Stealing God Blind

Photo credit: Raul 654, Wiki Commons

Photo credit: Raul 654, Wiki Commons

A friend who also works in the book trade recently revealed that the section in one of the few remaining brick-and-mortar book stores most liable to theft is Bibles. I’m not really surprised, I guess. Faith can do strange things to people, giving them justifications for thievery in the name of a higher authority. What it really doesn’t reflect, however, is just what a financial liability a Bible can be. My friend speculated that people believe that the Bible should be free, and, in a sense they have a point. If it is the word of God, as they likely believe, then it should be in the public domain. The problem is, the Bible’s not as simple as all that. The problem begins with the fact that “the Bible” does not exist in any definitive form. Every single one of the original manuscripts has long been lost and we have copies of copies of copies, etc., of those putative manuscripts. And they are in foreign languages—technically dead languages, at that. (Although Greek and Hebrew are still spoken, the biblical forms of those languages died out long ago.) So, are the Hebrew and Greek texts in the public domain?

Maybe, but. The texts from which translators make English (or other modern language) Bibles are based on compilations of various documents that have come to represent the accepted, textually correct ancient language versions of the Bible. These are protected by copyright since they are relatively modern editions. Some of the older ones are available in the public domain, but they are outdated. Even skipping all that, when we get to English Bibles, such as the King James Version (but not the New King James Version, where the “new” modifies “version,” presumably, and not “King James”), the text is in the public domain but the printed book still costs money to manufacture. One of the problems with Bible mythology is that some think this implies that Bibles just drop down from God. In actuality, they have to be edited, typeset, printed, shipped, and stocked, and the people who do this work have to be paid. In short, free text is not free.

I work for a major (but by no means the biggest) producer of Bibles. Even in my short time at the press, I have come to realize that Bible publishing is complex and expensive. Sure, you can print cheap editions and give them away like the Gideons do, but they have financial backing to buy and distribute cheap words of the Lord. There’s a sense of entitlement here: if God spoke, wasn’t it to all people? What about the Quran? The Book of Mormon? Science and Health? Some may castigate the Bible, but it is a genre-defining true original. And although one of the ten commandments declares stealing is wrong, some wonder how this can possibly apply to Bibles. It’s the middle-men and women. Stealing a Bible is cheating someone from a bit of their livelihood. Even if the Almighty turns a blind eye.


In Saecula Saeculorum

SecularBible“The Hebrew Bible is a misreading waiting to happen.” Jacques Berlinerblau’s The Secular Bible is a book containing much wisdom. My only real concern is that by having published it with a university press Berlinerblau may have inadvertently ensured that it would be read only by biblical scholars. Although yours truly was once such a credentialed scholar, I read The Secular Bible with its intriguing subtitle, Why Nonbelievers Must Take Religion Seriously, looming in my mind like a great raptor. This is an important book. With so very much of our lives heavily influenced by the Bible, eloquently argued by Berlinerblau, we have secularists who don’t know the Bible fighting the impossible battle to subvert it. The rationalizing, leveling influence, for the past two centuries, has come from the much castigated and discarded biblical scholar. Can I get an “Amen”?

Berlinerblau demonstrates unequivocally that we need Bible scholars and Qur’an scholars who know how to speak to their own traditions. Instead we have secularists who belittle and then wonder why the religious strike out. The pattern has repeated itself so many times that it defies reason that intelligent people would delude themselves that religion is a passing fancy. The Secular Bible argues what I’ve said time and again: if we want to avoid the dangers religion can bring, we must spend the resources to understand it. Instead we close departments and force those who know the field credibly well into unemployment. And we wonder why there’s a reaction.

“Self-critical religious intellectuals have never been much appreciated.” Instead we put the extremists on television so we can laugh at them or gape at their ability to do the unthinkable in the name of religion. Ironically, there are thousands of trained experts in the field, many of them languishing in un- or under-employment while towers crumble and mobs burst into violence. I do wonder what future generations will think of us. We have the resources handy, indeed, many of them willing to serve for a fraction of the cost of a business professor or basketball coach, but we choose to ignore them. As Berlinerblau states emphatically, we in the western world have the Bible so deeply ingrained that we can no longer even exegete all the ways in which it plays out in our society. If such influences were at work in a human body, we’d pay a doctor well to understand. Instead, we let the most foundational text in our society be used for duplicitous purposes while the simple reading of a book like The Secular Bible could save us all an eon of grief.


