Extra Baggage

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So, I’m packing.  Have been, on and off, since January.  One of the most dreaded moments of packing is the closets.  You know how in horror movies the villain often hides in closets?  We have no danger of that.  Any monster foolish enough to try it would be suffocated under tons of stuff.  Some houses may have walk-in closets, but I am inclined to call a mining company whenever I need to find anything in ours.  Our closets have led full lives.  It’s almost 100 degrees outside and I’m excavating.  We’re at that stage of “absolutely need to keep?” instead of “do we want this?”  Then I came upon it.  The layer of SBL tote bags.  Like a paleontologist of ancient academia.

If you’ve been a member of the Society of Biblical Literature you know what I mean.  Every year the Society wants you to realize value for your money, and they give you a tote-bag to help you haul home the books you’re going to buy.  Long-time attendees know to pack an empty suitcase inside their regular one just to accommodate the books.  (That could also account for about ninety percent of my packing—we have more books than a small town public library.)  But it’s not the books that are the problem today, it’s the bags.  I’ve been attending SBL since 1991.  Do the math.  I seem to recall that they didn’t do tote bags back in Kansas City, but soon after they became part of the agenda.  And I have an impressive pile of them in my closet.

Too small for groceries—especially in the early editions, back when we could meet in smaller venues—and too impractical for anything other than books, they multiply in our closets.  What professor doesn’t have his or her iconic briefcase already?  Reduce, reuse, recycle they say.  At least half of my totes have never been reused.  Zippers?  Who thought of that?  Pulling handfuls out of the closet, I marvel at their colors.  I can’t remember everyone walking around with a red bag—what year was that?  (San Francisco, 2011.)  The black leather edition—remember that one?  (SBL, n.d.)  The bags aren’t really useful for packing, on a movers’ scale.  You can imagine the burly guys outside their truck scratching their heads at this impractical conveyance.  Like so much else in life they’ve become mere souvenirs.  From the French word for something like “remembrance,” souvenirs are meant to take us back to the place in vivid detail.  I fear that many past meetings have run together into a blend of biblical arcana.  I’m sure that’s just me.  Still, I’m responsible for this new discovery.  I’d I’ll need shortly to decide whether these totes go into the museum or back into the landfill that moving inevitably creates in a throw-away world.

Melting Psalmists

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With weather like this, I could use a Psalm or two.  Of course, in my mind, weather and Psalms are closely connected.  Here in the mid-Atlantic states, we’ve been experiencing a heat wave.  Unlike many parts of the west, such heat here in the east is accompanied by very moist air, meaning that cooling down is only possible in a large body of water or air conditioned interiors.  We have neither readily available at our place, so we try our best to keep cool and compose psalms, mostly imprecatory, I fear, about the weather.  Although it was thunderstorms that stirred my interest to write Weathering the Psalms, I included a chapter about temperature, for the Psalter sings of hot and cold as well as lightning and thunder.

The world of ancient Israel was quite different from that of North America.  There are mainly two seasons in the Levant—dry and rainy.  The dry season isn’t always as hot as we tend to imagine it, although the day I visited Masada the air temperature was about 120 degrees.  Enough to make a dip in the Dead Sea look inviting.  The Bible often views high heat as a form of divine punishment.  Although we human beings have expanded to fill just about every ecosystem our planet has to offer, we thrive in central California conditions.  Not all of us can live there, however.  And it’s a good thing that global warming’s a myth since it’s awfully hard to function when it is over 90 degrees for days in a row.  WWDD?  What would David draft?  Perhaps, “I’m melting”?

The interesting thing about the global warming myth is how real it feels.  I suppose the solution is to use more fossil fuels to help keep cool.  Fans, arctic air conditioning, lingering languidly at the open freezer door.  I stand here sweating, wondering what the Almighty could possibly find wrong with a country that is now great again.  One that takes children from their mothers yet insists birth control is evil.  One that loudly and punishingly insists guns should be in every home.  One where the elected head of government is involved in over 3,500 lawsuits, yet gets to appoint justices in the Supreme Court.  David got caught, if not in flagrante delicto, at least within a couple months of adultery with Bathsheba.  Instead of paying her off, he had her husband murdered.  But then—and here’s the key difference—he humbled himself and repented.  The sweet Psalmist of Israel might yet have something to teach us yet about weather and the Psalter.  Until the United States becomes the chosen nation again, I think a cold shower will have to do.

