Making a Monster

I was maybe six or seven when Frankenstein’s monster charged us. My mother, brothers, and I were part of a small crowd at Niagara Falls, where we had gone to visit relatives, when we found ourselves in the monster’s path. We were among of a knot of tourists, and plate glass separated us from the great roaring beast, posted to draw visitors to one of the many plastic tourist attractions around the famous falls. Each time the monster charged, we all screamed, knowing full well he could never break through that glass. As a member of the Monster Boomer generation (although on the tail end of the boomer part), the monster that disturbed me the most has always been Frankenstein’s monster. I’m not sure whether that was natural squeamishness, or if it was that as children my brothers and I tried to divide things up evenly and I ended up with the vampire while one of my brothers claimed possession of “Frankenstein.” Certainly when I grew old enough to read the book, it only added to my discomfort. The concept of Frankenstein’s monster was old enough to have lost its scary edge, but the story was very sad. The monster was not evil, but lonely.

HitchcockFrank

Sarah Tyler Hitchcock’s Frankenstein: A Cultural History revealed a new angle on the monster. A thoroughly fascinating anthropological approach to one of the more modern constellations in the night-time sky of fear, what became immediately obvious in this book is just how religious a monster Frankenstein’s creature is. Many of us think of “playing God” as a recent phenomenon. Mary Wollstonecraft Godwin (Shelley)’s Frankenstein was published in 1818 with just that concept in mind. Mary Shelley, barely twenty when the book was published, had tapped into one of the most vital of religious topics—what it means to make life. Hitchcock’s treatment of the subject covers the conception of the monster, the book and its history, the plays and movies based on the story, and Frankenstein’s monster’s reception into popular culture. At every step of the way, religious issues are raised. Mary, in her birth of an immaculate creature, gave the world theological conundrums through which we’re still sorting nearly two centuries later.

Often on this blog I maintain that monsters and religion are cut from the same cloth. Hitchcock provides a compendium of supporting evidence in her compelling book. Even down to the contemporary debates of scientists over genetic engineering and cloning, the story of Frankenstein and the overstepping of ethical boundaries comes up again and again in scientific literature. I couldn’t help but to think how this reflects the current acrimony between the materialists and the dualists among the intelligentsia: is the forging ahead with manipulation of life simply an experiment we must undertake or is it really an ethical (read “spiritual”) issue after all? Mary Shelley was not so strident as her erstwhile husband Percy was regarding the necessity of atheism. Her monster seemed to be raising that question in terms profoundly theological for a girl not yet of seminary age. Sarah Tyler Hitchcock has done us a great favor by producing a history that stitches religion, culture, and science together into a beast that we still haven’t learned to control.


Poe Knows

CambridgeEdgarAllanPoeA recent trip to Baltimore prompted me to read Benjamin F. Fisher’s The Cambridge Introduction to Edgar Allan Poe. Well, that and the fact that I had purchased the book from an overstock table on a visit to a local indie bookstore (support your local!). Poe is a difficult writer to get to know. His personal life seems to have been largely an effort to find financial security while he knew his intellect was greater than those who employed him, and yet he was the one left without means. His literary talent, now considered one of the brightest constellations in the American writers’ heavens, was denigrated and demeaned and not fully appreciated until after he died of unknown causes in a city where he no longer lived. There is a profound sadness about Poe, and he seems a tragic figure. I do wonder, however, whether success would have ruined him. The more society woos you, the more you’re willing to lower your standards, I shouldn’t wonder. Not that I would know.

GhostsKnowFisher’s guide is a basic introduction that only toys here and there with Poe’s religious outlook. I’ve not run across much about Poe and religion, but there is a deep spiritual awareness, along with ratiocination, in his tales and poems. I suspect it might go back to the fact that religion and fear are so tightly intertwined. If a religious element is missing, it sometimes leaves a reader hungry. I’d also been reading Ramsey Campbell’s Ghosts Know concurrently with Fisher. This is a novel where a skeptical radio talk-show host takes on a stage psychic to see who really knows who might’ve killed a young girl. As the story unfolds it becomes less and less likely that the psychic is tapping into anything other than individuals’ wish projections.

