Fragmented

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The existentialists, remember, used to put scenes in their plays to remind you that you were indeed watching a play.  In keeping with their philosophy, there was no reason to fool yourself.  Meanwhile, movies seldom break the fourth wall, immersing you in a story that, if done right, will keep your eyes firmly on the screen.  With home based media, however, we’ve all become existentialists.  (Of course, some of us had made that move before the internet even began.)  When we watch movies we always have that “pause” button nearby in case an important call, text, or tweet comes through.  We can always rejoin it later.  Life has become so fractured, so busy, that an unbroken two hours is a rarity.  I see the time-stamps on my boss’s emails.

While the existentialist side of me wants to nod approvingly, another part of me says we’ve lost something.  What does it mean to immerse ourselves into a story?  I know that when I put a book down it feels like unraveling threads at the site of a fresh tear in the fabric of consciousness.  Even the short story often has to be finished in pieces.  Poe, who knew much, wrote that short stories should be read in a single sitting.  All of mine have bookmarks tucked into them.  For a fiction-writer-wannabe like me, you need to feed the furnace.  To write short stories, you have to read short stories.  Novels must be spread over several weeks.  Some can take months.  I would like long novels again if time weren’t so short.  Presses are even encouraging authors to write short books.  Readers want things in snippets.

Perhaps all this fragmentation is why I enjoy jigsaw puzzles so much.  Part of the thrill is remembering several places in the picture simultaneously.  Being able to pick up where you left off.  I limit my puzzle work to the period of the holidays when I can take more than one day off work in a row and the lawn doesn’t require attention and those trees that you just can’t seem to get rid of don’t require monitoring.  But puzzles are designed for interruption.  Movies and short stories are intended to engage you for a limited, unbroken period.  The real problem is that we’ve allowed our time to become so fragmented.  A creative life will always leave several things undone by its very nature.  Other forces, mostly economic, will demand more and more time.  The best response, it seems to me, is to be existentialist about it.

Photo by Hans-Peter Gauster on Unsplash

Paper not Paper

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I’m sure other people have this problem.  I read hardback books with the dust jacket off.  Lest anyone accuse me of being consistent, my wife reminds me that I debated the opposite side early in our marriage.  I guess I’m complex.  In any case, the problem I face is with things pretending to be what they’re not.  This particular book is “cloth-bound.”  I own quite a few cloth-bound volumes, but this one is so slick that I keep dropping it.  It slips right through my fingers.  The reason this happens is because “cloth-bound” seldom means “cloth”-bound.  Modern binderies offer a textured paper covering that looks like cloth but it’s not.  In other words, although this book is not a paperback, it has, in fact, a paper back.  This is more than just semantics.

When looking for a house one of my non-negotiables was that it couldn’t have vinyl siding.  Vinyl siding pretends to be wooden cladding, and I require authenticity.  I don’t want a substance saying it’s something that it’s not.  You see, I grew up in a plain-speaking, blue-collar environment.  The last time I visited my mother’s trailer to get something from her former neighbor who’d moved in, it was summer.  I stepped out of the car and although I’d said maybe less than two sentences to this man in our meetings over the years his first words to me were “What are you all dressed up for?”  A bespectacled, white-bearded veteran, he was wearing a tank-top tee-shirt.  I had on a button-down that had been recently laundered.  I loved his authentic approach.  It was hot out, so why was I “dressed up”?

Book-binding actually has a fascinating history.  Books were originally sold as sheaves of paper in a “book block.”  In the early days booksellers often did the binding themselves, or customers would buy a book block and take it to a bindery of their choice.  That’s why there’s no uniformity in old book covers.  Eventually, however, mechanization allowed for books to be bound before being shipped to book sellers.  Early binding tended to be leather, which is why many Bibles are still sold that way.  I found all of this out from reading various books.  Which ones they were have slipped my mind.  Probably they were bound in paper, pretending to be cloth.  Cloth binding is more expensive than paper-pretending-to-be-cloth binding.  That’s why publishers use it.  The same applies to vinyl siding, I suspect.  Only with human beings does pretend authenticity become more expensive.  

