Whelmed Over

I have to admit I feel overwhelmed by the task.  You see, I spent twelve years living in a town that went from one small used bookstore to none.  Within a half-hour’s drive I could be at two bookstores—indies, of course, since B&N doesn’t always count.  One of the shops was the Princeton University bookstore, so that was almost unfair.  Now I live in a region with many bookstores.  I wasn’t truly aware of this when deciding on where to settle; the decision was made on practical matters such as being able to get to work, and affordability.  It turns out that central eastern Pennsylvania is unexpectedly bookish.  I’m not complaining, you understand.  I haven’t had much time to explore, and that’s why I’m overwhelmed.  That, and Banned Books Week.

I’ve been to the oldest continuously operated bookstore in the world, The Moravian Book Shop, in Bethlehem.  Twice already.  But there are many more within an easy drive from here.  “Lead us not into temptation,” the prayer goes, but if we’re honest we’ll admit we love the challenge.  Home owning is expensive.  There’s always something that needs to be done—the sort of thing you used to let the landlord handle—they are lords, after all.  And time for reading is scarce.  Add to this that there are bookstores I haven’t even entered yet, not far away, and a kind of anxiety grows.  You have to realize that even in Manhattan reaching a bookstore on lunch hour was difficult.  They are few and far between.  It’s overwhelming being in a region where indie bookstores have held on.

My wife recently showed me an ad for an indie bookstore over the border in New Jersey.  They were looking for new owners.  We’ve often discussed how perhaps a retirement job for us might be just such a thing.  Of course, business sense isn’t my strong suit—just learning how to own a house seems pretty hard.  The idea of making a living surrounded by books, however, is appealing.  (You might think an editor reads all day, and while that sometimes happens the reading is generally embryonic books.  Besides, there’s something serendipitous about discovering fully fledged books that you didn’t know were coming.)  To buy a business requires capital, and we’re more the minuscule type, when it comes to finance.  As we settle into our house we decide which books go where, and it is remarkably satisfying.  After I’m done being overwhelmed by all there is to do in the house, I’m looking forward to being overwhelmed by exploring the bookstores of central eastern Pennsylvania.


Free Reading

I think I was driving through Montclair, New Jersey when I first noticed one.  A “little free library” in someone’s front yard.  Then I began to notice them around elsewhere.  Neat little outdoor kiosks filled with books.  Despite my love of literacy I’m not inclined to take books from such places.  For one thing my reading tastes are odd, and for another I want other people to catch the interest in reading.  And “free” is a great motivator.  The idea is simple: set up a little free library on your property, seed it with books, and watch it work.  People are encouraged to take what’s there for free.  And leave books they want to donate, if so inclined.  Now that we’re in Pennsylvania we discovered one in a nearby park.  A community feels more homey with books.

Searching for the concept online, I came to LittleFreeLibrary.org.  I’m not sure if they started the trend, but it provides the basic idea.  They even have plans for how to build your own and get your neighborhood reading.  If anyone wants a clue for making America great, here’s a free hint: it will involve books.  They’re a commodity unlike any other.  Mass-produced (often too enthusiastically so) they are generally inexpensive and can be used over and over again.  One of the biggest headaches for publishers is the used book market—since a book is a handful of ideas, once they’re released they’re difficult to control.  They can be sold again for less than market value, and yes, even given away.  Those who read see the value in giveaways, even if there’s no personal profit in it.

Early in our tenure here we decided to take a book to donate each time we go to the park.  Sometimes we forget, of course.  Our first donation was there for two weeks, but then found a new home.  A strange kind of joy accompanied finding the book gone.  Perhaps we’d done some good simply by opening a door and leaving something we were no longer using.  Then something unexpected happened—I saw a book from my reading list in the local.  Should I take it?  I have a list of books to seek in used bookstores, for, to the chagrin of my own industry, I participate in the used book market.  I had been looking for this tome for a few years, reluctant to pay full market value since it has been around since the sixties.  In the end I couldn’t resist.  Next week, I told myself, I’ll take two books to give back.  Literacy’s that way—it’s something even introverts can share.


