the outline of the several waterfalls, has 1276 steps to descend and climb.  Going down the stairs at the start of your journey assures that you will need to climb at the end.  The air is full of negative ions around breaking water.  Positive feelings are created.  Perhaps people should live near waterfalls.  It’s difficult to imagine hatred thriving in such a place.  I recall a family walk, back in some troubled times, when my older brother led us all to a waterfall hidden deep in the western Pennsylvania woods.  The tension and strife melted away.  We probably all knew that it wouldn’t last, but at the time the present was all that mattered.  Water is so basic, but so unbelievably wise.  Paying attention to such things is worth the price of admission.


Sacred Hudson

As scientific as we may wish to be, there’s no denying that there is a sense of place.  We know that some animals, at least, also feel it.  Whether theirs is a more pragmatic desire to return to where conditions were favorable to be born, or whether something deeper draws them there, we have no way of knowing.  People feel it too, this sense of place.  We know where we’re from, and if we don’t we often want to find out.  The space is somehow part of us.  There’s a compelling exploration of this in Judith Richardson’s Possessions: The History and Uses of Haunting in the Hudson Valley.  While not America’s first haunted location, the Hudson Valley was singled out for this treatment by Washington Irving.  He, however, didn’t invent it.

I’m not from the Hudson Valley.  I could never afford to live there.  That doesn’t mean the area can’t speak to me.  Richardson’s approach is academic yet readable and she considers how hauntings fill needs and how they play a role in that ever-contentious enterprise of land claims.  Ranging through literary treatments, whether the fiction of Irving or tour books of the next generation, or indeed, more recent literary efforts, Richardson deftly guides the reader through American Indian and Dutch and other inhabitants’ stories of themselves.  Race inevitably plays a part, and her tracing of the origins of some traditional tales is really remarkable.  Who owns the land?  Who truly owns anything?   

Similar treatments (I can’t help but feel somehow lesser) must exist of other haunted locations.  Richardson doesn’t engage in arguments over whether ghosts are factual since ghosts serve so many other functions.  Our lives are the stories we tell about ourselves.  Many of those tales involve the place we are or places we’ve been.  In our highly mobile society, few of us, it seems, can make a living where we’re from.  Those of us born in small towns range far and wide to find employment.  In many cases we may not want to go live where the drama of our childhoods unfolded.  Yes, there are pleasant memories there, but there are also ghosts.  Richardson explores how this plays out in one small stretch of the country.  Indeed, it’s a small stretch of New York state.  Stories of hauntings continue in that particular valley.  Uncanny, perhaps, but there are places in this world like that, and this book is a sure road post on this particular overgrown trail.


First Images

I awoke to an image from the James Webb Space Telescope.  Looking at the universe at it was 4.6 billion years ago is a humble and terrifying experience.  Our universe is so incredibly vast and we are tiny.  As we on this planet bicker and kill and destroy, out there something truly wondrous looms.  Those tiny pinpricks of galaxies.  Our own galaxy so massive that we can’t comprehend it.  Our own midsize star large enough to hold more than a million earths.  Our own planet big enough that no human being can see it all in a lifetime.  What in the world are we fighting for?  This image is just a patch of sky about the size of a grain of sand held at arm’s length.  How many grains of sand would it take to fill the visible sky?

Many people argue that such things are a waste of money.  Yes, there are very real, human-created problems right here on earth.  The siren call of space, however, has the potential to save us.  If we look into that immense universe just out there and realize that we are part of something larger than ourselves, we can stop fighting and hating and electioneering.  Keep looking up instead.  Costs, after all, are relative.  Our entire economic system is arbitrary.  We decide what’s valuable and what’s not.  We make rules that allow individual human beings to control the lives of countless others based on nothing more than agreed-upon principles.  Food could be freely distributed.  Medicine could be given to the sick.  What’s required is perspective.  If looking at the universe doesn’t provide perspective, what can?

I often wonder about life in those distant galaxies.  Given the sheer numbers it’s practically impossible that life evolved only here.  We’re told that teleological thinking is wishful and naive, but looking at the way life behaves I have to wonder if that’s true.  Life may be seeking goals.  If it is, than intelligence may be among them.  We’ve got billions of years and billions of lightyears to work with.  And when I look at the headlines I find those of the James Webb Space Telescope to be the most hopeful of all.  Galaxies are all about possibilities.  Stars being born where the outcomes may be better than one gender assuming it’s better than another.  Or that the “right to bear arms” means  stockpiling assault rifles to kill others in a fit of pique.  No, this money’s not wasted if only people might listen and pay attention to the stars.


