When the robot uprising comes, we have a factor in our favor, we biological beings. That is our parts, although they do break down, generally heal themselves. I write this as kind of a forecast, because I’m not at home due to the holiday weekend, and neither is the internet at my home. You see, our internet service (which is not cheap) has been going out from time to time. Our service provider thinks it may be old parts. The box was installed in our basement over a decade ago and when the technician sent me down amid the cobwebs before leaving town I had to report to her that all cables were hardwired into the box. No clip and slip here. She thinks the cable has gone bad.
The cable just sits there. It never gets moved or jostled. How it could fail I don’t know. But the consequences are two. There may not be posts on this blog for a while once I return home. I’ve posted every day, holiday and secular-day, for years now. Technology, however, is a jealous deity and will not permit humans taking it for granted. The second consequence is more optimistic; when the robots rise up against us, their parts will wear out and they won’t be able to regenerate them organically. They’ll need to order them and hope they can find a delivery system even more efficient than Amazon’s. Good luck with that! I ordered a book the other day and less than 24 hours later it was at my door. That’s service.
I decided to post this advance warning so there may be no weeping and gnashing of teeth (please—dental work is expensive!) on Monday or Tuesday when no new post appears on this blog. It’s not that I’m not thinking of you all, it’s just technical. Robots may run system tests, but can they feel it in their bones when something’s about to go? Do they indeed sing the body electric? Can they feel the poetry they write? To be human is to think with our emotions and to reason ourselves out of irrational angst. I see the slaves to technology putting on weight as they rely more and more on labor-saving devices to make their lives automated. I’m guilty too. As I sit here many miles from home, however, I worry about the internet back there. Is it sick? Is it dying? And if so, to which mechanical god should I pray to save its technical soul?
While re-reading Frankenstein the uncomfortable thought kept recurring that our tendency to save lives leads to undiscovered fears. I’m not suggesting that we should just let people die, but even from my own experience of doctors, the sense of personal agency has become somewhat eroded. You go to the doctor and s/he tells you, “You should have this done.” I’m still too busy trying to figure out what this box that’s attached to my TV should be called, so how am I qualified to assess a professional opinion about my health? We mend bodies with plastic and metals and chemicals. Some modifications, like fillings and glasses, seem no brainers. But what about plastic tubes and computers to regulate body functions? They’re all good, but have we thought this through, I can hear Mary Shelley asking.
Religion, which is now also eroding, was a traditional way of coping with the fact of our own mortality. Everyone dies. From the beginning of the world, with the possible exception of Elijah—and even he had to come back—everyone has died. Religion traditionally said that it wasn’t the last word. The body wears out, and in a materialist world there’s nothing that can be left. Technology can prolong life, but some may not want it to be prolonged beyond a certain point. I’m not being morbid; I just don’t like arguing with what can’t be changed. Religion, it’s easy to forget, is about finding peace. Some people misunderstand that, for sure, but that doesn’t change the facts.
Did Prometheus overstep his bounds? Mary Shelley seemed to think so. In her recollections the story was intended to scare, not to predict. Victor Frankenstein creates the monster simply because he can. He does it alone, without thinking through the consequences even with a convenient Igor. Religion has often been cast as that annoying, moralizing sibling to science. (Philosophy could well join the ranks too, as some prefer it to religious thinking.) Without that sibling, however, how can we make informed decisions? Science, by its very definition, can’t tell us what should be done. The only values it knows are quantifiers. We live in a piecemeal world where some parts have been removed while others have been added. We don’t know if this is right or wrong since religion is one of the pieces excised without being replaced. Prometheus, ironically, translates to “forethought.” The problem with Frankenstein is precisely that Prometheus is missing.