Holy Ghost

paranormalmediaOn a family trip to Cape May, New Jersey, some years back, a ghost tour caught my eye. My daughter was old enough not to be unduly scared, and appropriately curious. With a group of total strangers we walked the streets after dark, hearing tales of tragedy and woe. Little did I know at the time that I was being trendy. I just finished Annette Hill’s Paranormal Media: Audiences, Spirits and Magic in Popular Culture. The first point that really haunted me from her study is that the media has transformed the paranormal from religious to secular. I have always considered that paranormal belief and religious belief share an enormous amount of fuel—they are driven by similar engines. Then some media folk figured out that, like religion, the paranormal could become a revenant “revenue stream.”

Hill has other ghosts to hunt in her study—she is a media scholar after all—but I kept wondering about the cheapening effect of commodification. That which creates the most wonder becomes the most tawdry when it’s put up for sale. Life is terribly ordinary. There’s an ennui to much of human experience, so people turn to religion, drugs, or increasingly, the paranormal, for escape. But as any savvy media expert (or Heisenberg fan) knows, being involved in the experience changes the outcome. This applies to money just as it does to people. One is more evil than the other, however.

Experiences of awe are a dwindling resource. The frisson of many an adolescent night when something unexplained or holy lurked outside your window has now become just another CGI gag pulled on a gullible public. I used to watch Ghost Hunters on DVD. Then someone released debunking b-roll footage on the internet, making me feel like I’d wasted more than a few irredeemable hours on a fraud. Just one prank is all it takes. Why? The show has to make money, and who is going to watch if nothing is found? Don’t be offended, it’s only entertainment after all. Nobody said there really was anything that you couldn’t plumb yourself. Maybe it’s just me, but it seems nothing frightens a ghost away like money.


Blessed Art Thou?

blessed“Con man” derives from the disparaging use of the term “confidence man,” as applied to those whose promised deliverables never appear, if they ever existed at all. History is filled with roguish con men who populate movies and popular biographies. Among their ranks have been hawkers of spiritual wares, but the institutionalization of religious profiteering is fairly new. Even growing up in a Fundamentalist setting, I don’t recall ever hearing of the “prosperity gospel.” Although I can’t in good conscience accept the distorted theology of the literalists, at least I can say that they are mostly an honest bunch with a high threshold for supernatural interference in daily life, if sometimes rationally challenged. The prosperity gospel is far more insidious.

Kate Bowler’s Blessed: A History of the American Prosperity Gospel was my first attempt to deal with the phenomenon academically. Bowler traces the movement to strains that appeared earlier than I might have guessed. Nevertheless, its fruit is rotted on the tree of greed, and it has nothing to do with historical spiritual seeking. One of the few things over which the Bible doesn’t equivocate is the corrupting influence of wealth. The needle has been jammed into the eye of the gospel in this confidence scheme. “Verily I say unto you, That a rich man shall hardly enter into the kingdom of heaven.” How did this become transformed into “bring your family jewels if you don’t have cash; our accountants can liquidate your heritage for the extreme comfort and obscenely expensive lifestyle of your ‘pastor’”? In a church of 10,000 how much does your pastor care for you? I would never join a church where the shepherd did not know my name.

Bowler does an admirable job maintaining academic neutrality in Blessed. She explores the central concepts, copied from the very entrepreneurial ledger of the root of all evil. Nevertheless the prosperity gospel remains terribly hollow, shallow, and callow. The mere suggestion that wealth equates blessing in a world where millions suffer for lack of basic needs is unconscionable. One could even be justified in saying “wicked.” What kind of god takes food from the mouth of a hungry child to give it to those who have more than enough? I grew up knowing some want. I also grew up knowing that my grandmother had religiously supported a millionaire who said, “expect a miracle” week after week and then claimed the Lord would take him if he didn’t raise 8 million dollars in the first three months of 1987. Meanwhile the Evangelist still enjoyed great wealth for two more decades when he heeded the call home. All the while those far more worthy perished for lack of bread and clean water. This is neither prosperity nor gospel. Of this I’m utterly confident.