While I found both of these books interesting, I pondered the fact that Poe referred to the scariest elements in his works as “terror of the soul.” The supernatural in Poe, as Fisher points out, is often really just a projection of an interior state of one of the characters—the eponymous tell-tale heart is guilt breaking through, not an undead heart beating. In an era where belief in the soul is waning, scary books seem less frightening. We’ve been robbed of both the supernatural and the soul, so what is left to fear? If death is only a more profound kind of sleep and morals are only a matter of social convention, then we are truly alone in this vast universe. Of what should we be afraid? Still, when the night stretches on for many long hours this December, I find myself inclined toward Poe and I wonder if ghosts truly do know.


Word of God in Bulk

Bay_Psalm_Book_LoCThe Salem witch trials were still half a century in the future. The Puritans, hoping for religious freedom, had come to Massachusetts. Despite prevailing attitudes toward the religious, the Puritans were keen on learning and began printing books. The first book printed in English in North America was the Bay Psalm Book. You see, the Psalms have a particularly important place in Christian (and Jewish) worship. In fact, much of what would later develop into the daily offices in the Church of England, adapted from the breviaries of the Roman Catholic Church, were services that started essentially as vehicles for reciting the Psalms. It is fair to say that Christian worship might have never taken on the elaborate forms that it has without the underlying recitation of the Psalter. The Bay Psalm Book, printed in 1640, is now the most expensive book ever sold at auction. According to the New York Times, one of the eleven known Bay Psalm Books has just sold for over 14 million dollars. The Bible has a way of continuing to surprise us.

As someone who has more Bibles than your average layperson, I find it isn’t difficult to think that Bibles are fairly common. They are. I actually switched to The Green Bible in my classes out of the ecological concern that there have been over six billion Bibles printed. The Gideons give them away, and even the Christian heavy metal band Stryper used to throw handfuls of Bibles into the crowds. Chances are, in the United States, you are not physically far from a Bible at any given moment. So why would someone pay 14 million dollars for one? The answer goes deeper than the suggestion that the Psalms contain timeless truths—you can get those free on the internet anytime—but that it is part of our heritage. We are who we are, in part, because of the “Bible believing” founders of our culture. Survival was not taken for granted in the mid-seventeenth century. The Bible was a pillar of certainty in dangerous times.

Yes, interpretations of the Bible have led to horrendous results. There is no point in denying the guilt. Hermeneutics, however, is a human activity. The Bible gives as well as takes away. Some of us may never have a million dollars to spend. Many people don’t have enough to eat. Specialists tell us that some 45 million Bibles are printed each year. Bibles are big business. In the words of Big Dan from O Brother, Where Art Thou? “Sales, Mr. McGill, sales! And what do I sell? The Truth! Ever’ blessed word of it, from Genesee on down to Revelations! That’s right, the word of God, which let me add there is damn good money in during these days of woe and want! Folks’re lookin’ for answers and Big Dan Teague sells the only book that’s got ‘em!” David M. Rubenstein, the buyer of the book, intends to send it around to libraries to display. Although I’ve spent over forty years studying the Bible, it takes the skills of a man from an investment firm to earn enough money to buy one. And I wonder if that’s Big Dan I hear laughing, or perhaps it’s just the sound of Puritans singing in the wilderness.


The Write Place

In my mind, Baltimore is inextricably bound to Edgar Allan Poe. From the accounts of Poe’s life, it is clear that he sensed nowhere as a welcoming home. Indeed, he was barely mourned at his passing and the memorial gravestone in this city was only added decades later when his works had attracted serious attention. Many of the eastern cities now like to claim him: Boston (although with Bostonian diffidence), New York, Philadelphia, Baltimore, and Richmond. All have various mementoes of his transient existence in those places, although he was not made to feel at home there when he was actually alive. The writing life is a difficult and often lonely one. Poe knew that better than many. It is so lonely that nobody is even sure why he was in Baltimore when he died, or what the cause of death was. He has become an icon to many that write.

Ironically, my career has repeatedly shoved me back to the publishing industry. That doesn’t mean that it is any easier to get published, however. The world is full of words, and those who hold the key to publishing respectability have so little time (a fact I know well, as a sometime editor). Some of us resort to blogs and pseudonyms while others die young in Baltimore. The world loves a self-promoter. Those with something intelligent to say are often discovered only in retrospect. And soon their work enters the public domain and can be claimed by all.

