Yes, Maybe

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The truth is, only experts and professionals can really keep up with horror films.  As the most successful genre of, well, genre films, there are tons of them.  I completely missed Ouija when it came out about a decade ago, despite the fact that it did well at the box office.  The only reason I watched it now was that a friend sent me a list of horror films from a reputable website that recommended the prequel to Ouija, but I felt that I needed to see the original before finding out what happened behind the scenes.  The original didn’t fare well with the critics and it’s pretty clear why.  The story, although it has twists, isn’t really convincing and the acting is off at times.  (Five teens left alone to watch a haunted house while their parents just take off for weeks at a time?)  Still, it’s atmospheric, and it plays on a scary theme.

I must confess that ouija boards frighten me.  I consider myself both rational and skeptical (in the classic sense), but there’s just enough doubt with spirit boards.  I’ve never owned or played with one.  (Interestingly, the movie was funded in part by Hasbro, the current seller of the game.)  In fact, when I discovered the Grove City College yearbook was called Ouija, I was a bit put off.  (By the time I graduated they’d changed it to The Bridge.)  Although GCC wasn’t really traditionally gothic, like most colleges it had its share of ghost stories.  Even in conservative Christian country things go bump in the night.  And while most stories told about tragedy after using an ouija board are unverified in any way, still…

So, the movie posits a deceiving entity that kills teens who contact it.  I suspect I need to watch the prequel to find out why.  It does manage to have a few scares, but it’s mostly about atmosphere.  I agree with Poe on this point—atmosphere’s often the point of a story.  Although the critics are right (who discovers a body in the basement and goes to an asylum for advice instead of notifying the police?), some of us do watch horror films for this kind of haunted house experience.  And while I’ve got Poe in the room, the threat to young ladies is there.  One thing missing, though, is any talk of religion.  No Ed and Lorraine Warren warnings of demons.  This is a straight-up nasty dead person who likes to kill those who want to communicate with their dead friends.  It does create a mood.  And it cries out for a prequel.

Hungry Eyes

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They’re watching.  All the time.  I may be a quasi-paranoid neo-Luddite, but I have proof!  Who’s the “they”?  Technology nameless here forevermore.  So my wife and I attend Tibetan singing bowls once a month when we can.  It’s the night I get to stay up late even though it’s a “school night” and get bathed in sound.  Our facilitator is a kundalini yoga instructor.  To those of you with experience, you know what that means.  At the end of each session we sing the “Longtime Sun” song.  Each and every month the next morning I groggily look it up.  I know it’s a recent song (hey, I’m in my sixties) but I can never remember by whom.  So for the record it was written by Mike Heron of the Incredible String Band and it’s part of a piece called “A Very Cellular Song” on the 1968 album The Hangman’s Beautiful Daughter.  (Now I remember!)  Okay, so I’ve got that out of my system. (I must add that this is disputed, with some claiming it’s an old Irish blessing. But note, AI only complicates the issue because it doesn’t do actual research.)

Incredible String Band: Image credit—Bert Verhoeff / Anefo, under the Creative Commons CC0 1.0 Universal Public Domain Dedication, via Wikimedia Commons

So how’s that proof?  Well, there’s an unconventional website I check daily.  Are you surprised?  Really?  To get headlines I have to reload it daily and the ads sometimes refresh.  I checked this site a mere five minutes after searching “Longtime Sun” for maybe the fifth time and the ads in the refreshed page were for singing bowls.  Just five minutes earlier I’d been searching a hippie tune and already they were preparing ads for me.  You see, “Longtime Sun” is a standard of many (I gather from the interwebs) kundalini yoga classes.  So much so that it’s commonly said that this is a traditional Tibetan song.  Well, I suppose to call it “Very Cellular,” or even “Hangman’s Daughter,” might harsh the experience a bit.

