Writing the Cosmos

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EvermoreOn occasion those with great wealth try to give something back to society. One such gift takes the form of libraries. The J. P. Morgan Library on Madison Avenue in New York is a touch pricey for those who live in humbler domiciles, but the Edgar Allan Poe display proved too immense a draw to ignore. Standing inches away from manuscripts written in Poe’s fine hand was a kind of communion. It wasn’t too difficult to believe he might have somehow been there. In Baltimore last month I didn’t have the opportunity to revisit his grave, but I picked up a book by one of his modern cousins, Harry Lee Poe. This Poe has theological training and an interest in seeing that his famous cousin isn’t theologically shortchanged. Evermore: Edgar Allan Poe and the Mystery of the Universe is a rare look at Poe and religion. Treatments of the theology of writers are hardly rare, but since Poe wasn’t openly religious, he was typecast a little too readily into the putatively godless camp of those of us with a taste for the macabre.

Evermore may not convince everyone that Poe was a profound religious thinker, but Harry Lee Poe marshals substantial evidence from both Poe’s published writings and letters that he was often caught in that crux between science and religion. Indeed, there is no evidence that Poe was an atheist. He wrote on what were considered lowbrow topics because those were the kinds of pieces that would sell. Since Poe was perhaps the first American to attempt to make a living solely by his pen, he had to pay attention to what people wanted to read. Evermore, while not a biography in the usual sense, does point out that Poe wrote across genres and that his life, while often tragic, had many spells of happiness and some contentment. Poe was a victim of character assassination after his death by a second-tier clergyman, Rufus Griswold. Much of the book is spent dispelling myths.

Perhaps above all, Edgar Allan Poe had a clear mind that could keep imagination alive in the religion and science debate that was to explode shortly after his death with Darwin’s Origin of Species. For Poe, the universe was a story being crafted by God. Creativity was essential to beauty, a concept that haunted Poe. A writer must be introspective, and this will often leave him or her open to criticism by those who prefer simpler answers. Great beauty can be found in complexity, however, and the practice of ratiocination requires a healthy dose of imagination to help make sense of a world that often seems to make no sense any other way. And standing here, my face inches from a handwritten copy of “The Bells,” I can almost hear them ringing.

Shaky Ground

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HigherGroundFor the past few years I have been drawn to the spiritual memoirs of women. I suspect a deep disconnect prompts this interest. Religions—in this case primarily the monotheistic traditions—put a premium on fairness and justice, yet treat women as somehow outside these mandates. Women nevertheless respond to the human religious impulse somewhat more seriously than most men. This leads to a dissonance that surfaces in women’s memoirs. Carolyn S. Briggs’ Higher Ground: A Memoir of Salvation Found and Lost proved somewhat of an epiphany for me. In this story of an Iowa girl’s encounter and seduction into a Fundamentalist faith that never quite managed to smother her rationality, I recognized many aspects of her adopted religion from my own tenure in literalism. The real strength of Briggs’ account is her vivid recollections of how her own Fundamentalist mind worked. For many of us who’ve gone through that spiritual wasteland, dredging up those memories can be a harrowing experience. What shone through in Higher Ground, however, is how the fantasy-prone literalist imagination loses its tenuous hold on reality while promising deliverables that are always pushed off into the future. It is not a faith for the here and now.

The non-denominational, yet Calvinistic, Briggs’ church home convinced the author, for some years, that she was inferior to her husband. There can be no doubt that this is “Bible-based” teaching, for the Bible is the product of a patriarchal age. Literalism grows more oppressive with the passage of time, for despite neo-con posturing, society is better for many than it was in the “good old days.” Fundamentalist traditions seek to reestablish the mores of the first century two millennia later, as if a simple transfer were possible. Society has offered progress for women while literalism is rife with regress. This double standard led to the loss of one of their own because over two thousand years much water flows under the bridge and brig.

Higher Ground is not an easy memoir to read—the accounts of those who experience repression seldom are. Religion is generally a conservative force in society, even if based on radical principles. The sayings of Jesus, for example, remain revolutionary even today, but they are often hidden behind the (male constructed) facades of organized religious movements. In school we teach our children that the sexes are equal, in Sunday school the opposite. Fundamentalism is not, however, in any danger of dying out. As Briggs demonstrates eloquently, the very thought process of a rational person is altered by it. Briggs leaves us guessing at what happened after the story ends but she has nevertheless contributed yet more evidence that demands a verdict. Until the judgment of fair and just can be rendered, religions will repeatedly be called to the witness stand.

