Philanthropy

I’m sure it’s happened to you.  You’ve driven two or three places, often in different towns, then you simply give up, go home, and order it on Amazon.  I try to support local businesses whenever I can, but if you’re looking for something specific, Amazon can generally find it.  (And despite the advertising hype, eBay does not have literally everything.)  This happens often enough that I’d set up my favorite charity, the Crohn’s and Colitis Foundation, as my Amazon Smile charity.  At least I could feel good knowing that my support of the internet giant was being shared to help find a cure for a major, often unspoken, disease.  The latest stats I’d seen said Amazon had donated, I believe, somewhere around $45,000 to the Foundation.  I felt good.

Then I received a notice that Amazon is retiring the Amazon Smile program.  The notice informed me that they’re focusing on other philanthropic causes.  I have to wonder what they are.  Will they help those suffering from terrible diseases?  I think of the Vlogbrothers (Hank and John Green).  They are internet personalities as well as successful authors and content creators, and they hold telethon-like fundraisers donating all of the proceeds to charity.  They do this once a year and additionally they’ve started several small businesses, again, with all proceeds going to charity.  Like that great Unitarian actor, Paul Newman.  If you have enough money, why not give the excess away?  Both John and Hank have families.  I’m sure they’re fiscally savvy enough to make sure their kids won’t have to struggle.  And yet they give millions away.

Philanthropy makes me smile.  It is the best that humans have to offer.  Those who’ve managed to break through realize that there’s an ethical obligation to give back.  What with political Christianity we’ve generally outlived morals, it seems.  They no longer have the hold on culture that the social contract seemed to dictate generations ago.  So it’s up to those with tons of lucre at their disposal to demonstrate largesse.   It nevertheless makes me happy when I hear of it.  I don’t understand finance and I don’t have a head for numbers.  Instead, I try to support those who believe in giving back.  For books that’s often Bookshop.org.  But time is limited, and weekends are too precious for spending driving hither and thither for something that’s only a click or two away from my restless fingers.  I just hope Amazon’s supporting some worthy charity.  Human need is too great not to. If they are it may make me smile.


Remarkable and Beautiful

Last year I read and commented on Hank Green’s An Absolutely Remarkable Thing.  I knew there’d be a sequel, but it took some time for it to come out in paperback, and it took a day of flying to give me dedicated time to finishing it.  A Beautifully Foolish Endeavor picks up where the first novel left off, bringing April May back to life.  It’s a story about good and evil and how humans, as flawed as we are, are nevertheless worth saving.  This story takes a further sci-fi and dystopian turn than the first part, moving it more into the regular novel than the “new adult” that seems to better fit the initial book.  Really only six months have passed since the first story, but the still young protagonists have aged in the way experience doles out to people who think they understand the world better than they do.

The world of A Beautifully Foolish Endeavor is dystopian in the sense that corporations have too much power and can (and do) drive the direction of human development.  It’s clearly a novel written after a couple years of repressive Trump rule where autocrats will do anything to keep in the public eye, even destroy their own world.  It becomes Manichaean, or maybe even Zoroastrian in that the extraterrestrial entity Carl, who was the subject of the first novel, reveals that he has an evil “brother” that encourages the corporations in their efforts to rule the world.  The goal of this evil intelligence is to get humanity to destroy itself as a failed experiment.  There’s plenty of metaphor here since the way to get people to destroy themselves is through virtual reality.

As someone who finds quotidian reality difficult enough, I have no desire to see how well some technocrats can imitate what nature already does so well.  Stepping outside with a cold November wind blowing down my collar, threatening snow and driving me back indoors I know I’m in a world not custom built for our comfort.  I am one of billions of scurrying, resistant, persistent creatures doing my best to survive.  I’m sure that virtual reality is an amazing experience, but so is stepping out into that November wind.  Hank Green is gifted at writing compelling, conflicted characters.  From his own internet platform he’s become a significant influencer, gathering the interest of even the White House.  His two novels form a thoughtful set that, like the books of his brother John, make us stop and think what it is to be human.


2020 in Books

As has become traditional on this blog, I like to revisit my reading for the year before the next one begins.  No matter what else goes wrong, we have books.  As I noted yesterday, I’ll be devising my own reading challenge for the coming year and if nothing else, it’ll be diverse.  For 2020, according to Goodreads, I finished 78 books.  Since I was in the final stages of getting Nightmares with the Bible to the publisher, several books early on were about demons, and many of them were quite good.  The nonfiction that really stick out in my mind, however, includes D. W. Pasulka’s American Cosmic, Richard King’s Ahab’s Rolling Sea, Gary D. Rhodes’ The Birth of the American Horror Film, Jeffrey J. Kripal’s Secret Body, Barbara Ehrenreich’s Living with a Wild God, and Ernestine Hayes’ The Tao of Raven.  If anything ties these books together it is likely their honesty when it comes to the spiritual quest.  It can legitimately take many directions.

