Uisge Beatha

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Water is essential for life. Life as we know it, in any case. It is no surprise, then, that many religions incorporate water into their rituals. Last week I posted about the biblical stories of Jonah and Noah, both of which involve acts that were later interpreted by Christians as baptism. Muslims use ritual ablutions as part of their worship tradition. Water is life, after all.

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While wandering the halls at work, I notice the various artwork on the walls. One large, framed image has frequently caught my attention: several men are shown carrying a statue of Genesha, the Hindu elephant-headed god, through the water. Coming at this from a Christian background, I wondered what was going on since it looks like baptism. Hinduism, I know, is not a unified religion, but rather a conglomeration of many folk traditions from ancient India—one of the two seats of ancient religiosity. The stories of ancient India are colorful and diverse, and a bit of research suggests that this particular photo is likely the festival Ganesha Chaturthi, commemorating the story of how Ganesha came to have an elephant’s head. Crafted from inert matter by his mother Parvati, Ganesha was posted to watch the door while his mother bathed. Parvati’s consort Shiva returned and not knowing who the boy was, the lad’s refusal to allow anyone to enter led to a war. Eventually the Ganesha was beheaded and to appease his consort, Shiva supplied him with the head of a dead elephant and the boy resurrected. The immersion of Ganesha statues, or Visarjan, takes place as part of the Ganesha Chaturthi, during August or September.

I admit I’m not an expert on Hinduism, so some of the details may be a little off here. What strikes me, however, is the similarity between this story and that of Jesus. Like Ganesha, Jesus was associated with a modest mother, slain, and resurrected. He, too, is associated with ritual baptism. Growing up, we were taught of the many unique aspects of Christianity. We had, we were led to believe, the only resurrecting deity in the world. Our God alone could bring back from the dead, and the way in was through immersion in water. While learning about Ugaritic religion I read of Baal’s death and resurrection. Although stories of baptism haven’t survived, he also battled the sea and came out victorious. Some ideas, it seems, are particularly fit for religious reflection. The details may be unique, but the archetypes are very similar. Religions may be many things, but in the end, unique is a word that must be applied with the greatest of care. In the meanwhile, the next time I read of walking on the water, I will recall that even Asherah was know as “she who treads upon the sea.”

The Lost Forest

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Asherah has, from lack of new material, fallen into a quiet retirement among the gods. For a while there no shortage of new books appeared, including my first, which explored many aspects of this shy goddess. While academia has pushed her to her logical limits, she has thrived in the world of popular imagination. I was reminded of this during a recent visit to Grounds for Sculpture, a whimsical park in Hamilton, New Jersey featuring the work of many artists. The appreciation of art works on many levels. A piece of sculpture can take on new meanings when viewed from different angles, and a piece that seems to make no sense can become imbued with meaning when new perspective is added. Sometimes it is the title of the sculpture. A friend had pointed out to me last year that one of the artworks was entitled, Excerpts of a Lost Forest: Homage to Ashera, by Tova Beck-Friedman. Ironically the sculpture is from the same year as my finished dissertation on Asherah, a continent away. I must have seen this sculpture many times, but without knowing what it was, had paid no attention.

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Asherah is often considered a goddess of trees. My research indicated, however, that such an association was premature. Of course, any discourse that has the Harvard University stamp of approval is decidedly fact, despite contrary evidence. Nevertheless, the dendrite nature of the goddess has persisted into popular culture and even into the world of abstract sculpture. The loss of a forest is, no matter whether goddesses are involved or not, tragic. Asherah has become the protectoress of trees.

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The nature of this particular lost forest isn’t clear. At first it might appear that a fire has gone through, claiming the vitality that once thrived in green leaves and mottled bark. I sense that something more is happening here. Asherah is, above all, the divine female. Here single-most constant role in antiquity was as the spouse to the high god. The loss of the forest still speaks to the on-going repression of women. We like to think that our society is headed toward equality, but progress is painfully slow. As usual with lack of momentum, religious institutions lead the way in conservatism. In the largest Christian body in the world, and in some of the fastest growing religions on an international scale, women are kept from leadership roles on the basis of gender alone. Monotheism declares there’s one god for two sexes. Those who experience life from the other side are like trees falling in the forest. We still don’t know if anybody hears.