Kundalini yoga is very esoteric stuff if you read a little more deeply.  For me such reading is an occupational hazard, so I’ve read enough to know that many respectable people might be a bit shy upon hearing the details.  That’s not to say that it’s ineffectual on the level of singing bowls.  I have great respect for esotericism, although Hinduism isn’t in my background.  But if “they” know what kundalini teaches, what kinds of ads might begin to show up on the websites I visit?  What’s truly amazing is that a web search for a specific song brought up an ad for something that would be puzzling, were a reader innocently wanting to find out about “A Very Cellular Song.”  For academic purposes, for instance.  Of course, they know, you can merch anything.  You can trust the internet only so far. And they are watching.

Festival Spirit

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Festivals.  These common events, often outdoors, are ways to be around other people while not really seriously engaging them.  I spend a lot of time by myself, or alone with family.  We don’t know many folks locally (I’m pretty sure very few locals read this blog), so online community is often how I connect.  Still, even we introverts crave the human touch now and again.  In October we attended the Covered Bridge and Arts Festival in Bloomsburg, Pennsylvania.  It is one of the largest free festivals on the east coast, and just a couple of hours from us.  While there, we learned about the much smaller Riverfest in nearby Berwick, held the same weekend.  We decided to stop there on our way home.  The thing about craft fairs is that you get used to seeing pretty much the same kinds of things over and over.  That’s fine, because we’re here for the atmosphere.

At one of these events, while my wife and daughter were examining the wares, an owner came up to me (I was just outside the tent) and said, with a bit of surprise and wonder in his voice, “You have the spirit of God.  You can tell someone who does.”  Now, this can be a sales ploy, of course, but he seemed sincere.  He really didn’t nail my spirituality, but he was correct that I am a very spiritual person.  Given his talk of Jesus, I suspect he’d have been put aback if I told him that horror films are one form of spiritual practice for me.  So I remained relatively noncommittal until he turned to my wife to tell her about the products in his tent.  Still, the encounter left me reflective.  I don’t think myself any kind of spiritual guru, but I have been singled out by a number of people over the years and I wonder what it is that they see.

Some New Agers suggest we all have auras.  That’s generally considered paranormal, of course.  I’ve known people, however, who’ve been accurately “read” by strangers who seem sensitive to such things.  Or are extremely good at cold reading.  When I go to a festival I don’t mean to have my aura showing.  I spend a lot of time alone, so maybe I’m hiding my aura in my house.  No neighbors have complained about the light pollution, in any case.  I admire those who see something special in strangers, even if it’s an attempt to get them to buy something.  That’s why we go to festivals, I guess: to have a kind of spiritual experience that comes from being with others.

Paranormal Religion

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I remember well what it was like to be an evangelical.  Measuring everything by what I thought the Bible said, fearing those things that seemed to come from outside.  Being very concerned with salvation and its opposite.  At the same time, I was fascinated by the paranormal.  As I child I was teased for these interests and subsequently buried them.  Then I had a slow, protracted, and continuing waking from dogmatic slumber.  So it is natural that I would want to read R. Alan Streett’s Exploring the Paranormal: Miracles, Magic, and the Mysterious.  I didn’t know how he would approach the subject, and I didn’t know where on the evangelical spectrum he fell.  Still, I’m always interested to see how others handle what we all know—strange stuff happens and there is no real explanation for it.  Scientific method may one day be able to address some of it, but at the moment it generally falls outside the bounds.

Streett’s book is somewhat autobiographical, from his non-religious childhood, believing in parapsychology, through seminary and having an evangelical awakening, to the point that he stopped supposing such things were demonic, and on to where he stands at the moment—thinking that most such things can be explained by brain science and alternative states of consciousness.  There are a number of interesting situations and concepts described in this book; I learned quite a bit when he discussed different brain states.  I understand his theological rejection of potential realities behind the phenomena he discusses (mostly mediumship, but also reincarnation and faith healing) but don’t always agree with the conclusions.  There is much in the world that theology can’t explain.