Slow Running

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It’s extremely slow.  In fact, you might think nothing is happening at all.  I mean the book publishing process, of course.  It takes a long time to read 60,000+ words.  Even longer if you’ve had a few poor nights of sleep.  And many people have to read it before it gets anywhere near a printing press.  Everything about writing a book takes time.  While everything in the outside world happens at an unbelievable pace—last year at this time there was no war in Ukraine, for example—the slow process of organizing thoughts, putting them into words, sending them to a publisher who has many, many other proposals and manuscripts to consider, getting it rejected once or twice, finally finding a publisher, making the requested changes, getting it copyedited and typeset, getting the files sent to one of the few domestic printers left (who have tremendous backlogs), then to the bindery, and finally shipped out to the warehouse—it takes years.

Centuries of work

Current events publishers can rush things through and it often shows.  Meanwhile the authors of all other books learn to wait.  And wait.  Often the payoff isn’t great.  (I’ve received no royalties at all for Nightmares with the Bible.)  So why do we do it?  Those of us compelled to write have many motivations, I suppose.   One is to expand human knowledge.  We’ve discovered something and we want to share it.  We want to inform and entertain.  Those of us who write fiction also hope that our ideas may speak to others.  Having the fiction piece accepted is a validation of our outlook and experience.  Those who do so well may be inflicted on future literature classes.  I still remember The Loneliness of the Long-Distance Runner by Alan Sillitoe.  We had to read it in twelfth-grade English.

None of my friends liked it.  It was a collection of short stories by Sillitoe, titled after the one story that is still his only real claim to fame apart from his novel Saturday Night and Sunday Morning.  The tale of an English boy’s alienation didn’t speak to the rural western Pennsylvanians of the late seventies.  One of my classmates disliked it so much that he drove his pencil through the runner’s image on the front cover in a kind of uncouth performance art.  Now as I experience trying to get short stories published (with a little success here and there, but no royalties), I can feel for Sillitoe.  Still, “The Loneliness of the Long-Distance Runner” was made into a movie and has quite a few cultural references pointing its way.  Long-distance running, like publishing, is sometimes a slow process.  And at times you decide not to finish the race.  Or at least realize this race may last for years.

Aleph, Borges

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I’m never quite sure how I’m supposed to approach books of short stories.  Some of them are truly massive and contain only a handful of tales I wish to read.  Others are governed by a dedication to the author that compels me to read from cover to cover.  Some are by differing authors, among whom some appeal more than others.  I wasn’t sure where to begin with Jorge Luis Borges.  Not having been raised in a literary family, and having never formally studied literature, I found Borges through a friend and co-worker.  After my academic career crashed and burned, I started reading more literary writers and discovered Borges again and again.  I knew the basics of his story—he was perhaps the most famous Argentine writer, he had gone blind, and he had written probing, unusual stories.

I picked up this collection because of the title.  “The Aleph” is included here.  It was also the title of a collection of Borges’ stories, which make up the basis of this book.  To that collection are added some other pieces, and these last become a mix of poetry and philosophy more than a simple narrative.  Of course, Borges didn’t write simple narratives.  His stories are layered labyrinths.  A complex person doesn’t write simple stories.  Often they reflect on religion.  Some of them explicitly so.  They aren’t, however, religious stories.  Indeed, I was drawn to “The Aleph” because of my own experience of Hebrew and the sense that it is a sacred language.  Borges also puts this into the mix here.

So what kind of collection is this?  I’m still not certain.  This time I did read it cover to cover and at several places I became uncomfortable.  Borges doesn’t shy away from the harsh realities of life.  What people are capable of doing to each other, and what they in fact do.  Some of the pieces just under a page long stopped me in my metaphorical tracks.  Was I reading fiction or some kind of history?  Was philosophy secretly being fed to me by being left right out in the open?  This isn’t weird fiction, although it’s clear that some of it could be taken that way.  It is the work of a mind that operated on a plane different from that of many others.  There’s an uncertainty, a tentativeness here that is very becoming, and even beguiling.  Having read the book I’m not sure what it was.  It will, however, lead to yet more reading.  Of this I am certain.

Worth Reaching For

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At a recent meeting with a community-building group, the question was raised: what causes can we focus on without triggering the extreme divisiveness that seems to characterize post-Trump America?  There are plenty of things that used to be non-partisan, but that list is growing smaller all the time.  One thing I think we can all agree on is that childhood starvation is a great evil.  Sharman Apt Russell has written an important, and ultimately hopeful book about it: Within Our Grasp: Childhood Malnutrition Worldwide and the Revolution Taking Place to End It.  This is a wide-ranging book with a general orientation toward Africa and a somewhat more specific emphasis on Malawi.  Not limited to that nation, it also addresses childhood nutrition in countries such as India and Vietnam and Brazil.

