Childhood’s End?

4 Comments

Writers are agents against chaos.  Those of you who read this blog frequently know that chaos has been one of my themes lately.  Moving, which is a process that takes months and months of time, is pure chaos.  Whenever I settle down to write, yet another moving-related task comes to me—this box needs to be unpacked, that gap in the fence must be mended, where did I put the toolbox?  Mundane things.  Writers like to think the world conforms, somehow, to their inner lives.  In reality, things are far more complex than that and don’t seem to be getting any easier.  Starting to learn about house ownership is something best left for the young, I suspect.  Every question (where should we put the television?) leads to a daisy-chain of other issues (but first we need to move that hutch, but it’s too heavy for either of us to lift, etc.).

In ancient times water symbolized chaos.  Before we left on vacation, the main issue was to get all boxes off the floor in the garage.  We haven’t had time to move them safely inside yet, what with planning for vacation and all, so plastic became the order of the day.  We do need, however, to get things inside eventually.  A slow process for two middle-aged people with full-time jobs, even without jet lag.  Writing feels like a luxury item, for what is most required is time—time to move things to their proper places.  Time to figure out what those proper places are.  Time to go to work again.

Had we thought this through, we might’ve used vacation this year to unpack.  We bought our plane tickets, however, before we bought the house.  This latter transaction is one of chaos embodied.  Who knew, for example, that the grass had to be cut so often?  That all roofs leak?  That chaos is constant, and not intermittent?  In biblical times, one of the signs of God’s greatness was the ability of the Almighty to hold chaos in constant check.  The waters were always lurking, looking for any opening—except when you need rain and it just won’t come.  Sitting here writing feels like the giddy irresponsibility of childhood where there’s so much to get done and so little time in which to do it.  And neighbors don’t appreciate the lawn being mowed before the sun is properly out of bed.  The renter pays a price for living with, for at least some stretches of time, chaos-free maintenance.  The home-owner quickly learns that any time left over for writing feels like being irresponsible, and a little bit divine.

Chaoskampf

6 Comments

It’s a poignant thing to hold a dying book in your hands.  What was once, straight, flat, and dry, now dissolves into a pulpy mess that, if it ever recovers, will be warped and distorted out of shape forever.  The loss of dozens of books hit me hard.  I think one of the many reasons for this is that books represent, for me, order.  They stand at attention all in a row, many on shelves I built lovingly for them.  I remember where I purchased them, the thoughts and feelings of that time.  In a world that’s far too bumpy and lumpy, books represented the ultimate in orderly array.  Now The Golden Bough is melting in my palm, smearing my fingers royal blue.  The forecast for the week—more rain.

The story of creation in the Bible—more properly, stories, for there are many—is not creation out of nothing.  Creation is the making of order out of chaos.  Ancient people, including the Israelites, believed that water was chaos, if not an actual dragon, that constantly worked against order.  You can’t build on water, it attacks the shoreline, it drowns those who fall in.  Never a seafaring people, Israel equated big water with evil.  God, then, fought constantly this unruly foe.  Whether it was with word or sword, the Almighty vanquished that sloshing, thrashing element that tries to tear apart everything we build.  Read Genesis 1 closely; the water is already there when the creating starts.

Life has a way of getting out of control.  It’s not without irony, however.  A person buys a house to store their books, and before the books can be moved in, they’re destroyed.  It’s rather like a parable, don’t you think?  If that person unfortunately thinks of him or herself as a summation of the books s/he’s read then the loss is like losing a limb or two in that endless battle against the forces of confusion that attempt to overcome our world.  When this happens some of us turn to books for comfort.  The books, however, are disintegrating in our hands.  My Amazon account, it seems, is mocking me at the moment with it’s mover’s discount.  Why buy something that will only hurt me when the water gets in once again?  The people of ancient times knew that the waters of chaos had to be held in check constantly.  They look for any opportunity to get in and destroy.  Ancient writers knew that in order to defeat them, only the most powerful gods will do.  

False Memory

2 Comments

One of the reasons our recent loss of books hit me so hard is that each volume contains memories.  Among the more disturbing developments of memory studies in recent years is the fact that what we remember has a tendency to be unreliable.  In other words, our narratives about ourselves contains a good deal of fiction that we remember as fact.  Even if we write down our impressions shortly after an event, such scribbles are just that—impressions.  Lee Irby explores this dynamic in his novel Unreliable.  Now, since the narrator may be the most unreliable I’ve ever read, I don’t want to give away too much.  Irby knows what it’s like to be a professor (something that some of us share with him) and he has a good sense of Edgar Allan Poe.  It’s one of those books that touched on a number of things in my own life.  I think.