Firestorms

Banned Book Week technically doesn’t start until the week after next, but I have a pathological fear of being late.  I don’t know why.  It could be that I’m aware time is of limited quantity and much of it is owed to the beneficent corporation that keeps you alive, so you have to trade it for food.  And books.  Not much of it is left to do what you want to do.  In any case, my last book for the 2018 Modern Mrs. Darcy Reading Challenge was in the banned book category.  Long ago I had decided it would be Kurt Vonnegut’s Slaughterhouse Five.  I’ve read it before, of course, but it had been long enough that the details had been sanded away and I could only remember parts.  One thing I’d forgotten is how much Vonnegut brings religion into the story.

Writers who avoid religion miss the motivating factor of the majority of human beings’ lives.  This has always seemed a strange denial to me.  I’m not suggesting that every novel should mention religion, but since it is concerned with ultimate interests, it is somewhat surprising that it’s so often overlooked.  Not that it plays a major role in Slaughterhouse Five, but any novel concerned with death is inherently in the realm of ultimate concerns, I should think.  Right, Dr. Tillich?  In any case, I’d forgotten that Slaughterhouse Five was such a poignant, funny, and sad novel.  Vonnegut’s experience of World War Two clearly haunted him—most writers are haunted by something—and his musings were, and often are, banned.

If there were banned books in my high school (and I grew up in a conservative area, so surely there were) I didn’t know about them.  Let’s face it, teens seldom sit around talking about significant novels.  Many, at least among my classmates, didn’t read those that were assigned in English class.  Slaughterhouse Five wasn’t one of them.  I learned about Kurt Vonnegut from a friend while in college.  This is the third of his novels that I’ve read in 2018.  The first two I’d never read before.  So it goes.  I’m keenly aware of time.  I’m also aware that those who would ban books are often those who obtain elected office.  And when you find that your own nation has turned on you, remembering the fire-bombing of Dresden is an appropriate response.  For such reasons Banned Book Week remains important.  It should be a national holiday, at least among those of us underground during the firestorm.


Scriptural Slashers

Let me relish this a moment.

Thanks.  You still there?  It’s not too often, you see, that I get to feel like I’m near the front of the crowd.  I began writing Holy Horror when there were a small handful of books on the market concerning horror and the Bible.  I wasn’t aware of Brandon R. Grafius’ work at the time, but it sure is gratifying to see that others have noticed the connection.  Reading Phinehas, Watching Slashers: Horror Theory and Numbers 25 is pretty much what its title says.  I’ll be having more to say on it in a different venue—don’t worry, I’ll let you know—so I’ll keep to the basics here.  My spellcheck, and I’m sure not a few others, might have trouble identifying Phinehas.

In one of those weird, short, violent episodes for which the Good Book is justly famous, the story of Phinehas is clearly part of a larger, untold narrative.  Like the sons of the gods marrying the daughters of men in Genesis 6.  The grandson of Aaron, Phinehas was one of the hereditary priests of early Israel.  The Israelites wandering for their 40 years in the wilderness were nearly as xenophobic as the Trump Administration.  When one of the chosen people chose a foreign wife, Phinehas, full of zeal, grabbed a spear and skewered the couple.  Tradition says in flagrante delicto.  This act of violence stops a raging plague sent by the Almighty, so Phinehas looks like a hero in context.  If you want to read the story the subtitle tells you where to find it.  Or you could read Grafius’ excellent book.

Horror, which should be already obvious, enters the picture in the form of theory.  Yes, there is such a thing as horror theory.  Grafius uses it to analyze this story, along with other methods.  This is what I’m relishing.  I certainly wasn’t the first to notice the connection.  Many years ago Phyllis Trible wrote Texts of Terror, noting how the Bible seems less holy (my expression, not hers) when read from the perspective of a woman.  Indeed, many accounts that seem like standard issue narratives of God laying down the rules and humans disobeying tend to fall pretty heavily on females.  And the punishments used are fit for horror films.  Grafius focuses specifically on slashers, but one gets the sense that this book is just the start of something larger.  This reader, at least, hopes that is the case.


Growing Shadows

As summer wends its way slowly toward autumn my reading becomes more gothic.  It feels as natural as the progression of the seasons, I suppose.  While waiting for the turn I’d been holding onto Carlos Ruiz Zafón’s The Shadow of the Wind.  Not having read any Zafón before, I wasn’t sure what to expect.  My copy had been blurbed by Stephen King, and I figured that was pretty high praise.  I found the book through one of my web searches for the most gothic novels and this one takes a while, but I can see why it makes some of those lists.  I wasn’t sure at first if it was intended to be comic or serious, but that combination is an imitation of life itself.  We laugh, we cry, we shudder.