Celebrating Folk

The whole ox on a spit was kind of disturbing, but there’s nothing artificial about folk tradition.  We’d come to take in a bit of the Kutztown Folk Festival.  The crowds weren’t excessive, and we wore masks if the conditions warranted it.  The oldest continually operated folk festival in the country, this July event is a celebration of Pennsylvania German heritage.  In addition to the usual kinds of festival vendors were a number of specifically folk artists—quilters and hex sign painters prominent among them.  It’s difficult to find a good sarsaparilla anywhere else these days.  We wandered around, watching an old-fashioned hay bailer at work, appreciating the time various craftspeople put into their art, taking in a quilt auction.  (I can’t even imagine having a spare few thousand on hand to buy a quilt, but obviously others can.)

Although mostly white—those of us with blue eyes may have been in the majority here—there were those of various ethnic backgrounds around, enjoying the ethos.  What struck me upon hearing one of the singing, folklore groups telling about Pennsylvania German (commonly called Pennsylvania Dutch) traditions is that this may be one reason people fear the current emphasis on multiculturalism.  It’s fairly rare to hear anyone speaking proudly of being a German, even though Germany seems to be one of the least fascistly inclined countries these days.  Even a dominant culture is afraid of losing a sense of self.  It seems to be a uniquely human problem.  That ox on a spit really bothered me.

While I’m an American mutt, about half of my DNA is fairly solidly teutonic.  Although I was born in Pennsylvania and my grandmother still spoke German, we weren’t Pennsylvania Dutch.  A second-generation American, my grandmother was from Washington, DC.  My germanic grandfather was from upstate New York.  They just happened to settle in Pennsylvania late in their lives.  Still, I felt a strange kind of kinship to those explaining German food—heavily meat-based—and hex signs on barns.  I grew up seeing the latter, and it never occurred to me that while living in the Midwest they simply weren’t there.  I didn’t grow up on a farm—we lived in a cheap apartment—and we never talked of German tradition at home.  No, like the blacks, and south Asians, and those, like me, of clearly mixed descent, that I saw there, we were all simply Americans.  That’s what folk festivals are all about—celebrating who we are.


The Horseman

Washington Irving’s tale, “The Legend of Sleepy Hollow,” perhaps due to its being the earliest literary American ghost story, has been retold time and again.  When I saw that Christina Henry had a take on it that came out last autumn, I knew I’d be reading it.  I’d read her The Girl in Red late last year, but I couldn’t wait until fall to read this one.  Henry has a way of taking traditional stories and making them relevant.  Horseman is set two generations after Ichabod Crane and Brom Bones and Katrina Van Tassel, but they all appear in it.  According to Irving’s story—and this is often changed in cinematographic treatments—Brom and Katrina wed.  The narrator of this tale is Ben, who in today’s terms would be considered transgender.  He (his preferred pronoun) is the grandchild of Brom and Katrina.

Henry is a master of magic realism.  There really is something in the woods of Sleepy Hollow and it’s taking children’s heads.  Some influence from Tim Burton’s film version is found here, but the story has its own trajectory and inner logic.  Ben actually sees the monster, but nobody will believe him.  Not until it’s too late.  The one person who does believe is Katrina, Ben’s grandmother.  She, however, wants Ben to act like a girl because he was born female.  She wants him to stay home and learn sewing and cooking.  Ben’s hero, however, is Brom.  He’s a good man, if rowdy.  He married Katrina for love, not wealth.  Ichabod Crane does appear, later in the story, but since how he appears is a spoiler I’ll need to let you read for yourself.

Americans are often raised with the wrong-headed notion of canon as the one way a story goes.  Retelling is as ancient as writing itself.  Homer, Apollodorus, and Ovid were retelling stories.  So were many Bible writers.  People tell one another tall tales.  Washington Irving didn’t invent the Headless Horseman out of whole cloth.  Neither did the people of Tarrytown.  How the story goes is a matter for discussion.  Bet yet, it’s also a matter for retelling.  Henry’s version could be made to fit with Irving’s, but with a bit of prior assumption, some posthumous collaboration.  Hers, however, is a tale for our times.  Just like in Red, the protagonist isn’t conventional, according to conservative sexual standards.  Both are, however, authentic.  And although both may be flawed in various ways, there’s no denying that they’re heroes.


The Birds and the Bees

Our house came with a wood-plank fence surrounding the yard.  This is a dog neighborhood and just about everyone has a fenced in yard to keep their dogs in check.  It’s more the birds and bees that have me worried, though.  The fence, which is in need of some attention, is bare pine stained redwood.  As the stain fades carpenter bees find it irresistible.  These insects are great pollinators and we don’t like to gas any creatures just doing their evolutionary job.  Painting that fence will be a summer-long project and one that requires far more sunny weather than we tend to get around these parts.  So we have a fence with several carpenter bee homes.  (These are ubiquitous insects in this area, with lots of people complaining about them.  We have, however, the only wooden fence in the neighborhood.)

