Monsters of Science

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ScienceOfMonstersMaybe it’s the ebola in the air, or perhaps the gas from all the midterm elections verbiage, but I’ve been on a monster run this October. I just finished Matt Kaplan’s The Science of Monsters: The Origins of the Creatures We Love to Fear. It is a charmingly written book, at parts approaching the finesse of Mary Roach. Beginning with the ancient Greeks (and sometimes stepping back into the world of the Bible or the Mesopotamians) Kaplan examines the major categories of monsters and tries to offer scientific explanations for why people came up with them. It is a keen conceit and it is deftly handled. Noting that animals sometimes got jumbled in the fossilization process, he offers explanations for creatures such as the Chimera, Griffon, and perhaps even the Sphinx. Some of the unlikely episodes are quite fun to visualize as well, as when a snake slithers over a tar pit where a goat got stuck and was eaten by a lion that also got stuck. Beast after hideous beast he brings down to analytical size, sometimes convincing even this old monster lover.

One of the problems, however, is that science often doesn’t comprehend the symbolic nature of mythical thought. Quite apart from sheer creativity—and it does exist!—some of the material in Kaplan’s analysis would have benefited from having a mythographer’s look. For example, demons do not suddenly appear as monsters in the Middle Ages. Kaplan knows this, but that’s where he starts. The ancient Mesopotamians knew of them very, perhaps, too, well. And Lilith isn’t even mentioned when discussing succubi. Still, there’s a great deal of interesting conjecture here, and some scientifically, if not mythographically, viable suggestions on whence vampires and werewolves. As expected, modern sightings of cryptids are simply swept off the table, but I almost shouted aloud when I read that he gave credence to Wade Davis’s work on Haitian zombies.

The larger question here is one of approach. Do monsters lend themselves to scientific explanations at all? The case that elephant/mammoth skulls might suggest a cyclops seems reasonable enough, and the occasional dinosaur bone that represented a giant in ancient times is entirely possible. (Who can tell one femur from another anyway?) But the monster is primarily a creature inhabiting the shadowy realms of religion and psychology. Our fears are seldom directed toward science, although, now that I’ve read his chapter on “The Created” I’m not so sure. Constructing backward toward the unknown is always a dicey proposition, as those of us who’ve studied history of religions know. We may be able to find the genesis of modern monsters, but, admittedly, the fun for most of our scary friends is that they are mysterious. Impervious, as it were, even to science.

Gothic American

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AmericanGothAmerican Gothic, the painting by Grant Wood, caused me trouble at Routledge. An author wanted to use the image on the cover of his book (we eventually managed it) but the choice was contested at every step. Along the way editors, editorial assistants, and marketers all told me what the painting represented and how it was inappropriate. I’ve learned, however, a few things from the post-modernist movement: nobody can say what an artwork means definitively. So when I read American Gothic: New Interventions in a National Narrative by Robert K. Martin and Eric Savoy, I was ready for a combination of po-mo and the macabre. Like post-modernism, Gothic is a difficult term to define. Indeed, the first set of essays in this collection struggle with definitions. Being literary criticism, the book points out that the novel and Gothic more or less developed together. When people read to be entertained, as early as the eighteenth century, they wanted to read Gothic tales.

Being a life-long fan of Poe, I was pleased to see that he made a good showing in the pieces contained in the book. What makes it appropriate to this blog—other than it being October, a comment that requires no explanation in the northern hemisphere—is a notion I found early in the book. People read horror literature for healing. Anthropologically, the wounded healer is a well-recognized figure. In a world where we expect opposites to go together health comes from disease and healing from being wounded. The gothic is a wounding of the mind to lend it healing. To be sure, many of us who read gothic literature do not relish scenes of violence or hurt. We do, however, find a kind of therapy within such darkness. In the darkness light is best appreciated. Who uses a flashlight outdoors on a sunny day?

As with most books from multiple authors, there’s some unevenness to the contributions here, yet more often than not, I found deep insight throughout its pages. Religion makes occasional appearances. Indeed, the figures of the monk and the debased church are stock images for early gothic literature. The sacred, if we’re honest, is a bit creepy. Having spent many nights in churches on retreats or for hospitality when youth groups couldn’t afford a hotel, I know that fewer places are scarier at night than an unlit, empty sanctuary. The gothic, following culture, has tended to move away from monasteries and churches into the more scientific spaces of the twenty-first century. Nevertheless, ravens and haunted houses still evoke the age-old fears of a coming period of darkness, the Halloween of the soul. And for those who want to know how a post-modern crowd scans the darkness, this book will not disappoint.