Falls Tree

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The autumn trees have been absolutely transcendent the past few days. From my earliest memories fall has been my favorite time of year, and a large determinant is the trees. Some weeks back, while on the campus of Notre Dame University, I noticed the highly stylized icons of biblical tropes etched into the stone walls of the library. The marble of the walls was highly polished, making images difficult to capture, but I tried to snap one of the tree of life. The tree of life has many associations that go back even into pre-biblical times. Many people are familiar with the story from Genesis, where the tree of life is forbidden to Adam and Eve because they ate from the tree of knowledge. That tree, however, goes back to ancient Mesopotamian stories of paradise as well. Even the Sumerians considered trees foundational.

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I suspect that trees are impressive partially because of their longevity. From a human perspective, they long outlast us—some of the oldest trees in the world are located in western Asia. If we don’t attack them, some species have a pretty good chance of lasting hundreds of years. With roots that run deep and crowns that reach high, trees have been a rich source of symbolism for religions for a very long while. The goddess Asherah was, in some way, connected with trees. I’ve noted in some of my more academic work that the precise nature of this relationship is never really clarified, but some have suggested that the tree of life itself is a form of the goddess. Certainly in Judaism the tree of life inspired the menorah and its gift of light, to be celebrated later this month.

Looking out my window at the brilliant reds and yellows, I am glad for the solidity of trees. Much of life is much less stable than our wooden companions. The myth of the tree of life is a reminder that even if we can hold the eons in our heads, our bodies will not last so long. It is a poignant thought, best captured by the slow falling of the leaves at this time of year. The leaves had just started to change as I strolled the campus of Notre Dame, unaware that my own fall was likely already set in place. The proverbial axe, as it were, was already laid to the root of the tree. I was perhaps too busy thinking about the tree of life to notice the changes taking place around me. A good metaphor will do that to you, and it might even live as long as the tree of life itself.

Divine Sex Change

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One of the greatest problems in reconstructing ancient religions is the ambiguity of the evidence.  Most ancient artifacts are not labeled (they probably didn’t need to be for the original viewers) and few have textual materials explaining them.  This became clear to me when studying the famed inscription found at Kuntillet Ajrud in the mid-1970s.  The most (in)famous aspect of this artifact was that an inscription overlapped a doodle, and due to the urgent desire to interpret the inscription a particular way, the line drawing was supposed to be an illustration of the inscription.  The inscription is commonly translated as something along the lines of “I bless you by Yahweh of Teman and his asherah.”  Many scholars took asherah to mean Asherah, the goddess, despite no evidence for pronominal suffixes on personal names in classical Hebrew.  The doodle shows three figures, perhaps related, of which two were said to be Yahweh and Asherah.  Despite the very clear resemblance to the Egyptian dwarf-god Bes (Kuntillet Ajrud is between Israel and Egypt), it was argued that the figures in the “foreground” should be considered Yahweh and his main squeeze, Asherah.

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The artistic analysis of these doodles has always been torturous. Tiny, perhaps insignificant, details were ascribed great importance—particularly those indicating the gender of the figures.  For the Yahweh-Asherah connection to work, one had to be male and the other female (with the male preferably in front).  The problem was that both figures seemed to have penises (in keeping with Bes’s typical representation).  In order to make it clear that the right-hand figure was female it was claimed that she was wearing a lion skin and the “penis” was literally a tail, the leopard’s tail, seen between “her” legs. The problem seemed to be a possible scrotum appeared to be present.  The left-hand figure, larger (therefore, in front) had a clear scrotum, and that sealed the case, in a manner of speaking.  Little chestal circles were said to be breasts on the right-hand figure, but male nipples on the left-hand figure were lacking.  Oh, and they were dancing, as shown by the woman playing the harp in the “background.”  Believe it or not, seriously scholarly debate raged over this—nothing short of the discovery of Yahweh’s wife seemed to be at stake!  A colleague recently emailed me to tell me the final report of the archaeologists concludes that the “scrotum” on the right-hand figure was a mere dust smudge and so, aha!, she is a female after all!


