Organic Experience

Holy Horror, it looks like, has been delayed until January.  That doesn’t mean that I have to wait to find some relief in the escape to film.  Over the weekend my wife surprised me by being willing to watch The Exorcist with me.  As we settled in to see it, a few things occurred to me—watching horror with someone else isn’t nearly as frightening as watching it alone.  I know this from experience, and it seems that it has something to do with the willing suspension of disbelief.  It’s harder to do when someone is with you.  Left to one’s own devices, it’s possible to believe what you’re watching, even if intellectually you know that it is merely a movie.  That tells us something about the way brains are wired.

I object to the word “wired,” really.  As organic beings, we are not computers.  What invented consciousness would watch a scary movie for pleasure?  What is the rationale for it?  It was a gray and rainy Saturday evening in late October.  In human experience that may be all that it takes.  Seeing orange and black in the stores sets a mood that computers, I strongly suspect, simply can’t feel.  They lack the human experience of childhood trick-or-treating, or throwing on another layer as the days grow chillier, or watching the leaves turn and slowly drift down from weary trees.  No, these aren’t wired experiences—they’re very organic ones, and often those that mean something even to adults as the seasons wend their way through the calendar.

The author waiting for proofs is rather like an expectant parent.  Well, that analogy’s not quite right either, but you get the point.  I know the book is coming.  It was accepted and submitted long ago.  The publication process, however, is more complex than most people might assume.  In fact, in the publishing industry it is often the main role of the editorial assistant to assure that manuscripts make it through all of the necessary hoops to move from finished manuscript to printed book.  Johannes Gutenberg likely had a simpler process worked out, although, in the early days of book-buying you could purchase the pages and have them bound by your choice of bindery.  Now cover and content are glued or stitched together in what one hopes is a seamless way.  Still, that stitching can’t help but to recall Frankenstein’s monster.  It is, however, another gray, rainy day in October.  It’s just a shame my computer can’t share the experience with me.

October’s Monsters

Blood and vampires go together like October and, well, vampires.  Although I don’t understand manga, I do know it’s extremely popular, and a friend has been lending me the volumes of Hellsing by Kouta Hirano.  In the past couple of weeks I’ve read numbers 4 and 5.  Hellsing sets up a world where the Catholic church destroys vampires, as does the English, Protestant organization Hellsing Organization.  The latter, however, has as its secret weapon the vampire Alucard who, in nearly every number, gets dismembered in some bloody way before pulling himself back together to overcome the enemy.  In the latest issues I’ve read the Catholics and Protestants have to cooperate against the threat of neo-Nazis (and this was before Trump was elected), who also employ werewolves.  (It’s October, remember.)

Having been pondering the vampires of Maine, I decided to read the next in my own generation’s vampire hero, Barnabas Collins.  I’ve been reading the Dark Shadows series by Marilyn Ross to try to find a lost piece of my childhood.  There was a scene in one of these poorly written Gothic novels that made a strong impression on me that I finally re-encountered in Barnabas, Quentin and the Nightmare Assassin.  Interestingly, in this installment Barnabas, the gentleman vampire, is cured of his curse while traveling back in time with Carolyn Stoddard.  The story doesn’t explain how some of the characters from the twentieth century appear a hundred years earlier, but it does bring an early encounter of the vampire against the werewolf—an idea monster fans know from its many iterations such as Hellsing or, famously, Underworld.

You might think vampires and werewolves would get along.  In both the Dark Shadows and Hellsing universes the personalities of both come through clearly.  Both monsters have deep origins in folklore and people have believed in them since ancient times.  Just because they’re not human, however, is no reason to suppose they’ll get along with each other.  As soon as Universal discovered that monsters translated well to film the idea began to develop that monster versus monster would be a great spectacle.  We had vampires and werewolves clashing on cheap budgets with fog machines.  A new orthodoxy was created that the undead just don’t get along.  It’s a idea that continued into the relatively bloodless Dark Shadows series, and on into the violent and gleefully bespattered Hellsing.  And since it’s October nobody should be surprised.

October Devotee

Here it is October and I have hardly written about monsters.  Apart from the US government, that is.  I suspect that I could use a little escapism right about now, and most of the boxes are unpacked from the move.  Perhaps it’s time to watch a little horror and feel better about the world.  Monsters, you see, crop up in the most unexpected places.  Yes, in October we expect them to be crouching in dark corners and in dismal swamps as the light begins to fail.  Yet the trees are still mostly green around here and I think I might be in need of some new material.  As with most people my age, I get lost on the internet—someone needs to offer a roadmap to it.  Preferably on paper. 

I admit being stuck in the past.  As any music therapist will tell you, a person’s musical tastes often reflect the sounds of their youth, and some of us believe that rock hit its high point in the 1980s.  My work doesn’t lend itself to background music, so I seldom listen to the radio, and I wouldn’t even know what station to try to hear contemporary offerings.  Fortunately I know some people half my age who find their tunes on the internet, and I was recently introduced to Panic! At the Disco via YouTube.  I’m old enough to remember when music videos first appeared, although I never saw them.  We lived in a small town and, besides, we couldn’t afford cable.  Kids at school, however, talked about MTV and other places—there was no world-wide web then, kids!—that they had seen the latest, coolest video that I could only imagine.  When my contemporary young friends showed me “LA Devotee” by Panic! I was stunned.