You’ve Never Seen

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In spite of accusations of puerile voyeurism, horror is a genre containing many deep films. I have no training as a film critic, but it’s evident that among the more weighty of horror heavyweights is The Exorcist. Mark Kermode is, on the other hand, a film critic, and his book named after the movie demonstrates just how much a viewer can see. I’ve watched The Exorcist quite a few times and there were things I’ve consistently missed. I also realize that I’ve only ever seen The Version You’ve Never Seen (the 2000 theatrical re-release). Having been too young and far too skittish to have seen its debut, I’ve been happy—if that’s the right word to use with such a production—with the version I’ve seen. That’s the human condition, I guess. Kermode made me wonder what it would’ve been like to have experienced it before the spoilers became universally known.

Yes, there are striking special effects—especially for the early 1970s—but the message is what really holds the depth. The story is the classic struggle of good and evil. Demons are, after all, a form of evil personified. The fact that a young girl is the victim may be a little too true to life, but it also gives the drama considerable emotional resonance. In the end, according to the view of the writer and director, good wins. The struggle, as they portray it, is real and costly. It’s always informative to find out what those who made a film thought it was about. Even with the motive of making money, many involved in the industry still have the hearts of artists. Maybe even priests.

Having learned at the feet of post-modernists, we know that no interpretation—even that of the creators—is privileged. Just as there’s no such thing as “only reading,” no one “only watches” cinema. The acts of reading and watching inherently involve interpretation. Kermode draws that out nicely in this little book. His interpretation, as insightful as it is, is but one way of looking at it. Was The Exorcist the version originally released in 1973? Bill Blatty and Bill Friedkin disagreed to the end about what the definitive version was. The many sequels and spin-offs have reinterpreted the story in their own ways. So it is with the struggle against evil. There’s no one single way to go about it. Some make horror movies to demonstrate that point precisely. At least in my view they do.

Wolves Again

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Although I don’t read movie reviews until after I’ve seen a film, I have a confession to make. With rumors swirling of The Conjuring 3, and since a chapter of Nightmares with the Bible will involve The Conjuring, I was a little curious what it might be about. Word on the street—and by “street” I mean “internet”—is that it will feature the case of Ed and Lorraine Warren that’s presented in Werewolf. Co-written by William Ramsey (the victim) and Robert David Chase, the book describes the strange malady of Ramsey, who never actually changed into a wolf, but for inexplicable reasons (at the time) thought himself a wolf and took on a wolfish look as he attacked people. The reports suggest he had preternatural strength at such times.

Since most of the Warrens’ books are concerned with demons, it should come as no surprise that in this case that was the diagnosis as well. With no real reason given, once upon a childhood evening Ramsey was possessed and occasionally broke out into violent fits. He landed in a psychiatric hospital a couple of times, but was eventually released. Noticed by the Warrens on one of their trips to England, Ramsey was invited to come stateside for an exorcism. According to the book, the rite was successful at least up until the time of publication. That’s the thing about demons—you can’t always tell for sure when they’re gone.

It’s pretty obvious why such a story line would appeal for a horror flick. You’ve got a werewolf, an unnamed demon, and an exorcism—there’s a lot to work with here. Weird things happen in the world, and there’s not too much to strain the credulity in this case. It would seem possible that a mental illness could cause much of what’s described as plaguing Ramsey, though. Its episodic nature is strange, I suppose, and the Warrens had a reputation for spotting demons. I did miss the conventional elements of the exorcism, however. No demon forced to give its name, no levitating and no head-spinning. Not even a bona fide bodily transformation. They’ll be able to fix that in Hollywood, I’m sure. Credulous or not, there will always be people like me who feel compelled to read such books. And since there’s no final arbiter but opinion in cases of the supernatural, that can leave you wondering.

Mythologies

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Now that Holy Horror will be appearing soon, I’ve been neglecting my horror movies. It’s not on purpose, I assure you. I don’t feel comfortable speaking as a writer—publishers tend to agree with that, and besides, my job is more of being a reader—but my experience of it suggests you never have enough time. (Or money; movies never come with no costs.) With another book under contract and a lot more going on behind the scenes than I reveal on this blog, as Morpheus says, “Time is always against us.” So when my wife showed me a story about Hereditary, I knew my list of must sees would only continue to grow. I haven’t even seen Get Out yet!