Monster Mash

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American MonstersIn one of those ironies of personal history, I never met Linda Godfrey although we lived not far from one another and shared a great many common interests. I’m not sure she would return the sentiment, but while I lived at Nashotah House many odd things happened. Academics can be pretty deep in denial about what they experience, and although I never saw any man-wolves, as I stood outside one night to photograph a comet I felt terribly exposed and in not a little danger. This was on a rural seminary campus. Nashotah was still wooded then, before evangelical shaving of the landscape, and certainly among the most gothic of seminaries I’ve ever seen. Meanwhile Linda Godfrey was researching, just a few miles down the road, weird animal sightings on Bray Road. I began a correspondence with her after we left Wisconsin and I have read all of her books. Local history has always fascinated me, and although I was an accidental Wisconsonite, I nevertheless enjoyed learning about the strangeness of the state I formerly called home.

Godfrey’s latest book, American Monsters: A History of Monster Lore, Legends, and Sightings in America, throws a wider net. We are all in here with the monsters. Blending, as the subtitle suggests, lore and legends with eyewitness accounts, American Monsters can leave the reader a little disoriented, in a good way. We’ve been taught to discount anything that doesn’t match the everyday—what boss wants a worker with a higher vision?—and pretend that such things don’t exist. Weird creatures don’t donate their bodies to science readily, and we are left wondering if something is really peering at us from these October woods. Inside you’ll find stories of flying, swimming, and running monsters. We are safe nowhere. Either from the scientifically undocumented or from those that are purely imaginary. I stand outside in the dark in a smallish town waiting for a bus. What was that sound behind me?

Monsters are only now beginning to gain academic respectability. When I was in graduate school the topic felt so puerile that no respectable Ph.D. candidate would dare suggest such a dissertation to a button-down committee. Now they are beginning to roll off the presses. As part of the religious imagination, monsters are not so easily dismissed. We can assign them to the dark caverns of fantasy and under-stimulated imagination, but they will burst out in their own time and, like gods, demand our devotion. I have no idea whether these cryptids creep, flap, or swish around in our world. People see them all the same. And believing may be seeing. I’m glad for Godfrey’s success at pointing out that our rational world is full of monsters. Hers is a perfect book for days of effacing light and lengthening shadows, all across the country.

See Serpent

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GreatNewEnglandSeaSerpentSeeing, it is said, is believing. I have a feeling that this truism may have become effaced somewhat in this age of deft photo manipulation and apps that are marketed to insert ghosts and UFOs into any picture. Nevertheless, anyone who has seen anything genuinely puzzling knows that it creates a lasting impression. A world without mystery, although a capitalist’s dream, is a nightmare for everyone else. So it was, now that October is here, I settled down with J. P. O’Neill’s The Great New England Sea Serpent. I found O’Neill’s book in a used bookstore a few weekends ago (appropriately water-damaged), and since I have a fascination with the ocean and monsters, this seemed like it would appeal to both of my avocations. It did indeed. O’Neill isn’t a sensationalist writer, but rather she is a normal person with normal jobs who has an interest in strange animals. Beginning in 1751 and up to three-quarters through the twentieth century, people had been spotting a classical sea serpent along the New England coast, and occasionally on ocean voyages across the Atlantic. Of course, we’re told, sea serpents don’t exist.

The Great New England Sea Serpent is a compendium of sightings from many reliable witnesses over the centuries. Of course, to many it is impossible. To me this appears to be the same kind of arrogance we apply to the universe—if we haven’t catalogued it by now, it doesn’t exist—to suggest there are no monsters of the deep. As any oceanographer will tell you, we know more about the surface of the moon than we do about our own oceans. If you turn your globe (or app) just right, there are views of our planet where virtually no land is visible. We are a watery planet. Even with current technology, the deep ocean is difficult, and very expensive, to explore. Who knows what might be lurking there right off the bow? O’Neill’s account is full of old salts and snarky journalists, but at the core of it all is a humility in the face of the largeness of the sea. What do we really know?

Of course, there is a fear of literalism. The Bible (and other ancient texts) take sea monsters for granted. Leviathan is a dangerous beast and, no matter what the pundits say, is no crocodile. And yet, for the past several decades the reports of the New England beast have dried up. Where has our beloved sea serpent gone? I have to wonder with both our polluting our oceans and our increasingly efficient (and massive) ships, if we haven’t simply forgotten that ancient maps used to leave space for dragons. Our great ships, guided by GPS, and our oceans running a temperature, are sure signs that greed has surpassed wonder. Have we, in our self-centeredness, slain the last of our dragons? O’Neill, please understand, does not call them dragons. Hers is a sober and straightforward account. But when October comes I just can’t help but hope there are still some monsters out there, deep under the waves.

Books on Wheels

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Some unexpected serendipities transport you to childhood. Somewhere on Interstate 80 I passed a bookmobile. The notion felt strangely old-fashioned in this days of Nooks and Kindles. Indeed, a Kindlemobile would have been no less surprising. The idea, I recall, that someone cared enough about my little school to drive a bus full of books right up to it, made me feel special. I mean, these were books—for me! I don’t recollect ever checking any out since it was the ’60’s and everything communal had a strangely communist cast to it. We couldn’t afford many books. Indeed, growing up, we didn’t have a proper bookshelf anywhere in the house. When I began to buy books, I kept them in a cheap suitcase. The only trips I made, really, were in my mind.