First of all, this was an impulse buy at Buffalo Street Books in Ithaca, New York.  I soon discovered why they stocked it.  Edwin Stith, the narrator, teaches at a fictional college in Ithaca.  The story, however, is set in Richmond, Virginia, where Prof. Stith has gone for his mother’s second wedding.  With characters compellingly drawn, he meets his new step-family, runs into an old-girlfriend, and tries to both avoid and hook up with a student of his that he’s dating, more or less.  He claims from the start, however, that we shouldn’t believe him.  The largest part of the story takes place over one feverish day following a very late arrival in town, with plenty of Poe references sprinkled throughout the tale.

Apart from the Ithaca and former professor connections, the book also mentioned, rather spookily, meeting a girl from Slippery Rock University—a rather obscure school from my old neighborhood.  I had dated a Slippery Rock co-ed who’d proved about as unreliable as our narrator, so this single, brief reference managed to jump-start some of my own memories, reliable or not.  Our pasts, along with the books we read, make us who we are.  I’ve lost track of how many times I’ve thought of a scene I’d supposed I’d forgotten from a book I’ve read years ago.  Just the other day I recalled, completely out of of the blue, apropos of nothing, a scene from a Doc Savage novella I’d read as a tween.  Was it a reliable memory?  I have no way to judge, I guess.  And that’s the scary part, as I’m sure Poe would’ve agreed.

High Places

Leave a comment

I have gotten me away unto an high place.  No, that’s no biblical, but it sure sounds psalm-like.  Part of the anxiety I felt about the literary loss over the past few days is that it happened just before a long anticipated, and paid for, vacation.  As Thursday dawned, I knew I had only two days to try to rearrange the undamaged books and try to salvage what I could of those that were soaked.  And I had to do it quickly and then leave, only to see the results when I returned.  Not yet having met any neighbors, and not really being in a position to prevail upon their presumed good will, it was a test of personal endurance.  Our garage has an upper floor that remained dry.  I made well over an hundred trips up those stairs, book boxes in hand.  One cares for ones friends.

For now, however, I am at my favorite high place, in the mountains.  On a lake.  I’m having to reconcile myself with my old foe H2O, for here it is placid welcoming.  It stays outside the cabin and we remain friends.  And truth be told, there is a kind of idolatrous element involved in my visits to the lake.  You see, I covet peace.  Since childhood violence and bullies have led me to a quasi-monastic life—Paul Simon reflected that perfectly in his early song “I am a Rock.”  Even Superman had to have his fortress of solitude.  Some fear being alone with their thoughts.  Although I struggle with them, they are, like my books, who I am.

Dawn’s early light; and it only got worse as the day went on.

Prophets and deuteronomists railed against high places.  Such were locations where the God of Israel grew jealous of the attention lavished on other deities.  Perhaps religious promiscuity comes naturally to people, but we need our high places to regain perspective.  To breathe pine-scented air and feel the chill of a July morning at altitude.  Yes, even to reconcile with the splash of water that is here to make life possible rather than to destroy that which you have worked to acquire.  Ironically some of the destroyed books had been with me since college—theological classics such as Niebuhr, Gutiérrez, and Tillich, lying on the unmown grass beneath a healing sun.  Perhaps they were trying to warn me of the idolatry of such retreat.  But here I am, reflecting on loss and hope, and praying that somehow we might just all get along.

Written Resistance

Leave a comment

Power isn’t what you think it is.  That’s something autocrats never really learn.  Tod Davies explores this tale of our times in Report to Megalopolis, the fourth book of the History of Arcadia series.  The world is taken over by a single-minded dictator who discovers power isn’t what it seems to be.  Assuming power will bring fulfillment, the antagonist gets what he wants, but he doesn’t know what he wants.  (Like a certain rich fool whose name we can’t help but hear daily.)  Wanting for wanting’s sake, and refusing to be denied.  In that sense it’s a simple tale, but as with all of Davies’ stories, it’s more complex than it seems.  The message of resistance comes through loud and clear.