Beyond being simple guilty pleasures, horror films area also a means of coping. I know this because although they’re generally very successful at the box office, I’ve rarely met anyone who admits to watching them. Horror thrives on secrets. We act one way in public, and a different way when we shut the door and pull the drapes. Since we’ve outlived our belief in gods and heroes, cinema has taken the role of mythology in modern life. Crammed with archetypes—and yes, stereotypes—movies act out age-old themes in impressive displays of color and sound. You might even learn something without trying. Mythology may have originated in stories told around the campfire, but science never displaced the need for hearing them again and again in different media.

I’ve taken to writing books about films because it’s clear that meaning lies there for many people. The invention of cinema and television forever changed culture. Yes, there’s cheap, thoughtless material available in both formats. Still, movies have an ability to convey truths in a way that sermons often fail to do. The values they depict are often very human ones. Horror, for example, isn’t about blood and gore. It’s about survival. That’s not to say the protagonists always reach a happy ending, but we learn from their mistakes. There’s a reason you shouldn’t open closet doors in a house not your own. Those who do, however, often find uncomfortable truths inside. Holy Horror looks in the closet at the way the Bible functions iconically in horror. Since writing it I continue to notice the Bible in horror and I feel affirmed in the conclusions I drew. And if only I had a bit more time, I’d be watching more mythology. And the list only keeps getting longer.

What’s the Story?

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Belief is truly an amazing phenomenon. Even as we see it play out daily in the news, rational people ask themselves how people can accept something that all the evidence decries; just take a look at Fox news. In any case, those who study demons come up against the name of Fr. Gabriele Amorth with some frequency. Amorth was a true believer. Earlier this year I read one of his books and I wondered if he might reveal more in An Exorcist Tells His Story. Forgive me for being curious, but I really am interested in his story—how did this man become the passionate spokesperson for exorcism being reestablished in every Catholic diocese? What were the personal experiences that led him to this? Who was he?

Some people can’t write about themselves. Some, and I suspect clergy often fall into this trap, can’t write without the material becoming a sermon. This book is such an extended homily. Along the way Amorth does discuss a few cases of demonic possession and how it is to be confronted, but mostly he discusses the theology of his view of Catholicism and how that is essential to understanding demons. What is most odd about this is the inconsistency of a true believer in Catholicism admitting that Protestants too can drive out demons right after declaring the Roman Ritual is the only way for Catholics to do so. And only bishops, or those priests appointed by them, are permitted as exorcists. Is this a case of the enemy of my enemy is my friend? Protestants, according to the theology he espouses, shouldn’t be able to do this. If they can, why doesn’t it make him question his faith?

Known for his thousands of exorcisms, Amorth continues to have a healthy following. Anyone reading this book for a consistent outlook will be left wondering. How can Catholic exorcism work only if it follows the rules, and Protestant exorcism work when it is done by those who believe falsely? The same applies to his assertions that those who are possessed are not morally at fault, for it is the demon that makes them do evil things. At the same time those who lead “immoral” lives—according to Catholic standards—are more likely to become possessed. A few pages earlier we’d been told about saints who’d been possessed. I don’t mean to suggest anything about Amorth’s faith commitments—it’s celestially clear that he was a true believer. His commitment to help those who were possessed was legendary. Perhaps it’s just that demons are agents of chaos, and in such circumstances even theology can become a victim. I’m still wondering about his story, though.

Behind the Scenes

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Although I confess to being a horror aficionado, it took many years before I could convince myself to watch The Exorcist. I finally saw it in the mid-20-aughts, and have watched it many times since. It’s a movie that I discuss in Holy Horror, and it will star in Nightmares with the Bible as well. Although younger people often don’t experience the movie as scary—certainly the increasing trust in science and growth of secularity contribute to this—there is a sincerity about it that earns it its deserved place in the pantheon of horror. Bob McCabe surely counts as a fan for his The Exorcist: Out of the Shadows. Sub-subtitled The Full Story of the Film, this book is a gallimaufry of anecdotes, interviews, and facts about the movie and even its sequels. It’s like of like a sustained reaction shot.