Something that is perhaps overt between the covers, is that the paranormal is something that happens to evangelical, liberal, Muslim, Jew, Hindu, Buddhist, atheist, agnostic, and none alike.  What differs is the interpretation, based on various faith traditions and their tolerance for that which is outside.  Evangelicalism is a worldview, perhaps more so than it is a theological position.  Non-divine miracles, or whatever you want to call paranormal occurrences, don’t fit comfortably into that worldview.  Other interpreters, also raised in Christian traditions (Catholicism, for example, is quite open to mystical happenings that can fall into the paranormal category), might approach the question in a different way.  Dialogue is important, however, and trying to make sense of this world we live in, in my humble opinion, has to reach outside the reductionistic view that brains alone account for human experience.  Streett’s account offers a reasonable perspective on the issue from an evangelical outlook.

Hunting

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Every once in a while, I see a movie I should’ve seen a long while ago.  The Night of the Hunter is one such film.  Knowing little about it, I watched and was floored.  Not only could I have used it in Holy Horror (oh boy, could I have!), it uncovered a bit of cinema history for me.  Even just the words “love” and “hate” tattooed on Harry Powell’s knuckles have been referenced in so many places that I felt like I’d been missing a vital clue all along.  Since the movie’s now available on free streaming services, there’s no reason not to see it.  Although not generally considered horror, it is one of the genuinely scary movies of the period.  And it’s a strong blend of religion and horror, even if classified as a “thriller.”

Taking inspiration from a true story, the “Bluebeard” character of Harry Powell is a serial killer.  Styling himself as “the preacher,” he murders widows for their money.  An avowed misogynist, he’s driven purely by greed and love of violence.  Yet everyone accepts him—except children—for what he says he is during the Depression era.  He gives sermons, sings hymns, and leads revivals and even his victims come to believe what he says about himself.  This is such a good commentary on the thoughtless acceptance of religion that it’s no wonder that it was a flop in the fifties.  Since then it has become considered one of the greatest movies of all time by many.  The seamless weaving of terror and religion hearkens once again to the wolf in sheep’s clothing.  Some lessons we never seem to learn.  Nobody likes to admit to having been fooled.

In character, the closest comparison I could make would be Cape Fear, which stars the same Robert Mitchum as villain.  That movie I saw in time to include in Holy Horror.  In this one, the only adult who seems capable of seeing through Powell’s lies is a religious widow who informally adopts stray kids during the Depression and raises them with the Bible.  She also keeps a shotgun handy, just in case.  The image of the preacher slowly approaching, singing “Leaning on the Everlasting Arms,” is the stuff of nightmares.  I suspect that one reason that seminaries developed in the first place is that the laity weren’t encouraged to trust self-proclaimed religious teachers.  Of course, the town turns on the preacher once they learn, because of the children, who he really is.  If, like me until today, you haven’t seen Night of the Hunter, I can recommend it.  Especially if you have an interest in how horror and religion cooperate so nicely.

Firebrands

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Although I’ve never lived there, I believe I have a fairly good idea of life in Ithaca, New York.  I’ve spent many, many days there over the past few years, often pondering how it is a city that would be an especially good fit for me, despite the fact I’m unhireable at Cornell and Ithaca College has never showed any interest.  It’s a liberal college town where even the street people appear to be educated.  The money of Ivy League students keeps it fresh and evolving.  And the shops in Ithaca Commons are set at eleven.  So it was that a headline in Publishers Weekly some months back caught my eye.  (I’m not behind only on movies, it seems.)  It showed a historical plaque for Firebrand Books, on the Commons.  The story stated that the plaque had to be placed on public land since the owner of the building where Firebrand started has a Christian prejudice against homosexuality.