Russell points out the many developments taking place through the selfless efforts of mostly doctors who’ve seen the effects of malnutrition first-hand.  These individuals aren’t content to let things take care of themselves—their names and organizations are in this book, if you are able to help—and have worked on producing solutions.  One is ready-to-use therapeutic foods (RUTF).  These are inexpensive, fortified compounds that can be distributed to severely malnourished children and very effectively prevent stunting and starvation.  Russell points out that efforts have been made to make such products profitable, otherwise even companies that have some vestiges of social consciousness tend to stay away.  There has to be a way of making money or shareholders just won’t like it, no matter how many children are saved.  Alas, we live in a capitalist world!

A standout, for me, is how much such efforts rely on Non-Governmental Organizations (NGOs).  Governments are often too busy concentrating on power.  We see this world-wide.  Although this book was written before the Russian invasion of Ukraine, one of the things Russell points out is that war is one of the primary causes of childhood malnutrition.   The Putins of the world initiate wars for their own selfish reasons and condemn children to death.  It’s the NGOs that step in and try to make the world a place of a little less suffering.  When I worked in Manhattan this was written on the skyline.  Buildings dedicated to helping were small brick structures huddled next to corporate profit-making giants.  Guess which is dedicated to making the world a better place?  This is a hard book to read at times, but it is ultimately hopeful.  Progress is being made, but we can do more.  And one way to do so is to spread word about Within Our Grasp. 

Haunting History

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It’s difficult to do without feeling guilty, even if you personally had nothing to do with it.  It does seem that “Whites” have to take the initiative to dismantle systemic racism before any kind of fairness can settle on the world.  Toni Morrison is a great example of why that’s so important.  Beloved is perhaps her best-known work.  Although it involves a ghost it’s not so much a ghost story as it is a haunted story.  Black experience has been one of enforced poverty, after the emancipation proclamation—much like the American Indian experience.  Morrison represents this in a non-accusatory way, but she indicates in her story how the pain and mistreatment persists.  Her work is more important now than ever.  White supremacists are controlling the narrative in much of the country although they are the minority.  They need to read this book.

There will be spoilers here, if you’re even later coming to Beloved than I am.  Sethe was a slave.  The novel is set just after manumission, but she escaped before that.  She had four children and when she was sexually assaulted she realized this could happen to her children and she decided to spare them that fate.  Although she was stopped before she could kill all four, her first daughter, Beloved, was her victim.  This story is about what happens when Beloved returns to live with Sethe and her remaining daughter.  It is a haunting story.  No “boos” or jump startles, it sets up a sad atmosphere of a woman falling apart because of guilt.  Guilt for an event that would’ve never happened if she’d been treated like a human being.

Apart from the schoolteacher and his cohort, the whites in the story are kindly to Sethe.  Her “owner” was a slaveholder who gave his “possessions” respect.  She was saved from hanging after the death of Beloved by a local white man who understood what slavery might do to a person’s mind.  Even so, these kind people think of Blacks as servants rather than as people in their own right.  It’s difficult to read books like this.  That’s one of the reasons that it’s important to do so.  There is a lot to analyze here, much to reflect over.  If we put books like this on reading lists instead of banning them, it would help to bring understanding and sympathy rather than hatred and fear.  The future only improves when we admit our past errors and move to heal the scars we continue to inflict.

Annotating Irving

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Really concentrating on a short story is sometimes difficult to do.  I don’t have a degree in literature (I took a few courses, but my specialization was religion).  I’ve been on a bit of a Sleepy Hollow kick lately and I wanted to move beyond just the short story by Washington Irving.  Although I’m sure working through the entire Sketch Book of Geoffrey Crayon, Gent., the book in which “The Legend of Sleepy Hollow” was published, would probably be rewarding, it would also be time consuming.  Irving was trying to find his way as a writer and this particular story has been his lasting contribution.  So I turned to local historian Henry John Steiner’s annotated edition.  It has a useful introduction, but still wouldn’t be “book length” without several pages of photos and a large font size.

