Not a Scholar

It’s insensitive.  And behind the times.  Google Scholar, I mean.  They send me emails telling me that people can’t read my research because I don’t have a verified email.  When I sign on and enter my email, it tells me to enter an institutional email instead.  I don’t have one.  So it sends an error message implying I’m not really a scholar after all.  Like hundreds, perhaps thousands, of academics, I had to settle for a job in the corporate sector.  Unlike some of my colleagues, I still research and write and try to maintain a web presence so I can be found.  Compared to non-academics those of us who’ve been through the system are few.  Even so, this can be an exclusive lot.

There are quite a few academic websites these days.  I’m not sure which is the biggest or best regarded—I’m not verified, after all.  I have an active account on Academia.edu, and recently, to gain access to an article I needed, I joined Research Gate (dot net).  Academia is after me every day to upgrade—they follow the “free cookie” model.  It’s free but if you really want to be discovered you can pay a modest fee for an upgrade.  I suspect Research Gate is the same.  And Google Scholar.  These websites aren’t out simply to promote you for your own benefit.  Of course, real scholars can be naive.  I’ve been in the business world long enough to be suspicious.  There’s no such thing as a free account.

What such websites don’t take into account is that academia is a harsh and punishing place.  Institutions are almost always run by businessmen these days and professors are deemed too expensive to maintain.  (Nobody’s talking about how university president salaries are too high, I notice, but they’re verified.)  To push knowledge forward we get rid of those who’ve dedicated their lives to study.  Those departments that bring in money—greed is not an academic field—thrive.  The academy was founded to further religious knowledge.  Soon study of the law was added, but law was considered something handed down from on high.  Some of us, and not a few, were naive and unverified enough to believe that fields that had been around for a millennia or so would be around for at least long enough to get us through to retirement.  Instead, learning has shifted online.  And to be part of that club, you must be verified.  At least according to Google Scholar.


Eve’s True Desire

Psst—don’t tell anyone!  There is a free copy of my first book available on Academia.edu.  I thought I was kind of radical for doing that, but people who write books want people to read them.  Having a book priced $70 or more, heck, even $30 or more, means only diehards will buy it.  Nightmares with the Bible promptly sank at $100 cover price, released during a pandemic.  I’ve always admired scholars who’ve bucked conventions to make their work available.  Recently I needed to consult a book.  I won’t say what it is because I fear a take-down order will be issued where I found it.  The author, aware the book was hard to access, actually photocopied the entire book and put it on a website.  I stand up and cheer!  Photocopying an entire book is a lot of work, a labor of pure love.

Now, I’m all for authors getting royalties.  It takes a lot of time and energy to write a book.  It can cost years of your life.  You ought to get something back for it.  It seems to me, however, that a different model is required for academic books.  Why are they so expensive?  Not only that, but smaller publishers without the distribution channels often publish worthwhile books, but in small quantities and they go out of print after the initial run is sold.  The academic enterprise (knowledge for knowledge’s sake) has become a captive of capitalism.  There’s no other way to trade in that market.  Books that have willing, even eager, readers are sequestered in libraries only accessible to employees.  Is there anything wrong with that picture?

Academics at less wealthy institutions often find ways around the rules.  I did my research for Weathering the Psalms at a small seminary that had trouble getting unusual items on interlibrary loan.  Bigger schools were distrustful of this tiny enclave called Nashotah House.  Would they ever get their rare property back?  Meanwhile worldwide mail service crisscrossed with offprints sent for free from scholar to scholar.  It was like your birthday, or Christmas, when a long-awaited piece of research landed in your mailbox.  Nobody was in it for the money.  We were beguiled by learning.  Eve looking wistfully up into the tree.  Now it’s all business suits with dollar signs for eyes.  The academic who puts their book up for free on the internet is nothing less than a saint.  Seeking knowledge is never really a sin.