Revelations

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BeringWhyIsThePenisSex. Religion. Death. One of these things is not like the others, if Sesame Street taught me anything. But in this case, the three actually are of a piece. In my teaching days I pointed out that every religion, without exception, tries to deal with sex and death—the two great, towering markers of human experience. Nevertheless, I cowered close to the window on the bus, choosing the left-hand side so the cover wouldn’t be visible, to read Jesse Bering’s Why Is the Penis Shaped Like That? From the first sentence you’ve got to like this guy. Although irreverent, Bering is never obnoxious as he asks questions about the basics of human existence that few would be willing to take on in the name of science. It’s a fascinating book, and, as I knew it would, it addressed religion and death as well as, well, you know.

Bering is an evolutionary psychologist, and he tends to lean toward a materialistic universe. His book raises a very important point, however; the belief in determinism statistically correlates with anti-social behavior. That is to say, those who believe they have no free will tend, to some extent, not to care about society. As Bering also points out, perspective is very important. I wonder if truth is subject to perspective. Actually, I’m rather certain that it is. I have fought determinism from my youngest days, although I generally feel out of control of my own life. I first encountered determinism in that insidious theological position known as predestination. The deity of a universe that predestines most people to Hell is a monster, no matter how saintly his/her portrait. One professor conceded after a vigorous debate in class: “on philosophical grounds free will wins, but on scriptural grounds, predestination does.” I disagreed. Still, he could go home happy—my challenge had, after all, been predestined.

Worse yet were the “double predestinarians.” They were those who believed that every little detail of life was predestined. I actually had a professor say, “if you fail an examine, it was predestined.” Already the illogic of it all struck the same timbre of distaste that materialistic determinism does. By its fruits you shall know it. As much as I enjoyed Bering’s book, I wondered how anyone obviously so intelligent could believe that this magnificent mental world we inhabit is nothing more than sparks tickling chemicals in our brains. Or even the biological wonders he explores. As I huddled up in a ball on the bus, my book close to my face, I knew that this behavior wasn’t natural at all. Not even science could have predicted it.

Not Knowing

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WhatIDontKnowAboutAnimalsBegin with a basic premise: we cannot know what a creature without language thinks. Add in the thoughtful anxieties of a post-domestic writer who knows about animals and you have What I Don’t Know About Animals, by Jenny Diski. Part biography, part science, part philosophy, wholly human. I knew from the day the book was released that I would read it since, like the author, I am one haunted by the relationship between the exploited and the exploiter. Diski’s confessions are difficult to read at times, veiling herself, as she does behind the curtains of one’s most private experiences, but she reveals plenty to those who read on. We can’t know for certain what another person thinks, so how can we know what a sentient animal thinks? Some, following Descartes and Skinner, would declare that animals don’t think, they simply do as programmed. The rest of us know that they are wrong. The evidence accumulates more each year that animals think and feel, but, as Diski repeatedly points out, we need to drive with the brakes on. We can’t get inside them to actually know if human experience corresponds at all with animal experience. We’ve shared the planet for millions of years, but we’ve lost track of our common origins.

As I suspected, the Bible came into the discussion. The book of Genesis lurks in the background of most human-animal rationalizations. The divine division into separate “kinds” must be kept discrete at all times. The problem is, nature won’t always play along with that game. One type slowly morphs into another and some biologists are even questioning the usefulness of “species” at all. Fear of bestiality, as Diski points out, is found already in the Bible. Best to keep everything in its proper pigeon-hole, whether that’s where it belongs or not. Genesis gives us the right to exploit, and so we continue to use animals for our own purposes. Although the feline, it turns out, may have figured out how to set this order on its head. In some cases.