Posted in Classical Mythology, Consciousness, Deities, Literature, Monsters, Posts, Science
Tagged death, ethics, Frankenstein, Mary Shelley, Prometheus
Popular culture, it seems to me, mediates reality. The media of various descriptions teach us what to think, and even if there is a religiously “orthodox” answer to questions, we will weigh it in the scales against what larger society says. This becomes clear in Greg Garrett’s Entertaining Judgment: The Afterlife in Popular Imagination. Garrett, a scholar of religion and popular culture, turns his attention to death in this book. More precisely, what happens after death. The usual suspects of ghosts, vampires, and zombies are here, but also the realms of Heaven, Hell, and for the Catholics in the house, Purgatory. All of these are seen through the various lenses of movies, television, song, comic books, regular books, and games. It’s fair to say that we’re a culture obsessed with death. But then again, what culture isn’t? It may be just that it comes across more charming when there’s a buck to be made at it.
What I found interesting is that although the Bible has little to say about Heaven or Hell (and nothing at all about Purgatory), each of these realms has developed a canonical script. Hell is hot and fiery, Heaven is cool and cloudy. Purgatory is gloomy, but beyond that comes in mild, medium, and hot varieties. We know these things from various teachings of our respective religions. In popular media, however, the script has been changing. We now have mild unpleasantness passing for Hell, if it lasts forever. Nobody needs to get burned. Heaven, meanwhile, can be just okay. It’s certainly better than the other place. Or the other two. We’ve overused our superlatives and have been left feeling like we’re on antidepressants.
Polls continue to tell us that many, if not most, Americans believe in literal Heavens and Hells. A point Garrett raises, however, is they may not mean by that what their clergy assert to be the case. Since near death experiences are controversial, nobody can say that they’ve actually been to either place, or the third. The exception to this rule is those who work in fiction—in whatever form. Since we can see their visions of the afterlife so clearly they have become the arbiters of eternity, with or without any religious training. In this day of marketplace religion and nones, Heaven and Hell seem to have become secular. The church may have introduced the ideas (actually, they seem to go back to the Zoroastrians, but I’m thinking of American culture) but the media have taken them over. We may be secular, but we still die. Entertaining Judgment might give you an idea of what to expect, depending on whose vision you buy.
Posted in Bible, Books, Monsters, Popular Culture, Posts, Religious Origins
Tagged death, Entertaining Judgment: The Afterlife in Popular Imagination, Greg Garrett, Heaven, Hell, Purgatory, Zoroastrianism
Synchronicities come at kinds of synchronaddresses. After I had written a recent post on human sacrifice, I watched the first episode of Morgan Freeman’s The Story of God. My wife actually figured out how to get it without the miracle of the triple play, and we watched the initial installment on death. I’ve stated repeatedly on this blog, as I used to in my lectures, that death is a universal concern of religion. I wasn’t really expecting to learn anything new from the show, but it is a good idea to keep up with what hoi polloi are being told about the field in which I’m supposed to be a specialist. In any case, The Story of God is very much like Through the Wormhole, only from the other side. Science and religion. Religion and science. Like chocolate and peanut butter, two great tastes that taste great together. Really, I mean that.
So after telling us that the Egyptians may have invented the afterlife (although it’s clear they didn’t), the show takes us through other religious expressions: Christian, Hindu, Aztec. The Aztec segment brought up human sacrifice again, in its particularly grisly expression, as a means of thinking about what happens after death. In the light of the article I’d read (see last Sunday’s post) I couldn’t help but think how this was an ideal form of social control. There’s no doubt who’s in power when you’re looking up at your still beating heart, strangely cooled. As I’m pondering that heart, I’m thinking it wasn’t the Egyptians who first had this idea at all.
Neanderthals, it appears, may have buried their dead. Even if they didn’t other ancient, pre-historic people did. And with grave-goods which, if you think about it, are rather superfluous without any afterlife in which to use them. It stands to reason, even before reason, that as soon as people began to recognize death, they had to be wondering what happened next. It is a bit simplistic to suggest that religion began because of the fear of death. It is also equally simplistic to suggest that death had nothing to do with the beginnings of what we call religion. People have died as long as there have been people. And survivors have carried on after the passing of others. Maybe we are all grown up now, but it seems that we aren’t fully human unless we give some sort of thought to what comes next. Even if the answer is “nothing,” it’s some kind of religious statement, whether intentional or not.