Tasty fruit of knowledge

Ancient Near Ideas

Looking backwards has its issues.  I still think about the Ancient Near East.  My reputation on Academia.edu is based entirely on it.  (From the user stats, nobody’s really interested in my horror writing there.)  Let’s face the facts, though.  If you an expert in a field (mine is Ugaritic mythology, a form of history of religions), you can’t just write things off the cuff for publication.  I need to be very precise and accurate.  I like to think that’s why my articles on Academia get attention.  To do that kind of writing you need time—when I was a professor most of my “free time” was spent reading in that field—and either research funding or an incredible library.  Professional researchers (i.e., professors) get paid to do that kind of thing.  I don’t do it anymore but that doesn’t mean I don’t think about it.

The other day I saw an article about Mehrdad Sadigh.  Although this antiquities dealer operated mere blocks away from where I worked when I commuted to Manhattan, I’d never heard of him.  It turns out that he had (has) a full-scale forging operation right in the city that never sleeps.  He has made a living, allegedly, for years by selling fake antiquities as genuine.  The story is tragic, but it underscores the point with which I began—people are interested in antiquity.  We want to be in touch with the past.  I can attest that there’s nothing quite like the thrill of being the person who unearths something on an archaeological dig.  Touching an artifact than no human hand has touched for two or three thousand years.  Looking back.

Looking back makes it easy to get distracted.  As much as I enjoy and appreciate my friends who still get to do Ancient Near Eastern studies for a living, I sometimes think how it’s good to move on.  Who knows, maybe I have another Ph.D. left in me yet.  Moving on increases the breadth of your knowledge.  Since university jobs are as mythical as the texts I used to study, doing a doctorate for a job is a fool’s errand.  Doing it to learn, however, is something I still heartily recommend.  There’s nothing like immersing yourself into a single topic for three-to-five years so that you come out with more knowledge than is practical about it.  I still think about the Ancient Near East.  I’m still tempted to buy new books that come out on the topic.  Instead, I watch horror and think it might be fun to earn a doctorate in monsters.


Claim This Panel

Validation.  We’re surrounded by it.  Now that we have the internet, everyone seems to want us to verify who we are.  And we were told as kids that there are no such things as trolls!  Personally, I have no idea why a hacker would want to be me.  I mean for destabilizing the government by messing with elections, well, of course, but I mean for academic purposes.  How do you really know who I am?  I googled myself the other day—I’m curious how my most recent book is doing because I’ve heard nothing from the publisher since it appeared—and noticed that in the “knowledge panel” on Google they had the picture of the wrong person.  I guess I’d better verify myself!

The erstwhile academic (aka “independent scholar”) gets invitations via email from Google Scholar to claim their papers.  I suppose in an effort to provide competition to Academia.edu, the researcher finds her or his papers available on Google Scholar’s website.  So far, so good.  But the invitation comes with instructions to verify your “work email.”  Said email must end in a .edu extension in order to be valid.  In other words, “independent scholar” is an invalid category.  This train of logic demonstrates one of the serious problems with high education shrinkage and the industry becoming tighter and tighter with its positions.  How do you verify yourself if your email address is the same as any Jane or Joe?  You can’t.  “Scholar” is limited to those lucky enough to have picked up a very rare position, especially in some fields, such as religion.

My recent experience with the DMV was an exercise in validation.  I presented the woman my vital paperwork (which was less than I had to show to get the New Jersey license that I had to cash in to get a license in Pennsylvania) while wearing a mask.  Irony can be quite stunning at times.  How did they know I wasn’t some masked bandit stealing someone’s paperwork on the way to the DMV?  I guess they could ask me to verify by my work email.  Then they’d discover that I’m merely an independent scholar.  If they googled me they’d find the wrong person’s photo on my knowledge panel.  Won’t someone validate me, please?  It would be nice to be able to claim my own papers on Google Scholar.  But until “independent scholar” becomes a real thing, I guess you can ask that guy (who’s not me) on the “knowledge panel” that bears my name.