Laying out the groundwork for the tale, she describes, among other things, the religion of Arcadia.  Writers unafraid of reality will note that people have religious beliefs, no matter whether the narrator—or author—shares them.  Worlds without religion are fantasy worlds, or those of cyborgs; they’re difficult to accept.  To be human is to believe.  Not just that, however, but to believe in something more than one’s own wants.  There’s a basic morality to it.  And Report to Megalopolis is a kind of morality play in that it has a lesson that should be learned.  For those who won’t or can’t read, having the humility to admit your own insecurity might well save the world from nuclear holocaust.  If, like Pavo Vale, the antagonist, you insist that your own desire is entitlement, then the only option for all others is to resist.

Back when the harsh reality of Trump’s lackluster “win” became clear, among the artistic community there was discussion of how, from now on, creative expressions of the truth would take on a new urgency.  Songwriters, poets, painters, and novelists have been able to see what the feeble eyes of the GOP cannot—we are in trouble.  Deep trouble.  Elected leaders, caring more about their own wants than the wishes of those who elected them, power ahead to destroy the democracy that gave them power.  As Davies suggests, they have mistaken power for right.  We reach the end of Report to Megalopolis not knowing the end of the story.  We know that things are bad and they have the potential to tip either way.  We, the readers have a choice to make—remain silent and allow all that our founders worked to achieve pass away, or, as even as the cover states directly, resist.

Prelude to Chaos

3 Comments

Liquids are the enemy.  Don’t let the cuteness of this little guy fool you—there’s collusion here.  For as well as creating life, and being necessary to sustain it, water destroys.  Creator, annihilator.  We moved during a time when neither of us had vacation and we told the over-tired movers that it was okay to put our boxes in the garage.  We planned to move them soon, but, you know, work.  Then the rains came.  Not just sprinkles, but downpours.  The garage isn’t water-tight.  Boxes were soaked.  Many books were damaged.  This wasn’t a flood that can be claimed on insurance, it was simply rain pooling where people usually park their (normally waterproof) cars.  In their place sat our books.

We both worked the day after the rains.  When we discovered the damage the next evening, it looked manageable.  I had to work the next day, of course, and a few breaks sufficed to get the many, many boxes of damaged books out into the sun.  It was carnage.  We don’t have much in the way of material goods; we spend a bit of money on books, however.  Now they’ve become the victims laid out on this altar of home ownership which, at the time, seemed like a good idea.  We needed a house for our books.  We needed time to move them from the garage to the house.  Yes, old friend Morpheus, “Time is always against us.”  

Job sat upon his ash-heap and pondered why he’d paid the movers so much only to have his moved goods destroyed.  And in a manner in which insurance assessors are trained to point to the fine print.  Those who store their goods in the garage reap the wrath of liquid.  You see, when water reaches cardboard, or paper, the wood pulp sucks it up.  Carefully dried, the paper remembers the compelling nature of water.  Too little, and you die.  Too much, and you die.  No wonder the ancients thought that water was a deity.  It claims all—tries to get in through your roof.  Lays insouciantly on your basement floor.  And the garage—yes, who thought of the garage when the immediate concern was to shut the windows to keep Leviathan out of the house?  I spent weeks carefully packing those books against shipping damage.  Used up my vacation days doing so.  Chaos has claimed them.  I would weep, but that would be collusion with the enemy, even if nobody sees.

Fair Weather

3 Comments

“I just saw God up on your ridge.”  (Kudos to anyone who can name the source of that quote!)  Many years ago I read Stewart Guthrie’s remarkable Faces in the Clouds.  The idea that he presents is that pareidolia—seeing faces or people where they don’t actually exist—may account for the belief in God.  Early people, not knowing any way to interpret such obvious examples of humans writ everywhere thought they were gods or spirits.  Since reading this book, I’ve taken to trying to capture incidents of pareidolia where I can.  The other day as I was working away in my home office, I noticed a literal face in the clouds.  I thought “I just saw God outside my window.”