What I Don’t Know About Animals is not a defense of vegetarianism or of radical, thoughtless abandon. Diski writing on spiders will cause many heads to nod in agreement, and her rage against the loss of the common lady-bug struck an amazingly responsive chord with this reader. The lady-bug’s demise came at human tampering, importing asian beetles as pest control—beetles that eventually edged out the harmless lady-bug, replacing the Volkswagen of beetles with a biting, omnivorous, massing pest. In Wisconsin the southern side of our faculty house was literally blanketed with them in the spring. Diski uses the same word I did then: biblical. Swarms seem to be the way that the Almighty has of telling us too much of even a good thing will go bad. Although I couldn’t agree with every statement Diski makes, I have the feeling this is a book I will reread more than once. Wisdom often comes in the form of admitting just how little we know.

Sweet Something

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SweetHeavenWhenIDieAs an observer of religion who always struggles to get published, I found a companion soul in Jeff Sharlet’s Sweet Heaven When I Die: Faith, Faithlessness, and the Country In Between. Although the book is a collection of very disparate essays, it shows the subtle faces that religion frequently takes. We’re used to hearing religion described in bombastic terms, but Sharlet is more attuned to its soft rhythms than that. Yes, an essay or two may have a strident believer, but most of the faith found here is so deeply woven into the lives he examines that you might not even notice it was there had Sharlet not already warned you. Here is a man of no particular religious conviction showing us how it is—not judging, not ridiculing, not pandering. Religion, despite the gleeful proclamations of its detractors, is not likely to die out. It is more likely just to go unnoticed.

A number of the essays here gave me pause. In the first Sharlet notes of a friend, “She was fascinated by the thought that God was entitled to kill you at any time.” This friend is, of course, of Christian persuasion. I had never thought of the biblical paradox in that way before—divine entitlement. It is so like Job; the Lord giveth and the Lord taketh away. Christianity, historically, comes with a whole cartload of guilt: not only is God entitled, but we deserve to be killed. The Christianity in which I grew up was explicit about this—we live on borrowed time. As a child I heard more than one evangelist thunder this good news. We really deserve to die. Once we are good and vulnerable, the preacher offers us a way out. Pass around the collection plate. God is entitled; I shall not soon forget that.

Toward the end of the book another of Sharlet’s interviewees declares that doubt is a calling. Again, the professional religionist is stunned. Many religions eschew doubt as somehow evil—wickedly questioning the divine. Doubters, however, seldom cause religious trouble. Those whose convictions lie deep and untested will burst open like a spring-loaded trap at various provocations. Those who survive are left to weep and wonder. The doubter, the friend of Thomas, does not seek to harm, but can’t live without discovering the truth. This is true religion.

There are any number of stories here of persons of various levels of faith conviction. You’ll find few clergy or specialists among them, but you’ll find a book whose honesty cannot be doubted. At points I struggled to find an implicit religious, or faith-based theme. It is there. You just have to listen. And trust that Jeff Sharlet will not lead you astray.

Making a Monster

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I was maybe six or seven when Frankenstein’s monster charged us. My mother, brothers, and I were part of a small crowd at Niagara Falls, where we had gone to visit relatives, when we found ourselves in the monster’s path. We were among of a knot of tourists, and plate glass separated us from the great roaring beast, posted to draw visitors to one of the many plastic tourist attractions around the famous falls. Each time the monster charged, we all screamed, knowing full well he could never break through that glass. As a member of the Monster Boomer generation (although on the tail end of the boomer part), the monster that disturbed me the most has always been Frankenstein’s monster. I’m not sure whether that was natural squeamishness, or if it was that as children my brothers and I tried to divide things up evenly and I ended up with the vampire while one of my brothers claimed possession of “Frankenstein.” Certainly when I grew old enough to read the book, it only added to my discomfort. The concept of Frankenstein’s monster was old enough to have lost its scary edge, but the story was very sad. The monster was not evil, but lonely.

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Sarah Tyler Hitchcock’s Frankenstein: A Cultural History revealed a new angle on the monster. A thoroughly fascinating anthropological approach to one of the more modern constellations in the night-time sky of fear, what became immediately obvious in this book is just how religious a monster Frankenstein’s creature is. Many of us think of “playing God” as a recent phenomenon. Mary Wollstonecraft Godwin (Shelley)’s Frankenstein was published in 1818 with just that concept in mind. Mary Shelley, barely twenty when the book was published, had tapped into one of the most vital of religious topics—what it means to make life. Hitchcock’s treatment of the subject covers the conception of the monster, the book and its history, the plays and movies based on the story, and Frankenstein’s monster’s reception into popular culture. At every step of the way, religious issues are raised. Mary, in her birth of an immaculate creature, gave the world theological conundrums through which we’re still sorting nearly two centuries later.