If you haven’t seen it, just look up the official video on YouTube.  You’ve got the whole internet at your fingertips!  While the lyrics seem innocent enough—young person wants to make it big and so imitates the Los Angeles lifestyle—the video is horror show.  Literally.  Borrowing from M. Night Shyamalan the opening sequence is a cross between The Village and Signs.  Then it becomes a torture chamber for a young boy (from Stranger Things, no less, a show I binge-watched when it came out on DVD).  And Satanism.  Yes, taking on the LA lifestyle is compared to selling your soul to the Devil.  The stunning visuals kept me clicking the replay button.  Even as I felt my age, I also felt October growing.  And I was glad to see the monsters are still there.  Too bad we can’t banish them from DC, however.

Twice Bitten

I should be aware of what happens next. I’ve seen it in movies often enough. Man gets bitten by a wolf, and he turns into a werewolf at the full moon. That gives me two days. And it wasn’t a wolf, but a pit bull. I fear what I might become. You have to understand that after a long commute—they’re doing construction along a stretch of a major artery where my route passes—and having been awake since 3:30 (a.m.) when I get off the bus I’m not always thinking clearly. I’ve done some calculating and it turns out that apart from work, commute, and sleep (or at least trying to sleep) I’m left with three and a half hours per day to do my own stuff, like write these blog posts, eat breakfast and supper, and pay bills. So when I get off the bus for my short walk home, my main concern is getting across a busy street where New Jersey drivers routinely ignore the state law that they must stop for pedestrians in a cross walk. But last night the dogs were out.

The sidewalks in my town are narrow. Nine days out of ten I meet no one on my way home. There’s one guy with a tiny dog that’s feisty and it is amusing how the little guy—just a puppy—growls and barks its tiny barks and strains to get at me. Dog owners around here pull their dogs off the sidewalk to let walkers pass. It’s a friendly town that way. Last night the young woman was no match for the two pit bulls she was walking. The street was unusually busy since two guys had just walked past me, one, commenting on the dogs, said “I don’t take my beasts out any more.” The woman pulled the dogs off the walk and they barked and snapped and as I walked past one lunged and bit me. Tore a good pair of pants. The woman they owned was aghast and offered to pay. I didn’t want her to know how cheap my clothes were. Besides, I couldn’t hear her over all the barking.

It’s been years since I’ve been bitten by a dog. This was really just a scratch and the frantic woman assured me the dogs had had their shots. But I’ve seen the movies. I know what happens next. Two nights from now I’ll be roaming the streets after dark, half human, half dog. The Hunter Moon (the official name for October’s full moon) comes on Sunday. I can’t blame the dog—it was only doing what aggressive dogs are bred to do. My commute, however, has a new hazard. Not only do we deal with construction zones, I now have to arouse myself to watch out for werewolves on the way home. It must be October.

Me, in two days.

Me, in two days.

The Wars of the Worlds

Just as it is appropriate for news sources to carry religious stories without ridicule in weekend editions, October is the month when strange things might be reported with a degree of seriousness. I have often noted in the past that “paranormal” (think X-Files) phenomena are closely related to religion. Since our ruling paradigm is one of belittling the intellects of those willing to consider evidence beyond the accepted, news stories featuring the unexplained do so with a generous helping of scorn. I was amazed, then, when my wife sent me a story on the BBC News Magazine from the World Service Sport section. (Which is near enough to paranormal, as sports fail to interest me in the least bit.) A story by Richard Padula is entitled “The day UFOs stopped play.” Near this date in 1954 in Florence, Italy, a soccer game stopped as UFOs appeared above the stadium. Former World Cup players stared upward instead of at the ball. The event was documented and never explained. I kept waiting for the jowl-waggling punchline. It never came. Here was a news story from a reputable source taking something strange at face value.

Paranormal activities and religious experiences are in the same category when it comes to a materialistic universe. They can’t exist and so the superior mind must laugh them off, stating they are an illusion, hallucination, or hoax. They still happen, nonetheless. Some world governments are beginning to announce to their citizens that they recognize unexplained arial phenomena exist and—truly astounding for government rulers—they have no explanation. Something weird is going on. It was on Halloween Eve in 1938 that Grover’s Mill, New Jersey, was invaded, according to an Orson Welles radio play. Since the inexplicable panic that came following that broadcast, extraterrestrial visitors have been laughed off the serious news page into the comic section. News stories have never taken it seriously since.