The book doesn’t lack insight and McCabe is surely right that this was one of the most influential movies of the early 1970s. It has become a frame of reference on its own and it has defined, in large measure, what people believe about demonic possession. One of the quotes from McCabe’s treatment however, uses the phrase “metaphysical unknown” to explain why the film retains its power to scare, and there’s a great deal of wisdom in that assessment. Fear of the unknown, of course, is prime real estate for horror, and one of the most interesting things about demons is how little the Bible, or other ancient texts, really says (or say) about them. They are an embodiment of the unknown that can take over a person and make her somebody else. But it’s that metaphysical that’s really scary.

As we continue into a time of less and less that remains unclaimed by scientific theory, those metaphysical unknowns continue to lurk and to frighten. Maybe it’s the concept of the metaphysical itself that scares—can there really be something larger, more intelligent than us? The human psyche bruises easily, and we don’t like to be reminded that we lack the control we suppose we have each day. The metaphysical challenges all that. Since it refuses to submit to empirical verification, it remains unknown. A great many people interpret this as the same as not believing in it. Every once in a while, however, a powerful statement such as The Exorcist comes along. Few people thought about demons before William Peter Blatty’s novel and subsequent film. Then the world was full of them again. Requests for exorcisms are on the rise, and the metaphysical unknown haunts us now as much as it ever has.

The Pack

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Maturity, in my experience, means knowing little and assuming even less. When I was young I grew up on a diet of books that were linear—plots were easily followed and there was clear resolution at the end. Who, as a kid, thinks that such a standard is impossible? One of this year’s reading challenges was a book nominated for an award in 2018. That assures a pretty current book, and I chose Emily Fridlund’s History of Wolves. Like life, it’s not linear. The narrator is unreliable. There are a lot of threads left hanging. It’s also a completely mesmerizing story. I selected it not because the content deals to a large extent with religion—I had no idea that it did when I selected the book, but, given what I do on this blog it was definitely a bonus.

I don’t want to give too many spoilers here since this is a novel well worth reading. I’ve always been impressed with writers who can convey accurately what it was like to be a teenager. A time of awkward discovery when we learn that things weren’t what we thought. Linda, the narrator, has been raised in a religious commune in the northern Minnesota woods. When a Christian Scientist couple moves into a cabin not too far away, she becomes a trusted “governess” for their young, sickly son. Unable, for religious reasons, to admit their son’s illness, they entrust him to Linda’s care. She comes to know each person in a unique way and learns that even adults don’t have the answers.

An interesting conceit for a story—one minority religion learning about another—the book ranges wide and far from that. Life as a teenager is when one typically both needs and rebels against religion. The awakening of adolescence, something our psyches aren’t equipped to comprehend much before this time, throws everything into confusion. History of Wolves won’t lead to any answers, but it is a useful discussion partner to have along the way. The Christian Scientists I’ve known have to face some of the same issues raised in this tale. Ironically, the advance of science has hit this group particularly hard. Novels such as this demonstrate that we, as a species, still turn to religion to explain our world. We’re frequently told that it’s safe to ignore—it’s from the childhood of our evolution. I wonder, however, whether Homo sapiens have just begun to reach adolescence and we are just starting to learn what it means to be adults in a world we don’t understand.

Faithism

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Religion, in general, has come upon hard times. Many proponents of science and secularism point disparagingly toward what is, in all likelihood, one of religion’s strengths: its utter diversity. The fact is all people are believers. No amount of denial will change that. Whether the belief is in science or magic, we all take things as true, based on our outlook. My wife recently forwarded me a story about Faithism from the New York Times. A religion built around the Oahspe Bible, written about the same time as the Book of Mormon, Faithism very nearly went extinct before undergoing a modest revival in the present day. Instead of casting aspersions on it, a far better approach is to consider the basic, underlying human element to the movement.

Faithism was based on a book written by a dentist, a one John Ballou Newbrough. Although I’d never hear of Newbrough before, I can make a safe assumption about him—he was struggling with trying to understand a supernatural that can’t be measured or tested. This same element applies to scientists. Measurables have to leave at least a physical trace. Millennia ago, religions were already claiming that outside this mortal coil there was an entire realm that we could experience with our feelings but which would never offer any physical confirmation. There’s a pretty obvious difference between the living and the dead (at least to most people). Since nothing measurable changes at human death, it must be something incorporeal. Scientists begin to shake their heads here, but even they must face it some day.