Best Nowledge

Back in the day when paper books ruled, New York City used to be known as the publishing capital of the country. Even though many publishers still call New York home, a depressing lack of interest pervades the city that never sleeps (sounds like it could use a good book). Although I’m no fan of Barnes and Noble, it is just about the last presence left of the brick-and-mortar-style bookstore. When news arrived this week that one of the large New York branches of B&N was closing, a sense of despair settled in. I love my indie bookshops. I literally went into mourning when Borders shut down, even now the sight of a vacant Borders can make me weep. A walk though any trendy mall will reveal no books to be found, and I go home perhaps fashionably dressed and smelling vaguely of perfume but sad nonetheless. Perhaps it is because the book is/was the culmination of one of the most important technologies of all time: writing.

Technology, as we think of it today, is largely electronic. Circuit-boards, nano-chips, embedded in sealed cases constructed in sterile rooms where the humans are more protectively suited than a surgeon. Isaac Newton once famously noted that if he’d seen further than others it was because he’d stood on the shoulders of giants. One of those unnamed giants invented writing. Dragging a stick through clay would probably be considered decidedly low tech these days, but the person who realized that a crude scribble of an ox-head with dots next to it might indicate how many cattle you were selling was a giant. We have no idea who the scribes were who wrote down the first narrative stories of gods and heroes, but the process resulted in a still largely anonymous Bible that is used to decide public policy even today.

There’s no doubt that books take up space that electronic gizmos don’t. Storage has been an issue for libraries constructed before publishing became a major, competitive industry. But electronic books have their problems too. With the ease of self-publishing, you never know who is really an expert without researching the author. Often on Amazon I find an intriguing title only to see that it has been produced by any number of self-publishing software platforms that indicate only the author’s own word for his or her expertise. I wonder what happens when people who don’t know to assess information in that way take anecdote for fact. Where are the shoulders of giants? Perhaps I’m just old-fashioned, but the world without bookstores looks a lot like the stone age to me.

Alas, Babylon!  (Photo credit: Lovelac7, Wiki Commons)

Alas, Babylon! (Photo credit: Lovelac7, Wiki Commons)


Loving Haiti

MomaLola Few religions are as routinely maligned as Vodou. I have to admit that my own interest was originally spurred in an uncouth manner—a combination of Live and Let Die and a sleepless night after watching The Believers. (I know, I know, The Believers was about Santeria, and not Vodou proper.) These sensationalist treatments nevertheless incubated a curiosity that broke the surface when I started to notice a book entitled, Moma Lola, a Vodou Priestess in Brooklyn in university bookstores. The author, Karen McCarthy Brown, took Moma Lola on as an anthropology research project and ultimately became friends with her subject. I was immediately chagrined to learn that much of the distaste towards Vodou (this is my own observation, not Brown’s) seems laced with, if not based upon, overt racism. Vodou is the faith of the descendants of African slaves living in the poorest nation in the western hemisphere. Those who adhere to it often live an existence that few would accept in a world awash in riches. The people in Moma Lola’s story are poor and deprived, and their nation is kept that way by complications of a past tied too intimately with slavery.

Although Brown is not a scholar of religion, her account is a very accessible introduction to the belief system of Vodou. Most adherents, it becomes clear, think of themselves as Catholic. They see no contradiction between the teachings of Rome and the activities of spirits (the “gods” of Vodou are in reality spirits that operate in a world where God is too busy to pay attention to everyone) who must be propitiated. The rituals associated with Vodou are common among peoples who believe in connections between things as they seem and things as they are. In fact, reading the accounts of possession that Brown provides, I was reminded very much of charismatic Protestant experiences of being “slain in the spirit.” Ironically, both traditions believe in the same god. Why anyone should fear Vodou, unless it is because they secretly harbor a deep-seated fear in the efficacy of magic, is baffling. Like most religions, it is moral and concerned with upholding good over evil.