Sleepy Hollow may lay claim to several signs of historical importance.  It featured in the Revolutionary War.  Washington Irving did eventually settle there.  As a getaway it attracted the wealthy and powerful from New York City because it’s not that far from Manhattan.  Several movie and television renditions have been made of Irving’s story.  This book generally provides local place connections in the annotations.  A visitor to Sleepy Hollow might wonder where this or that event in the story was set.  This book will help with that.  Still, it left me looking for a bit more substantial treatment.  Not necessarily a literary-theory kind.  Let’s face it, academic writers tend to write for other academics. No, a bit more of the folklore, I suppose.

It did allow me to slow down and really concentrate on the story.  Books have an endpoint that really helps in that regard.  This little book (as was the one I recently read on the Old Dutch Church) was published when the Fox series Sleepy Hollow was taking off.  That all-important media tie-in helps to sell books.  Interestingly, the details of a closer reading are revealing.  This isn’t, in origin, a Halloween story.  It’s a tall tale told American style.  Steiner indicates it was based on an older legend—this is something I’d be interested in hearing more about.  Writers are great recyclers.  I suppose a book on the folklore of the lower Hudson Valley might have more of what I’m seeking.  Nevertheless I came away from this edition feeling as if I’d gotten to know the story better.  Irving’s “Rip Van Winkle” also appears in his Sketch Book, but perhaps it’s asking too much to have both analyzed together.

Evening Out

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It feels like magic.  The morning after staying up late for something special has a transcendent quality to it.  You can almost touch the veil.  Now, for me it’s an admittedly low bar.  I get up around 3:00 a.m. most days, so “late” is when I venture past about 8:00 p.m.  And I don’t mean for a board meeting where you’re trying to solve the problems of the world.  No, I mean staying up for something you anticipate.  Or even if it’s something you experience only by association.  I had to pick somebody up in Easton after an evening event recently.  It wasn’t over until after I’m normally asleep, but I made plans to hole up in Dunkin’ Donuts and perhaps even sip a coffee if I had to, for the drive home.

This was a Tuesday night so most businesses were closed.  After parking the car I found out that Dunkin’ wasn’t keeping evening hours either.  I try always to travel with a book.  The one thing I learned from my brief stint in Boy Scouts was “be prepared.”  With no Dunkin’ the only places open were bars and clubs.  Thankfully it was a warm evening, so I found a free bit of curb on which to sit to read my book.  Easton’s a college town so young people were out and about.  It was good to see other folks enjoying life.  Then a woman stopped and leaned down.  She was looking at the cover of my book.  “Just wondering what you’re reading,” she said.  “I’m always on the look out for something good.”

Reading in public

I can’t recall the last time a stranger struck up a conversation with me.  Especially about literature.  I was reading Toni Morrison’s Beloved (more anon) and she asked what it was about.  (You, dear reader, will need to wait a few more days if you don’t already know.)   I told her as best I could in a sentence or two, but I was in shock that someone I didn’t know was taking a moment out of her busy life to ask me about a book.  Her companion was ready to get going, so she left.  Shortly after that the event ended and I picked up my charge and headed home.  The next morning had that magic feeling.  I slept later than normal although it was a work day and when I went for my morning walk a startled bald eagle took off from the ground and flew less than twenty feet over my head.  Staying up late, talking about books, and a dawn-time walk in the morning.  Even everyday life can be magical, when it’s rare enough.

Old Churches

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I doubled its authenticity, but it was revered in a way similar to the Shroud of Turin.  The old guide, a priest if I recall, showed us an actual lantern hung for Paul Revere’s ride.  This was the Old North Church in Boston, of course.  Its history is so storied that children across the country learned about it in school.  A similar feeling comes from reading The Old Dutch Church of Sleepy Hollow by Janie Couch Allen and Elinor Griffith.  Subtitled Legends and Lore: The Oldest Church in New York, it is clearly a celebratory work, printed in full color and with pictures on every page.  This church’s claim to fame isn’t as much historical as it’s the result of the imagination of Washington Irving.  It features in his short story “The Legend of Sleep Hollow.”