Other writers have called Baltimore home. Not many have football franchises named after their literary works, whether here in Maryland or elsewhere. And Baltimore, like many of the major cities of the United States, has great swaths of the neglected, the poverty-bound, and the hopeless. As I drive through the city it is clear that many have been left to face the cruelties of a self-promoters’ economy. They live with little—overlooked and forgotten. But there’s a party in town for those who can afford it. As I settle down with a cask of Amontillado and my notebook, I know that I have only just begun to get to know Baltimore. Maybe I will meet the ghost of Poe here, amid the brightest lights of scholarship and the darker shadows beneath.

Poe in New York

Poe in New York


Nothing Unusual

WhyDoestheWorldExist“Is this a world?” Ranger Tom asks seriously, “And if it is, am I in it?” On the lips—or fingertips—of some, this set of questions appears profound. Although I’m not technically a philosopher, I find it impossible to walk by a book with the title Why Does the World Exist? and not pick it up. I am not familiar with Jim Holt’s other work—I engage a little too heavily with books to spend much time with magazines—but the question of the title is one I’ve often pondered. It is right up there with “Why can some people get published and others can’t?” Holt is, however, on a serious quest. Not surprisingly, religion features prominently in the discussion. For the usual existential reasons, including a couple of significant deaths in the family, Holt asks perhaps the most basic of all questions and engages a number of prominent philosophers on the issue. Why is there something rather than nothing? For some in the western world such a question appears a non-starter, because our culture is biblically suffused. Whether we want to admit it or not, our social ocean veritably bobs with the basic belief that God created the world, end of story. We don’t need to ponder it, we just have to accept it. For those who look deeper, however, the answers aren’t that easy.

Holt goes through some serious computation in various forms of logic to try to arrive at a schematic demonstrating that the world is a surprising place. Not trained in such rigorous logic, I was interested to notice how the language occasionally slipped from “world” or “universe” to “reality.” Reality is perhaps the slipperiest concept of them all. Many simply accept their own experience as real, a position known as “naive realism.” Others probe somewhat deeper, seeking to verify reality. How do we know what is really real? It is, however, a different question than the existence of the world. Reality has the distinct ability to haunt with its half-answered questions and surfeit of ambiguity. Every time I wake from a dream I ask myself what is really real.

Once the divine is removed from the equation, why the world is here becomes a much more complex issue. Holt engages the new atheists as well as the neo-orthodox. It turns out that God may not help as much as we generally assume: whence God? Or, in its more childlike version, where did God come from? Once brute fact is ruled out, this becomes a tangled problem indeed. Faced with an endless regression, logic quails. Perhaps, however, we have reached the limits of rationality—even Einsteinian physics breaks down at the Big Bang. No matter what scientists or philosophers may tell us, we will always wonder, “and before that, what?” I put Holt’s book down with a sense that I’d spent a few pleasant hours considering the possibilities, but I still wonder, with Ranger Tom, if this is a world. And if it is, am I in it?


Oxford’s Hire

In 1478 the first book printed in Oxford heralded the eventual founding of Oxford University Press. Just two years earlier Vlad III, the Impaler, had been assassinated. In 1478 the Tribunal of the Holy Office of the Inquisition was established in Spain. Just over a century earlier, the Black Death decimated the population of Europe. Things looked a bit dark at that time. Nicolaus Copernicus, however, was five years old in 1478 and the Enlightenment was just around the corner. The printing press had been, well, hot off the press for just a couple of decades at the time. The University of Oxford had been around for nearly four centuries already, making it one of the oldest and most prestigious centers of learning in the world. Oxford University Press early on began the business of printing Bibles and shedding light on a world where things were somewhat dim. Progress often brings misery with it, but the idea that a literate public stood a better chance of improvement bore an optimism that has occasionally been realized, even in free market times. I’m very glad for Oxford University Press.

These are among my thoughts as I prepare for my first day as Associate Editor for Bibles and Biblical Studies at Oxford University Press. It is a heady sensation. Bibles were among OUP’s first printing projects. As part of an increasingly secular society in an increasingly religious world, I’m aware of the power the Bible has had and still has. Love it or hate it, it has shaped this thing we call modern culture in ways both profound and facile. The opportunity to work in this division is sobering. A little unnerving, even.