Haiti has a unique history that has put it at the creative epicenter of religions forced into collision while being economically exploited by nations that putatively support democracy. Religion, as Karl Marx noted, is for the poor. Brown takes her readers through her own experiences with a religion few outsiders really know, introducing the “gods” of this intricate religion along the way. Moma Lola, a healer, tries to survive in New York City after a difficult life in Haiti, and rather than make her escape, she returns on occasion to help others. Even in the spiritual circus that the Big Apple represents, people are suspicious of Vodou (and Santeria), despite their common cause with other religions of the developed world. You can read the 400 pages of Brown’s Moma Lola with nary a mention of “voodoo dolls” or zombies. Instead you’ll find people—often women—working to survive in a hostile world. Untested attitudes toward other religions often bear their own dark secrets, and Vodou, as lived by Moma Lola, belies and exposes many hidden prejudices on the part of the affluent world.


2013 in Books

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According to goodreads.com, I read 83 books in 2013. The beginning of a new year seems a good time to assess what is memorable among the reading material of the previous twelve months. I am an eclectic reader: this informed my research when I was teaching in higher education—nobody can know everything, and it doesn’t hurt to keep an eye on what fellow researchers in “unrelated” areas are doing. I always throw in a healthy dose of novels as well. Among the novels, some of the most profound were those written for younger readers (each of the books discussed here, by the way, can be found discussed in more detail by selecting the category “books” at the right on this blog). Neil Gaiman’s The Graveyard Book, Ransom Rigg’s Miss Peregrine’s Home for Peculiar Children, Suzanne Collins’ The Hunger Games, and Markus Zusak’s The Book Thief all stand out as particularly profound. They are all, as young adult books tend to be, stories about coming to terms with the adult world. The theme of death weighs heavily in all of them. In none do the children take refuge in religion.

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Among the non-fiction offerings, revisiting my most memorable also reveals trends, I think, in how religion might be usefully applied to an increasingly secular culture. It is no easy task to choose favorites, but I see that I read three books about comic books: Mike Madrid’s The Supergirls and Divas, Dames, and Daredevils, and Christopher Knowles’ Our Gods Wear Spandex. The work of Jeffrey Kripal started me on the quest of taking superheroes seriously as sublimated religious figures. Clearly that is the case, as has become increasingly apparent in top-grossing movies. Another set of books (Thomas Nagel’s Mind and Cosmos, John Angell and Tony Marzluff’s Gifts of the Crow, and Curtis White’s The Science Delusion) highlighted some of the deeply rooted flaws of a materialist reading of the world, whether they intended to or not. Robin Coleman’s Horror Noire, and Susan Hitchcock’s Frankenstein indicated that monsters are among the most eloquent of social critics, even when they have little to say. I would recommend any of these books without hesitation.

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Some of my reading was on specific religious traditions. Maren Cardin’s Oneida, Hugh Urban’s The Church of Scientology, Sean McCloud’s Making the American Religious Fringe, and Andrew Chestnut’s Devoted to Death each showcased either a single or several traditions that have emerged in the last century or two that have had a striking impact on America’s religious morphology. Katie Edward’s Admen and Eve is a great example of how businesses have figured out that a religiously hungry society will buy, if marketing pays attention to religion. Among the most powerful books I read were Susan Cain’s Quiet and Jonathan Gottschall’s The Storytelling Animal. Being human is, after all, the most religious of experiences. Starting with fiction, I’ll end with fiction. The novels for adults I remember most vividly are those with strong female protagonists: Sheri Holman’s Witches on the Road Tonight, Piper Bayard’s Firelands, and Elizabeth Kostova’s The Historian.

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This blog offers me a chance to give brief sketches of books that have much more to say than a few words might summarize. The fact that religious ideas and themes might be found in such a range of books underlines once again that we live in a religious milieu, whether we want to admit it or not. Read on!


The Ethics of Swallowing

GulpMary Roach never fails to please. I first discovered her during a jaunt to my local, lamented Borders (not a weekend passes when I don’t mourn the chain’s closing anew) on an autumn evening when Spook leaped out at me (metaphorically) from the science section. I have read layperson-digestible science since I was in junior high school, having been a charter subscriber to Discover magazine. I was, therefore, amazed when I realized an author with some scientific credibility would take on the topic of ghosts. This was followed by Stiff, Bonk, Packing for Mars, and now, Gulp. The subtitle of Gulp, Adventures on the Alimentary Canal, captures the flavor of this book about eating. While some live to eat, we all eat to live, and it makes perfect sense that religion could come to shine a little light in this facet of human existence. Actually, although Roach doesn’t emphasize it, the ethics of eating has become a major interest in embodiment theology over the past few years. Food and faith, it turns out, are closely connected.