The other day I heard a knocking while I was working.  I looked out the window to see a downy woodpecker, well, pecking at the site of one of the carpenter bee homes.  This industrious little fellow had three holes in the post by the time I got downstairs to startle him or her away.  Now, you have to understand that this is a large fence.  We didn’t put it up but we have to keep it up.  Then I thought, “I was worried about the carpenter bees.  Why should I be worried about the woodpeckers?”  Holes can be patched, and fences can be painted.  I hope the neighbors don’t mind a white fence.  In any case, I left the woodpecker alone after that.  Besides, I can’t be outside all day long—I have a day job.

Over the next several days the pecker became a regular visitor.  I’d be working and then I’d hear a now familiar knocking.  I decided to watch once.  I keep a pair of binoculars in my office because I see lots of birds that I want to identify—there’s a park across the street.  At the risk of the neighbors thinking I was spying, I trained them on Downy.  It was amazing how effective its bill is on a four-by-four.  It quickly cleared a hole, stuck its beak in, and pulled out a fat carpenter bee grub.  Down it went.  A centimeter to the right it repeated the procedure.  Carpenter bees, which are so territorial when building their nests, seem to have forgotten their young.  Perhaps it’s for the best.  This bird was one well-fed flier.  And I’d finally learned what they mean about the birds and the bees.


Having X

The final girl is such a classic horror trope that even horror novels can be titled after it.  You know the drill—teens hanging out, doing things that teens do, end up being killed off one-by-one by a monster or a disturbed person(s).  The one to survive is the virginal girl who doesn’t drink, use drugs, or whatever.  As a long-term horror watcher, I think the trope has been exaggerated, but it does occur enough times that there was clearly something to be noticed.  Enter X.  Released earlier this year, a slasher that rather obviously juxtaposes religion and horror, X features a “final girl” who is anything but virginal and sober.  The religion aspect is blatant from the beginning when the opening sequence involves a televangelist preaching to a viewership of the dead.

The title derives from the premise (which is a throw-back to the classic slasher era) that a would-be independent movie producer wants to shoot a pornographic movie.  Since this is strictly low-budget, he contacts an elderly gentleman on a remote Texas ranch who has a guest house.  With his one male and two female stars, a cameraman/director, and an assistant he drives to the isolated location.  They are all divided into couples, with each of the women having sex with the male star.  What makes this creepy from the beginning is that the old man, and his elderly wife, create a sinister presence.  She sneaks up on the young people, watching them through the window.  She misses her younger days when she was young and attractive.  As night falls the young people are killed off by the older couple one at a time.  What’s more, they’ve done this before.

X is a reflection on aging.  More than that, it’s a reflection on how religion leads to horror.  To say precisely how would involve giving away a spoiler, so I’ll leave the reader to watch the film to find out.  Suffice it to say, the televangelist is preaching about how sex leads to evil and the older couple kills because they’ve been listening to him preach.  X is not for the faint of heart.  I generally don’t like jump-startles and there were a couple of those that caught me off-guard.  (I try to anticipate them when watching slashers, or any horror, for that matter.)  But what of the final girl?  There is one, but it’s one who flies in the face of horror convention, if there is such a thing.  


Tree Owners

I hated to do it.  I always feel guilty afterwards.  I’d never have made it as a lumberjack.  We had a problematic green ash tree that someone might’ve planted long ago, or which may’ve been a volunteer that nobody really paid much attention to.  Prolific, although cultivating the seeds is difficult, in nature they spread rampantly.  This particular tree was in a sheltered corner of the house, in an outdoor nook created by a neighbor’s fence adjoining the one that goes around our yard.  (Fences are a big thing in this neighborhood.)  The branches were overgrowing our neighbor’s fence, getting under the eaves spouts on our house, and providing squirrels with access to the roof, which had previously been denied them.  The roots were getting into the foundations of the house and there are at least seven smaller green ashes that require constant cutting back, in that same corner.

Cutting trees down goes against my principles.  I’ve had to do it a few times and I’ve never felt good about it.  It was yard-waste haul-away, which rarely comes, and the sun was shining like it rarely does.  It was time.  All told, it took a few hours.  The sky looks naked in that corner now.  The green ash is a beautiful, but unruly tree.  We decided to plant a scarlet oak instead.  Edge of the Woods nursery in Allentown sells only native plants.  They recommend oaks for their benefits to the ecosystem.  There’s an optimism about planting a tree that will, hopefully, long outlive you.  It can’t replace that troublesome green ash, but future owners of this house will hopefully appreciate its shade. 

Digging up the yard to transplant this tree made we want to do the same thing again.  And again.  There’s a reason the story of Eden is set in a garden.  It feels natural to be around plants, particularly those that don’t make us itch, or sneeze, and that don’t prickle us with thorns.  A place of trees and cultivated shrubs and flowers.  Yard work dominates my free time for at least half the year, so making it something worth the labor seems a reasonable thing to do.  Trees own the planet in a more righteous sense than humans do.  Many live longer than we do and give back so much to the environment.  I’ll worry about our little tree.  The woman at the nursery said that trees thrive by pushing back against the wind.  It was more than a tree we planted; it was a parable.