The Werewolf in Summer

464px-Werwolf

It must be incredibly difficult to write a truly scary song. I don’t mean the kind of scare that most heavy metal can innately deliver, but I mean the kind of thrill that a classic horror movie gives. I’m constantly looking for the movie that can recreate the chills without getting blood all over the carpet. Music, however, soothes the savage beast. I remember when Michael Jackson’s Thriller came out. Now, nothing about Jackson’s musical style shows any hint of being scary. It’s too upbeat. In the end the ghost will be a mere reflection in the mirror, and the zombies will fade with the sunrise. I had some people tell me back then that it gave them the chills just listening to it. Amateurs. A couple weeks back I wrote a post on Radiohead’s “Burn the Witch.” It’s kind of scary, but it doesn’t keep me up at night. I haven’t heard Paul Simon’s new album Stranger to Stranger, but when I learned from NPR that it has a track called “The Werewolf,” I knew I’d eventually add it to my growing stack of MP3s.

Like Thriller, the musical style of the song isn’t inherently scary. The organ in the final minute is pretty effective, though. What’s scary about “The Werewolf”? The lyrics. Simon is, to this child of the sixties, the foremost lyricist of his genre. Rich, complex, nuanced, his words tell a story and that story is scary. While I prefer my werewolves with different baggage, it’s pretty clear that like most shapeshifters the werewolf stands for hunger. There’s violent rage, of course, but like the wendigo, hunger drives those who can’t fulfill their desires in human shape. The Howling, for example, shows how lust can make a werewolf. There is a lust more dangerous than that of the flesh, and that is the greed that leads to societies with one-percenters who just can’t stop eating.

When we see Trump-clones who pay no taxes at all, due to the good that being uber-rich offers the economy, we should listen for howling in the night. Too many an April has rolled around where those of us called “middle class” stare in wonder at just how large a cut our government takes. The werewolves don’t wait for October to come around. No, those who are hungry eat all the time. I don’t find Simon’s music to be particularly scary. The tempo is upbeat and his voice just can’t feel threatening. Still, I’m shivering after listening to “The Werewolf” even though the shortest night of the year is fast approaching on padded paws.

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