In Gulp, the one instance where religion comes into major play regards, ironically, rectal feeding. Roach points out that the question of its effectiveness had been part of discussions of fasting in the contexts of convents. Some traditions in various religions advocate denying oneself food as an act of penance or contrition. The question of whether nourishment taken without the satisfaction of eating counted, however, is one that the church took up. Characteristically not making a definitive answer, the practice mutely continues. Roach notes that clergy have been among the avowed supporters of colonic irrigation as well, making one wonder why the upper half of the alimentary canal has typically caused religions so much trouble. Of course, Roach is not writing about religion, but about eating. But still…

Religion, broken out abstractly from everything a person does, is a modern phenomenon. In fact, it is questionable whether religion can even be considered as a phenomenon of ancient societies at all since it was so thoroughly integrated into everything a person did. When priests separated themselves from laity, at least as early as ancient Sumer, the idea that one class of people could handle the requirements of the gods while the rest of us got along with the secular business of living life took hold. But religious specialists still maintained control over morals. Food, in a world of unfair distribution, will forever be an ethical issue. Instead, most religions have brought the focus down to the individual. What you eat may very well reflect your religious beliefs. Whether we feed the world or not we have, unwisely, left to politicians. As I ponder this indigestible topic, I recommend reading Gulp for a bit of relief from the serious business of the ethics of eating.


An Odyssey

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I learned of Jorge Luis Borges through the recommendation of a friend some years back. Of course, knowing about a writer is never quite the same thing as reading what s/he has written. So it was that I recently picked up an edition of Borges’ short stories entitled, biblically enough, “The Aleph.” I find that these stories require slow reading, chewing over rather than swift gobbling down, like so much of what ends up on the mass market shelf. In lives squeezed for time between the incessant demands of cell phones, social media, and plan old television (satellite or cable), spending unrushed minutes with a thoughtful story can seem a waste of time. I suppose that’s the sole benefit to a long commute on public transit—reading is always an option (although, sadly, not one frequently utilized, to guess from all the electronic farts emitted by computerized devices all the way home).

The first tale in my volume is “The Immortal.” Perhaps it is the hand of the translator, but the sensibilities of Borges are not unlike H. P. Lovecraft. Borge was influenced by Poe as well, and as the narrator of this tale encounters Homer in the land of the immortals, it is only fitting that the question of mortality should arise. Joseph Cartaphilus, the narrator, notes that the three western religions all claim to offer immortality, but in reality focus on the only part we intimately know, the part we call being alive. Often this idea has come to me as well when encountering one so sure of an afterlife but so fearful of death. If immortality does not banish terror of the grave, what use is it?

Indeed, as Cartaphilus realizes that he has drunk from the river of immorality, even the company of a devolved Homer can not entice him to live forever. Off he rides in search of death, a solace that comes only once he has sold his story in the form of a used book dealer, within the back cover of the Iliad. Once the story takes on the life of the teller, he is free to die. There is so much going on in this brief tale that two readings have only begun to scratch the surface. Borges lays religion’s follies at its feet, but shows that there is still much more to fear. I can see the draw, and as a new year dawns, I can see myself becoming more acquainted with Borges and gaining the insight that only thoughtful fiction can bring.


Read Until Ragnarok

Wpa-marionette-theater-presents-rur“The play’s the thing. Wherein I’ll catch the conscience of the king,” quoth Hamlet. Shortly after the Velvet Revolution, my wife and I were shown about Prague by a friend who’d grown up in Communist ruled Czechoslovakia. As we watched the changing of the guard, he told us how Václav Havel, the final president of Czechoslovakia, had been a playwright and appreciated the need for pageantry in such civil ceremonies. I remember being impressed with what this playwright had accomplished while America had just survived being ruled by a lackluster comedic actor whose major contribution had been the myth of trickle-down economics. Havel was at one point selected as ranking high among the world’s top hundred intellectuals. Somehow Bedtime for Bonzo just didn’t seem to be worth bragging over.