Built in 1685, it was already an old building by the time Irving had settled in North Tarrytown.  Being early enough, Irving had immense influence on the culture of a young country.  Although born in New York City, and although he lived for many years overseas, he came to represent the voice of the emerging American literary tradition.  America has been home to many writers since then, some successful, many not.  But this book is about the church, not Irving.  Irving does play a big part in its story, although he was never a member.  I kept thinking as I read how influential a single story can become.  And even a small Dutch Reformed Church can benefit from it.  This book gives a high-level overview of the history of the area and some of its colorful characters.  It turns a few times to the Headless Horseman, but it also explains the trials and triumphs of a small church.

Although most towns can’t claim such a storied structure, American churches have had an outsized influence on who we are as a people.  I’ve sat through meetings lamenting the lack of funds for the operating budget as money grows tighter even as the worldview of ancient Palestine effaces.  As an historian of religion I tend to look back.  I don’t believe our future will be entirely electronic or virtual.  If it is, I think I’d rather find myself on a chill, uncomfortable pew in the Old Dutch Church lit by candles on a Christmas Eve, shivering but still alive.  No matter what a person believes—and with the varieties of churches we can’t all be right—we know that it’s part of what makes us human.

Free Research

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I’ve lost track of how many times it’s happened, but it has been relatively few.  Someone I don’t know will approach me and ask me to post about something on my blog.  Sometimes they’ll even send me a book to highlight.  Perhaps not the most effective way to build a library, I’ll admit.  And some of the books haven’t been great.  I admire them nonetheless.  It takes great effort to write a book.  And not a small amount of faith, too.  Many books—perhaps most—never get published.  A great many are self-published.  (Those who work in publishing can be a stuck-up lot sometimes.)  Even those professionally published can use a push from time to time.  On this blog I’ve actively resisted the urge to make it about one thing.  Why?  Is life just one thing?

In a recent conversation I laid out for someone new what had been my research agenda as a young professor.  It had a direction still reflected in some of the categories you’ll find on the right column of this blog.  After writing on Asherah, I was going to give similar treatment to the other ancient goddesses attested at Ugarit.  This was perhaps ambitious for an academic waif at Nashotah House, but it was well underway.  My book on Shapshu was making good progress when the market (that dragon to every St. George) led friends to suggest turning biblical, which led to Weathering the Psalms.  A new research agenda—explore the weather terminology (the meteorotheology) of other biblical books—arose.  There were storms, after all, becalmed over lakes.  Horror entered in the jobless period and beyond.

And social justice.  I’m not a thrice-failed minister for nothing!  In fact, a recent freebie was a book on social justice.  I have a colleague as interested in monsters as me.  This particular scholar had decided to focus on the cause of the poor.  Even economists are starting to say the unequal distribution of wealth is hurting us.  While the rich fly to space on personally owned rockets, the rest of us have trouble filling up at the service station, even if we have jobs.  So it is that this blog is eclectic.  A friend told me early on that it would be more popular if I just stuck to one topic.  That’s probably true, but my mind can’t settle down like that.  And when people send me things to talk about, I’m happy to do so, if it fits somewhere in my mind.

Empty Chair

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I’m not a Roman Catholic.  Nevertheless, I admire much about the tradition.  Its perceived unchanged continuity with the past is a big draw.  Still, one of the largest issues most religions face as they evolve is that things change.  No religion can stop it.  Edward Jarvis’ brilliant Sede Vacante: The Life and Legacy of Archbishop Thục explores the life and possible theological motivations for one of the most fascinating people in recent church history.  Ngô-dinh-Thục became a Roman Catholic Archbishop in his native Vietnam.  He was the brother of Ngô-dình-Diệm, the first president of South Vietnam, and likely one of the reasons behind the Vietnam War.  In fact, Thục had two other extremely prominent brothers and the four of them formed a junta that ruled the country with authoritarian vigor and utilized all the corruption for which authoritarianism is famed.  They became enormously wealthy, they used torture and extortion to get what they wanted, and Thục supported all of this.

Eventually excommunicated (twice), Thục had to leave Vietnam.  Two of his brothers were arrested and assassinated.  After his self-imposed exile Thục attended Vatican II, the papers of which he signed, but his prominence faded.  Without his holdings in Vietnam he was poor, and in fact lived in poverty.  Then he started consecrating bishops for breakaway Catholic groups, including the strange sect of the Palmarians.  This led to his first excommunication.  Later in life, after restored to the graces of the church, he again started consecrating bishops for the Sedevanctantists.  These were Catholics who believed the Pope was invalid and his chair (sede) was vacant (vacante).  He was excommunicated again and, after moving to the United States, died in poverty.