Honey and Wine

Academic writing tends to be limiting.  Don’t get me wrong, I still enjoy reading a well-crafted academic work, but when facing a new one I always experience that sinking feeling that this will be difficult work.  That doesn’t stop me from getting a little thrill when something academic I’ve written appears.  Pickwick, an imprint of Wipf & Stock, recently released the cover of Some Wine and Honey for Simon, the Festschrift for Simon Parker to which I’ve contributed.  As I’ve written elsewhere, this was an orphaned article that required some polishing up to be able to submit.  Thinking back on it, I reflect on how much has changed since then.  How I’ve left the land of Festschriften.  How my own research has changed.

Research, traditionally wrought, requires an academic library and lots of time.  You need to be able to spend your hours requesting books and articles that you can’t afford—really publishers?  $40 to purchase twenty pages that I won’t even enjoy reading?  Access to JSTOR will cost you if you don’t have a university post.  Now I trawl Academia.edu hoping to catch what I need in my net.  Sometimes it works.  Other times you bring up a coelacanth.  That’s the way of research outside the academy.  Also, I find myself reading books that appeal to me rather than strictly books on topic.  Many of them aren’t academic, but they are informative.  Part of research, it seems to me, is learning to access sources you wouldn’t normally find.  There’s the element of discovery.

Monsters appealed to me as a research area since there hadn’t been much written on them academically and I’d read most of what had.  The field is starting to take off now, which means  high-priced monographs and inaccessible research.  Working in publishing I think I understand the mindset—employees are expensive, especially in the United States.  They require salaries so they can live, and medical coverage so they can continue to live.  And most books sell so few copies that they really aren’t profitable.  But I like to think people would read about monsters, if they were priced down around the level of the demographic that appreciates them.  So one of my academic articles is about to be released to the world along with some wine and honey.  I’m still trying to sort out how to contribute from the margins.  And I hope Simon, who was always kind to me, appreciates the effort to honor a scholar and a gentleman.


Academia Dot

The marketplace for ideas is just that. A place of commodity and exchange. We pay our professors good money (and our administrators even better) so that we can be given “goods.” The same is true of the publishing industry. Those of us who write books primarily (I think) think we are expressing ideas we have that we suppose are worthy of discussion. The book comes out. We await reviews. Citations. Exchange of ideas. Oh yes, and royalties. Only the naive think academic publishing will lead to much of the latter in the greater scheme of things. And so many of us turn to for-profit sites like Academia.edu to pedal our wares for free. After all, Academia is offering us a free service, isn’t it? (At least if you can ignore the constant sell-ups to find out who’s been reading your stuff.) But Academia isn’t non-profit. There’s money to be made here among gullible academics.

Oh, I have a page on Academia just like everybody else. Several of my papers, long out of the payout stage for their journals or parent books, are there for free. Academia frequently asks me if I’m sure I don’t want to upgrade—increase my visibility. Make them a bit of lucre on the side. So the other day I was flattered when I received an email about my dissertation from another vendor. I didn’t recognize the sender, but the content of the email made it clear they didn’t recognize me either. It was an offer to publish my original research done at the University of Edinburgh. Problem is, it’s already been published. Twice. Both editions beyond the purchasing power of mere mortals, but still, it’s out there. Academics, I expect, are some of the favorite targets of the entrepreneurial. We, after all, don’t speak that language. We trade in the currency of ideas. We’re easy marks.

I think Academia.edu is a great idea. Often it’s possible for those of us who are unaffiliated to find papers that journals insist on selling for fifteen bucks a pop—considering I can buy an entire book for that much, no thank you—for free. There may be hidden costs involved, but some days I do miss Robin Hood. No matter how many years I’ve been an editor, I can’t stop thinking like an academic. It comes with the territory. You can’t simply forget all that graduate school taught you. One thing most academics haven’t learned, however, is how to interpret the web. Long before our government allowed the freedom of the web to end, not all sites were free.