Within another year or two, Czechoslovakia would dissolve, but the world would remain impressed by the Czech playwright. Karel Čapek was another Czech author and playwright of considerable import. Čapek, “public enemy number two” of the invading Nazis, died before the National Socialists could reach him. His brother died in Bergen-Belsen. Čapek is the author of the play R.U.R., or Rossum’s Universal Robots. Indeed, he coined the term “robot,” around which this play revolves. Over the holidays I finally had a chance to read R.U.R., and I was immediately struck by how prominent the meme of God appeared, and also how prescient Čapek was. Like his contemporary Franz Kafka, Čapek had an unsullied vision of human propensities. Not having seen a production of R.U.R., or knowing how it would play out, I was nearly buried under the layers of meaning that such a brief piece could convey. Harry Domin, the general manager of R.U.R., supplies the world with robots for the easement of human labor. These robots eventually acquire souls, through human tampering, but also rely on humans for their reproduction. All of humanity, save a sole survivor kept alive to make new robots, is destroyed. Alquist, the last man alive, realizes when one robot will lay down its life for its mate, they have become a new Adam and Eve, and humanity’s existence is truly at an end.

Although I’ve read about robots since I was a child, I didn’t know about R.U.R. until my daughter joined her high school robotics club. Robots have, in many ways, dominated my life since. Although Čapek’s play is funny in parts, it is dystopian and profoundly troubling. Our robots have evolved since the period of World War I, just after which the play was written, but our moral sensibilities have not kept pace. Helena, the eventual wife of Domin, feels that robots should be given a soul. At first they feel no pain, mental or physical. Once they acquire these, however, they begin their inexorable march to the elimination of humankind. Reading of how technocrats believe that our true function is now to service the robots who do much of our work today, while unemployment just won’t release its grip on the flesh, my thoughts go back to Karel Čapek, Václav Havel, and William Shakespeare. The playwrights create, but the actors just ape.


Writing the Cosmos

EvermoreOn occasion those with great wealth try to give something back to society. One such gift takes the form of libraries. The J. P. Morgan Library on Madison Avenue in New York is a touch pricey for those who live in humbler domiciles, but the Edgar Allan Poe display proved too immense a draw to ignore. Standing inches away from manuscripts written in Poe’s fine hand was a kind of communion. It wasn’t too difficult to believe he might have somehow been there. In Baltimore last month I didn’t have the opportunity to revisit his grave, but I picked up a book by one of his modern cousins, Harry Lee Poe. This Poe has theological training and an interest in seeing that his famous cousin isn’t theologically shortchanged. Evermore: Edgar Allan Poe and the Mystery of the Universe is a rare look at Poe and religion. Treatments of the theology of writers are hardly rare, but since Poe wasn’t openly religious, he was typecast a little too readily into the putatively godless camp of those of us with a taste for the macabre.

Evermore may not convince everyone that Poe was a profound religious thinker, but Harry Lee Poe marshals substantial evidence from both Poe’s published writings and letters that he was often caught in that crux between science and religion. Indeed, there is no evidence that Poe was an atheist. He wrote on what were considered lowbrow topics because those were the kinds of pieces that would sell. Since Poe was perhaps the first American to attempt to make a living solely by his pen, he had to pay attention to what people wanted to read. Evermore, while not a biography in the usual sense, does point out that Poe wrote across genres and that his life, while often tragic, had many spells of happiness and some contentment. Poe was a victim of character assassination after his death by a second-tier clergyman, Rufus Griswold. Much of the book is spent dispelling myths.

Perhaps above all, Edgar Allan Poe had a clear mind that could keep imagination alive in the religion and science debate that was to explode shortly after his death with Darwin’s Origin of Species. For Poe, the universe was a story being crafted by God. Creativity was essential to beauty, a concept that haunted Poe. A writer must be introspective, and this will often leave him or her open to criticism by those who prefer simpler answers. Great beauty can be found in complexity, however, and the practice of ratiocination requires a healthy dose of imagination to help make sense of a world that often seems to make no sense any other way. And standing here, my face inches from a handwritten copy of “The Bells,” I can almost hear them ringing.