The other takeaway from Faithism is that spiritual writings, like tiny particulate matter in clouds, can lead to the coalescence of something larger. Orally based religions, such as Zoroastrianism, seldom survive long. (Zoroastrianism, however, had very compelling ideas.) Written texts, once believed to be inspired, will naturally grow like a pearl over a grit of sand. The factuality of the text doesn’t matter, as long as it is the object of belief. When it rains, it pours. Some architects of new religious movements, such as L. Ron Hubbard, perhaps implicitly know that. While his science fiction may not have been inspired, his religious texts were. Unlike Scientology, science requires objective measures of what it considers reality. The title of Faithism, however, makes a trenchant point—it is belief in faith, like fear of fear itself, that makes religion. While historically few have believed in Faithism, even atheists have faith in what they don’t believe.

Mountain Tops

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Idaho can be a peaceful place. I’ve spent parts of many summers there. I grew aware, over time, that the northern panhandle had an association with white supremacists, but if you stick to the touristed areas you don’t run into them. During the Ruby Ridge standoff I was busy trying to establish my teaching career in Wisconsin while living in Illinois—I guess my commuting life began all the way back then. I didn’t have much time for the news, and I don’t recall hearing much about the tragedy. It was shortly eclipsed by Waco. Jess Walter’s Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family presents perhaps more than you need to know about this story with no winners and much strange theology. In case you missed it too, here are the basics:

Randy and Vicki Weaver were an Iowa couple who were drawn into the Christian Identity movement. This was a white separatist, apocalyptic survivalist faith. Convinced the world was going to end, they moved to a remote part of northern Idaho and built a cabin on a rocky ridge and stockpiled guns. Being a white supremacist was actually considered bad in the 1990s (now it’s mainstream Republican ideology) and federal marshals and the FBI got involved. The Weavers had four children and that complicated things. Predictably, the government attempt to shoot an extremist family out of their religion ended tragically. The Weavers’ only son Samuel was the first killed, and then Vicki. The locals, including many skinheads, gathered at the base of the mountain in support of the Weavers as the feds led a military operation into a nearly two-week standoff.

Apart from being too long, Walter’s book is an important reminder of many things at this time. Even though America had a Republican president in 1992, white supremacy was considered dangerous and was characterized as domestic terrorism. The standoff at Ruby Ridge quickly became a cause célèbre for religious freedom, no matter how strange beliefs might be. Ironically, even as the trial was going on the Branch Davidian compound in Waco was being stormed. Now we have a “president” who makes it plausible that a “k” has somehow dropped out of Waco, or at least has been tripled. The national narrative is America is for whites only. It’s as if Martin Luther King Jr., Woody Guthrie, and Abraham Lincoln never existed. I would say “How the mighty are fallen,” but that might sound a little too religious for some. Even the Religious Right has, since that time, left the Bible out of the equation.

Only Which King James?

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Nothing is as simple as it seems. Not that the Bible ever claims simplicity for itself. Among those who make up their minds before seeing all the evidence, there’s a strong preference for the “King James Version” of the Bible. Many with that preference will claim that they don’t interpret the Good Book, they just read it. Reading itself is an act of interpretation and stakes tend to be pretty high when the claim for divine authorship is on the table. So I figured I’d better interpret something about the King James Bible myself. Gordon Campbell’s Bible: The Story of the King James Version is an informative, authoritative, and often witty treatment of the topic. One of the immediate takeaways is that there is no single KJV.

Beginning in the beginning, Gordon tells the story of the Bible in English. There were translations before the King James, and its translation companies used these previous efforts and sometimes borrowed extensively from them. In other words, there’s nothing new under the sun. Once the King James was done in 1611 it had to be printed, and printing, being what it is, led to errors. Although these were of the secular, human kind, they nevertheless appear from the beginning and new typesettings led to corrections and other errors, some perhaps intentional. Then came the revisions. What readers buy—and some claim is an inspired translation—as the KJV is a revision of a revision. Of a revision. In other words, the inspiration seems to lie with the redactors rather than the translators themselves. There are many different “official” King James versions. Translations are never static.