Often on this blog I maintain that monsters and religion are cut from the same cloth. Hitchcock provides a compendium of supporting evidence in her compelling book. Even down to the contemporary debates of scientists over genetic engineering and cloning, the story of Frankenstein and the overstepping of ethical boundaries comes up again and again in scientific literature. I couldn’t help but to think how this reflects the current acrimony between the materialists and the dualists among the intelligentsia: is the forging ahead with manipulation of life simply an experiment we must undertake or is it really an ethical (read “spiritual”) issue after all? Mary Shelley was not so strident as her erstwhile husband Percy was regarding the necessity of atheism. Her monster seemed to be raising that question in terms profoundly theological for a girl not yet of seminary age. Sarah Tyler Hitchcock has done us a great favor by producing a history that stitches religion, culture, and science together into a beast that we still haven’t learned to control.

Poe Knows

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CambridgeEdgarAllanPoeA recent trip to Baltimore prompted me to read Benjamin F. Fisher’s The Cambridge Introduction to Edgar Allan Poe. Well, that and the fact that I had purchased the book from an overstock table on a visit to a local indie bookstore (support your local!). Poe is a difficult writer to get to know. His personal life seems to have been largely an effort to find financial security while he knew his intellect was greater than those who employed him, and yet he was the one left without means. His literary talent, now considered one of the brightest constellations in the American writers’ heavens, was denigrated and demeaned and not fully appreciated until after he died of unknown causes in a city where he no longer lived. There is a profound sadness about Poe, and he seems a tragic figure. I do wonder, however, whether success would have ruined him. The more society woos you, the more you’re willing to lower your standards, I shouldn’t wonder. Not that I would know.

GhostsKnowFisher’s guide is a basic introduction that only toys here and there with Poe’s religious outlook. I’ve not run across much about Poe and religion, but there is a deep spiritual awareness, along with ratiocination, in his tales and poems. I suspect it might go back to the fact that religion and fear are so tightly intertwined. If a religious element is missing, it sometimes leaves a reader hungry. I’d also been reading Ramsey Campbell’s Ghosts Know concurrently with Fisher. This is a novel where a skeptical radio talk-show host takes on a stage psychic to see who really knows who might’ve killed a young girl. As the story unfolds it becomes less and less likely that the psychic is tapping into anything other than individuals’ wish projections.

While I found both of these books interesting, I pondered the fact that Poe referred to the scariest elements in his works as “terror of the soul.” The supernatural in Poe, as Fisher points out, is often really just a projection of an interior state of one of the characters—the eponymous tell-tale heart is guilt breaking through, not an undead heart beating. In an era where belief in the soul is waning, scary books seem less frightening. We’ve been robbed of both the supernatural and the soul, so what is left to fear? If death is only a more profound kind of sleep and morals are only a matter of social convention, then we are truly alone in this vast universe. Of what should we be afraid? Still, when the night stretches on for many long hours this December, I find myself inclined toward Poe and I wonder if ghosts truly do know.

Word of God in Bulk

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Bay_Psalm_Book_LoCThe Salem witch trials were still half a century in the future. The Puritans, hoping for religious freedom, had come to Massachusetts. Despite prevailing attitudes toward the religious, the Puritans were keen on learning and began printing books. The first book printed in English in North America was the Bay Psalm Book. You see, the Psalms have a particularly important place in Christian (and Jewish) worship. In fact, much of what would later develop into the daily offices in the Church of England, adapted from the breviaries of the Roman Catholic Church, were services that started essentially as vehicles for reciting the Psalms. It is fair to say that Christian worship might have never taken on the elaborate forms that it has without the underlying recitation of the Psalter. The Bay Psalm Book, printed in 1640, is now the most expensive book ever sold at auction. According to the New York Times, one of the eleven known Bay Psalm Books has just sold for over 14 million dollars. The Bible has a way of continuing to surprise us.