John_Speed's_map_of_Oxford,_1605.

Ironically, my career has largely been Anglo-oriented. Perhaps it is because those based in England appreciate the solidity of a degree from Edinburgh University, although this is only speculation. Nashotah House was a profoundly anglophile institution, at least once upon a time it was. The founder of Gorgias Press had studied in both Oxford and Cambridge. Routledge is a British-based publishing house. Ironically, British culture is not as prone to Bible-reading as that of the United States. My jobs, which have largely focused on the Bible, have been British-oriented. I try to add it all up but get lost in the midst of the numbers. Call it first day jitters. Twenty-five years ago at this time I was preparing to get married and to move to Scotland. Little did I suspect that a quarter-century later I would be coming back to an ancient university of the United Kingdom again.


History Bites

historian-elizabeth-kostovaAfter reading a post I’d written about Dracula last year, a friend recommended that I look at Elizabeth Kostova’s The Historian. This novel is very easy for a vampire fan to lose oneself in, taking a sweeping scope of the Balkans and western Turkey, and adding enticing bits of northern Europe as well. Although it is a novel, it is also a history lesson in international relations and in the costs that accompany clashing religious empires. Christendom and Ottoman powers frequently exchanged hostilities long before the Bush presidency, and it was in this milieu that Vlad Tepes, the Dracula of history, emerged. Interestingly, although vampires had been part of religious folklore since the earliest civilizations, it took Bram Stoker to make Dracula into one. It is difficult to believe that, with the household name-recognition of Vlad III’s epithet, Dracula would’ve likely remained one of history’s more gruesome footnotes without Stoker’s undead imagination. Vampires would’ve survived, I’m sure, but Dracula might not have come back to life.

Kostova does an excellent job of blending fact and fiction in an epic vampire hunt. She also takes the somewhat unusual step of making the historical Vlad her actual vampire. A defender of the Christian faith against the Turks and their Muslim ways, Dracula did earn a reputation for cruelty (and unusual punishments) during his lifetime. Kostova keeps him alive through a kind of scavenger-hunt through history as his decapitated body must be brought back together with his head, and then through the wilds of Transylvania, Wallachia, Bulgaria, and even into the cosmopolitan streets of Constantinople. This is an intellectual’s vampire story if ever there was one.

Although Dracula’s association with the vampire mythos began with Bram Stoker, his role as a symbol of religious conflict boasts much older roots. Indeed, conflict over what is the “one true faith” has been a bloody avocation of humanity since universal claims of salvation began to be made. The conflict continues, in a somewhat more civil guise, as science flexes its considerable muscles over the less empirical realm of religious belief. No matter which strand of religion one believes, if any, faith has a strange ability to set people seeking one another’s blood. The symbol of the vampire does not seem to be departing any time soon, for vampirism is part of human nature. We may never shed the physical blood of another, but we continue to participate in cultures where the strong impose their wills on the weak. And that is a scene darker than even the scariest tomb painted in The Historian.


Honorable Theft

The_Book_ThiefYoung adult literature can be amazingly profound. My curiosity about Markus Zusak’s The Book Thief bubbled to the surface after the movie was released last weekend. I didn’t see it, along with thousands of others, because of its very limited theatrical release. I’m sure you know that distressing feeling when you type your zip code into Fandango and come up with zero results. Short of going all the way into New York City just to see a movie, I was pretty much out of luck. The silver lining is that it made me read the book. I’m not sure what I was expecting (I can also be the victim of hype), but what I found was deeply engrossing while also being deeply disturbing. Spoiler alert!

The Book Thief is set in Nazi Germany. It is narrated by Death. The protagonist, Liesel Meminger, represents the plight of all people; we have no control over when, where, or to whom we’re born. With parents considered enemies of the state, the Book Thief is raised by foster parents who are German, but who are also poor. They are good people, and much of the tension in the book revolves around their hiding a Jewish friend in their small house. The convention of Death as a narrator predates George Pendle’s Death: A Life, by three years. Although in the end Death is the only survivor, he is remarkably sympathetic to the human condition. Death also supplies the main religious observations in a book otherwise devoid of God. When Death attempts to pray during the horrors of war, a devastating conclusion is drawn: “God never says anything.” Is that why Veteran’s Day celebrations tend to be so silent? There may not be any atheists in foxholes, but there’s no God there either.