Shaky Ground

HigherGroundFor the past few years I have been drawn to the spiritual memoirs of women. I suspect a deep disconnect prompts this interest. Religions—in this case primarily the monotheistic traditions—put a premium on fairness and justice, yet treat women as somehow outside these mandates. Women nevertheless respond to the human religious impulse somewhat more seriously than most men. This leads to a dissonance that surfaces in women’s memoirs. Carolyn S. Briggs’ Higher Ground: A Memoir of Salvation Found and Lost proved somewhat of an epiphany for me. In this story of an Iowa girl’s encounter and seduction into a Fundamentalist faith that never quite managed to smother her rationality, I recognized many aspects of her adopted religion from my own tenure in literalism. The real strength of Briggs’ account is her vivid recollections of how her own Fundamentalist mind worked. For many of us who’ve gone through that spiritual wasteland, dredging up those memories can be a harrowing experience. What shone through in Higher Ground, however, is how the fantasy-prone literalist imagination loses its tenuous hold on reality while promising deliverables that are always pushed off into the future. It is not a faith for the here and now.

The non-denominational, yet Calvinistic, Briggs’ church home convinced the author, for some years, that she was inferior to her husband. There can be no doubt that this is “Bible-based” teaching, for the Bible is the product of a patriarchal age. Literalism grows more oppressive with the passage of time, for despite neo-con posturing, society is better for many than it was in the “good old days.” Fundamentalist traditions seek to reestablish the mores of the first century two millennia later, as if a simple transfer were possible. Society has offered progress for women while literalism is rife with regress. This double standard led to the loss of one of their own because over two thousand years much water flows under the bridge and brig.

Higher Ground is not an easy memoir to read—the accounts of those who experience repression seldom are. Religion is generally a conservative force in society, even if based on radical principles. The sayings of Jesus, for example, remain revolutionary even today, but they are often hidden behind the (male constructed) facades of organized religious movements. In school we teach our children that the sexes are equal, in Sunday school the opposite. Fundamentalism is not, however, in any danger of dying out. As Briggs demonstrates eloquently, the very thought process of a rational person is altered by it. Briggs leaves us guessing at what happened after the story ends but she has nevertheless contributed yet more evidence that demands a verdict. Until the judgment of fair and just can be rendered, religions will repeatedly be called to the witness stand.


Revelations

BeringWhyIsThePenisSex. Religion. Death. One of these things is not like the others, if Sesame Street taught me anything. But in this case, the three actually are of a piece. In my teaching days I pointed out that every religion, without exception, tries to deal with sex and death—the two great, towering markers of human experience. Nevertheless, I cowered close to the window on the bus, choosing the left-hand side so the cover wouldn’t be visible, to read Jesse Bering’s Why Is the Penis Shaped Like That? From the first sentence you’ve got to like this guy. Although irreverent, Bering is never obnoxious as he asks questions about the basics of human existence that few would be willing to take on in the name of science. It’s a fascinating book, and, as I knew it would, it addressed religion and death as well as, well, you know.

Bering is an evolutionary psychologist, and he tends to lean toward a materialistic universe. His book raises a very important point, however; the belief in determinism statistically correlates with anti-social behavior. That is to say, those who believe they have no free will tend, to some extent, not to care about society. As Bering also points out, perspective is very important. I wonder if truth is subject to perspective. Actually, I’m rather certain that it is. I have fought determinism from my youngest days, although I generally feel out of control of my own life. I first encountered determinism in that insidious theological position known as predestination. The deity of a universe that predestines most people to Hell is a monster, no matter how saintly his/her portrait. One professor conceded after a vigorous debate in class: “on philosophical grounds free will wins, but on scriptural grounds, predestination does.” I disagreed. Still, he could go home happy—my challenge had, after all, been predestined.

Worse yet were the “double predestinarians.” They were those who believed that every little detail of life was predestined. I actually had a professor say, “if you fail an examine, it was predestined.” Already the illogic of it all struck the same timbre of distaste that materialistic determinism does. By its fruits you shall know it. As much as I enjoyed Bering’s book, I wondered how anyone obviously so intelligent could believe that this magnificent mental world we inhabit is nothing more than sparks tickling chemicals in our brains. Or even the biological wonders he explores. As I huddled up in a ball on the bus, my book close to my face, I knew that this behavior wasn’t natural at all. Not even science could have predicted it.