As someone who has more Bibles than your average layperson, I find it isn’t difficult to think that Bibles are fairly common. They are. I actually switched to The Green Bible in my classes out of the ecological concern that there have been over six billion Bibles printed. The Gideons give them away, and even the Christian heavy metal band Stryper used to throw handfuls of Bibles into the crowds. Chances are, in the United States, you are not physically far from a Bible at any given moment. So why would someone pay 14 million dollars for one? The answer goes deeper than the suggestion that the Psalms contain timeless truths—you can get those free on the internet anytime—but that it is part of our heritage. We are who we are, in part, because of the “Bible believing” founders of our culture. Survival was not taken for granted in the mid-seventeenth century. The Bible was a pillar of certainty in dangerous times.

Yes, interpretations of the Bible have led to horrendous results. There is no point in denying the guilt. Hermeneutics, however, is a human activity. The Bible gives as well as takes away. Some of us may never have a million dollars to spend. Many people don’t have enough to eat. Specialists tell us that some 45 million Bibles are printed each year. Bibles are big business. In the words of Big Dan from O Brother, Where Art Thou? “Sales, Mr. McGill, sales! And what do I sell? The Truth! Ever’ blessed word of it, from Genesee on down to Revelations! That’s right, the word of God, which let me add there is damn good money in during these days of woe and want! Folks’re lookin’ for answers and Big Dan Teague sells the only book that’s got ‘em!” David M. Rubenstein, the buyer of the book, intends to send it around to libraries to display. Although I’ve spent over forty years studying the Bible, it takes the skills of a man from an investment firm to earn enough money to buy one. And I wonder if that’s Big Dan I hear laughing, or perhaps it’s just the sound of Puritans singing in the wilderness.

The Write Place

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In my mind, Baltimore is inextricably bound to Edgar Allan Poe. From the accounts of Poe’s life, it is clear that he sensed nowhere as a welcoming home. Indeed, he was barely mourned at his passing and the memorial gravestone in this city was only added decades later when his works had attracted serious attention. Many of the eastern cities now like to claim him: Boston (although with Bostonian diffidence), New York, Philadelphia, Baltimore, and Richmond. All have various mementoes of his transient existence in those places, although he was not made to feel at home there when he was actually alive. The writing life is a difficult and often lonely one. Poe knew that better than many. It is so lonely that nobody is even sure why he was in Baltimore when he died, or what the cause of death was. He has become an icon to many that write.

Ironically, my career has repeatedly shoved me back to the publishing industry. That doesn’t mean that it is any easier to get published, however. The world is full of words, and those who hold the key to publishing respectability have so little time (a fact I know well, as a sometime editor). Some of us resort to blogs and pseudonyms while others die young in Baltimore. The world loves a self-promoter. Those with something intelligent to say are often discovered only in retrospect. And soon their work enters the public domain and can be claimed by all.

Other writers have called Baltimore home. Not many have football franchises named after their literary works, whether here in Maryland or elsewhere. And Baltimore, like many of the major cities of the United States, has great swaths of the neglected, the poverty-bound, and the hopeless. As I drive through the city it is clear that many have been left to face the cruelties of a self-promoters’ economy. They live with little—overlooked and forgotten. But there’s a party in town for those who can afford it. As I settle down with a cask of Amontillado and my notebook, I know that I have only just begun to get to know Baltimore. Maybe I will meet the ghost of Poe here, amid the brightest lights of scholarship and the darker shadows beneath.

Poe in New York

Poe in New York

Nothing Unusual

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WhyDoestheWorldExist“Is this a world?” Ranger Tom asks seriously, “And if it is, am I in it?” On the lips—or fingertips—of some, this set of questions appears profound. Although I’m not technically a philosopher, I find it impossible to walk by a book with the title Why Does the World Exist? and not pick it up. I am not familiar with Jim Holt’s other work—I engage a little too heavily with books to spend much time with magazines—but the question of the title is one I’ve often pondered. It is right up there with “Why can some people get published and others can’t?” Holt is, however, on a serious quest. Not surprisingly, religion features prominently in the discussion. For the usual existential reasons, including a couple of significant deaths in the family, Holt asks perhaps the most basic of all questions and engages a number of prominent philosophers on the issue. Why is there something rather than nothing? For some in the western world such a question appears a non-starter, because our culture is biblically suffused. Whether we want to admit it or not, our social ocean veritably bobs with the basic belief that God created the world, end of story. We don’t need to ponder it, we just have to accept it. For those who look deeper, however, the answers aren’t that easy.