Setting Terms

I never met Jonathan Z. Smith, although he was hard to miss at conferences. By the time I was a doctoral student his writings were deemed essential reading in several areas of religious studies. Smith, like a few renegade scholars, had doctoral training in one area but went on to teach himself far more diverse subjects, earning him rare accolades as someone who understood a vast amount about religion. That’s something you can do if you have a university willing to back you up. The usual formula for academic success (degrees from Ivy League schools, one of which must be Harvard, dissertation published by Oxford University Press, and letters of recommendation from one or two key players) encourages extreme specialization. Siloed thinking. Only when you’ve found a school that believes in you can you branch out like Smith did. Like most people in my field, I’ve read his stuff.

Scholars can be remarkably naive about how “the system” works. Most, for instance, don’t know that Academia.edu is a for-profit website. Not that there’s anything wrong with that; most of my old papers are available on Academia. The thing is, publishers may not want you to post your research there. You see, academics often believe the results of their research should be free. Thing is, someone has to pay for publishing it. It’s not cheap to publish books or journals. Undercutting a publisher may seem like fun, but then the book prices go up and everybody’s mad. These things are interconnected. Jonathan Z. Smith would’ve understood that.

For reasons poorly comprehended, some academics get publishers’ eyes and they want to build this person up. It may be—more than likely is—that an early book sold well. Nothing says academic veracity like lucre. The more books printed with one’s name on them, the better known said scholar becomes. Some even make it to the level of public intellectuals. It’s not a journey over which an individual has much control. Quite often it’s the support structures offered—steady, tenure-track job, ready acceptance at prestige presses, media exposure. Smith, like my doctoral advisor John C. L. Gibson, never used a computer. Try to get a university post today with that stance. I dare you. He set his own terms. In a world where being an academic means knowing an awful lot about a very little, the shadow of those who’ve earned the right to say a lot about a lot lies long on the ground. But it’s a good idea to ask your publisher before you decide to post things on Academia. Be informed about this little bit.


Citation Anxiety

As a recovering academic, I sometimes am compelled to look when Academia.edu sends me notices. Academia, most of my academic colleagues don’t realize, is a for-profit website that advocates open access. “Open access” (or OA in the biz) is academic trash talk for making the published results of research available for free. It’s a great idea, but it often doesn’t take into account how complex publishing really is. Peer review, printing, and distribution of articles all take money and to make all research free cuts out what those who publish the research can use to fund the venture (with a cut taken out, of course, to make the whole thing worth their while). That’s the way capitalism works. (Look it up under economics.) In any case, not realizing that Academia is also a profit-making venture, lots of us put our published papers on it, making them freely available to anybody who cares.

Once in a while Academia will send its users a flattering notice: “X-hundred people have cited your papers.” Be still, my throbbing heart! Desperate for any attention, most academics (let alone us exes) are thrilled that more than 100 people have read their stuff. So I clicked their link. “309 papers mention the name ‘Steve Wiggins’ or ’S.A. Wiggins’” it cheerfully reads. I know something the robot apparently doesn’t. I’m not the only Steve Wiggins on Academia. There is a slightly older agronomist whose name I share. He’s employed in academia and has more papers than me. And “S. A. Wiggins” could be anybody. My 309 paper mentions shrinks to double digits. Not high double-digits either. Names are hardly unique identifiers. With some seven-and-a-half billion people, there’s bound to be some reduplication. I always tell the few curious to search “Steve A. Wiggins”—with the quotation marks—to find the few, true references.

Taking on the internet is a fool’s errand. This blog gets a few piddly hits a day. I often consider closing it down. Readers don’t share it enough to get any attention. It takes a lot of effort on my part since I write books (both fiction and non) in my hours not at work. So when Academia shows up in my inbox my excitement spikes, just for a moment, and I go on with my other work, which never seems to get done. And then, when I’m sure nobody else is looking, I go ahead and click on the link.


