I’m headed back to New York City after a staycation of almost two weeks. Even shifting standard arising time back only an hour from 4:00 a.m. seems cruel and unusual punishment this morning. New York is a very different place to go for work than it is for play. Serious New Yorkers, of which I am not one, tend to avoid the fun places visitors go. Times Square is simply a venue from which the hike to work begins. Most of the buildings are gray and dedicated to the making of money. My thoughts go back to my one transgressive trip in over the holidays to see a show. How different New York was then! Ethereal lights, sublime music, and the magic of story. Today it will be unsmiling crowds surly to make cash flow again. The concrete underfoot today will be much harder.
When I come in with family I feel less cold. New York can be very lonely for such a crowded place. Indeed, it isn’t unusual for me to go for days with no one at the office saying a single word to me. That’s the kind of place Manhattan is. Too many humans to be humane. Unless you’re here to play. Such play is, however, costly. Magic never comes for free. The holiday lights will still be up here and there. Warm memories of the past few days will linger for a little while. Soon the steel and cement will be the only realities once again. Soft skills meet the cold razor of cash with predictable results.
It seems to me that I’m yearning for boyhood once again. Those first tentative years of learning about life are all misleading. Suddenly it dawns on you that good will is reserved for the holidays and the remainder of the year is dedicated to money and things others deem as important. The bus is approaching, but the last time I was in the city was for fun. Today I won’t even glance at the theater district as I dodge cars to get out of Times Square as quickly as possible. There will be the all-too-familiar lines at the Port Authority during rush hour this afternoon. I’ll leave work wondering how a city can possibly be so schizophrenic. Yes, I’ve been profoundly happy in New York City. I’ve also been ground down to the very nub by the exact same place. Such is the nature of a world where money reigns.
One of the rare and long-anticipated treats of being near New York City is the prospect of a live show. For practical reasons we don’t go to shows very often—years separate the occurrences—but once in a great while we manage to afford such a boon. Yesterday we attended the penultimate performance of the Cats revival on Broadway. The experience was transcendent. I’ve seen the movie version a number of times, and over the years I’ve caught a few live performances here and there. For whatever reason, this musical speaks to me. Although it doesn’t really have much of a plot—it’s more a series of vignettes—it is about redemption and being comfortable in one’s own skin. T. S. Eliot was a poet who knew spirituality intimately. Andrew Lloyd Webber, no one needs me to say, writes stirring music.
Cats, unlike many shows I’ve seen, requires athleticism as well as vocal ability. The performers are in nearly constant motion as they play out their roles, often with acrobatic flourishes. Most of the parts are for the young, while those dwelling on the experience of older characters—Gus, Grizabella, and Old Deuteronomy—tend to be recollections of youth as a commodity that slips away leaving as residue the wisdom that comes with age. It’s quite biblical in that respect. Even the old can appreciate back flips and double cartwheels and the grace of ballet. For this particular production the lighting stood out as an integral part of the story. Illumination, I might add, is a powerful metaphor.
In our family discussions afterwards, comparison with other versions dominated. Although my wife and I saw a community theater production long ago (placing us, I reluctantly suppose, in the ranks of the older characters), our main introduction was through the filmed adaptation. Again, like the Bible, we tend to think of canonical versions. This is how it should go. Because of both its running time and its demands on the players, not all vignettes are included in each production. The character who narrates the story may change. Choreography is adjusted. Each show, as is the case with live theater, is a little different. Standing in the snow on a cold, New York City December afternoon awaiting the opening of the doors, we wondered what would be changed. The original Broadway run had ended while we lived in the Midwest, so this was both our first exposure but also our fourth rendition over the decades. None, it turns out, could be called canonical. That, however, took nothing away from the inspiration of the event unfolding before our very eyes.
Posted in Art, Bible, Cats, Holidays, Literature, Memoirs, Popular Culture, Posts
Tagged Andrew Lloyd Webber, Broadway, canonicity, Cats, New York City, redemption, T. S. Eliot
It’s the day after the eclipse. Perhaps it’s because of the internet, but the excitement about this somewhat common event reached a fever pitch. Maybe it was because we all wanted something other than Donald Trump to talk about. Maybe it was because we hoped that the eclipse might have brought about some profound change. In the days before science was a thing, eclipses were divine events. The sky doesn’t darken at noon. It is an uncanny, an eerie thing. The last eclipse—alas, only partial—that I experienced was at Nashotah House. My wife was still a student in Illinois at the time, and without her to remind me, I went about my classes as usual. When I stepped outside the eclipse was already in progress. Nashotah’s quite rural, but the birds and insects were silent. The light was weird. The shadows of the leaves were scooped crescents on the ground. I could understand why pre-scientific people trembled.
These days we know there’s nothing more to life than scientific formulas and a bit of sloppy chemistry. So why do we bother getting bothered about eclipses? The fact is they remain religious in our minds. This is nature acting in a way not normal. Apocalypses generally include the sky growing dark. One of the plagues of Egypt was darkness. In the ancient mind the sun did not so much cause light (the moon could give light too) but it lived in the realm of light. If something blocked the sun that was one thing. If something invaded the realm of light, that was another. An eclipse was such an invasion. Even as monotheism began to take hold, people thought of the sun as a deity. It, after all, directs our lives.
In New York City I wasn’t sure what to expect. I went to street level with a couple of colleagues about 10 minutes before maximum coverage (about 71%) began. Knots of people stood on the corners on the eastern side of Madison Avenue—those who build skyscrapers don’t think of eclipse viewing on the streets below. What struck me most, however, was a kind of peace and awe. Strangers sharing various viewing devices with each other and looking up expectantly. Clouds had begun to move in, and I found myself talking to complete strangers, sharing out the eclipse-viewing glasses my wife had given me. We were participating in a moment of transcendence. Such moments are rare today. No, an eclipse is more than simply the moon moving in front of the sun. It is a human event as well. And one which, in the absence of the sun, brings out the best in us.