As Death stalks all those who are dear to her, Liesel finds her comfort in books. Although she begins the story illiterate, and although books are difficult to find in a poor family in a nation at war, Liesel discovers that words have a power that even dictators can’t steal. Her love of reading saves her life as her street is obliterated in an air raid. Even Death has to question the futility of war. In my most idealistic of moments, I hold the conviction that many of the world’s evils would be eliminated if people just read more. We would discover, for example, that even the devastation of war can be overcome by words. The only book Death is portrayed as reading is the Book Thief’s life story. And this gives Death pause, because even young adult literature can be amazingly profound.


Atomic Girls

GirlsofAtomicCityRay Bradbury. Ray Harryhausen. Radioactive dinosaur loose in Manhattan. What’s not to like? I was inspired to watch The Beast from 20,000 Fathoms again for a single line, where Dr. Nesbitt informs the marksman his grenade has “the only isotope of its kind this side of Oak Ridge.” You see, I had just finished reading Denise Kiernan’s The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II. Atomic City, in this context, is Oak Ridge, Tennessee, a city built almost overnight with one objective: to produce uranium for the atomic bomb, then under development. The employees, many of them women, were not told the nature of their work and were not allowed to speak about the little they knew, putting many strains on marriages and human relationships. It is a captivating story, especially since Kiernan doesn’t pull any punches—the facility was in a segregated south, women scientists were belittled to their faces, and the end result was thousands of people incinerated in Japan. It is like the end of Eden, the loss of humanity’s innocence.

Growing up in the 1960s, I had heard of Oak Ridge. I knew it had something to do with nuclear stuff, but my understanding only went as far as the planetary model of the nucleus of an atom. I feared nuclear war. The height of that fear in the 1950s may have passed, but I was born just a month before the Cuban Missile Crisis began and all through the Reagan era that veiled threat of total, mutual annihilation hung heavily in the air. The religious had claimed God had created all this, but human hubris threatened to erase it all. On the eve of a friend’s wedding I sat across the Susquehanna River, eyeing Three Mile Island for the first time. Just six years earlier even those of us hundreds of miles to the northwest wondered if we would succumb to its radioactive glow. The power of the atom, as Kiernan demonstrates, was considered to be the basic power of the universe. And it was not divine.

When the war was over, a symbol of peace was erected at Oak Ridge. The International Friendship Bell was challenged as recently as 1998 by a local claiming that ringing the bell endorsed Buddhism, and it was therefore a religious symbol that had no business in a public place. For those who believe, ringing the bell is a form of Buddhist prayer. For others, it is a sign of goodwill between nations that have put their differences to rest. It is easy, sixty years after the release of The Beast from 20,000 Fathoms, to laugh smugly at Harryhausen’s famed stop-motion animation and the incessant worry about atomic fallout. But near the beginning of the movie, George Ritchie says of the atomic blast they’ve been monitoring, “You know, every time one of those things goes off, I feel as if I was helping to write the first chapter of a new Genesis.” Indeed, at least as far as chapter three. With the dawn of the atomic age, we had outgrown our need for the final chapters of Revelation as well.


Just Ducky

An innocent trip to Kohl’s. I was really just along for the ride since buying clothes is not really my thing, but I’d been spending quite a bit of time at home alone, pondering my fate. We’d just changed the clocks, so we had an extra hour and my wife needed a few things. Once there popular religion gave me the old Joab-and-Abner treatment, if you know what I mean. I’m not completely naive about movie tie-ins—they are big money for all kinds of products, especially food (both fast and slow). As if eating that burger will somehow make you more like Captain America than will a few brisk minutes on the treadmill might. In any case, I’ve known Kohl’s to support charitable causes in the past: buying a children’s book or plush animal for a donation to a wildlife conservancy or some such socially conscious promotion. I was a bit perplexed to find a tremendous amount of Duck Dynasty gear in the store on my recent trip. Being outside New York City, we are hardly rural. I mean, Kohl’s sells clothes, right? But there were Duck Dynasty bauble-heads, Duck Dynasty fanny packs, and even a whole stand of Duck Dynasty books. From conserving animals to shooting them.