King James Onlyists (a modern movement) may not realize that the New Revised Standard Version is the modern descendant of the King James. The Revised Version (RV), followed by the Revised Standard Version (RSV), and its more recent, feared progeny (the NRSV) are all based on the King James translation. That is the version “Revised” in each of these efforts. They consult improved versions of ancient texts that have been discovered since the Jacobean era, but where they earn the ire of conservatives is in the updating of the modern language. A Bible with no thees or thous hardly seems sacred at all. The line of continuity is there, however. Other Bible translations “start over” but still consult the KJV, such is its stature. The real problem comes in supposing that any one translation is the original. No original Hebrew or Greek biblical manuscripts survive, and no original King James Version exists. How uncomfortable these facts are, everyone will have to interpret for her or himself.

The Hardest Part

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The waiting, Tom Petty suggested, is a most difficult portion (no copyright violations!). The late, great departed rocker had a point. When I was younger I thought waiting was a theological problem, but the fact is it’s an unavoidable part of life. Right now I’m in that holding pattern between having submitted my files for Holy Horror and awaiting anxiously the proofs. Anxiously because there’s so much going on right now that I’m not sure how I can carve out the time to read them. Time and tides, they say, wait for no one.

I suspect a big part of this is that I have high hopes for this book. Not that I’m being unrealistic. I’m hoping to break that 500 copies barrier that holds most academic books hostage. Holy Horror isn’t really academic—it’s not technical at all like my last two books were—it’s just that the premise is academic. What do horror movies tell us about the Bible? I take that question seriously. You see, I read about the Bible a lot. Whether we want to admit it or not, western culture is based on it both implicitly and explicitly. People who castigate it don’t seem to realize that our very way of thinking is based on it. If you doubt that, talk to someone raised in eastern Asia. Someone thoroughly Buddhist or Confucian in outlook. The way we frame our thinking is based on a biblical worldview over here. It’s smart to pay attention to things like that.

At the same time, we are believers in media. Looking out the bus window on the way home I’m always amazed at how many people on the Parkway are texting while they’re driving (yes, you can be seen from above!). We can’t live without our media. When it comes to the Good Book, most people rely on media to tell them what it says. Horror, although not popular with many people, always does well at the box office. And one of the things I explore in Holy Horror is just how often the Bible appears in such movies. It’s not ubiquitous, but it certainly isn’t rare either. We should take to heart what other people say about us. Not that they know the truth of the matter—they seldom do—but we are social animals and we make our reality based on interactions with others. Those who make horror movies know things about the Bible that scholars don’t. And they know that suspense—waiting, as it were—is the hardest part.

A New Look

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I beg the indulgence of my regular readers as I post a public service entry today. As I noted a few weeks back, I have filled the allotted free space on WordPress. That meant I had to move to a paid plan and what with all the extra space in here I hired a professional web-designer to help me spruce the place up a bit. This note is to let you know that within the next 24 hours the appearance of this website will change dramatically. Don’t worry, Sects and Violence in the Ancient World will still be part of it. I hope that, if you subscribe, you’ll be willing to move that subscription to the blog page because I’ll continue to use it. The new home page will allow me to attempt to bring my books to the attention of the world while continuing to do whatever it is I do on a daily basis here at the blog. Since you’ve been kind enough to read this far, I figured I could share a little of my thinking about the blog in an exercise in meta-narrative.

First of all, the title. Why do I call the blog “Sects and Violence in the Ancient World”? As much as I’d like to say it was an intentional quasi-anagram involving my initials and other key letters of my full name, that wasn’t actually it. This blog began as a summertime conversation with my extended family while on vacation. I hardly knew what a blog was then (and some would argue I clearly don’t know what one is even now!), but but brother-in-law suggested it as a place to do some podcasting. (I did, until I started working in New York City, which ate up virtually all of my free time during the week.) One of my nieces said “What would you call your blog?” Off the top of my head I said “Sects and Violence,” well, you know the rest. I originally had hopes that my career teaching ancient West Asian religions would continue some day. Indeed, I still post in that area, but my interests have shifted a bit since then. The main theme of the blog has remained religious studies, broadly conceived. I don’t limit myself to that, but I do use it as a personal pole-star.