The story slowly builds, and I’ll address this further on Goodreads.  What I want to consider here is the nature of place.  Human beings—and I would argue animals as well—have a sense of place.  Space becomes sacred through events both dramatic and quotidian.  That’s why we make pilgrimages to places where our heroes lived.  Just to be there.  To think about it.  To feel it.  The Shadow of the Wind is a story of Barcelona during a time of war.  There’s no escaping the moody sense of old Europe in this tale.  In that sense religion is quite often casually mentioned.  It’s part of place in a way many Americans overlook.  The church bells I can hear everyday beg to differ, no matter how empty the pews may be.  Zafón wants to share his gothic Barcelona with a story that leads to real shivers.

It would be a stretch to call this a horror novel, but it is in the sense that V. C. Andrews’ Flowers in the Attic is.  It reminded me at several points of Wilkie Collins’ The Woman in White (my copy of which was destroyed in a flooded garage).  Many lives, I suspect, have quiet gothic elements to them.  I know that mine does.  While there may be a little supernatural at work in The Shadow of the Wind, most of the action is believable.  This is the way people behave.  The way they treat, and mistreat one another.  While the days are still hot around here, the angle of the sun in the sky doesn’t lie.  We’re fast approaching the equinox from which we’ll slide into the long nights of winter.  And reading, the more gothic the better, will help us make it through no matter where we are.


Searching Again

Research can be addictive.  Those who know me are generally aware of how I can’t let ideas go.  I suppose this is necessary for those who write books—concentrating on one subject for a long time is mentally taxing and can lead to early loss of interest.  Those of us inclined to embrace this activity live for the thrill of uncovering new ideas and making connections that we’d overlooked.  My work on Nightmares with the Bible is a case in point.  Before submitting this book proposal I’d done a lot of reading on the subject of demons.  This is a dark topic, but those of us who live in temperate zones spend quite a bit of time without daylight, so I might think of this as a kind of therapy.  Or an excuse to do research.

Here’s often what happens: I’ll be writing along when suddenly a new question pops into my head.  Why was this or that the case?  The internet makes amateur research quite easy, but as someone raised on solid scholarly food, I need to check my sources.  When a professor I would’ve headed to the library with interlibrary loan slips in my hand.  These days I tend to turn to my own books and lament that I don’t have just the right one (there’s a reason, you see, that there are so many tomes in this house).  I try to find workarounds and used copies.  Perhaps I’ll pick up an adjunct class or two to be given library access again.  Meanwhile, the idea, like an ear worm, is burrowing into my conscious mind.  Until it’s time to go to work.

That great eight-hour stretch of day drains my energy.  Indeed, many employers count on taking the best you have to offer and making it their own.  What you do with “the rest of your time” is up to you.  Thing is, research is a full-time job.  Fortunately some of what I learn while on the clock will help me with my own research agenda.  The overlap isn’t especially strong, but now and again something I read in a manuscript will sync with what I do in the pre-dawn hours before I commit myself to the time-clock.  It’s a strange way to do research.  Back at Nashotah House I’d use the summers to follow the clues laid before my mind and, as long as I went to chapel, it was considered part of my employment.  Now it’s considered an avocation.  I can’t help myself, though.  Personal research is not part of the job description, but I’m an addict when it comes to learning new things.


Horrible Delays

It’s not that the delay is actually horrible.  Horror movies, after all, come into their own with the darkening days of fall.  Nevertheless it occurred to me that now August is about to exit stage left, some may be wondering where Holy Horror is.  After all, the website originally said “August.”  The truth is nobody really understands the mysteries of the publishing industry.  Like so many human enterprises, it is larger than any single person can control or even comprehend.  I work in publishing, but if I were to subdivide that I’d have to say I work in academic publishing.  Further subdivided, non-textbook academic publishing.  Even further, humanities non-textbook academic publishing.  Even even further, religion—you get the picture.  I only know the presses I know.

It suits me fine if Holy Horror gets an autumn release.  I don’t know, however, when that might be.  I haven’t seen the proofs yet, so it’s hard to guess.  Appropriate in its own way for horror.  The genre deals with the unexpected.  Things happen that the protagonists didn’t see coming.  In that respect, it’s quite a bit like life.  My work on Nightmares with the Bible is well underway.  When you don’t have an academic post your research style necessarily changes, but I’m pleased to find that books can still be written even with the prison walls of nine-to-five surrounding one.  It may be a bit like Frankenstein’s monster (happy birthday, by the way!), but it will get there eventually.