IMG_1105

I realize Duck Dynasty items are big money. At a local store just before Halloween I spied a Duck Dynasty costume—fairly simple; a ZZ Top beard and you’re good to go. While getting a haircut the other day the girl, young enough to be my daughter (literally), said “You gonna keep the beard?” I told her I hadn’t shaved since 1988. Her response? “Well, at least you don’t look like those Duck Dynasty guys.” Like Rip Van Winkle (whom I understand also sported an impressive beard), I feel like I’ve been asleep for quite a long time. When did facial hair come to equate home-grown evangelism and love of shotguns?

IMG_1083

To calm my nerves, I signed onto Amazon.com. Prior to becoming dramatically unemployed, I used to treat myself every once in a while to some reasonably priced reading material from our Seattle savior. Naturally, they want you to buy more, so they suggest other books, based on viewing patterns, and, more importantly, purchasing records. That’s where I saw the Duck Commander Devotional, complete with a duck-themed camouflage cover. Now I think I finally understand. Reading the Bible for yourself (like Phil Robertson does) is too much trouble. It is easier to have the hirsute heroes of Louisiana tell you what the good book says. Maybe it’s just me, but it seems like religion might be going to the birds.


Vampire Science

ScienceOfVampiresHow is one to take a book that combines science and vampires? That was the thought going through my head as I stood in Borders during the sad process of their going out of business sales, Katherine Ramstand’s The Science of Vampires in my hand. I knew already that I would buy the book—how could I not?—but I wasn’t sure whether it had been placed in non-fiction by accident or not. Ironically, I began reading the book on the day I was ultimately informed that my position had been made redundant. Vampires have been much on my mind since then. For several days I couldn’t concentrate enough to read, which is a kind of vampiristic encounter in its own right, in my case. Now that I’ve finished Ramstand’s study, I’m still not sure what to make of it.

Holding a Ph.D. in Philosophy from Rutgers University, Ramstand knows the fields of forensics and the supernatural surprisingly well. The Science of Vampires does indeed address the mythic creatures from a forensic perspective. The lore of the vampire is thoroughly examined and subjected to scientific scrutiny. Surprising results sometime arise. The book also contains its share of very disturbing material, more along the forensics than the fictional vampire side. I put it down woozily more than once. Yet, I found considerable insight here. Ramstand, although not focusing on the religious element, readily acknowledges the deeply religious nature of the vampire concept. She tends to focus on the scientific, rather than the spiritual, but she does have a telling interview with a professional counselor with a theological background. She quotes him as stating that he vampire is the disenfranchised among us—the pariahs of society: the homeless, people of color, those of differing sexual orientations, the working poor, the unemployed. Okay, I’ll admit that I added that last one to the list. I do, however, understand the point.

While supernatural powers may not create vampires, our society does. There are those who drain others of their resources, and there are those who are cast out. Both, in this post-modern world, might be considered vampires. At times Ramstand almost had me believing that Dracula might be more than fiction. As I read accounts of the horrors some people remorselessly perpetrate against other human beings, it seems that a vampire might be the lesser of two evils sometimes. As a symbol, both religious and secular, the vampire has proven to be irreplaceable. Hopefully some day we may outlive our use for those who prey on others.


Presumption Be Thy Name

I once dashed an email off to a colleague in a hurry. The email concerned, in some way, the Judeo-Christian deity, known in the Hebrew Bible by the tetragrammaton YHWH. Quite unintentionally, my harried fingers tapped out YWHW—an honest, if impious, mistake. My colleague, who happens to be Jewish, immediately pointed out my unintentional blasphemy—one more casualty of the computer age. Naturally, I apologized and life went on. (I try not to spin out the larger implications.) The point is, based on the third (some would say “second”) commandment, Judaism has strongly preserved the taboo on using the divine name at all. God’s name is spelled without vowels to prevent anyone from trying to say it, and when written with the vowels of the word “lord” (adonai) gives us the false form Jehovah. Casual use of the divine name is considered offensive, and some would say it’s swearing.