Writing is its own reward. And besides, WordPress told me I’d run out of space. The next time you check in here, things will probably look a bit different. The blog will still be there, but there will be some other pages and features. Thanks for coming at least part way on the journey with me. And when I run out of space again, we’ll see where it goes from there.

My Heavens

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The details escape me. I was a student at Grove City College, working on a paper. In the library I ran across an article about a rain of fish. Always interested in the unusual, I was surprised to see such a piece in a reputable journal, and up until that time I’d never heard of Charles Fort or his gathering of such accounts from around the world. That paper was in my mind when I picked up It’s Raining Frogs and Fishes by Jerry Dennis and Glenn Wolff at a used bookstore. Subtitled Four Seasons of Natural Phenomena and Oddities of the Sky, it was published by the mainstream Harper, so I figured it wasn’t too far afield from reality. It turned out to be more the subtitle than the title, but an engaging read nevertheless.

There is a small section on rains of fish and other strange objects, but the book is really a tribute to the sky. Although I’m not an anthropologist, I have long been intrigued by the fact that people everywhere associate the sky with the divine. From the human perspective, it’s massive and all-encompassing. No matter where you stand on this planet, the sky extended over you, engulfing the horizon and implying even more beyond. It is responsible for our weather, and without the buffering of our atmosphere no life would’ve evolved on the earth at all (and that would be a pity because I enjoy writing this blog). Perhaps even before there were humans proper, our ancestors thought there was something divine about the sky.

While the firmament can’t be contained in a book, this one tries to consider just about everything you might find in the celestial realm. From extremes of weather to meteors to strange things falling from the sky, it tells of rain and snow and sunshine, insects, bats, and birds. The four seasons don’t really function as the best conceit for the book, since the sky is eternal and many of the aspects discussed are present all year long—the moon is with us always and the sun rises and sets even in winter. Nevertheless, this strange and alluring book demonstrates how the sky makes us what we are. Even though it was written in the last century it warns of global warming—then merely an idea—and shows how humans are capable of destroying that which gives them life. That article back in college suggested that the impossible happens, and that, given how the world is going, causes me to look upward with wonder.

Crafting Magic

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There’s a disingenuousness about an extremely wealthy white man claiming he’s the victim of a “witch hunt.” Such super-slurring devalues the many thousands of lives lost in actual witch hunts, most of them female. Regular readers of this blog know that I’ve long been fascinated by witches, and since I have so little time, Very Short Introductions are appealing. Malcolm Gaskill’s such introduction on Witchcraft is a surprisingly sensitive book that manages to touch on many important aspects of those who spend time thinking. The relationship between religion and science, for example. Witches force that question in various ways. The main takeaway, however, is another that the witch-in-chief would do well to take to heart—we must learn from history. History may be the key to human survival.

Gaskill has an unnerving balance when it comes to witch hunts. In places his attempts at objectivity can appear a little cold—history has demonstrated that the numbers of people killed in Europe’s witch madness aren’t as high as often claimed. Still, the loss of over 100,000 lives to propitiate our collective fears is tragic. This little book crams a lot of information in and it carries an appropriately warning tone. We don’t really understand what witches are, and we do still live in a world where hunts for them take place. Our psychies, ever so rational, crave magic. Societies from earliest times feared as well as desired it. Our belief in witches, and witchcraft, betrays quite a lot of what it means to be human.

This quick study isn’t all about witch hunts, though. It also explores the world of witchcraft, both in ancient and modern times. From Mesopotamian diviners to Wiccans, “the craft” has always been with us and is believed in by a surprisingly large number of people in industrialized societies. Magic, of course, generally leads to unexpected results. And the metaphor of its power over our imagination is forgotten at a terrible price. As Gaskill makes clear, the “witch” can be a stand-in for the other—the other religion, the other nationality, the other we fear and, now with government sanction, drive out or destroy. There is no magic to a wealthy man buying the presidency of the nation. There is, however, a culpability, a reckoning, if you will, that must attend abuses of this metaphor. The GOP has become a party of familiars in this compact with the Devil, it seems. That’s just a metaphor. But then again, metaphors can sometimes truly be magic.