Of my published books so far, Holy Horror was the most fun to write.  It wasn’t intended as an academic book, but without an internet platform you won’t get an agent, so academic it is.  It’s quite readable, believe me.  I sometimes felt like Victor Frankenstein in the process.  Pulling bits and pieces from here and there, sewing them together with personal experience and many hours watching movies in the dark, it was horrorshow, if you’ll pardon my Nadsat.  We’re all droogs, here, right?  I do hope Holy Horror gets published this year.  Frankenstein hit the shelves two centuries ago in 1818.  Horror has been maturing ever since.  So, there’s been a delay.  Frankenstein wasn’t stitched up in a day, as they say.  And like that creature, once the creator is done with it, she or he loses control.  It takes on a life of its own.  We’ll have to wait to see what’s lurking in the darkening days ahead.


Cthulhu You Knew

Humans tend to be visually oriented.  Arresting images stop us cold, causing us to focus on what we’re seeing.  As a tween I could be transported by large, lavishly illustrated, full-color books of other worlds.  While these went the way of Bradbury, I still sometimes recollect scenes that stopped me in my young tracks, making my juvenile mind wonder, what if…?  As an adult I realize “coffee table” books are heavy and a pain when you’re moving.  Printed on specialized paper, they have more heft than your mass-market paperback, or even most academic tomes.  Nevertheless, Gothic Dreams Cthulhu was a book that carried me, like a time-machine, back to my younger years.  Unlike in those days, however, I read the text as well as lingered over the images.  And I wondered about Cthulhu.

You see, I didn’t know about Lovecraft as a child.  The only reading regularly done in my family was Bible-oriented.  I discovered science fiction and gothic literature as a tween and, living in a small town, had no one to guide me in my choices.  Rouseville (the town pictured in the background on this website) had no public library.  My reading was left to my own, uninformed devices.  I discovered Cthulhu through my long fascination with Dagon.  I’d pitched Dagon as my dissertation topic, but settled on Asherah instead.  While teaching religion at the University of Wisconsin Oshkosh, I discovered Lovecraft, and Cthulhu, through Dagon.

Gordon Kerr, the author of Gothic Dreams Cthulhu, might be forgiven his hyperbole about H. P. Lovecraft.  Lovecraft was not a great writer—that’s not intended as any kind of slight, I hasten to add.  Classically, however, he didn’t have the level of literary finesse of Edgar Allan Poe, for example.  Still, Lovecraft created credible worlds.  His was a life of imagination—one might almost say divinity.  He was a creator.  Cthulhu has become a cultural icon.  With the magic of the internet bringing a writer still obscure to international attention, many people who never read horror fantasy nevertheless know who Cthulhu is.  Or they think they do.  As Kerr explains, the descriptions by Lovecraft himself are spare, thus the variety of ideas represented in the delicious artwork on every page of this book.  As Lovecraft earns more academic attention, surely others will notice the religious potential of the Great Old Ones that were, in their time, gods.  A guilty pleasure read, to be sure, Gothic Dreams Cthulhu fits well into this serious world of chaos we’ve created for ourselves.


Book Naked

Alogotransiphobia doesn’t just strike me when I’m on the bus.  Whenever I travel anywhere I try to take a book along.  To the DMV.  To movie theaters.  To take the paper to the shredding truck.  Anywhere there might be a line.  There comes a time when you realize every second is a gift, and time runs swiftly through the glass.  Life’s too short not to read.  So it is that I find myself in a hotel for a night.  Feeling somewhat like taking a risk, I’ve only brought three books.  Will I read them all tonight?  Most likely not.  But just in case…

Alogotransiphobia is real.  In my long-distance commuting days—in a past still very recent—I tried to calculate carefully.  Would I finish this book in the three hours I knew I’d have on New Jersey Transit?  If even a chance seemed to exist that I would, I would add another book to my bag.  But then that occasional Monday morning would arrive when somehow Sunday night seemed to slip away unbidden, leaving me bleary eyed and foggy brained to face pre-dawn alone on a deserted street corner.  And I neglected to calculate the chances.  Once in a great while, on such a day I would finish a book only to face a very long ride home without another.  Alogotransiphobia would kick in.  I would squirm in my seat as well as in my mind, anxious to get off that bus, as if I needed to shower to wash the feeling of wasted time off me.  A commute without a book was remaindered, unrecoverable time.  Lost time.  Squandered.

