Hallelujah of a Long Night

I discovered Leonard Cohen is an unusual way. Having grown up with very limited funds for purchasing music, most of what I listened to growing up was what I heard on the radio out of a small-town station or what I heard emanating from my older brother’s room. My musical tastes, however, always included a “religious” element, whether that be a blatant religious message or provocative lyrics combined with compelling tunes. It was only when I first watched Shrek that I learned about Leonard Cohen. The moving scene where Shrek and Donkey have gone their own ways, both disappointed in love, is framed by John Cale’s rendition of Cohen’s “Hallelujah.” It is particularly poignant even in an animated movie, and I wanted to learn more about the haunted composer. The official movie soundtrack included the song covered by a different artist, but I found Cohen’s name listed as the writer. That’s when I began to explore.

I can’t pretend to be a groupie of any performer, but I find much of Cohen’s music to be moving and provocative. His lyrics, self-effacing and tentatively assertive, seem to capture the ideals of many religions. Reach out but don’t touch. Seek your own fulfillment, but put others first. I was reminded of this the other day while listening to some of his songs. A commentator once described Cohen as an artist with a Psalter in one hand and a picture of a naked woman in the other. An artist who struggles to overcome his humanity, yet who thoroughly enjoys it. “Hallelujah,” Cohen once explained in an interview, began as a religious song and ended up an erotic one.

As the nights grow longer and the days grow colder, my thoughts return more often to his provocative lyrics. After viewing Shrek I began to purchase Cohen CDs (this was back in the day when I was fully employed). I was amazed at what I’d been missing. There is an honesty about Cohen’s work from which many who overtly claim religion could learn. Cohen is the sinner who does not pretend to be a saint. His work openly expresses the struggle. If those who want others to join their religion could learn this simple trick of being honest, they might be surprised by the results. Self-assured bravado cannot convince as readily as the confessions of a lost but sincere seeker.

6 thoughts on “Hallelujah of a Long Night

  1. Jonathan

    Ha! Here’s a post that made me dig out my old Hebrew Bible notes.

    Years ago, you had quoted Cohen at the top of a class syllabus. I think it was for HB10 – The Psalms. Somehow in the class discussion, it was revealed that I was the only person to catch the reference, and you said ‘Well, of course you’d know that.’ I always assumed that as the only Canadian in the class, it was a given that I’d recognize one of my own.

    Now for the sheepish confession. My parents are huge Cohen fans. On principle, then, I’ve been a rebel. I don’t dislike his music or his lyrics, but I’m not at all a fan. The only reason I knew the song was because like you, I had also seen Shrek the summer before, and had been moved to look it up after the fact. But I certainly wasn’t going to sacrifice my cred by admitting that at the time!

    What a riot.

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  3. John

    I found Cohen via Judy Collins in 1966. It was all folk and protest. Then I heard him interpret his own lyrics and have been a fan since.

    Too much interpretation and more reaction.

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