I keep these posts brief enough that I don’t have space to spell out all the amazing angles from which this life could be viewed (read the book for that).  In our authoritarian-loving times, however, the nature of those who reject “modernization” stood out.  Many Sedevanctantists insist on the restoration of the Latin mass.  They somehow believe the Popes since about Pius X have been liberals(!).  Like Trumpists, they believe it is possible to halt the movement of culture and go back to the way things were in the 1950s when outward conformity was all the rage.  Even Fonzie, after all, was really a nice guy instead of a dangerous biker.  Although there is some theological minutiae here, I recommend this book for anyone who has even the slightest interest in the history of Vietnam, the Roman Catholic Church, or the mindset of those who reject the modern world.

For Sale for Free

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It’s one of the signs of spring.  Although it may be more appropriate for winter when we’re holed up inside for much of the time, the library book sale often takes place when it’s a bit more conducive to being outdoors.  When we travel, which isn’t frequently these days, we often spontaneously stop into an advertised library book sale.  Most of the fare is fairly pedestrian, but sometimes you find something you simply didn’t expect.  On one such recent outing, that’s just exactly what happened.  Back when we lived in New Jersey the Friends of the Hunterdon County Library book sale was a much-anticipated event.  It remains, in my experience, one of the largest of such sales.  (Believe it or not, there are websites dedicated to pointing inveterate readers to book sales and that’s how I found this one.)  That’s not the surprising part, however.

One year when I went, one of the library friends was working the pre-entry crowd, proclaiming some of the treasures inside.  One of them, he announced, was a Bible from the nineteenth century.  They were asking more than the usual one or two dollars for that one.  If I recall, it was $100.  No, I didn’t buy it.  I have dozens of Bibles right behind me at this moment and if I had a Franklin to spend I’d load up on books I don’t already own.  Many of the books mentioned on this blog came from just such sales as these.  That big Bible’s not the surprising thing either.  Here it is: on a recent library book sale day, I saw a shelf with Bibles.  They were free.  Library book sales are intended to raise money, but Bibles for free?  Unexpected, no?

America is the land of free Bibles.  They are printed in vast quantities and sold cheaply, without a thought to what this says in a capitalist world.  Some Christian rock groups were famous for throwing free Bibles from the stage—you’ve got to think those in attendance already had one—and any county fair will usually have at least free New Testaments for the taking.  Ironically, most of those who distribute free Good Books are also the staunchest supporters of capitalism, one of the most exploitative economies ever invented.  Attending library book sales entails more than just finding books that you perhaps didn’t know about.  It’s more than being tempted by something for which you’d rather not pay full-price.  It is, perhaps surprisingly, a learning experience in and of itself.

Teaching Tradition

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There’s a dilemma.  Many thinking religious conservatives end up arguing against “secular” education and yet wish to make themselves out as rational, and reasonable.  The truth is that underlying their position is the belief that the truth was revealed long ago and nothing has changed since then.  They want educated individuals to agree with this so quite often they establish their own institutions to turn out “experts” who haven’t been challenged in their positions.  This became clear to me yet again when reading Faith of Our Fathers by Stuart Chessman.  Subtitled A Brief History of Catholic Traditionalism in the United States from Triumph to Traditionis Custodes, I was expecting a history.  Instead it is more of a screed, or jeremiad, arguing that the Catholic Church is trying to destroy traditionalism.  What I was looking for, I guess, was a “secular” history.

I’m interested in traditionalism.  I taught, after all, for well over a decade at Nashotah House.  What I learned there I also sensed in this book.  There’s a certain naiveté associated with such theological thinking.  (Political conservatism is much more insidious.)  Small groups tend to think the larger organization has it in for them.  In reality, the larger church (in both these cases) has much more pragmatic things on its collective mind.  The narrow focus of traditionalists, however, interprets everything in the light of—in this case—rejecting the liturgical reforms of Vatican II.  Having the mass in Latin is more important (as is clear here) than coming up with an effective way of dealing with Covid-19.  Traditionalists are proud that they met more frequently during the height of the epidemic.