I suppose I ought to take a step back and give a little history.  Firebrand was established as a feminist and lesbian publisher.  Its offices were on Ithaca Commons, but when the founder, Nancy K. Bereano, retired the press eventually found a buyer in Ann Arbor, Michigan.  (I have also lived in Ann Arbor, but for less than a year.  Likewise, it is the kind of place I felt instantly at home.)  Ithaca, meanwhile, wished to honor its contribution to literature and elected to put up a commemorative plaque.  The objection, however, was based on a particular reading of the Good Book.  (It must be stated that lesbianism is never explicitly forbidden in the Bible.)  To make a statement, the owner forced the plaque to the public domain.

We have a way of letting our prejudices become biblical.  I recently re-read 1 Corinthians—one of the infamous “clobber” texts for any number of people—and realized just how many of the words assumed to refer to “homosexuals” are words of uncertain Greek connotation.  King James, who seems to have preferred the company of gentlemen himself, was apparently not bothered by the text he had translated.  Of course, kings will be kings.  Our concern with sexual behavior is one of the hallmarks of our species.  We’re very concerned about how other people do it, even if it’s no business of ours.  And we consider it one of the highest moral concerns and a source of constant shame.  That was another thing that struck me while re-reading 1 Corinthians.  I wondered why Paul keeps coming back to it.  Maybe he was just being a firebrand.

Consciousness Conscience

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Not so long ago—remember, I read old books—living to 60 was considered a full life.  I’ve passed that and while I’m in no hurry to shuffle off this mortal coil, I often think of how improved medical practice has prolonged many lives.  This is a good thing, but it does make death a more difficult fact to deal with.  If there is any good that came from my Fundamentalist upbringing, it was that it taught me early on to think about death with some frequency.  I’m not a particularly morbid person, but since we all have to face this, avoidance seems to lead to grief, shock, and acute mental pain.  I tend to consider watching horror movies a spiritual practice.  Little reminders, in case I forget to consider my own mortality today.

Our faith in science is a little bit misplaced.  Sure, it helps enormous numbers of people live longer, healthier lives.  But it may also detract from the necessity of attending to our spiritual lives.  I don’t care if you call it consciousness, your soul, psyche, or mind, but we have a life we’re accountable to, and it’s not all physical.  Since consciousness feels neutral enough, let’s go with that.  We don’t know what happens to our consciousness after death.  There are plenty of theories and ideas about it, but no certain knowledge.  There may be faith, and there may even be some evidence, but it is always disputed.  It does seem to me that facing death squarely on may help take care of at least some of the anxiety.  Fear of the unknown is probably the greatest fear our species possesses, so pondering it may take the edge off a bit.

Some people claim to remember past lives.  Sometimes I wonder if they might be tapping into the great unknown: consciousness.  Perhaps consciousness survives without a physical body.  Perhaps it’s large—expansive—and encompasses far more than we can imagine.  Maybe some people can access part of that consciousness that includes the past lives of others.  We have no way of knowing, but it seems worth thinking about on this All Souls Day.  Of course, I have the advantage of having lived what used to be considered a full life.  In it I have set aside at least a little time each day to consider what happens after this.  Do I have a definitive answer?  No.  I do have faith and I do have beliefs.  And I’m always reflective on All Souls Day.

Frans Hals, Young Man holding a Skull (Vanitas), public domain via Wikimedia Commons

This Is Halloween

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He was probably trying to impress his wife with his wit.  I was in a department store—a rarity for me.  I was wearing a mask, because, well, Covid.  As this guy, older than me, walked by he said “Halloween’s over.  Take off your mask.”  It bothers me how politicized healthcare has become, but what bothered me more was that it was only October 20.  It wouldn’t even be Halloween for another 11 days.  What had happened to make someone think Halloween was over so early?  Yes, stores had switched over to Christmas stuff by then.  In fact, I wandered into another store where Christmas carols were playing.  Capitalism seems to have wrenched the calendar out of order.  We’re tired of All Hallows Eve before it starts.  In fact, just the day before we’d gone out to a pumpkin patch to get our goods and the carved pumpkins are now showing their age.