The One Who Seeks

Academics and social media are, at times, an uneasy fit. In my work as an editor I come across many of the professorate who have virtually no web presence at all. If you’re wanting to write a book these days and you aren’t yet famous, you need what they call a “platform.” That is to say, you need to be easily found on internet searches, you have to have “followers” on various social media, and people have to know where to look to find information about you. A starter site that does fairly well is the for-profit venture called academia.edu. Because of that final “edu” extension, many suppose this is an educational site with no money in mind, but that’s not really the case. Still, it’s free to post your academic papers there and many intellectuals, public and otherwise, have vested some of their effort on getting academia followers.

J. C. L. Gibson, someone, and Nicolas Wyatt

My own profile on academia, which has copies of most of my papers available for free downloads, at one time was in the top 2%. I felt so special. Being kept out of academia for so many years, one does begin to wonder. In any case, one of the features of the site is that when someone lands on your page you receive a notice telling you how they found you. More detailed information is available for a fee (this is one of the not not-for-profit aspects I was mentioning). Sometimes they will provide you with the search terms used and the paper found. My site has quite a bit about Asherah. I wrote a book on the goddess, still largely overlooked, and several discrete papers. The other day I received a notice that someone found my page with this notice of how:

Someone from India found “A Reassessment of Asherah:…” on Google with the keyword “sex photos hd com R A N ilaku.”

I have the feeling someone left my site keenly disappointed. Although my book does discuss sexuality a little—you kind of have to with Asherah—I did wonder about the “photos” and “hd” and “ilaku” parts of the equation. You must be pretty desperate in your pornography quest to stumble across my academia page. Not that I’ve replicated the search, but I must be thousands of pages down in the results. Still, someone found my first book that way. And that’s the lesson—an internet platform may bring your work unexpected fame. Whether or not that fame is ill, will, however, remain an open question.


Revisionist History

I recently came across a website with academic papers available on it.  Although the internet has yet to achieve its promise as a locus of solid academic material, such sites are becoming more common.  I’ve been uploading my own papers onto Academia.edu since they seem to be old enough not to impact anyone’s sales aspirations.  In any case, this particular website I found noted that a paper had been updated at such-and-such a time, and that anyone who had downloaded the previous version should delete it and use the new one instead.  This is a dilemma.  I know of publishers who make corrections without issuing new editions.  When I buy a book, what it actually says will depend on the printing rather than on the edition.  I wonder if such retractions are really fair.  How does one know when she’s reading something outdated?
 
Picture this: a young kid, perhaps an unknowing fundamentalist, reading his Bible.  Then he gets a newer copy of the same translation.  But soon he notices that there are differences.  Although the example may sound overly Talmudic, it is factual.  Bibles, being printed in large quantities, are especially susceptible to error.  When did the printed word become something that’s negotiable?  I’ve been pondering clay tablets and their apparent immutability.  Contrary to popular belief, most clay tablets weren’t fired—it was a lot of effort for something that had limited value.  Some tablets show signs of erasure or additional words being added.  In the case of clay, this is often very clear.  Besides, the readers were few and specialists.  They knew what they had.  But for a modern person staking the salvation of her soul on a document, is it not problematic to change a jot or tittle (of which not the least shall pass away)?  Has technology made us immune to fixed texts?
 
Back to the website I found.  What if I downloaded the faulty paper and wrote my own paper based on it?  How would I know to go back and check to see if a new version had been uploaded?  Am I to spend all my time revisiting web pages to see what has changed?  Knowledge itself seems now to have become whimsical.  What is true depends on the date and time you accessed it.  Perhaps I’m just a dreamer, but there was a time, it seems to me, before post-modernism, when you might purchase a book and be fairly certain of what you had.  Errata sheets (or the more fancy addenda et corrigenda) didn’t intrude into the typeset page.  You could still read correctly, assured that someone had spotted and acknowledged the mistake.  We have, I fear, outlived the need for sic.  And it is only a small step from siclessness to truth that changes second by second. Is this the siclessness unto death?

IMG_1363