I argued years ago that this drawing was clearly a representation of Bes. The connection with the inscription is accidental (the jug on which the inscription occurs is full of doodles); if someone wanted to illustrate an inscription, they would not draw figures that actually obliterate part of the caption. Assumption is built on assumption here, however, making for a very shaky foundation indeed. Don’t get me wrong: I would like to see Yahweh as happily married as the next deity. It is not good for the god to be alone. Still, it is going to take more than a divine sex-change operation to transform Bes into Asherah. If nothing else this divine gender-bender ought to serve as a cautionary tale for scholars, yet somehow I doubt that it will. We see what we want to see.

Esoteric Goddesses

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250px-Statuette_Goddess_Louvre_AO20127One of the nice things about the internet is that you can indulge your unorthodox interests and nobody will much care (except, of course, the US government). The other day, while reading about monsters, I found a fellow WordPress site, EsoterX. More specifically, I found a blog post on Ashtaroth. Those who have more than a passing interest in my background know that I spent a few years of my life writing about the goddess Asherah. Asherah and Ashtaroth are sometimes easily confused by anyone not reading about them in the original languages, but I settled on Asherah because we simply don’t have much textual information on Ashtaroth. Ashtaroth has gone by a number of names over time: Athtart, Astarte, and, as I just learned from EsoterX, Lord Treasurer of Hell. I won’t try to repeat the clever observations of EsoterX, but I can’t help myself add my own two shekels’ worth.

Ashtaroth is clearly one of the bad girls of the Hebrew Bible. She tempts the upright astray, and she seems to have been a perennial favorite among the less-than-orthodox Israelites. The Bible doesn’t take much care to flesh her out fully, and she appears only in minor roles in the Ugaritic texts. Some in the ancient world easily associated her with Ishtar, and their names do seem to bear some kind of relationship. Ashtaroth is connected to the planet Venus, as was the latter goddess Aphrodite—named, appropriately enough by the Romans, as Venus. Ashtaroth was also a militaristic goddess associated with horses. That girl got around.

Unfortunately, in the literature that survives from the earliest period, we are left with only the sketchiest of outlines of this once important goddess. Many of the Semitic deities have been revived in popular mythology of the modern age, and Ashtaroth, with her sexy, yet belligerent nature, is always appealing to the puerile imagination of pubescent boys. She was taken with great seriousness long ago, however, although her origins are lost to history and her attributes have become general enough to fit just about any old generic goddess. I’m glad to see that EsoterX has given her a shout-out and has traced a brief history of the goddess through the ages. Maybe someday we’ll find some accurate information on her early days. If we do, will somebody please give me a poke? I will probably be busy reading EsoterX.

To a Fallen Goddess

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One of my favorite places to visit in New Jersey is Grounds for Sculpture. Over the past several years that we’ve domiciled here, we’ve had the opportunity to take several friends and family members to see the whimsical, creative, and inspirational park over in Hamilton. When my daughter graduated from high school, she requested a visit to Grounds for Sculpture, and, since family were near at hand, we took the opportunity to see it again.

I’ve always been aware of the religious aspect of creativity. Perhaps it is because I like to flatter myself into thinking that I’m the creative sort, despite my years of academic training, or perhaps it is the kind of pipe dream for which the liberal-minded are easily accused. In either case, I have always found that the best art evokes something similar to a religious experience. There is an element of wonder, emotion, and awe here. Not every piece of art conjures it, just as a single god isn’t sufficient for the whole of humanity. As I wander the grounds, I grow convinced that this or that sculpture had a vision akin to what I’d call religion, that led to the creation of such a trenchant piece. I always leave feeling blessed.

Photo credit: Grounds for Sculpture, postcard

Photo credit: Grounds for Sculpture, postcard

On this most recent visit, a very conscientious relative found, and later sent, a postcard of a sculpture I’d never seen. (It is possible that the sculpture is not currently on display, as the Grounds are continually evolving.) The piece is entitled “Excerpts of a Lost Forest: Homage to Ashera,” by Tova Beck-Friedman. Several of my relatives have me to blame for their awareness of Asherah; she is, after all, a relatively obscure goddess in the Hebrew Bible. The sculpture, however, speaks to me of the continuing ability of even extinct gods to inspire artists. Just as Asherah occupied several years of my academic life, I suspect she also haunts the work of sculptors who’ve come to realize that not all gods must be male, and not all gods must be real to be important. Quite the contrary, the collective deities of our heritage may still be found where art thrives.