This kind of thinking is important to understand.  For Roman Catholicism, as a hierarchical organization, the projection of unity is very important.  Anyone involved in the upper levels of any administration knows that money—even for churches, especially for churches—is a major concern.  Reputation influences cash flow, so reputation has to be guarded at all costs.  No organization can appear to be caught up in medievalism in a capitalistic twenty-first century.  I had hoped this little book would contain an actual history of the movement, looking at socio-economic, political, and religious causes and their ramifications.  In other words, why people do things.  Believe me, I understand the draw of traditionalism.  Although it was in English my first Episcopal high mass threw me into a multi-year odyssey to a place (Nashotah House) where I learned what was really going on.  It’s not all about smells and bells.  Not by a long shot. 

Ode to Books

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There are fewer things more personal.  Each one has a story and it reveals quite a lot about you.  Really, it’s a brave thing, putting your books out on a shelf for others to see.  Seldom have I read a book more euphoric about a book than Alberto Manguel’s The Library at Night.  A deeply literate book collector unashamed, Manguel takes the reader on a pleasurable tour of many aspects of libraries, including his personal one.  Libraries may represent many things because books are so varied.  Many of us who are bibliophiles are used to trying to justify our libraries to those who don’t care to read or to complaining movers threatening to quit.  Or even to those who write books claiming other books are clutter.  Manguel understands.

Those of us with many books but little of anything else can tell you the story behind most individual books we have.  Where we bought them and why.  Why we’ve kept them even if we haven’t read them.  Manguel understands that not all books are reading books.  There are reference books.  There are episodic instructional books.  There are books laid up against retirement or incapacitation.  Books for work, books for play.  Books bought to help you prepare for that event that never took place but might, in some remote future, still happen.  Yes, books take up space, but so do pets, furniture, and children.  There’s a cheerfulness to rooms with books, unrivaled even by elegant spaces.

On a recent dentist visit the television was set to one of those shows where a couple is given their dream home.  I’ve watched those before in other waiting rooms and medical facilities and one thing I’ve never seen is a couple saying, “I want a home to fit my books.” And yet those homes with books occasionally make the news and garner thousands of clicks on the internet.  Those of us who are bibliophiles know we’re a minority.  Some of us actually enjoyed those high school reading assignments that so many of our classmates despised.  Our educational system, undervaluing teachers as we do, often fails to inspire the love of reading in the young.  Manguel’s book is for those who were inspired, who remain inspired by books.  Those of us who categorize and move them around.  Take them with us.  Who love them.  The Library at Night is a beautiful book full of wisdom.  It is a love letter to books. Happy National Independent Bookstore Day!

The Network

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Although it’s not NBC, the New Books Network has quite a reach with academics.  That’s why I was glad they accepted my pitch for an interview about Nightmares with the Bible.  The interview is now live and can be heard here.  The experience of getting the interview made turned into quite a saga with my pitch going back to at least November, and acceptance coming early in January.  The actual interview was over a month ago and it was posted only yesterday.  I’m not naive enough to think it will boost the sales of a hundred-dollar book, but maybe a few more people will become aware of it.  Even in academia there are too many books published for all of them to get notice proportionate to the work that goes into writing them.

Some publishers are of the opinion that editors shouldn’t try to be authors.  Obviously I disagree on that particular point.  Author-editors share the ups and downs and know what it’s like to put in the work only to have a book disappear.  I haven’t received any royalties at all for Nightmares.  I have no idea how many copies have sold.  Many writers publishing into the teeth of a pandemic fall into the same category.  While trade books—including fiction—did remarkably well during the height of Covid-19, academic books languished.  Nightmares is, of course, its own kind of hybrid.  A monster, if you will.  Written for educated laity it’s packaged and priced for the academic monograph market.  That’s why I pitched it to NBN.  I’m glad to see the recording is now available.

Nobody writes this kind of book to get rich.  I’ve had friends ask me why I bother.  Believe me, that question occurs to me too.  Some of us have something to say but the auditorium’s empty.  The Bible’s at a low point outside a specific cross-section, and that cross-section generally doesn’t pay attention to horror.  Of course, that’s another reason I do this.  Bringing opposites together offers the world, even the staid academic world, something new.  Horror is at last being taken seriously by literary and cinematography scholars.  Some biblical scholars are realizing that apart from comforting words of love, and towering demands for justice, the Bible itself contains plenty of horror.  When unlike things mix, monsters are born.  I’m grateful to the NBN for taking a chance on my book.  If you’ve got some time, and the inclination, you can listen in here.