If that little exchange in the store had been in a movie, it would’ve been a cue for me to transform into some big, scary monster.  Of course, Halloween is what it is today because of relentless marketing.  And a handful of nostalgia from people my age with fond childhood memories of the day.  For some of us, however, it is a meaningful holiday in its own right.  It makes us feel good, even after we’ve grown out of our taste for candy.  It is significant.  Christmas is a bit different, I suppose, in that there is nothing bigger following, not until next Halloween.  Besides, Christmas is supposed to go for twelve days.  The fact that Halloween is a work day makes it all the more remarkable.  We have to work all of this out while still punching the clock.

I had really hoped to be able to get to Sleepy Hollow this Halloween.  Sleepy Hollow as American Myth tries to make the case of how that story and Halloween came of age together.  It is the iconic Halloween story, what with ghosts and pumpkins and all.  And the month of October is spent with scary movies for many people.  This month I’ve posted about horror movies every other day, pretty much, trying to connect with my audience.  If that is my audience.  I tend to think of Halloween as a community.  Those of us who, for whatever reason, think of this as our favorite time of year.  A time when perhaps we don’t feel so stigmatized for liking what we do.  A time that we’re not hoping will shortly end so we can get onto the next thing.  It may have been meant as a joke, but I wasn’t laughing.  Happy Halloween!

Keep Them Open

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“To be is to be perceived.”  That was the summary of Berkeleyian philosophy we were taught in college.  In other words, not to be perceived is not to exist.  So, Don’t Blink kind of runs with that idea.  Before getting started, a spoiler: close your eyes if you don’t want to know something important.  Okay, so no explanation is given.  Ten friends (a lot of names to remember) drive to a resort that is so remote that you arrive with the fuel tank on empty.  The friends explore the resort but there’s nobody there.  Clearly people were there, just shortly before, but they’re all gone.  And then the friends start disappearing, but only when nobody sees them.  That’s the Berkeleyian angle.  The last survivor never does figure out what is going on, although the authorities seem to be aware that something’s up.  For those of us easily ignored, this is a scary movie.

It’s also another potential film for Holy Sequel.  After her boyfriend vanishes, one of the girls finds a Bible and begins claiming that God is punishing their sins.  Given that these are all millennials, this kind of thinking starts to get on the others’ nerves.  It’s not a major event in the film but it reinforces, as so many factors do, that religion and horror aren’t ever very far apart.  And in case you’re wondering, no, she’s not the survivor.  Neither does she suggest this might be the “rapture.”  During said event, the righteous disappear, not twenty-somethings with a weekend of sex on their minds.  The director, Travis Oates, is apparently a Hitchcock fan, so some elements fit into that sensibility.

I only found out about the movie because a friend suggested that it might be good beginner horror.  There are a couple of pretty intense scenes, but overall there’s not a ton of blood and guts.  There aren’t any jump startles, just a dread that continues to grow throughout.  I’m pondering how the Bible is being presented here.  It’s used as an apotropaic device—as protective magic.  Because the Bible is divine, it has, so the belief goes, the power to prevent harm.  Ultimately, in the world of this movie, nothing has that ability.  Although the Bible’s there, the message is pretty nihilistic.  Kind of like thinking about the heat death of the universe.  Still, the acting is good and the premise, although Vanishing on 7th Street also covered the idea of people just disappearing, is engaging.  Even though it doesn’t answer the question of why, or how, it is a movie that underscores the philosophy of George Berkeley as having perhaps been onto something.

From God’s Mouth

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If book banners would actually read the book they claim to protect, the Bible, they would run across the account of Jehoiakim and Jeremiah.  It’s in Jeremiah 36, if you care to follow along.  Jeremiah was not a popular prophet.  In fact, he was often in trouble for speaking what God told him to say.  He wasn’t wearing a “Make Israel Great Again” cap.  In fact, his message was that the kingdom of Judah had to fall in order to be restored.  So in chapter 36 he dictates his message, straight from God, to Baruch, his secretary.  Baruch reads the words in the temple and this comes to the notice of the royal staff.  They arrange for a private reading and it scares them like a good horror novel.  One of them reads the scroll to the king, Jehoiakim, who cuts off a few columns at a time and burns them in the fire.