Apples to Apples

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Religion is all about death. Well, maybe not all, but still…

All religions deal with death in some detail. Perhaps that’s because death is such a universal experience. I think about it quite a lot—not to do so seems to be caught at a crisis without having thought through the implications—but mine are not always morbid thoughts (although, by definition, they may be). When I read Mary Roach’s Stiff a few years back, before I started this blog, I was amazed by the number of ways one could decide to have their “remains” treated. When I was a kid it seemed that there were only two options: bury them or burn them. To some religions the latter option felt a little close to Hell and was condemned as a sin. Occasionally I’ve posted here about various new methods that have made the news: having yourself morphed into a bullet or diamond.

In what I hope was not too much of a hint, my wife shared a further option with me—having yourself turned into a tree. Now while this seems what nature intended, it also feels profoundly Asherah-like. I have my doubts that Asherah was a generalized tree-goddess, but there is some kind of connection between wood and the goddess. Certainly by the Rabbinic Period of Judaism any tree in or near a sanctuary could be understood as the goddess and therefore a threat to monotheism’s hegemony. The solution: chop down the tree. Now Asherah whispers back, when you die, I can make you a tree.

People, like all animals, biodegrade when they die. Some saints apparently avoid this fate while others are pickled to a state of perfection artificially, but for us regular folk nature has a plan. Animals eat the plants, plants eat the animals. We are all consumers. Bios Urn is the brainchild of Gerald Moline and features your deceased body packaged in a biodegradable urn along with tree seeds of your choice. All you need is a post-holer and a bit of rain. Some might wish to be a redwood with their aspirations to immortality. I think I would prefer to be an apple tree. Apple trees give back year after year. Plants, by their floral nature, are givers. The apple tree gives in a way that seems especially divine. After all, many are those who claim it is the very tree of Eden.

What everyone wants

What everyone wants

Tree Goddess

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If you’re missing a virgin, I suggest you might try West New York. According to the local section of Friday’s New Jersey Star-Ledger an alleged image of the Blessed Virgin Mary has appeared in “an unusual tree” in West New York. The local diocese, no doubt correctly, suggests that the “image” is probably “just some discoloration that resembles Our Lady of Guadalupe.” Those inclined to accept pareidolia as fact, however, have already made up their minds. The tree has been barricaded off and flowers have been laid at its base and cell phone shutters are making their electronically fabricated snapping noises. A Google image search of “Virgin Mary West New York” brought up more than a million hits. People are desperate for a miracle.

Back when I was working on my dissertation, the tree goddess was inevitably Asherah. One of my unspoken speculations from those days was that trees are evocative plants, easily playing to the human imagination. In the right conditions a young tree can be mistaken for a person at a distance. The branches, particularly in late autumn and winter, resemble gnarled fingers reaching for the sky or any unwary passer by. And the natural knots and scars on tree trunks (such as in the current example) readily fire unlikely associations. They can be eyes, mouths, faces, or other anatomical bits—as people we project ourselves onto any likely (sometimes unlikely) avatars in the natural world. If images are to be believed, hundreds of people are devoutly weeping and praying at an entirely natural formation in the wood less than two miles from the most sophisticated city in the country.

Even with the Roman Catholic Church urging caution, blind belief is not dissuaded. What does it say about us that we so deeply desire a sign from above? This is the kind of question those who claim that a reasoned materialism will inevitably trump superstition must ask themselves in profound reflection. The fact is that people always have (and always will) assigned meaning to what they see. It is the gift and curse of evolution. “I think I shall never see / A poem as lovely as a tree,” Joyce Kilmer famously wrote before being killed in World War One. This New Brunswick, New Jersey native, who died at 31 in the killing fields of France, might wonder that so many stop at that first famous stanza. To those thronging in West New York, I would recommend a little Kilmer with their miracle. Let’s leave the last word to the poet: “A tree that looks at God all day, And lifts her leafy arms to pray…”

No God for Women

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A friend recently asked me to write a post on the feminine image of God. Specifically, she noted that images of God tend to be overwhelmingly male, even today. Having written a book on the goddess Asherah, and being very interested in gender equality issues, I was intrigued by this request. Growing up male it seems natural in our culture to find representations of God as a man. It stands to reason that in a culture more open to feminine experience we should find female images of God. They are, however, still lacking. This combination of improbable facts kick-started some ideas about both religion and culture. To begin at the beginning, although the Bible makes passing references to God as either non-gendered or even female in rare places, clearly the predominant metaphor is masculine. The third-person masculine singular pronoun (i.e., “he”) is almost always used for God, beginning in Genesis 1 and running straight through. The Judeo-Christiani-Muslim deity is decidedly male in his demeanor. All three religions developed in circumstances of male social dominance.