For two months now I’ve been delivered from the daily commuting life.  Now I find the opposite phobia.  That which entails staying at home and having so much to do that time to read is stolen back by that cosmic trickster we call fate.  I try to carve out time for reading, but the funny thing about work is that when you do it from home you feel you have to prove yourself.  I suspect employers know that.  A certain type of worker—perhaps one who’s lost a job or two in recent years—will always reach for supererogation.  And such a one will even sacrifice literacy on the altar of an assured paycheck.  Until recent days I was like a hermit on the bus.  Those around me may have been going in the same direction but we were in completely separate places.  I was, during the commute, lost in a book.  Alogotransiphobia was in the seat right beside me.

 


The Persistence of Unity

I came across some Ray Bradbury books while unpacking.  I recently learned that Ray Bradbury was a Unitarian.  Now, the religion of a writer is only ever an ancillary bit of information, yet for someone of my combination of interests, it’s compelling intelligence.  Having grown up reading Bradbury, my own fiction often comes out seeming like an imitation of his.  I discovered him the way I found most of my early, influential writers—through Goodwill.  Living in a town with no bookstores, Goodwill was a great venue for walking out with a good handful of books for under a buck.  Since Mom was there looking for “practical” stuff, I hovered over the book tables and discovered a new world.  Then I grew up.

Embarrassed by my childish interests, I gave away or sold most of my Bradbury books after college.  I was more sophisticated than that now.  I read Greek and was soon to learn Hebrew.  Books were meant to have footnotes, and lots of them.  Who wants to be seen with Bradbury on their shelves?  But the indiscretion of youth does come back to haunt one.  About two decades later I began to yearn for something missing from my life.  Perhaps like a good Unitarian I wasn’t exactly sure what it was, but I knew it was lacking.  Then my daughter was assigned Fahrenheit 451 for school reading.  I tried to read whatever she was assigned, and once I did memories of Bradbury flooded back.  I no longer had his books, but that could be remedied.

Occasionally I’m criticized for having too much in the way of books.  I’m sometimes asked if I will ever read some of them again.  The answer is how should I know?  I jettisoned Ray Bradbury with Episcopal pretention, only to find that behind the ceremonial there was a more unified version of things waiting.  A continuity with my younger self.  A lust for imagination.  A desire to remember what it was like to walk on Venus.  Or to see a man presciently covered with tattoos.  Or simply to thrill at the idea of October.  I began to acquire the old books again.  The newer editions lacked the visual resonance of the old, but the essence was still there.  Orthodoxy, I discovered, often isn’t true to life.  What’s true is what we discover early on.  Sophistication isn’t all it’s cracked up to be.  And yes, I may well just read that again after all.


Homework

I’m trying to organize a home office.  Gone are the days that this meant a stapler and mug full of pencils.  The office is essentially a laptop since work is essentially virtual.  Oh, there are days when I have to haul myself into New York City, but even making traditional print books is an exercise done largely online.  The office is a place conducive to work.  In the case of an editor, a room of books that can be used for reference.  In our apartment we had bookshelves (mostly homemade) around the inside perimeter, covering all wall space that wasn’t claimed by more necessary furniture.  We realized, as we were packing, that no free wall space reached to the floor.  We didn’t plan it that way, but a reading life can be a complicated one.  To write books you need to read books.

Our house has some built-in bookshelves.  Not enough to hold our surviving books, but it’s a start.  My office, however, is a spartan room.  Over the weekend I unpacked my “work books.”  That meant, for the most part, books about the Bible.  I filled three large bookshelves then ran out of room.  Not only was there that embarrassment, but there was the fact that a large number of “religion” books remained unshelved.  You see, I was a religion editor for a few years before being more narrowly slotted into the Good Book.  Some might say I should jettison these books since my career has moved on.  Those who suggest such heresy don’t understand the career of a displaced professor at all.  These books are still work books.  Job descriptions aren’t as stable as they used to be.