My favorite part of this story has always been the coda: “Then took Jeremiah another roll, and gave it to Baruch the scribe, the son of Neriah; who wrote therein from the mouth of Jeremiah all the words of the book which Jehoiakim king of Judah had burned in the fire: and there were added besides unto them many like words.”  Many like words.  So we have book banners around the nation trying to stop children from reading.  The hope is they will become unreading adults because reading expands your mind.  Jehoiakim was a book banner—a book burner, in fact.  But the response from God himself is to write the whole thing over and add many similar words.  

The Bible has been, and still is, fairly constantly abused.  What it seems to be is unread, at least by those who use it to stop other books from being read.  I came to believe, while majoring in religion in a conservative college, that if literalism was truly from God there would be no way to stop it.  I took a route unlike my classmates, who tended to go to the most conservative seminary they could find to have their minds further closed.  I figured that if it was true then testing it by reason couldn’t hurt it.  It’s pretty obvious the way that turned out.  I don’t stand with book banners.  This is Banned Book Week.  Read a banned book.  Stand up to those who do the banning.  And if you need something to convince them that their tactics don’t meet with divine approval, point them to Jeremiah 36.

Not What It Says

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The title sounds promising.  Gothic Harvest.  But the movie in no way lives up to it, even with its vampires vs. voodoo theme.  So, during Mardi Gras a group of four coeds decides to party in New Orleans.  Of course, this is the capital of American voodoo.  While drinking themselves to oblivion, one of them gets picked up by a local and taken back to the family home.  There, of course, she’s kept as food for the “vampire.”  An aristocratic woman who fathered a child with a slave has received a curse—she and her child remain alive, she aging, while the rest of the family is arrested at their present age.  (Really, the story makes little sense, so don’t ask.)  They need young blood to keep the aristocrat alive so that they can continue living.  In the right hands such a story might’ve made a passable horror film.  These weren’t the right hands.

It’s a good thing I’m trying to develop an aesthetic for bad movies.  The acting is bad, the dialogue is bad, the writing is bad.  Is there a moral here?  Don’t go partying during Mardi Gras since you might get picked up by a family under an ancient curse?  And  would it really hurt to do a second take of scenes where an actor stumbles over their lines?  I don’t know about you, but to me the title Gothic Harvest suggests that lissome melancholy of October.  You can start to smell it in the air in August and you know something is coming.  Honestly, I’m not sure why more horror films don’t capture that successfully.  I’m always on the lookout for movies that will catch my breath in my throat with the beauty and sadness of the season.  They are few and far between.

So, like a clueless coed during Mardi Gras, I’m lured into movies whose titles promise such things.  One of the movies that I, inexplicably, saw when I was young was the James Bond flick, Live and Let Die.  Roger Moore had taken the reins from Sean Connery but that film set my expectations for both the Big Easy and voodoo.  I’ve only been to New Orleans once, and that during a conference.  It was before the revival of my interest in horror.  Successful horror has been set there, of course.  The one thing Gothic Harvest gets right is the evocative nature of Spanish moss.  And the opportunity to try to learn to appreciate bad movies.

In Sheep’s Clothing

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Evangelicals supporting Trump must experience some cognitive dissonance when they read Dietrich Bonhoeffer, one of their heroes.  Bonhoeffer, who could easily have remained in comfort in the United States, went back to his native Germany because he was deeply troubled by the fascist regime of Hitler.  Involved in Operation Valkyrie, the attempt to assassinate Hitler, Bonhoeffer was hanged for his faith.  He wrote, “If I sit next to a madman as he drives a car into a group of innocent bystanders, I can’t, as a Christian, simply wait for the catastrophe, then comfort the wounded and bury the dead. I must try to wrestle the steering wheel out of the hands of the driver.”  How far we have fallen!  Now evangelicals support someone with all the signs of being a madman.  A man who has said he intends to dismantle democracy itself, if elected.  How quickly Bonhoeffer and his important work is trampled underfoot by his own.