Holt goes through some serious computation in various forms of logic to try to arrive at a schematic demonstrating that the world is a surprising place. Not trained in such rigorous logic, I was interested to notice how the language occasionally slipped from “world” or “universe” to “reality.” Reality is perhaps the slipperiest concept of them all. Many simply accept their own experience as real, a position known as “naive realism.” Others probe somewhat deeper, seeking to verify reality. How do we know what is really real? It is, however, a different question than the existence of the world. Reality has the distinct ability to haunt with its half-answered questions and surfeit of ambiguity. Every time I wake from a dream I ask myself what is really real.

Once the divine is removed from the equation, why the world is here becomes a much more complex issue. Holt engages the new atheists as well as the neo-orthodox. It turns out that God may not help as much as we generally assume: whence God? Or, in its more childlike version, where did God come from? Once brute fact is ruled out, this becomes a tangled problem indeed. Faced with an endless regression, logic quails. Perhaps, however, we have reached the limits of rationality—even Einsteinian physics breaks down at the Big Bang. No matter what scientists or philosophers may tell us, we will always wonder, “and before that, what?” I put Holt’s book down with a sense that I’d spent a few pleasant hours considering the possibilities, but I still wonder, with Ranger Tom, if this is a world. And if it is, am I in it?

Oxford’s Hire

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In 1478 the first book printed in Oxford heralded the eventual founding of Oxford University Press. Just two years earlier Vlad III, the Impaler, had been assassinated. In 1478 the Tribunal of the Holy Office of the Inquisition was established in Spain. Just over a century earlier, the Black Death decimated the population of Europe. Things looked a bit dark at that time. Nicolaus Copernicus, however, was five years old in 1478 and the Enlightenment was just around the corner. The printing press had been, well, hot off the press for just a couple of decades at the time. The University of Oxford had been around for nearly four centuries already, making it one of the oldest and most prestigious centers of learning in the world. Oxford University Press early on began the business of printing Bibles and shedding light on a world where things were somewhat dim. Progress often brings misery with it, but the idea that a literate public stood a better chance of improvement bore an optimism that has occasionally been realized, even in free market times. I’m very glad for Oxford University Press.

These are among my thoughts as I prepare for my first day as Associate Editor for Bibles and Biblical Studies at Oxford University Press. It is a heady sensation. Bibles were among OUP’s first printing projects. As part of an increasingly secular society in an increasingly religious world, I’m aware of the power the Bible has had and still has. Love it or hate it, it has shaped this thing we call modern culture in ways both profound and facile. The opportunity to work in this division is sobering. A little unnerving, even.

John_Speed's_map_of_Oxford,_1605.

Ironically, my career has largely been Anglo-oriented. Perhaps it is because those based in England appreciate the solidity of a degree from Edinburgh University, although this is only speculation. Nashotah House was a profoundly anglophile institution, at least once upon a time it was. The founder of Gorgias Press had studied in both Oxford and Cambridge. Routledge is a British-based publishing house. Ironically, British culture is not as prone to Bible-reading as that of the United States. My jobs, which have largely focused on the Bible, have been British-oriented. I try to add it all up but get lost in the midst of the numbers. Call it first day jitters. Twenty-five years ago at this time I was preparing to get married and to move to Scotland. Little did I suspect that a quarter-century later I would be coming back to an ancient university of the United Kingdom again.

History Bites

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historian-elizabeth-kostovaAfter reading a post I’d written about Dracula last year, a friend recommended that I look at Elizabeth Kostova’s The Historian. This novel is very easy for a vampire fan to lose oneself in, taking a sweeping scope of the Balkans and western Turkey, and adding enticing bits of northern Europe as well. Although it is a novel, it is also a history lesson in international relations and in the costs that accompany clashing religious empires. Christendom and Ottoman powers frequently exchanged hostilities long before the Bush presidency, and it was in this milieu that Vlad Tepes, the Dracula of history, emerged. Interestingly, although vampires had been part of religious folklore since the earliest civilizations, it took Bram Stoker to make Dracula into one. It is difficult to believe that, with the household name-recognition of Vlad III’s epithet, Dracula would’ve likely remained one of history’s more gruesome footnotes without Stoker’s undead imagination. Vampires would’ve survived, I’m sure, but Dracula might not have come back to life.