The complaint is an old one, at least to my wife’s ears.  In my mind I’m still a professor.  I still write—strictly on my own time—and I still research.  I do so without access to a university library so I have, over the past several years, made my own library.  This office, now out of bookshelves, is that amateur academic library.  My research has shifted from ancient Near Eastern studies (and that’s another whole discipline’s worth of books, some unfortunately washed away in the flood) to religion more broadly.  Not only is that reflected on this blog, but also in my publications.  The office isn’t done yet.  There’s a desk and a chair.  More importantly, there’s internet access.  There are some shelves, but in coming days there will need to be more.  Libraries are like minds; if they shrink they become less functional.  All books, no matter how dry, began in someone’s imagination.  That’s virtual reality.


Enoch Enough

For a person referenced so little in the Bible, Enoch captured popular imagination in a way difficult to comprehend.  Even in ancient times speculation about him was rampant.  The seventh generation from Adam, and great-grandfather of Noah, Enoch lived a remarkably short 365 years before “he was not, for God took him.”  Now, there are lots of obscure people in the Bible.  Many of them have very little afterlife in later tradition.  Enoch, however, became the putative author of a collection of booklets that goes by the name of 1 Enoch.  This book fed speculation in antiquity and became a vehicle for many esoteric traditions that continue even into the present day.  It might seem that there’s little information to go on for an entire book, but James C. VanderKam’s Enoch: A Man for All Generations finds plenty of material with which to work.

A careful scholar like VanderKam doesn’t delve much into speculation, and he rather cautiously examines many of the ancient texts that discuss Enoch and draws some basic conclusions.  There’s a lot of information in this book.  With my own fascination concerning the Bible and popular culture, what stood out to me was how Enoch went from the “mere” man who didn’t die to become, in some traditions, the Metatron, or “the lesser Yahweh.”  Having been a fan of Dogma since teaching at the perhaps too sanctimonious Nashotah House, I’d never researched the late, great Alan Rickman’s character.  I supposed the Metatron was a character like the Muse—some extra-biblical quasi-divine functionary thrown in for fun.  I didn’t doubt such a figure was known in early Jewish or Christian writings, but I had no idea that Enoch had been promoted to that level.

Since I’ve been researching demons lately, the book of 1 Enoch has been a major source of interest.  One of its sections, The Book of the Watchers, expands on that odd story from Genesis 6 where the sons of God lust after the “daughters of men.”  Ever coy, the biblical passage doesn’t directly say that their offspring were giants, but this idea was developed by sources like 1 Enoch.  And these fallen angels—the nephilim—in some traditions, become demons.  Studying Enoch is a fine introduction to a mythological world every bit as rich as Dogma.  These characters—Enoch, nephilim, watchers, and demons—populated the imagination of early readers of the Good Book as much as they do modern speculators’ worlds.  Not bad for a character barely mentioned at all in the Bible.


Pretty as a Prayerbook

Stolidity.  Canons all across this deck are known for it.  Visions of unchanging texts, however, tend to be false perceptions.  Even the canon of the Bible differs, depending on who you talk to.  So it is to be applauded, I suspect, that the Episcopal Church is planning to revise the Book of Common Prayer.  The last revision was 1979, and before that, 1928.  This schedule should be telling you something—the BCP, or simply “Prayerbook” as it’s commonly called, was never a changeless canon.  We mere mortals rely on experts to change the words by which the Almighty is approached, and although Episcopalians are thin on the ground in this country, world-wide they’re a formidable sect.  They’re united mainly by their commitment to the BCP.  And with good reason.

The days of the British Empire are long gone, but when it ruled the waves (and even before) this island state contributed a number of religious elements to the world.  The Prayerbook was born out of struggles with Rome for secular power disguised as sacred.  We try to live with a fiction of separation, but churches and states have always had mutual influence—just consider the way secular Trump has changed Christianity and you’ll see.  The BCP was to define English Christianity and in doing so became a Scripture in its own right (or rite).  Phrases from the Book of Common Prayer pepper the English language so as to rival the Good Book itself.  When church attendance was an expectation, you couldn’t help but internalize it.

A certain seminary, nameless here forevermore, will not be pleased with such change.  When I taught there many still clung to the 1928, claiming the church had erred (a strange position for someone in a voluntary organization and who vows to support its decisions) by adding “inclusive language” in the ’79.  This, they averred, was a man’s religion.  And they meant biological males.  Stolid.  Or perhaps stale.  Like the fiction of unchanging canons, the myth of the rational male hierarchy exists only to be exploded.  The two longest reigning British monarchs have been queens, after all.  World wars tend to be the legacy of male rulers.  So, although a tiny seminary in the woods of Wisconsin will likely rage, the BCP could use a bit of a makeover.  The world has changed substantially since the 1970s.  Mainline churches have been steadily shrinking and redefinition with a declining financial base makes good sense.  “This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be.”  Even if it be changing canons.