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A sports writer, casting about for an interesting story, might well focus on an event of such Fortean dimensions. Some highly respected people present at that game were interviewed with utter seriousness and traces of physical evidence were even gathered. A substance whimsically called “angel hair” was found all over the city, and despite the chemical signature, was declared to be the webs of a massive spider invasion (who needs aliens to be scared?) by many scientists who didn’t witness it. Laugh and the world laughs with you. The BBC doesn’t seem to be laughing in this story. Tomorrow is Halloween, when many improbable things seem possible, if only for a short time. Weather balloons, swamp gas, and Venus notwithstanding, sometimes people of normal intellect turn their eyes to the sky and wonder.

Zombie Jesus

It must still be October. Despite a snowstorm before Halloween (one of nature’s trick-or-treats), all the signs are still there. My daughter showed me a Venn diagram yesterday, during a whole-day marathon of putting plastic around our drafty old windows, showing the intersection of three “monster” traits: resurrected from the dead, local townspeople fear and revere him, and convert as many mindless followers as possible. The creatures that inhabit this eerie universe are Dracula, Frankenstein, Zombie, and, where all three intersect, Jesus Christ. Obviously this was just for a laugh, but interestingly, one of the traits of Penn Jillette’s book, God, No!, is his rather frequent reference to Jesus as a zombie. Then I clicked over to Religion Dispatches, and the lead story is headlined, “Praying to the Zombie Jesus.” Ours is a world of mindless, quick connections where the compelling idea of resurrection has lost its appeal. Despite our religious culture—or perhaps because of it—we have come to see Christianity as just one more peddler of a wonderful, disturbing idea.

As regular readers of this blog know, I find the abuse of religious ideals inexcusable. Using one’s faith to beat another down is just plain wrong. Nevertheless, to focus on the folkloristic aspect of resurrection (or perhaps it is a metaphor) is to miss what drew the very earliest followers to Jesus. Before the idea of rising from the dead came a message that people should love each other and treat one another with respect and dignity. By the end of the first century of the common era, or perhaps as early as Paul, that idea grew to be a quasi-magical resurrection from the dead. No longer were women counted as equals among the followers of Jesus, and no longer were wealthy compelled to give it all up. Paul’s faith looked to a future world, beyond death, and was willing to consider this world, well, to be polite, crap. The reasons for this transformation are legion: the persecution that Christianity was undergoing, the failure of an apocalypse to take place, the disenfranchisement of the believers. They needed something to look forward to.

Zombies are likely a passing fad. When we start seeing books of zombie Christmas carols, zombie haikus, and zombie apocalypse survivors’ guides, we seem to be reaching the peak of the plateau. The zombie is mindless, rapacious, and entirely selfish. It will not go away. It is the perfect denizen of October. When I stare into those uncomprehending eyes, and see the disturbing lack of compassion and the desire to consume human brains, I start to make connections of my own. Analysts often describe zombies as the ghoul of the common folk. But all these characteristics taken together suggest that perhaps the month in which to expect zombies is November. Surviving another snowpocalypse, earthquake, and hurricane, the human spirit is difficult to dominate. And yet, when the polls open up in the darker season of the year, zombies will rise. The plastic on my windows does nothing to stop these chills.

Borrowed from a friend's site

Buying Salvation

October is upon us. The telltale signs are all there: trees just starting to turn, gray skies that hide an intangible menace, a coolness in the air, and Halloween stores sprouting like mushrooms. Halloween is a holiday with incredible sales appeal, I suspect, because people are still, at some level, very afraid. We evolved into who we are from a long history of being prey as well as predators. Fear governs many of our interactions in social settings, although we prefer to call it more abstract names such as “rule of law” or “peer pressure.” Deep down, we are afraid. Halloween allows us to wear that fear on our sleeves. And it isn’t just the Celts who made this confession; Día de los Muertos developed independently, giving us a different flavor of the same emotion. Savvy marketers know that where a human concern lies, there will be the purse-strings also.

Commercialization of religion—the fancy word is “commodification”—is as close to American religious experience as you can get. We live in a religious marketplace. Various religious groups offer their wares, sometimes obviously, sometimes subtly. Often the underlying motivation is fear—fear of displeasing deity, fear of eternal torment, fear of reincarnation. We are afraid and we don’t know what to do, so we try to buy our way out of it. Other times the Madison Avenue approach works. Consider the Crystal Cathedral, or even the great medieval cathedrals of Europe. These are tourist destinations, architectural marvels that draw us in. The message is still pretty much the same: the deity will get you unless you give back. How better to show respect (that is fear) than erecting a massive, complex, and very expensive edifice to the angry God?

It is simplistic to suggest that religion boils down to fear, but when all the water evaporates, fear is certainly evident among the residue. Next to the overtly commercial holiday of Christmas the most money can be coaxed out of Americans at Halloween. Or consider the appeal of horror movies. Love them or hate them, they will draw in big money at the box office. In a society that sublimates fear and tells its citizens that unimpeded growth is attainable, Halloween is the most parsimonious holiday. Perhaps the most honest, too. A full month before the creepy sight of naked trees and chill breezes that sound like screams whistling through their bare branches, the stores begin to appear. When Halloween is over they will be dormant for eleven months of the year, but like the undead they are never really gone. Only sleeping.

A parable.