Not Knowing

WhatIDontKnowAboutAnimalsBegin with a basic premise: we cannot know what a creature without language thinks. Add in the thoughtful anxieties of a post-domestic writer who knows about animals and you have What I Don’t Know About Animals, by Jenny Diski. Part biography, part science, part philosophy, wholly human. I knew from the day the book was released that I would read it since, like the author, I am one haunted by the relationship between the exploited and the exploiter. Diski’s confessions are difficult to read at times, veiling herself, as she does behind the curtains of one’s most private experiences, but she reveals plenty to those who read on. We can’t know for certain what another person thinks, so how can we know what a sentient animal thinks? Some, following Descartes and Skinner, would declare that animals don’t think, they simply do as programmed. The rest of us know that they are wrong. The evidence accumulates more each year that animals think and feel, but, as Diski repeatedly points out, we need to drive with the brakes on. We can’t get inside them to actually know if human experience corresponds at all with animal experience. We’ve shared the planet for millions of years, but we’ve lost track of our common origins.

As I suspected, the Bible came into the discussion. The book of Genesis lurks in the background of most human-animal rationalizations. The divine division into separate “kinds” must be kept discrete at all times. The problem is, nature won’t always play along with that game. One type slowly morphs into another and some biologists are even questioning the usefulness of “species” at all. Fear of bestiality, as Diski points out, is found already in the Bible. Best to keep everything in its proper pigeon-hole, whether that’s where it belongs or not. Genesis gives us the right to exploit, and so we continue to use animals for our own purposes. Although the feline, it turns out, may have figured out how to set this order on its head. In some cases.

What I Don’t Know About Animals is not a defense of vegetarianism or of radical, thoughtless abandon. Diski writing on spiders will cause many heads to nod in agreement, and her rage against the loss of the common lady-bug struck an amazingly responsive chord with this reader. The lady-bug’s demise came at human tampering, importing asian beetles as pest control—beetles that eventually edged out the harmless lady-bug, replacing the Volkswagen of beetles with a biting, omnivorous, massing pest. In Wisconsin the southern side of our faculty house was literally blanketed with them in the spring. Diski uses the same word I did then: biblical. Swarms seem to be the way that the Almighty has of telling us too much of even a good thing will go bad. Although I couldn’t agree with every statement Diski makes, I have the feeling this is a book I will reread more than once. Wisdom often comes in the form of admitting just how little we know.


Sweet Something

SweetHeavenWhenIDieAs an observer of religion who always struggles to get published, I found a companion soul in Jeff Sharlet’s Sweet Heaven When I Die: Faith, Faithlessness, and the Country In Between. Although the book is a collection of very disparate essays, it shows the subtle faces that religion frequently takes. We’re used to hearing religion described in bombastic terms, but Sharlet is more attuned to its soft rhythms than that. Yes, an essay or two may have a strident believer, but most of the faith found here is so deeply woven into the lives he examines that you might not even notice it was there had Sharlet not already warned you. Here is a man of no particular religious conviction showing us how it is—not judging, not ridiculing, not pandering. Religion, despite the gleeful proclamations of its detractors, is not likely to die out. It is more likely just to go unnoticed.

A number of the essays here gave me pause. In the first Sharlet notes of a friend, “She was fascinated by the thought that God was entitled to kill you at any time.” This friend is, of course, of Christian persuasion. I had never thought of the biblical paradox in that way before—divine entitlement. It is so like Job; the Lord giveth and the Lord taketh away. Christianity, historically, comes with a whole cartload of guilt: not only is God entitled, but we deserve to be killed. The Christianity in which I grew up was explicit about this—we live on borrowed time. As a child I heard more than one evangelist thunder this good news. We really deserve to die. Once we are good and vulnerable, the preacher offers us a way out. Pass around the collection plate. God is entitled; I shall not soon forget that.

Toward the end of the book another of Sharlet’s interviewees declares that doubt is a calling. Again, the professional religionist is stunned. Many religions eschew doubt as somehow evil—wickedly questioning the divine. Doubters, however, seldom cause religious trouble. Those whose convictions lie deep and untested will burst open like a spring-loaded trap at various provocations. Those who survive are left to weep and wonder. The doubter, the friend of Thomas, does not seek to harm, but can’t live without discovering the truth. This is true religion.

There are any number of stories here of persons of various levels of faith conviction. You’ll find few clergy or specialists among them, but you’ll find a book whose honesty cannot be doubted. At points I struggled to find an implicit religious, or faith-based theme. It is there. You just have to listen. And trust that Jeff Sharlet will not lead you astray.