Some people express surprise that I still appreciate evangelicals such as C. S. Lewis and Dietrich Bonhoeffer.  They were believers who stood by their convictions, but who used reason to do so.  And yes, Hitler had messianic delusions as well.  A poor carpenter once warned of wolves in sheep’s clothing, but then, what did he know?  And can we compare Trump to Nazism?  Have you read the Project 2025 agenda?  An agenda so explosive that the publisher for the book on it (HarperCollins, with a foreword written by J. D. Vance) has put off publication until after the election.  You don’t want people to know what they’re voting for, now do you?  Wolves dressed up like what?  You can’t pull the wool over our eyes.

Photo by Tanner Yould on Unsplash

I have no problems with Evangelicals.  Faith is exceptionally important in people’s lives.  My concern is the weaponizing of religion by political cynics.  They select issues that they know will rile up religious conservatives and use them to glean votes.  One of the oldest tricks in the book—known by every stage magician who’s ever stood before an audience—is misdirection.  Get people to look over there so you can pull a trick over here.  I spent my formative years reading Bonhoeffer, and his reasoned evangelicalism made a lot of sense to me.  Of course, this was when the biggest threat we faced was characters like Richard Nixon and Ronald Reagan.  Now even they are trampled under the iron claws of what has become “conservatism.”  Even Dick Cheney has said he’ll vote for Harris.  If Hitler hadn’t had Bonhoeffer hanged, modern evangelicals, it seems, would’ve done the job.

Ride the Ghost

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There’s a book in this, for some enterprising person.  You see, I watched Ghost Rider because I felt I had too.  I’m not familiar with the Marvel comic on which it’s based, but I’d seen many references to it and knew I had to catch up.  That having been said, I don’t think it’s as bad as the critics opine.  First about the movie, and then the book.  Johnny Blaze makes a deal with the Devil (Mephistopheles) to save his father from cancer.  The big M then has his father die in a failed stunt.  (Father and son are motorcycle stunt riders.)  Blaze is compelled to become “the Devil’s bounty hunter.”  He, like the biblical Satan, accuses evil-doers, only with his flaming skull head and super powers, he condemns said evil-doers without being evil himself.  He transforms at night and Mephistopheles wants him to take out his (M’s) son, Blackheart.  He ultimately does, but disses the Devil at the end.

One of the questions I have about metaphysical horror (or action/adventure) is how moviemakers have to make the fight scenes physical.  Shooting a non-corporeal entity with a shotgun, or wrapping said entity with a chain, should do nothing to it.  There’s no physical body to affect.  That’s the difference between movies like this, or Legion, or Constantine, or any number of others, versus The Exorcist and its kin.  The Exorcist portrayed an evil that was real, but non-corporeal.  It took over the body of Regan, yes, but nobody was running around with guns, swords, or chains to try to take the demon down.  I think that basic underlying fact is one that makes such movies falter with critics, if not at the box office (where they tend to do well).  This leads to the book.

One of the main points of Holy Horror is that many people learn their religion from pop culture.  That being the case, someone needs to write a book on how Hell is viewed by the average citizen.  The kind of person who watches movies like Ghost Rider.  Movies that have a definite idea of what Hell might be like.  Most people probably have little idea what a soul in torment might be.  (The rise of mental illness, however, may be changing that balance.)  They imagine physical pain inflicted by nasty weapons that people use on one another.  Someone should look at this idea from the perspective of what religions, such as Christianity, actually teach.  I’ve got my plate pretty full with potential books, but here’s an idea free for the taking, courtesy of Ghost Rider.

