In typical Pirates fashion, the character introductions are unconventional, and so it is with Philip, the missionary. Tied to a mast on Blackbeard’s ship as a kind of human talisman, the poor man is cut down by Sparrow and a crewman during a mutiny. The crewman declares to Philip, “You are either for us or against us!” to which the missionary replies, “I am neither with you, nor am I against you!” The crewman asks Sparrow if that is possible, to which Captain Jack replies, “He’s religious, I believe it’s required.” This was possibly the funniest line in the movie, but it was so because of the underlying truth. The sarcasm here is directed at a representative of a church that will ultimately lead to the destruction of eternal life. Granted, the agents of that destruction are Catholic, presumably.
Once the fountain of youth is discovered and Blackbeard and Barbossa engage in their swordplay, Spanish troops arrive and promptly destroy the pagan fountain declaring that the church (presumably Catholic) is the only means to eternal life. The Protestant missionary, meanwhile, in an act of self-sacrifice returns to free a misunderstood mermaid. (This is Disney, after all.) The dialogue is difficult to remember from a single viewing, but the addition of religious elements beyond the supernatural lent a gravitas to this final Pirate film that the others lacked. Even placed among the fantastic, the religious elements grounded it in a reality where faith, sacrifice, and fortitude became intrinsic to the story. I doubt I’ll head off to the Spanish Main any time soon, but I appreciate movies that offer a bit of substance along with their entertainment on that transatlantic crossing.

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