Now I know this isn’t really what I saw.  I know matrixing (mistaking noise for signal) when I experience it.  I hope.  Nevertheless, the resemblance was detailed—brow ridge, nose, distinct lips, chin.  The lighting in the fair weather cumulus will likely make this difficult for you to make out, and you might see a face other than the one I saw.  Not everyone thinks of the Almighty in the same way.  Looking at the picture I snapped I can see at least two faces stacked on top of one another—the council of the gods?  Who am I to tell deities what they can or can’t do?   Or to prevent imagination from going where it will?  Religion seems to be an evolved characteristic of our biological makeup—our eyes show us what to believe about the world around us.  The rest is hermeneutics.

Gods and the skies naturally go together.  We can’t reach the heavens nor can we control them.  We can increase greenhouse gases in them, though, threatening the very illusion we see in the clouds.  The glimpse of the divine we once saw there can easily dissolve into acid rain.  Heaven and Hell, according to the story of Dives and Lazarus, aren’t very far apart.  Even as we gaze into the cerulean sky seeking serenity, others are bending laws to allow them to destroy it for profit.  There’s a reason Dives is simply called “the rich man.”  Does Scripture defend the practice of environmental destruction?  Dives’ friends claim the planet was given to us to use and use up and Jesus will swoop out of those clouds we’re manipulating at the last minute and rescue us from the mess we’ve made.  Looking into God’s face in the clouds, I interpret this all as a mere excuse.  To destroy the environment is to side with Dives as he makes his flaming bed of nails in Hell. This is why windows in an office are divine.

Bitten by Religion

5 Comments

The Essex Serpent isn’t what it appears to be.  Sarah Perry’s debut American novel (although it’s her second elsewhere, publishing being the strange beast that it is) was much anticipated.  Like the serpent itself, the novel is difficult to describe.  It comes down to a minister, a widow, and the people with whom they associate.  Instead of going through the complex storyline, I would instead note that once again a novel that explores religion has garnered quite a lot of attention.  It’s difficult to believe the official narrative that we’re constantly fed that religion is well beyond its expiration date when it continues to appear in print media as a prime motivator for people in all kinds of situations.  Novels, however, aren’t popular in the way television, movies, and video games are, so this is worth pondering.

While novels are sometimes disparaged in higher education, their clientele tends to be an educated one.  It takes more commitment to sit down and read a 400-page tome than it does to flip on some device and meander from app to app, channel to channel, or website to website.  Novel reading takes some concentrated effort.  Remembering characters and connections across a span of days or weeks as you wend your way through.  And one thing novelists do, at least in my experience, is explore the way religion makes us who we are.  I don’t choose novels for that reason; I thought The Essex Serpent would be a monster story (remember, I don’t read reviews before reading the book).

My guess is that if you read this blog you’re a potential reader of novels like this, so I won’t offer any spoilers.  The book is suffused with biblical language, as befits a story with a clergyman as a major character.  The protagonist, however, is an irreligious widow on a journey of self-discovery.  Having been dominated by a wealthy husband, she now explores paleontology in a Victorian context.  Although the year is never stated, the novel manages to find that Gothic near-ghost-story feel with the close interplay of death by consumption and fear of the dark.  It’s not a scary book by any means, although there’s plenty of mist in Essex, and a little gruesome detail of what people can do to each other.  The novel caught my attention via reviews I never read and has left me pondering what I’ve just experienced.  And it has reinforced my conviction that, despite what the critics may say, religion is what motivates us, whether we admit it or not.  And serpents may not be what they seem.

Moving Books

Leave a comment

One of my anxieties about moving is that commuting time was my reading time.  Enforced sitting for over three hours a day meant consuming book after book.  Now I have to carve out time to read.  Life has a way of filling the time you have.  I say the following fully aware that you’re on the internet now, but one of the biggest time drains is the worldwide web.  Humans are curious creatures and the web offers to answer any and all queries.  (It still hasn’t come up with a satisfactory answer to the meaning of life, however, IMHO.)  Even when I’m working on my current book, a simple fact-check can lead to surfing and before I know it, I’m out to sea.  That’s why books—paper books—are such a good option.  A footnoted source meant another trip to the library, and libraries led to more reading.

I’m a Goodreads author.  I like Goodreads quite a lot, and I actively accept new friends there.  In the past I set goals of reading 100+ books per year.  Aware back in January that a move might take place, I lowered my expectations.  I figured, even without commuting, that 65 books would be attainable in a year.  Of course, Goodreads doesn’t count the books you write, only those you read.  I had to tell even Amazon Author Central that Holy Horror was my book.  Moving, however, is a liminal time.  Every spare minute is spent packing.  And you still owe “the man” eight hours of your day.  That rumble that you feel is the moving truck growing closer.  Reading time has become scarce.  I fear I’m becoming illiterate.