Kostova does an excellent job of blending fact and fiction in an epic vampire hunt. She also takes the somewhat unusual step of making the historical Vlad her actual vampire. A defender of the Christian faith against the Turks and their Muslim ways, Dracula did earn a reputation for cruelty (and unusual punishments) during his lifetime. Kostova keeps him alive through a kind of scavenger-hunt through history as his decapitated body must be brought back together with his head, and then through the wilds of Transylvania, Wallachia, Bulgaria, and even into the cosmopolitan streets of Constantinople. This is an intellectual’s vampire story if ever there was one.

Although Dracula’s association with the vampire mythos began with Bram Stoker, his role as a symbol of religious conflict boasts much older roots. Indeed, conflict over what is the “one true faith” has been a bloody avocation of humanity since universal claims of salvation began to be made. The conflict continues, in a somewhat more civil guise, as science flexes its considerable muscles over the less empirical realm of religious belief. No matter which strand of religion one believes, if any, faith has a strange ability to set people seeking one another’s blood. The symbol of the vampire does not seem to be departing any time soon, for vampirism is part of human nature. We may never shed the physical blood of another, but we continue to participate in cultures where the strong impose their wills on the weak. And that is a scene darker than even the scariest tomb painted in The Historian.

Honorable Theft

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The_Book_ThiefYoung adult literature can be amazingly profound. My curiosity about Markus Zusak’s The Book Thief bubbled to the surface after the movie was released last weekend. I didn’t see it, along with thousands of others, because of its very limited theatrical release. I’m sure you know that distressing feeling when you type your zip code into Fandango and come up with zero results. Short of going all the way into New York City just to see a movie, I was pretty much out of luck. The silver lining is that it made me read the book. I’m not sure what I was expecting (I can also be the victim of hype), but what I found was deeply engrossing while also being deeply disturbing. Spoiler alert!

The Book Thief is set in Nazi Germany. It is narrated by Death. The protagonist, Liesel Meminger, represents the plight of all people; we have no control over when, where, or to whom we’re born. With parents considered enemies of the state, the Book Thief is raised by foster parents who are German, but who are also poor. They are good people, and much of the tension in the book revolves around their hiding a Jewish friend in their small house. The convention of Death as a narrator predates George Pendle’s Death: A Life, by three years. Although in the end Death is the only survivor, he is remarkably sympathetic to the human condition. Death also supplies the main religious observations in a book otherwise devoid of God. When Death attempts to pray during the horrors of war, a devastating conclusion is drawn: “God never says anything.” Is that why Veteran’s Day celebrations tend to be so silent? There may not be any atheists in foxholes, but there’s no God there either.

As Death stalks all those who are dear to her, Liesel finds her comfort in books. Although she begins the story illiterate, and although books are difficult to find in a poor family in a nation at war, Liesel discovers that words have a power that even dictators can’t steal. Her love of reading saves her life as her street is obliterated in an air raid. Even Death has to question the futility of war. In my most idealistic of moments, I hold the conviction that many of the world’s evils would be eliminated if people just read more. We would discover, for example, that even the devastation of war can be overcome by words. The only book Death is portrayed as reading is the Book Thief’s life story. And this gives Death pause, because even young adult literature can be amazingly profound.

Atomic Girls

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GirlsofAtomicCityRay Bradbury. Ray Harryhausen. Radioactive dinosaur loose in Manhattan. What’s not to like? I was inspired to watch The Beast from 20,000 Fathoms again for a single line, where Dr. Nesbitt informs the marksman his grenade has “the only isotope of its kind this side of Oak Ridge.” You see, I had just finished reading Denise Kiernan’s The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II. Atomic City, in this context, is Oak Ridge, Tennessee, a city built almost overnight with one objective: to produce uranium for the atomic bomb, then under development. The employees, many of them women, were not told the nature of their work and were not allowed to speak about the little they knew, putting many strains on marriages and human relationships. It is a captivating story, especially since Kiernan doesn’t pull any punches—the facility was in a segregated south, women scientists were belittled to their faces, and the end result was thousands of people incinerated in Japan. It is like the end of Eden, the loss of humanity’s innocence.