Enter the 60’s (1960’s, that is. C.E.). Women were able to begin expressing their needs without the whole weight of a social McCarthyism bringing down the girth of the government upon them. Instead of finding feminine traits to the god of the Bible, interest in goddess worship revived. Now, serious scholars disagree on just how much a role the goddess played in the development of monotheistic religions. The end result, no matter how you parse it, is pretty masculine. Therefore some women found the goddess to be more conducive to fulfilling their needs. Problem is, there never was, historically, a goddess monotheism. There were always goddesses, plural. Without the unifying force of a single, female deity societies just never fully coalesced around a single, strong image of feminine deity. Some have tried to put Asherah in that role, but she was defined by her husband El and shared the stage with Anat, Shapshu, Ashtart, and a host of other potent females. In a world of two basic genders, monotheism favored the male.

Are there female images of god? Undoubtedly there are. There will be a great deal of difficulty finding them because Christianity very quickly invented the idea of heresy (something Judaism fortunately lacked). This assured that the “orthodox” voice would always be the loudest in the shouting match that we call religion. This situation has had two millennia to ferment and brew. Theologians (mostly male) early on stated that God really has no gender. After all, a male god does imply a lady somewhere in the wings—otherwise human maleness is really superfluous, theologically speaking. Rather than embrace castration, let’s just keep god male, the thinking seems to go. Religions are conservative by nature. They may breed radical free thinkers, but natural selection comes to their rescue by reinforcing the bearded, chastely clothed, divine father. Until society is ready to embrace true equality, however, religion will continue to privilege the big man upstairs.

Monotheism’s bete noir?

Dead Sea Souls

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The Dead Sea Scrolls are coming to Times Square. Times Square is the kind of place where you know your being sworn at, but you’re never really sure in what language. It is a place of the people. So the sacred meets the profane. Mircea Eliade would be scratching his great head with his pipe firmly in hand. The Dead Sea Scrolls are the sexiest of ancient documents. Their story has it all: mystery, intrigue, conspiracy, romance—well, maybe not romance. A chance discovery by dirt-poor Bedouin in a desert, ads being taken out in the Wall Street Journal, clandestine meetings with ancient texts being viewed through a hurricane fence in a forbidden zone. And do those scrolls ever get around! I first saw them (those that are accessible to the public) in Jerusalem. The next time was in the Field Museum in Chicago. Now I’m feeling a bit blasé about the whole thing.

Those of use who’ve spent much time (too much time) with ancient documents relating to the Bible know that the Dead Sea Scrolls require no introduction. The far more interesting (and sexy–yes, literally sexy) Ugaritic tablets still receive slack-jawed stares of unrecognition, despite their importance. Those who read the stories of Baal, Anat, El and Asherah wonder why the “Classics” only begin with Homer. People have been creative with the gods since writing began. The theme of the human race might be summed up as, “if the gods are so powerful, what am I doing in a dump like this?” Fill in the blanks—that’s religion. From the beginning, once we’d come up with gods, we began to wonder why they treat us so. People are on the receiving end and so many things can put gods into a bad mood. It’s your basic dysfunctional family.

No doubt the Dead Sea Scrolls are important. We have learned much about the context of early Christianities from them. They provide the earliest manuscript evidence for the Hebrew Bible. And they’ve got that Dead Sea mystique. When I read the story of their discovery, I understand why crowds will flock into a tight room to stare through the glass at a bit of shriveled parchment that most of them cannot read. It’s like standing next to someone famous and powerful; maybe Moses or King David. Or more famous and powerful, like George W. Bush. I know, that was the last administration. But the Scrolls come from an even earlier one. I just hope somebody will give me a call when they find one that tells what happens when Baal meets Astarte. That will be worth the price of admission! And, who knows? It might even fit in with the spirit of Times Square (pre-Disney, of course.)