HebraicRootsBibleWhile on Amazon.com the other day—it is the site to which I go for solace; so many books! So many books!—I came across the Hebraic Roots Bible. Subtitled “A Literal Translation,” it was clear that this was yet another well-intentioned, but ill-fated attempt to make the definitive English translation of the Hebrew Bible. True, literal translation is a chimera. Languages are thought-systems and can only be approximated in other languages. Those who wish to read the Bible literally must become proficient in Hebrew and Greek, with a smattering of Aramaic. In any case, none of that caught my attention. Without a hint of irony, the author of this book was listed as Yahweh. In case you’ve been wondering why some prayers are going unanswered, you may have your answer here—the Almighty has been busy writing a book!

My first reaction was a coy smile. That is kind of a cute selling point. But then I realized there was likely no humor to it. This was probably understood to be read literally: Yahweh wrote this book. I wonder who he got to write the Foreword. My error to my Jewish colleague was, literally, unintentional. This was literally scary. Who would be bold enough to claim that their own interpretation was the word of I Am himself? Why did he wait until 2012 to publish it? Blasphemy comes in a variety of forms. While still at Routledge, one of my Jewish authors insisted that I strike the blasphemy clause (standard for many publishing contracts) from his agreement. “Who can write anything that isn’t considered blasphemy by somebody?” he reasonably asked. The thought comes back to me, looking at the Hebraic Roots Bible. The author’s name, after all, didn’t even make it onto the cover of the book.


Literate Monsters

Skin-ShowsLiterary criticism is not for the faint of heart. Biblical scholars long ago adopted the methodologies of literary criticism since it had become clear that an absolute meaning for any biblical text will always end up being a chimera. Many of us are versed in the techniques of structuralism, post-structuralism, deconstructionism, reader-response, post-colonialism, and any number of other means of parsing hidden truths from texts. Since it is October and monsters have a way of creeping into the psyche about now, I read Judith Halberstam’s Skin Shows: Gothic Horror and the Technology of Monsters. Halberstam is using the word “technology” technically here, so this isn’t the easiest of texts to digest. Still, for those of us haunted by monsters this text does tap into one of the main connective tissue between monsters and religion: meaning. As Halberstam notes, the Gothic suffers from a surfeit of meaning. There is just too much meaning bursting out that we have no choice other than to analyze.

Beginning with Mary Wollstonecraft’s Frankenstein, and up through Bram Stoker’s Dracula into the modern horror film, Halberstam probes deeply into the layered meanings offered by the Gothic discourse. The monster is a transgressive creature, one with indistinct boundaries. I couldn’t help but to think how odd it is to suppose that we end at the limits of our bodies. The things that we do influence our environment, and we are capable (often through science) of a kind of spooky action at a distance (think of drones, HAARP, or fracking—I’m talking literally spooky here). As Halberstam points out more than once we don’t make monsters, monsters make us human.

Skin Shows is all about boundaries. Biological, psychological, sexual—we define ourselves by our boundaries. The monster is no respecter of such boundaries, forcing us to face our own definitions with a certain ambivalence. What do our monsters say about us? Do we really want to know? Monsters can be brutally honest. More honest, at times, than religions are willing to be. As views change over time, so do conceptions of the monster. Religions frequently attempt to hold out against inevitable change. Perhaps such stalwart bravado is admirable, at least until we experience a dark and stormy night of the soul. Here be monsters.


Quack, Quack, Honk

HappyHappyHappy Although I’ve never hunted, there is an undeniable sense of power involved with shooting a shotgun. Maybe it’s the harsh kick against your shoulder as a clay pigeon many yards away explodes in mid-air and a trickle of gunpowder scent tickles your nostrils. It is a temptation, however, I think most people—present writer included—should avoid. I don’t own a gun and I don’t watch television. I suppose that makes me a kind of pariah in my own country, but when I heard about Phil Robertson’s book Happy, Happy, Happy: My Life and Legacy as the Duck Commander, I knew I would eventually read it. I’ve never seen Duck Dynasty, but like Phil Robertson, I grew up in a family that middle-class folks would consider poor. Even now, many decades and degrees later, I’m still playing catch-up, unable to afford a house. Worried excessively about college payments. So how did Robertson do it? How did he become a millionaire and find a publisher? According to his book the answer is simple: Jesus Christ.