And Goodreads makes me think of Twitter.  I’ll just click over there a while and wonder why I can’t seem to grow a following.  Ah, it turns out that you have to tweet often and incessantly, with erudite and trenchant things to say.  The birds chirping once a second outside my window can’t even keep up.  Problem is, I have a 9-to-5 job, and I’m trying to write Nightmares with the Bible.  And there’s just one more fact I have to check.  Wait, what’s the weather going to be like today?  Gosh, is that the time?  I have to get packing!  That moving van will be here only hours from now.  I need to calm down.  The way to do that, in my case, is to read a book.

Extra Baggage

2 Comments

So, I’m packing.  Have been, on and off, since January.  One of the most dreaded moments of packing is the closets.  You know how in horror movies the villain often hides in closets?  We have no danger of that.  Any monster foolish enough to try it would be suffocated under tons of stuff.  Some houses may have walk-in closets, but I am inclined to call a mining company whenever I need to find anything in ours.  Our closets have led full lives.  It’s almost 100 degrees outside and I’m excavating.  We’re at that stage of “absolutely need to keep?” instead of “do we want this?”  Then I came upon it.  The layer of SBL tote bags.  Like a paleontologist of ancient academia.

If you’ve been a member of the Society of Biblical Literature you know what I mean.  Every year the Society wants you to realize value for your money, and they give you a tote-bag to help you haul home the books you’re going to buy.  Long-time attendees know to pack an empty suitcase inside their regular one just to accommodate the books.  (That could also account for about ninety percent of my packing—we have more books than a small town public library.)  But it’s not the books that are the problem today, it’s the bags.  I’ve been attending SBL since 1991.  Do the math.  I seem to recall that they didn’t do tote bags back in Kansas City, but soon after they became part of the agenda.  And I have an impressive pile of them in my closet.

Too small for groceries—especially in the early editions, back when we could meet in smaller venues—and too impractical for anything other than books, they multiply in our closets.  What professor doesn’t have his or her iconic briefcase already?  Reduce, reuse, recycle they say.  At least half of my totes have never been reused.  Zippers?  Who thought of that?  Pulling handfuls out of the closet, I marvel at their colors.  I can’t remember everyone walking around with a red bag—what year was that?  (San Francisco, 2011.)  The black leather edition—remember that one?  (SBL, n.d.)  The bags aren’t really useful for packing, on a movers’ scale.  You can imagine the burly guys outside their truck scratching their heads at this impractical conveyance.  Like so much else in life they’ve become mere souvenirs.  From the French word for something like “remembrance,” souvenirs are meant to take us back to the place in vivid detail.  I fear that many past meetings have run together into a blend of biblical arcana.  I’m sure that’s just me.  Still, I’m responsible for this new discovery.  I’d I’ll need shortly to decide whether these totes go into the museum or back into the landfill that moving inevitably creates in a throw-away world.

Melting Psalmists

4 Comments

With weather like this, I could use a Psalm or two.  Of course, in my mind, weather and Psalms are closely connected.  Here in the mid-Atlantic states, we’ve been experiencing a heat wave.  Unlike many parts of the west, such heat here in the east is accompanied by very moist air, meaning that cooling down is only possible in a large body of water or air conditioned interiors.  We have neither readily available at our place, so we try our best to keep cool and compose psalms, mostly imprecatory, I fear, about the weather.  Although it was thunderstorms that stirred my interest to write Weathering the Psalms, I included a chapter about temperature, for the Psalter sings of hot and cold as well as lightning and thunder.

The world of ancient Israel was quite different from that of North America.  There are mainly two seasons in the Levant—dry and rainy.  The dry season isn’t always as hot as we tend to imagine it, although the day I visited Masada the air temperature was about 120 degrees.  Enough to make a dip in the Dead Sea look inviting.  The Bible often views high heat as a form of divine punishment.  Although we human beings have expanded to fill just about every ecosystem our planet has to offer, we thrive in central California conditions.  Not all of us can live there, however.  And it’s a good thing that global warming’s a myth since it’s awfully hard to function when it is over 90 degrees for days in a row.  WWDD?  What would David draft?  Perhaps, “I’m melting”?

