As a recovering academic, I sometimes am compelled to look when Academia.edu sends me notices. Academia, most of my academic colleagues don’t realize, is a for-profit website that advocates open access. “Open access” (or OA in the biz) is academic trash talk for making the published results of research available for free. It’s a great idea, but it often doesn’t take into account how complex publishing really is. Peer review, printing, and distribution of articles all take money and to make all research free cuts out what those who publish the research can use to fund the venture (with a cut taken out, of course, to make the whole thing worth their while). That’s the way capitalism works. (Look it up under economics.) In any case, not realizing that Academia is also a profit-making venture, lots of us put our published papers on it, making them freely available to anybody who cares.
Once in a while Academia will send its users a flattering notice: “X-hundred people have cited your papers.” Be still, my throbbing heart! Desperate for any attention, most academics (let alone us exes) are thrilled that more than 100 people have read their stuff. So I clicked their link. “309 papers mention the name ‘Steve Wiggins’ or ’S.A. Wiggins’” it cheerfully reads. I know something the robot apparently doesn’t. I’m not the only Steve Wiggins on Academia. There is a slightly older agronomist whose name I share. He’s employed in academia and has more papers than me. And “S. A. Wiggins” could be anybody. My 309 paper mentions shrinks to double digits. Not high double-digits either. Names are hardly unique identifiers. With some seven-and-a-half billion people, there’s bound to be some reduplication. I always tell the few curious to search “Steve A. Wiggins”—with the quotation marks—to find the few, true references.
Taking on the internet is a fool’s errand. This blog gets a few piddly hits a day. I often consider closing it down. Readers don’t share it enough to get any attention. It takes a lot of effort on my part since I write books (both fiction and non) in my hours not at work. So when Academia shows up in my inbox my excitement spikes, just for a moment, and I go on with my other work, which never seems to get done. And then, when I’m sure nobody else is looking, I go ahead and click on the link.
Good writing is hard work. One of the mixed blessings of the internet is that it makes publication so easy. Get yourself a blog and nobody has to approve anything! Ideas come tripping across your fingers onto some electronic substrate and, viola! You’re an author! The problem is that being an author’s not the same as being a good author. Writing well (and I make no such claim for myself—after all this is just a blog) is hard work. A piece has to be written, and then read again and again. I’m reminded of the story of a convicted murder whose name I’m forgotten (call it a defense mechanism). This was early last century. The murderer was caught, initially after having been found wandering, disheveled, in public. As a respectable man (he was a doctor, I think) part of his defense was that he’d never have left his house without being presentable. He would have on a collar and hat. People would see him, and he had to convince them of his presentability every single time he walked out that door. (This isn’t an affliction that I share, by the way.) Writing for publication is like that—you need to take care to look respectable every single time.
I can’t speculate about how other writers do their thing, but for me the main requirement for this is time. Any piece that I want anyone else to see, has to be written. Read. Edited. Re-read. And probably edited again. All before the public sees it. This is just for the informal stuff. I’m currently writing a book (which is pretty much a constant state with me). The draft was finished months ago. I started thinking about a publisher. Then I read it again. I couldn’t believe I’d ever thought it was ready for a publisher. Several rewrites followed. I’m in the midst of another one at the moment. I think of it like my ill-used rock tumbler. You want shiny rocks, you’ve got to send them through with finer and finer grit. If you do it right, they’ll come out looking like they’re wet, and they’ll stay looking that way. Polished writing takes time.
Some things can’t be hurried. As a middle-schooler I had a summer job with the school district. One of my assigned tasks was painting bus shanties. Many of these were, as you’d expect, way out in the middle of nowhere. I’d be dropped off with a couple other teens and we’d paint the shelter inside and out. One day I got tired of the constant, boring, and repetitive task of filling a paint pan with white paint, carrying it into the shelter, using it up, and then doing it all over again several times. I decided to pour the paint directly on the plywood floor of the shelter. All I’d have to do would be to roll it out and who’d be the wiser? I only did it once. Little did I consider that the best painting, like the best writing, is a thin layer over the substrate. You need to go over it more than once, leaving time between layers. More importantly, I didn’t realize that you can’t gauge how much paint you need this quick way. The best thing is to run out and refill. Then you can pour the remainder from the pan back into the can. The floor took hours and hours to dry. Not only that, but the top surface dried first, so when I stepped in, I pulled up a thick layer of paint off on the bottom of my shoe. Tom Sawyer I was not. I had to redo it. What I learned that day, though, was a lesson about writing. Take your time. But you don’t have to take my word for it. I just write a blog.