Growing up in the 1960s, I had heard of Oak Ridge. I knew it had something to do with nuclear stuff, but my understanding only went as far as the planetary model of the nucleus of an atom. I feared nuclear war. The height of that fear in the 1950s may have passed, but I was born just a month before the Cuban Missile Crisis began and all through the Reagan era that veiled threat of total, mutual annihilation hung heavily in the air. The religious had claimed God had created all this, but human hubris threatened to erase it all. On the eve of a friend’s wedding I sat across the Susquehanna River, eyeing Three Mile Island for the first time. Just six years earlier even those of us hundreds of miles to the northwest wondered if we would succumb to its radioactive glow. The power of the atom, as Kiernan demonstrates, was considered to be the basic power of the universe. And it was not divine.

When the war was over, a symbol of peace was erected at Oak Ridge. The International Friendship Bell was challenged as recently as 1998 by a local claiming that ringing the bell endorsed Buddhism, and it was therefore a religious symbol that had no business in a public place. For those who believe, ringing the bell is a form of Buddhist prayer. For others, it is a sign of goodwill between nations that have put their differences to rest. It is easy, sixty years after the release of The Beast from 20,000 Fathoms, to laugh smugly at Harryhausen’s famed stop-motion animation and the incessant worry about atomic fallout. But near the beginning of the movie, George Ritchie says of the atomic blast they’ve been monitoring, “You know, every time one of those things goes off, I feel as if I was helping to write the first chapter of a new Genesis.” Indeed, at least as far as chapter three. With the dawn of the atomic age, we had outgrown our need for the final chapters of Revelation as well.

Just Ducky

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An innocent trip to Kohl’s. I was really just along for the ride since buying clothes is not really my thing, but I’d been spending quite a bit of time at home alone, pondering my fate. We’d just changed the clocks, so we had an extra hour and my wife needed a few things. Once there popular religion gave me the old Joab-and-Abner treatment, if you know what I mean. I’m not completely naive about movie tie-ins—they are big money for all kinds of products, especially food (both fast and slow). As if eating that burger will somehow make you more like Captain America than will a few brisk minutes on the treadmill might. In any case, I’ve known Kohl’s to support charitable causes in the past: buying a children’s book or plush animal for a donation to a wildlife conservancy or some such socially conscious promotion. I was a bit perplexed to find a tremendous amount of Duck Dynasty gear in the store on my recent trip. Being outside New York City, we are hardly rural. I mean, Kohl’s sells clothes, right? But there were Duck Dynasty bauble-heads, Duck Dynasty fanny packs, and even a whole stand of Duck Dynasty books. From conserving animals to shooting them.

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I realize Duck Dynasty items are big money. At a local store just before Halloween I spied a Duck Dynasty costume—fairly simple; a ZZ Top beard and you’re good to go. While getting a haircut the other day the girl, young enough to be my daughter (literally), said “You gonna keep the beard?” I told her I hadn’t shaved since 1988. Her response? “Well, at least you don’t look like those Duck Dynasty guys.” Like Rip Van Winkle (whom I understand also sported an impressive beard), I feel like I’ve been asleep for quite a long time. When did facial hair come to equate home-grown evangelism and love of shotguns?

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To calm my nerves, I signed onto Amazon.com. Prior to becoming dramatically unemployed, I used to treat myself every once in a while to some reasonably priced reading material from our Seattle savior. Naturally, they want you to buy more, so they suggest other books, based on viewing patterns, and, more importantly, purchasing records. That’s where I saw the Duck Commander Devotional, complete with a duck-themed camouflage cover. Now I think I finally understand. Reading the Bible for yourself (like Phil Robertson does) is too much trouble. It is easier to have the hirsute heroes of Louisiana tell you what the good book says. Maybe it’s just me, but it seems like religion might be going to the birds.