Free Word

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“Anything free is worth saving up for.”  That’s a line from one of my favorite movies of all time.   Free, though, can mean many things.  The “free cookie” is something good to entice you to buy more.  It often works.  Free, for a person, indicates the ability to do what we want (within the constraints of capitalism, of course).  But “free” can often mean cheap, overly abundant.  I like to decorate our lawn with rocks, which are often free, but if you want decorative rocks you’ve got to pay for even the ground beneath your feet.  So it is that when I attend book sales I marvel about the fact that Bibles are nearly always free.  It occurred to me again when I attended a spring book sale a few months back.  I always look through what’s on offer—call it an occupational hazard.

I used to attend the Friends of the Hunterdon County Library book sale in New Jersey.  I believe it is the largest I ever visited.  I used to get there early opening day to stand in line.  One year, one of the volunteer friends came out and announced that they had a really old Bible (only 1800s) that would be $100.  People do, however, tend to donate Bibles to book sales in great numbers.  I suspect organizers are reluctant to put Bibles in the trash.  They also know that people aren’t going to shell out money for them, so they try to give them away.  What does this say about being free?  Is it desirable to be so abundant that you’re left on that table in the back while everyone else is leaning over the more exciting items on offer?  There’s perhaps a message here.

Of course, Trump is selling Bibles for $60.  That’s a bit steep, even for an academic Bible (which his is not).  It might be suggested that this $60 is cheaper than free.  Now, I work with Bibles that are sold at a profit.  One thing I’ve learned is that Bibles sold are always for profit. Those who are honest admit what they do with the lucre.  Although he’s tried to keep it under cover, the Trump Bible does funnel profits to the GOP hopeful.  Yes, he is making money off the Bible and wants to be elected.  If that happens, freedom will disappear.  He’s said as much at his rallies.  Looks like stormy weather to me.  There are organizations that give away Bibles.  Somebody, however, pays for them.  In this strange experiment of a country, anything free is worth pondering.  Nothing, it seems, comes with no strings attached.

Bible Lives

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How well do we know our parents?  Occasionally I think about the things I’ve never told my daughter.  This was brought home to me when, looking through a box hurried packed after my mother’s funeral, I came across an artifact.  I should say that my mother died going on a year ago, and the emotions had been a bit too raw to look at the things I’d picked up in a moment of grief.  This particular artifact was one of her Bibles.  Mom never had as many Bibles as I do (or did).  I remember distinctly asking for, as my sole Christmas present, the New International Version when it came out in 1978.  I have no idea how I knew about it (pre-internet) but I was pretty tapped into evangelicalism then.  I still have that Bible.  I also have the Bible my grandmother gave me in 1970, when, at the age of eight, I was, as it is termed, “saved.”

What makes my mother’s Bible an artifact, to me, is the information inscribed on the various dedication pages.  The Bible was my mother’s sixteenth birthday gift.  That made me stop and think.  Mom used to tell me about being a rebellious youth (she did not get along with her mother).  She smoked and drank and eventually married someone her parents disapproved of.  She gave up smoking when she was pregnant and gave up drinking when she saw what it was doing to her alcoholic husband.  I wonder what my mother’s rebellious years were like.  My entire life she was just “Mom.”  As stable as she could be, religious as she needed to be, and as selfless as a saint.

How did she feel as a sixteen-year-old receiving a Bible as a birthday present?  I never got to ask her that, but she saved the Bible and even did a DIY recovering of it with shelf-paper when the faux leather cover began to come apart.  It was a King James Version, and I knew from conversations with her that she preferred The Living Bible because it was easier for her to read (she never finished high school).  Ours were lives defined by the Good Book.  I don’t know the story of what prompted that sixteenth birthday gift.  I was sixteen when I begged for the NIV.  Now I work surrounded by Bibles.  And I’m no closer to knowing what it was that my mother really wanted when she turned sixteen.  I do know, however, that it eventually defined my life.