Posted in Consciousness, Current Events, Egypt, Posts, Religious Origins, Science
Tagged afterlife, death, Morgan Freeman, science and religion, The Story of God with Morgan Freeman, Through the Wormhole
I don’t know much about the music industry, but I do know that as in publishing, labels make a difference. Who doesn’t conjure up a certain sound when they see Motown? Companies jealously sign artists to their label, with a close eye on the bottom line. Labels. Branding. Marking our territory. People like to give things labels to make them easier to understand. By now it’s no longer news that David Bowie has died. The tributes are coming thick and fast, and one recurring theme seems to be that nobody really knew how to label him. Bowie was an original, a creator. Like many truly creative people, he was seldom at the top of the charts, but his fan-base grew over decades and those who listened to him knew that he defied labels. Labels are for convenience, and life is, well, not convenient.
There’s been speculation about his final album, Blackstar, released an iconic two days before his death. The song “Lazarus” has flagged the attention of many, but here we are after the third day and he hasn’t come back. I think of my childhood and tween years in the 1970s, seeing Bowie’s album covers in my brother’s room and wondering if he was a man or woman. His transgressions frightened the young conservative that I was, accepting the label given to me by those who thought they knew me. I heard his songs coming through the open door. I couldn’t understand them, but somehow they remained with me until I was mature enough to learn to listen. Some sounds are too subtle to hear, except with experience. Here was a man telling the world “don’t label me.” And yet label we did.
“Lazarus” is a haunting song. I may be no music critic, but here is a piece by a man who knows he’s dying. The video shows him emerging from a tomb-like wardrobe (in itself significant) and simultaneously lying on his deathbed. He’s in Heaven, but in danger. Still, he knows he’s free. Like the biblical Lazarus from the Gospel of John, resurrection is only temporary. Lazarus has come back, but he must die again. As the frantic Bowie scribbles his final words on the final page, he backs up once again into the tomb from which he emerged. David Bowie may not have been a Bible scholar, but his song is prophetic. The three days have now gone past. He may not have come back, but it just may be that he never really left.
Posted in Art, Bible, Current Events, Popular Culture, Posts, Rock-n-Roll
Tagged Blackstar, David Bowie, death, Gospel of John, Lazarus, music
One of the commonalities of all religions, I used to tell my students, is the concern with death. Not that all religions react to it in nearly the same way, but the fact is no religion ignores it. For people, obviously, our awareness of our own mortality marks us as indelibly as our birth does. Once we become aware of death, we will never be able to forget it. This inevitability fuels many horror stories, whether literary or cinematic. When I saw Jennifer McMahon’s The Winter People, I knew that I would read it. Like most book consumers, I had to wait for the paperback edition, and once it was on offer I got a copy and waited for winter. Well, this year I’m still waiting for winter, but I began reading the story once the nights were long enough to qualify. It is an appropriate story for the season and it introduces what might be considered a kind of monster as well. Like most monsters, however, sleepers are not evil. The undead, however, have to find a way, ironically, to live.
The Winter People is a sad story, and tangled in the way that makes for successful novels. The main issue at play, however, is that with which all religions are concerned. Death is perhaps the most noble of literary subjects. Since we all have to face it, it is universal and yet somehow frightening. Fear of the unknown. The dead, unlike in the stories, don’t really come back to tell us what it’s like. Even those who do, in fiction, give us a distorted view. Theirs is a world inverted from our experience of it. It lacks finality. It is a place between. There is a macabre logic to it.
The living have never been comfortable with the dead. Memory reminds of who they were. McMahon is clear, in her vision, that memory is not who they are. We put them underground, but theologically we can’t let them go. Heaven, Nirvana, Purgatory, reincarnation, or even Hell—we feel that we need to give our dead a sense of place in a life after life. McMahon builds a sober mystery into her non-final afterlife. There are some, I’m sure, who will be kept up at night by her imagination. For me, I now have something to ponder. Many are the stories, like Stephen King’s Pet Sematary, that warn of resurrection. We can’t keep the departed with us, and winter, when it comes, is a season of harsh reality.
Posted in Books, Consciousness, Literature, Monsters, Popular Culture, Posts
Tagged afterlife, death, fiction, Jennifer McMahon, novels, Pet Sematary, sleepers, Stephen King, The Winter People