Fiction has, at least for much of the year, been driven by a few factors: books I have on hand during a pandemic, The Modern Mrs. Darcy’s reading challenge, and books on my reading wishlist.  That list is constantly growing and the books that stand out particularly are again diverse.  Especially memorable were Ralph Ellison’s Invisible Man, Hank Green’s An Absolutely Remarkable Thing, Han Kang’s The Vegetarian, Scott Shibuya Brown’s The Traders, Andrew Michael Hurley’s The Loney, and Silvia Moreno-Garcia’s Mexican Gothic.  Apart from their diversity these books have little in common.  I suppose that’s a testament to the importance of reading widely.  On that list there are only two “white” men but a lot of great books.

Another couple of categories might apply: big books and short story collections.  Big books intimidate me, but I read five of over 500 pages: Ellison’s Invisible Man again, Herman Melville’s Moby-Dick, Mark Twain’s The Innocents Abroad, George Eliot’s Middlemarch (my longest book for the year), and Ann Radcliffe’s The Mysteries of Udolpho.  These books are all in the “classics” category, I see.  Short story collections are more edible, and I read nine of them, including four “by” Rod Serling.  The first was an edited collection of his works, and the other three were his own Twilight Zone adaptations.  I read a few plague books because of the pandemic, but they weren’t really among my favorites.  Perhaps they were a little too close to reality.  Nevertheless 2020 was a good year of reading, overall.  I’m looking ahead to what gems 2021 might hold.


More than Kids’ Stuff

Children and Young Adult literature (which has its own Library of Congress acronym!) has come a long way since I was a kid.  Don’t get me wrong—I enjoyed the books I read as a young person, but there are many more choices that use a lot more imagination these days.  I’ve been reading Robert Repino’s books since Mort(e) appeared in 2015.  Spark and the League of Ursus is his latest and it continues his trademark use of animals (and stand-ins) to get at very human situations.  Spark is a carefully crafted story based on the idea that teddy bears do more than provide cuddles at night.  They are, in fact, a force for good, protecting human children from monsters.

As usual when I discuss books, I won’t give too much away.  I’m one of those guys who doesn’t even like to read back-cover blurbs because I’m afraid they’ll spoil the story.  Instead, I’m going to applaud the use of imagination in a world that seems stuck on a limited number of plot points.  Books like this, which stretch the imagination of the young without talking down to them—why does it cost us so much effort to admit that kids are smart?—are a great addition to CYA literature.  I was exploring this concept with another friend who writes when I read Hank Green’s An Absolutely Remarkable Thing.  A story’s intended audience is often signaled by the age bracket of the protagonists.  I’d suppose ‘tweens might be about the age here, based on that metric.  (Green was more like New Adult, a category that lasts until about age 30.)

Reading material written for younger readers makes me feel younger myself.  I read Ransom Riggs first three Miss Peregrine novels (also published by Quirk, the house that publishes Spark).  You see, I’m really encouraged by this growth in younger readers’ material.  If we can get kids into books with such engaging stories I suspect there’ll be less chance that they become unimaginative, straight-laced adults who want to keep things just like they were when they were kids.  Imagination has that kind of liberating ability.  Besides, who doesn’t want their teddy bear to come to their rescue once in a while?  It’s not just children that can take a lesson from imaginative story-telling.  Repino’s War with No Name series was intended for adult readers but it is good preparation for getting a sense of the possibilities for readers who might, in all hope, never have to face wars at all.


Remarkably Green

Fame is something most of us never experience.  In a world of billions we imagine what it would be like to have others pay attention to us.  Care what we think.  Admire us.  I can’t help but suppose that a large part of our political crisis is based on this concept.  It’s one of the reasons Hank Green’s An Absolutely Remarkable Thing is such a timely novel.  I’ve read a couple of Hank’s brother John’s novels, mostly in the Young Adult category, and I’ve been curious about this one for some time.  April May, the protagonist, isn’t seeking fame.  In an almost parable-like way it happens to her and she becomes addicted to it.  Safety and human relationships fall aside as she follows what seems to be the next logical step in order to secure more fans, more followers.  (There may be some spoilers below.)

There’s more than that, however, going on in the story.  Tales of “first contact” with alien intelligence often pose the question of humanity’s readiness for such an encounter.  The Defenders, a group that looks an awful lot like the right wing, are afraid.  They’re afraid of what humans might face once a superior power arrives.  Their response is to attack April, who, for some reason has been chosen as the first contactee.  Her fame isn’t accidental.  I’ve watched enough of Hank Green’s excellent YouTube videos to suspect he’s not exactly looking for a Christian parallel here, but April is a kind of messiah.  The book, in many ways, could be read as a recasting of Christianity’s foundation myth.  This isn’t a book with which most Sunday School teachers would be happy—there are adult situations and adult language.  They don’t cancel out the message of the book, however; I’ve known evangelists to use these techniques as well.  They help capture attention.

With all the books I read I have to admit that many are forgettable.  I sometimes read an old post on this blog, or a review on Goodreads, and find myself having forgotten a novel completely.  Something Hank shares with his novelist brother is the ability to make an impression.  It’s too soon to tell for sure right now, but this has all the marks of a story that’s going to be my mental companion from now on.  There’s wisdom and humor in it.  There’s a touch of Qohelet as well.  Whether intentional or not, An Absolutely Remarkable Thing follows the line of a classical story arc.  And the reason that stories have become classics is that they make us think.  I’ll be thinking about this for quite some time.  Fortunately, I don’t have to deal with fame—that would only be a distraction.