Posted in Books, Just for Fun, Memoirs, Posts, Publishing
Tagged blogging, Internet, painting, Publishing, rock tumbler, Tom Sawyer, writing
The other day I was awakened by a severe thunderstorm. It’s been quite a while since that’s happened. Unlike when we lived in the Midwest, thunderstorms in New Jersey tend to be widely scattered and somewhat uncommon. (It’s all a matter of perspective, I know.) My basis of comparison is how often I notice such storms. I’ve never been able to sleep through one. Thankfully this one came at around 4:30 a.m., past when I’m usually awake on a weekend. I’d forgotten the raw power of just how loud and bright such a storm can be. Danger seems all around. The feeling is primal and urgent. As I got out of bed and walked into the dark kitchen, windows filled with electric blue followed by and tremendous blast, I thought once again of Weathering the Psalms and the story behind it.
By the way, when I speak to young scholars about publishing I tell them this isn’t the way to go about finding a topic. That having been said, my book was born in the Midwest. Life at Nashotah House revolves around required chapel twice daily. Weather does not stop it. In fact, holding the daily office by candlelight because a storm had knocked out the power was not uncommon. Morning and evening prayer—indeed, all of the canonical offices—are built around the recitation of the Psalms. Reading the Psalter in slow, stately tones while thunder raged outside, rattling the ill-fitting stained-glass windows, left an indelible impression. It was only natural in such circumstances to notice how often the Psalms mention the weather. Thus a book was born.
I’m currently at work on a new book. I can’t say the topic just yet because someone might be able to beat me to it. (Knowing the way I come up with book ideas, however, I doubt it.) Sitting in my darkened living room, in my writing chair with the fury just outside, I was strangely inspired by the storm. Then it was over. Silence followed by birds singing, just like in Beethoven’s sixth symphony. The thunderstorm is one of nature’s psalms. As at Nashotah House, in the Midwest we had perhaps too many of that particular kind of psalm. Nevertheless, in the silence that followed I was left strongly in touch with my muse. These are the states that lead to poetry and song. Every great once in a while they might even lead to a book idea. As I tell students, just don’t expect that anyone else will get it.
Posted in Books, Environment, Higher Education, Memoirs, Posts, Publishing, Sects, Weather
Tagged Beethoven, daily office, Nashotah House, New Jersey, Publishing, thunderstorm, Weather, Weathering the Psalms
Working in publishing, I’m well aware of the stresses of the information industry. Jobs frequently evaporate as new, less formal ways of spreading ideas develop. To the typical academic what a university press offers is the secret knowledge of where to send their monograph to get it printed and bound. As if a printer and spiral binder weren’t available at the local Kinko’s. Oh, wait. Kinko’s doesn’t exist any more. You can do most of this at your own university anyway. With 3-D printers you might even be able to print a reader. No, what academic presses have to offer is credibility. If we’re honest we’ll admit that some presses are known for publishing just about anything sent to them while others are selective. The selective presses are often considered the more reliable since they set up the highest hurdles and accept only materials that come as close to being true facts as information can. Self publishing, as might be expected, has muddied the waters.
The same is true in book publishing’s cousin, the newspaper industry. As analysts point out, you can get whatever “news” you want from social media. With varying levels of truth. Stop and think about the people you knew in high school. Those who tend to friend you on Facebook. Would you trust them for accurate news? This has become all the more important because our government is now in the business of fabricating facts. Fact checking is too much work and besides, who has time? It’s easier just to believe lies than it is to buy a copy of the New York Times. Newspapers, you see, used to offer the same thing as the academic press—credibility. The New York Times and the National Enquirer are two different things—you could tell at a glance. Now it’s hard to tell where the news originates.
This point was made by Deborah Lev in a recent editorial in the New Jersey Star-Ledger. The real problem is our nation’s founders presumed that democracy would work for informed voters. Yes, there were difficulties with the way the system was set up. It was based on privilege and convention. We’ve finally, in theory, gotten to the point that any citizen of a certain age can vote, but we have no requirements for ability to discern the issues. That would be elitist. And we have eroded the traditional sources of attaining quality information—publishers of all sorts are struggling. For some topics self-published books outstrip traditionally published tomes by a fair margin. You can’t believe everything you read. Don’t take my word for it. I’m open to fact-checking. Just be careful where you reap your facts, because not all facts are created equal.