The interesting thing about the global warming myth is how real it feels.  I suppose the solution is to use more fossil fuels to help keep cool.  Fans, arctic air conditioning, lingering languidly at the open freezer door.  I stand here sweating, wondering what the Almighty could possibly find wrong with a country that is now great again.  One that takes children from their mothers yet insists birth control is evil.  One that loudly and punishingly insists guns should be in every home.  One where the elected head of government is involved in over 3,500 lawsuits, yet gets to appoint justices in the Supreme Court.  David got caught, if not in flagrante delicto, at least within a couple months of adultery with Bathsheba.  Instead of paying her off, he had her husband murdered.  But then—and here’s the key difference—he humbled himself and repented.  The sweet Psalmist of Israel might yet have something to teach us yet about weather and the Psalter.  Until the United States becomes the chosen nation again, I think a cold shower will have to do.

You’ve Never Seen

Leave a comment

In spite of accusations of puerile voyeurism, horror is a genre containing many deep films. I have no training as a film critic, but it’s evident that among the more weighty of horror heavyweights is The Exorcist. Mark Kermode is, on the other hand, a film critic, and his book named after the movie demonstrates just how much a viewer can see. I’ve watched The Exorcist quite a few times and there were things I’ve consistently missed. I also realize that I’ve only ever seen The Version You’ve Never Seen (the 2000 theatrical re-release). Having been too young and far too skittish to have seen its debut, I’ve been happy—if that’s the right word to use with such a production—with the version I’ve seen. That’s the human condition, I guess. Kermode made me wonder what it would’ve been like to have experienced it before the spoilers became universally known.

Yes, there are striking special effects—especially for the early 1970s—but the message is what really holds the depth. The story is the classic struggle of good and evil. Demons are, after all, a form of evil personified. The fact that a young girl is the victim may be a little too true to life, but it also gives the drama considerable emotional resonance. In the end, according to the view of the writer and director, good wins. The struggle, as they portray it, is real and costly. It’s always informative to find out what those who made a film thought it was about. Even with the motive of making money, many involved in the industry still have the hearts of artists. Maybe even priests.

Having learned at the feet of post-modernists, we know that no interpretation—even that of the creators—is privileged. Just as there’s no such thing as “only reading,” no one “only watches” cinema. The acts of reading and watching inherently involve interpretation. Kermode draws that out nicely in this little book. His interpretation, as insightful as it is, is but one way of looking at it. Was The Exorcist the version originally released in 1973? Bill Blatty and Bill Friedkin disagreed to the end about what the definitive version was. The many sequels and spin-offs have reinterpreted the story in their own ways. So it is with the struggle against evil. There’s no one single way to go about it. Some make horror movies to demonstrate that point precisely. At least in my view they do.

Wolves Again

1 Comment

Although I don’t read movie reviews until after I’ve seen a film, I have a confession to make. With rumors swirling of The Conjuring 3, and since a chapter of Nightmares with the Bible will involve The Conjuring, I was a little curious what it might be about. Word on the street—and by “street” I mean “internet”—is that it will feature the case of Ed and Lorraine Warren that’s presented in Werewolf. Co-written by William Ramsey (the victim) and Robert David Chase, the book describes the strange malady of Ramsey, who never actually changed into a wolf, but for inexplicable reasons (at the time) thought himself a wolf and took on a wolfish look as he attacked people. The reports suggest he had preternatural strength at such times.

Since most of the Warrens’ books are concerned with demons, it should come as no surprise that in this case that was the diagnosis as well. With no real reason given, once upon a childhood evening Ramsey was possessed and occasionally broke out into violent fits. He landed in a psychiatric hospital a couple of times, but was eventually released. Noticed by the Warrens on one of their trips to England, Ramsey was invited to come stateside for an exorcism. According to the book, the rite was successful at least up until the time of publication. That’s the thing about demons—you can’t always tell for sure when they’re gone.

It’s pretty obvious why such a story line would appeal for a horror flick. You’ve got a werewolf, an unnamed demon, and an exorcism—there’s a lot to work with here. Weird things happen in the world, and there’s not too much to strain the credulity in this case. It would seem possible that a mental illness could cause much of what’s described as plaguing Ramsey, though. Its episodic nature is strange, I suppose, and the Warrens had a reputation for spotting demons. I did miss the conventional elements of the exorcism, however. No demon forced to give its name, no levitating and no head-spinning. Not even a bona fide bodily transformation. They’ll be able to fix that in Hollywood, I’m sure. Credulous or not, there will always be people like me who feel compelled to read such books. And since there’s no final arbiter but opinion in cases of the supernatural, that can leave you wondering.