Be It Resolved

I’m not a believer in New Years Resolutions.  A constant and critical self-monitor, when I notice a bad behavior I try to correct it right away.  Sometimes I’m actually successful.  Now that I’ve finally removed all books from the garage—some were being held high above the water-line on plastic boxes—I’ve started to sort through systematically what is beyond redemption.  A comment of occasional visitors, however, has goaded me into a resolution; you see, people sometimes ask “Are you going to read those again?”  While aching to address the mindset betrayed by that very question, I cede a point; if I’m going to the expense of replacing a non-reference book, I should want to read it again.  My resolution—when I buy another copy, I will read it then and there.

One of the stinging parts of this resolution is that some of the books were read by me just this past year, or even earlier this year.  Jude the Obscure, although I enjoyed it, cost me a quarter year of my life of evening reading time.  On that basis alone I should replace it, but if I’m not going to reread it why should I incur the expense?  (Moving is anything but cheap.)   I will also face rereading old favorites that have been put aside for a while.  No house, for example, should be without Emily Brönte’s Wuthering Heights, although I read it again just months back, or so it feels.  

This is perhaps a way of making lemonade from a cloud.  Or finding the silver lining on a lemon.  Whichever it is, I sense that it will figure toward my reading goal for next year.  As I’ve spent the rainy weekend unpacking books, literacy is on my mind.  For those who see my literomania as some kind of disease, I was cheered to note just how many of the books on display I had indeed read.  The same goes true for a number of the academic books in the study, but, I must confess, while pulling them from their boxes I thought how boring most of them are.  Boring, however, doesn’t equate to useless when it comes to books.  Given their price points some of them may take years to replace.  That’s the point of a resolution, in any case.  It can cause some pain.  As I stuff the moldy, distorted tomes into their body-bags I hope that rereading their replacements will bring them back to life.  After all, resolution and resurrection are not so far apart.


A Few of My Favorite Monsters

It was a guilty pleasure read.  We’d just moved and I needed a new novel for bed-time reading.  Most of our undamaged books were still boxed up and, well, enough excuses: I like Dark Shadows novels.  Hardly well written, these pulp potboilers are like extended, Gothic Scooby-Doo episodes.  I first started finding them used at Goodwill when I was a kid and I’ve re-collected a number of them as an adult.  Although they feature a vampire, and sometimes a werewolf and witch, the crisis of the story generally devolves to a hoax at Collinwood.  So it was with Barnabas, Quentin and the Avenging Ghost.  I hadn’t thought to write a blog post about it until I came across a passage mentioning Rocain.  In context, one of the characters explains how Rocain, the son of Seth, shows that sorcery goes all the way back to Genesis.

Genesis was one of my lines of research during my academic career, although I never published anything I was working on.  I didn’t, however, recall having read about Rocain.  The internet quickly pointed me to Legends of Old Testament Characters by Sabine Baring-Gould, chapter 8.  Clearly this was where Marilyn Ross, or his source, got his information.  Baring-Gould sits on my shelf as the author of The Book of Were-Wolves.  He also wrote the hymn “Onward, Christian Soldiers.”  There was an era, overlapping with Baring-Gould’s lifetime, when a minister could be an independent scholar of repute.  Although much that’s found in his many publications is now disputed, his was a lively and lifelong curiosity that led to several books.  

Upon reflection, Sabine Baring-Gould, who was a priest fascinated by occult topics, would have fit quite well into the Dark Shadows diegesis.  Although set in the late 1960s into the mod ‘70s when the television show aired, these were Victorian vignettes of a conflicted vampire and his strange, wealthy, and somewhat clueless family.  All kinds of guests, some of them quite Lovecraftian, drop into the Maine mansion and its grounds.  The writing of the novels is tepid at best, but the series was surprisingly literate.  Dark Shadows is nevertheless undergoing a kind of revival these days, and friends sometimes tell me they’ve just discovered this oddly compelling world.  I invite them in.  I’ve unpacked a few more boxes since selecting this pulp novel, and one of them, I note, holds books by Sabine Baring-Gould.  The guilty pleasure read?