One of the main cultural Meccas of central New York state is the world-renowned Corning Museum of Glass. I recall visiting the museum three decades ago, as a child. Since then the museum has continued to expand and diversify its programs and displays. The Corning Museum of Glass is perhaps the greatest collection of art glass in the world. The history of glass is laid out chronologically, and along about the Middle Ages, religious glasswork comes into fashion. Some of the pieces were manufactured as intentionally religious artifacts. Others acquire a religious significance through less orthodox means.

Traditional religious glass

Near the end of the display is a piece by Gianni Toso, done around 1981. Entitled “Chess Set,” the glass sculpture features Roman Catholic pieces facing off against Jewish rabbinic pieces. The sculpture is intended to be comic as the expressions and the postures of the figures clearly indicate. Each piece bears some symbol of their faith: thuribles, lulavs, crosiers and Torah scrolls face off against one another, each side wearing unmistakable looks of superiority on their faces. Countless hours obviously went into the fabrication of such an intricate piece, and as with most art, it contains a serious message.

Toso's Chess Set

The figures here may be Jewish and Christian, but they could really be any religious traditions. The concept of putting them into a chess match is an inspired commentary on the constant struggle for superiority among religious traditions. In a world of differing religious outlooks, and where such outlooks are taken with deadly seriousness, no one is willing to relinquish religious superiority. The aggressors are difficult to discern since, as in life, any true believer must be a kind of missionary.

Toso's face-off

The medium of an artwork also makes a statement about its subject. Glass is a difficult medium to manipulate. Since it often must be very hot, the artist is familiar with the burns that accompany such intense heat. Glass produces a superior shine as an artistic medium, but it is also very fragile. Like the conflict presented on this chessboard, the religions behind it bear the limitations of the medium: they shine at times, yet they can also cause severe burns. And above all, they are fragile.