Mythologies

1 Comment

Now that Holy Horror will be appearing soon, I’ve been neglecting my horror movies. It’s not on purpose, I assure you. I don’t feel comfortable speaking as a writer—publishers tend to agree with that, and besides, my job is more of being a reader—but my experience of it suggests you never have enough time. (Or money; movies never come with no costs.) With another book under contract and a lot more going on behind the scenes than I reveal on this blog, as Morpheus says, “Time is always against us.” So when my wife showed me a story about Hereditary, I knew my list of must sees would only continue to grow. I haven’t even seen Get Out yet!

Beyond being simple guilty pleasures, horror films area also a means of coping. I know this because although they’re generally very successful at the box office, I’ve rarely met anyone who admits to watching them. Horror thrives on secrets. We act one way in public, and a different way when we shut the door and pull the drapes. Since we’ve outlived our belief in gods and heroes, cinema has taken the role of mythology in modern life. Crammed with archetypes—and yes, stereotypes—movies act out age-old themes in impressive displays of color and sound. You might even learn something without trying. Mythology may have originated in stories told around the campfire, but science never displaced the need for hearing them again and again in different media.

I’ve taken to writing books about films because it’s clear that meaning lies there for many people. The invention of cinema and television forever changed culture. Yes, there’s cheap, thoughtless material available in both formats. Still, movies have an ability to convey truths in a way that sermons often fail to do. The values they depict are often very human ones. Horror, for example, isn’t about blood and gore. It’s about survival. That’s not to say the protagonists always reach a happy ending, but we learn from their mistakes. There’s a reason you shouldn’t open closet doors in a house not your own. Those who do, however, often find uncomfortable truths inside. Holy Horror looks in the closet at the way the Bible functions iconically in horror. Since writing it I continue to notice the Bible in horror and I feel affirmed in the conclusions I drew. And if only I had a bit more time, I’d be watching more mythology. And the list only keeps getting longer.

What’s the Story?

3 Comments

Belief is truly an amazing phenomenon. Even as we see it play out daily in the news, rational people ask themselves how people can accept something that all the evidence decries; just take a look at Fox news. In any case, those who study demons come up against the name of Fr. Gabriele Amorth with some frequency. Amorth was a true believer. Earlier this year I read one of his books and I wondered if he might reveal more in An Exorcist Tells His Story. Forgive me for being curious, but I really am interested in his story—how did this man become the passionate spokesperson for exorcism being reestablished in every Catholic diocese? What were the personal experiences that led him to this? Who was he?

Some people can’t write about themselves. Some, and I suspect clergy often fall into this trap, can’t write without the material becoming a sermon. This book is such an extended homily. Along the way Amorth does discuss a few cases of demonic possession and how it is to be confronted, but mostly he discusses the theology of his view of Catholicism and how that is essential to understanding demons. What is most odd about this is the inconsistency of a true believer in Catholicism admitting that Protestants too can drive out demons right after declaring the Roman Ritual is the only way for Catholics to do so. And only bishops, or those priests appointed by them, are permitted as exorcists. Is this a case of the enemy of my enemy is my friend? Protestants, according to the theology he espouses, shouldn’t be able to do this. If they can, why doesn’t it make him question his faith?

Known for his thousands of exorcisms, Amorth continues to have a healthy following. Anyone reading this book for a consistent outlook will be left wondering. How can Catholic exorcism work only if it follows the rules, and Protestant exorcism work when it is done by those who believe falsely? The same applies to his assertions that those who are possessed are not morally at fault, for it is the demon that makes them do evil things. At the same time those who lead “immoral” lives—according to Catholic standards—are more likely to become possessed. A few pages earlier we’d been told about saints who’d been possessed. I don’t mean to suggest anything about Amorth’s faith commitments—it’s celestially clear that he was a true believer. His commitment to help those who were possessed was legendary. Perhaps it’s just that demons are agents of chaos, and in such circumstances even theology can become a victim. I’m still wondering about his story, though.