Internet Asherah

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Things represented on the Internet are not always what they seem. Removed to the back-bench of academia, I don’t have the opportunity for research that I once had. Every now and again, however, I still like to see what people are saying about Asherah. When I check the popular goddess books available off the shelf, my book on the subject is not often mentioned. At least on the Internet some researchers seem to have noticed it. A recent search for Asherah on Google, however, brought some surprising results. The first item of interest was a quinoa-based, organic veggie burger from Asherah’s Gourmet. The Asherah in question here, however, is simply a woman’s name. As a vegetarian I thought I would put a word in for the product, in any case. I found this brand at a health food store last week, but miles from home and with an air temperature of over 100 degrees, I was afraid the frozen products wouldn’t make it home without half baking in the car.

My next stop on the web was Sacred Suds. This New Age-themed site offers hand-made soaps, many of them associated with goddesses. The product entitled Asherah is named for “the Canaanite mother goddess” and is made with milk and honey. The website doesn’t actually state anything about washing away sins, but it seems difficult to go wrong by washing with a goddess. Another selling point—also not on the website—might be to point out that Asherah is known as the one who “walks upon the sea.” There is even a scene in the Baal Cycle from Ugarit where she is presented as doing her laundry in the sea. Asherah and soap, it seems, are a natural match.

One final product seems to be biding its time, although I suspect there is a market for it. The Asherah action-figure, privately made, does not appear to be commercially available yet. Garbed in an Egyptianizing cobra headdress, armed with a cobra staff, this heroine looks to be a suitable partner for Captain America, bringing the United States and Middle East together in an attempt to bring peace to a troubled region. Maybe heroes can accomplish what gods apparently can’t.

Not exactly big business yet, nevertheless Asherah appears to be on the move. Maybe once she breaks into the big time, those of us who’ve tried to make a living on her cape-tails might be dragged out of obscurity as well. In the meantime, it is about time for a veggie burger and a luxuriant bath.

One to Tree

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Asherah’s in the news again. My book on the old girl safely moldering on obscure library shelves, I figure it is my academic duty to be a staid voice of reason on the subject. The jury’s still out on her status as Yahweh’s wife – no wedding pictures have yet surfaced – and her associations with lions and snakes have always been suspect. It is clear, from the Bible’s perspective anyway, that the physical object called by the goddess’s name was made of wood. Although such a slight association does not a tree-goddess make, it nevertheless runs counter to scholarly orthodoxy to suggest otherwise.

In the Rabbinic period it had become clear that just about any tree in the right location could serve as an asherah. So it was with a double-take that I looked at the cover of my Green Bible. I began using the Green Bible a couple of years ago because of the environmental impact of the millions of Bibles printed annually. Best estimates are that about six billion Bibles have been printed (about half of which have been sent to me by various vendors as textbook options) and I was hoping to at least use a recycled book to ease the burden. Then yesterday it clicked for the first time: the Green Bible has a tree on its recycled cover.

Asherah seems to have had the last laugh. If she was a tree-goddess. The fact remains that Asherah is a difficult goddess to qualify. She may have been associated with trees, or lions, or snakes, or wisdom, but none of these things has been proven beyond reasonable doubt. She was, however, the spouse of the high god El among the people of ancient Ugarit. And the Israelites accepted without qualm that El was essentially the same as Yahweh. Did he bring his former spouse along? We don’t know. Asherah, as her own person nevertheless, is a wonderful example of the feminine divine. Too bad she doesn’t have her own book.

God's wife on the cover of his book?

Holy Matrimony

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BBC Two is currently airing a series entitled The Bible’s Buried Secrets, unfortunately not yet viewable in the United States. The episode “Did God Have a Wife?” is presented by my colleague Francesca Stavrakopoulou, who did, no doubt, an admirable job. So once again Asherah finds herself in the news. The issue of monotheism is intricately tied up with how gods related to one another in the ancient conceptual world of Israel and its neighbors. Since the gods were modeled on humans, their behaviors could be embarrassingly human as well. Myths of actual divine marriages are rare, and extra-consortial affairs seem to have been pretty common. This aspect survives in the classical Greek world where Zeus’ many trysts are among his most notable deeds.