Happy, Happy, Happy is an engaging memoir. While I disagree with most of what Robertson says, it’s hard not to like him. A simple, self-made man from humble circumstances. He hides his master’s degree well. Like Augustine, however, it was only after a misspent youth that he insists others don’t do the same. “God grant me chastity,” Augustine once quipped, “but not yet.” Robertson found Jesus, or the other way around, in his mid-twenties. He, not unlike many victims in recovery, gives the credit to God. His answers are simple: read the Bible, live by it, kill ducks, and everything will be fine. Interestingly enough, two of his four sons, raised on the Gospel, also went astray before seeing the light. This is not schadenfreude on my part: I have personal experience with family “on the wild side” and I would never wish it on anyone. It’s just that the law of averages isn’t so great here. For half the boys the Gospel wasn’t enough, at least at first. The darkness pushed them toward the light. Simple fixes almost never lead to viable long-term solutions.

Phil Robertson is another of those reality TV phenomena of the “plain folk” that so fascinate media types. They can’t seem to get enough. Some of us authentically paid that price below the selective eye of the media. For some of us, the answers are much more complex, if not distressing. Hard to put that up on the screen and guarantee your advertisers that people will watch. We only want complexity knocked down. Even the fun Big Bang Theory wouldn’t be nearly so popular if the smart guys didn’t get their comeuppance week after week. I am moved by Robertson’s story. His devotion to the Gospel is admirable and it is clear that it makes him happy (happy, happy). If I ever met him I would probably nod politely in agreement, although my experience has diverged from his. We would probably have to eat at separate tables, despite my good will. The fact is, he has lots of guns and I have none.


Dying for Religion

devotedtodeathReligions never lose their ability to surprise. This entire concept of belief is one with which I am intimately familiar but about which I’m completely puzzled. If we’re honest, we don’t know from whence belief comes or why it is so effective in keeping people balanced. (There are fanatics for rationalism just as surely as there are for religious faith.) When I saw R. Andrew Chestnut’s Devoted to Death: Santa Muerte, The Skeleton Saint, I figured it would be a good read for October, when Halloween comes so readily to mind. Although I’ve studied religions all my life, I’d never heard of Santa Muerte, “Saint Death.” Probably this is because, as a representative of folk religion, Santa Muerte is not an “official” religious figure. Folk religions are what the faithful actually believe, rather than what the religious officials declare that they will believe. Many a deluded bishop would learn to his chagrin, if he deigned to speak with mere laity, that his platitudes count only in the high court of theological heaven. Saint Death is more like the experience of the rest of us.

Chestnut, a scholar of Mexican religions, discovered Santa Meurte while living in Houston. His book is a narrative introduction to the background and history of the religion, its beliefs and practices, and a consideration of what the skeleton saint offers so many Latinos. Although the news in the northern reaches of America often does not bear it, Santa Meurte has regularly made the headlines in southern climes. As a symbol of death, and therefore potential protection from death, Santa Meurte has gained notoriety by her worship being taken up by drug runners and convicts. Mexico’s regrettably long struggle with poverty and sometimes corrupt governments has led to a society in which death is very familiar. As Chestnut demonstrates, Santa Meurte likely has her roots in the Grim Reaperess of plague-ridden medieval Spain, and she has been a somewhat hidden figure in Mexican Catholicism for at least a century or two. Her first public exposure came in 2001, and since then her association with the criminal element has been repeatedly highlighted in the media.

Santa Meurte, however, is a source of consolation for those who have little in life to anticipate but death. Often, in societies driven by the acquisition of wealth, plutocrats forget that justice comes in the guise of the Reaper. To the believer, Santa Meurte is not evil. She is a natural offshoot of the Catholic veneration of saints in a culture where human aspiration is quickly and unfeelingly snuffed out. Those in positions of power claim the Santa is Satan, but they may be looking in the wrong place for evil. Pointing to the Gospel statements that death will be overcome, they overlook the passages that insist on giving away all that you have will make you ready for the kingdom of heaven. Death, even if trumped at the final trump, will greet us all by and by. Santa Meurte is a very practical saint. Chestnut’s book is a good choice to read when the chilly wind shakes the trees for their particular October rattle of dry, lifeless leaves.