In a society like ancient Israel where marriage was a regular expectation of all young people who survived to marriageable age, an obvious mystery attends a single god. If Yahweh is male – and the Hebrew Bible seems not to dispute this point – would he not require a spouse as well? The well known Kuntillet Ajrud and Khirbet el-Qom inscriptions appear to suggest that Yahweh had a wife, and if he had the Religious Right should only rejoice since that would seal their definition of marriage forever in this literalist nation. And yet, the Bible remains decidedly mute on this point. In the end, it is interpreted that male is superior to female, again, pleasing certain religio-political factions.

Marriage in a human institution. It is a practice concerning which the Bible is strangely taciturn. In ancient times marriages (unless among the gods) were secular, not sacred ceremonies. Among a human population in danger of dying out through attrition, marriage ensured prolific reproduction. According to Christianity, even God had a kid. In a world that has changed in ways that biblical writers could never have imagined, marriage as a source for an increasing population is more problematic than it is essential. It seems that the jealously guarded definition of marriage is really just another green-eyed monster lurking in the Neo-Con closet. Maybe once Yahweh’s marriage certificate surfaces the issue of what marriage is really about will be discussed rationally.

On the Origins of Goddesses

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In what is fast approaching two decades ago, I was facing the prospect of meeting a thesis approval committee at the University of Edinburgh without a solid proposal. I’d meant to focus on Dagon, but the committee felt there was too little information on that deity to fill the requirements for a doctorate. I’d long been fascinated by the role of goddesses in ancient religion and their rather sudden disappearance – more properly sublimation – in what was becoming a male-controlled official religion. (Private religion could have been quite different, as it still is, from official theologies.) It was then that my attention was drawn to the, at that time, relatively understudied Asherah. Apart from having avoided excessive attention, Asherah was also the chief goddess of Ugarit, and possibly other cities.

Turning the hands even further back, into prehistory, we find that goddesses seem to have been a natural part of human psyches of antiquity. Few things are as fundamental to human experience as the complementarity of the sexes; why would there be gods without goddesses, and vice versa? Prehistory is excessively difficult to read, existing as it does without written records to interpret artifacts. The discovery of Paleolithic female figurines, however, would seem to suggest that the female divine was a powerful force. The “Venuses” of Willendorf, Hohle Fels, Dolni Vestonice, Tan-Tan, Brassempouy, Galgenberg, Lespugue, Laussel and others demonstrate the acknowledgement of feminine mystery, if not divinity. With the advent of monotheism, one sex would have to accept subordinate status. A sexless divinity is simply too difficult to imagine.

Western religions thus began their descent into the omnipotent masculine. Even the Classical Greeks with their gender-mixed pantheon had to acknowledge the superiority of Zeus. In a monotheistic world, worship of the female divinity became heterodox, heresy, and “pagan.” There it has stayed for millennia, only to reappear in the cults of Mary and other chaste saintesses, clearly beneath the authority of Him. The origins of goddesses? They have been with us from the beginning. The real mystery is not where they came from, but whither have they gone.

Wiki-commons' Venus of Dolni Vestonice

Asherah in Australia

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It has been one of those weeks dominated by a lady from my past. Asherah. Just when I thought I could forget her and get on with my life, she has reappeared with a fury. The problem is, I haven’t kept up with where she’s gone over the past few years and we all know what kinds of problems society has out there. Turns out she’s in Australia. At least according to a comment left on one of my old posts about Asherah. The author of the comment provided a tip that led me to abovetopsecret.com, a conspiracy theory website. One of the threads is from Brian Leonard Golightly Marshall, a man who claims to be the messiah – apparently he’s returned with his spouse Asherah, in her form of Mary Magdalene. Also, he states, Prince Charles is the anti-christ.

The internet has provided a forum not only for the serious exchange of ideas that help shape the future, but also a soapbox more massive than any other. In general I don’t believe conspiracy theories – just this week my daughter came home from school with news about Disney’s alleged subliminal smut, leading me to recall the hysterical claims made about the New World Order. The more things change, the more predictable they become.

So, is Asherah down under, waiting for a new apotheosis, or has the collective imagination of the internet just taken over? I’m not the one to judge. Nevertheless, while doing a little web research on Asherah I discovered that Asherah greeting cards are now available. They’ll have to wait until I find a job, however. Maybe once that happens I’ll also be able to afford a trip to Australia to see the goddess I’ve researched for so many years.