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In Manhattan I occasionally see the Mitzvah Tank. New York is often thought of as one of the most literate cities around. Even here, books can come to your door. With chutzpah. Religions, at least many of them, coalesced around books. Sacred writings are among the omnipresent symbols that you’ve come into religious territory. The act of writing itself is somehow holy, even to the most secular, beyond the most cynical. We share our minds through our fingers and others are invited to see, or at least to glimpse, what might be going on inside this three-pound universe locked in our craniums.

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What would I put in a bookmobile? The other day my family began putting together a list of the influential authors in our lives. We all read quite a bit, and the list grew lengthy rather quickly. What would be in the canon of a Bible for the twenty-first century? What books would we want others to share? Ironically, many would find religious books objectionable on some level or another. The armored personnel carrier of Christian soldiers might well set us on the run. Nevertheless, with enough reading even the extremes can be viewed in perspective. On this highway I’ve found a kindred spirit, and when books are coming your way, it is a mitzvah indeed.

Growing Up

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WakingUpI am in two minds about Sam Harris’s Waking Up. Literally. I haven’t read Harris since The End of Faith, and I have to admit that I found Waking Up to be a very engaging book. I can’t agree with everything Harris writes—that’s an occupational hazard of acquiring advanced degrees—but to have a scientist, an atheist no less, praise spirituality felt incredibly genuine. Spiritual experiences happen. I’ve had a few doozies over the years. I’ve also read a number of scientists who tell me they’re all an illusion. Harris admits that consciousness is a mystery. His use of “mind” instead of “brain” won me over from the beginning. I discovered that the atheist can also be a seeker. Dogmatism, of whatever stripe, is the enemy.

Harris has considerable experience meditating. This is no activity for posers or wimps. It is, despite minimal physical demands, hard work. Throughout the book we get the sense that Buddhism is among the least objectionable religions, when divested of its myths. I do wonder, however, if demythologized Christianity was ever given a fair chance. From my own experience, some of the selflessness advocated by Harris can be found in taking aspects of Christianity seriously. I understand, I think, Harris’s objections to religion. It can, and does, lead to horrors both obvious and subtle. Yet, every once in a perhaps great while, it does offer redemption. Meditation, for example, has its roots in religious practice. It is this that Harris calls spirituality. And it is good.

A Guide to Spirituality without Religion is an apt subtitle for this brutally honest and open book. Harris’s knowledge as a neuroscientist endows his ideas with great authority. He opines, and he is not alone, that meditation demonstrates that “I” is only an illusion. This loss of self will haunt me for some time. For decades I is all I seem to have. Still, I am pleased to find an open-minded scientist on this same path I tread. Raised to be both spiritual and religious set the trajectory of my otherwise logic-driven life. You can’t go back and change all that, but you can grow up. To read of Harris’s spiritual experiences in the geography of great spiritual masters as well as in the laboratory instill in this reader a profound hope. Whether or not this reader is merely an illusion. There may be morning after this long night, after all.

Knockin’ Where?

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KnockinOnHeavensDoorFor a while, when I was with Routledge, I tried to kick-start the old series Biblical Limits. I didn’t initiate the series, but it had been cutting edge at the time, and one thing biblical scholars seldom get to claim is that particular adjectival phrase. Alas, my enthusiasm wasn’t contagious and the series never moved ahead. Recently I decided to read Roland Boer’s Knockin’ on Heaven’s Door: The Bible and Popular Culture. Little did I realize that it would be a book that would make such a literal fit for the symbolic nature of my blog title. This is a book that my internet savvy would declare NSFW: not safe for work. Boer explores the sex and violence that are really rather pronounced in the biblical text, but which are often sublimated into object lessons for the faithful. We hear that such books as Song of Songs are allegories since they can’t possibly be about real people really attracted to each other. Would God sanction such things, well, after Genesis 1, I mean?

Post-modern readings of the Bible like to place the obvious before the reader. There is, no doubt, some over-reading going on here, but there is plentiful insight as well. A number of places I stopped and thought, I could use that, were I still teaching. Popular culture isn’t just movies and video games. There is a very human element to culture. Indeed, culture would not exist without such a thing as human interest. Boer explores everything from David’s carnal interests to Alfred Hitchcock’s morbid ones. McDonalds to Ezekiel in Guns-n-Roses. This is not the usual finding Christology in E.T. This is more like the bad boy’s Bible.

If the Bible cannot be made applicable to a constantly changing culture, then it becomes irrelevant. Many object to Boer’s bold treatment, but I believe that unless we can move beyond our concerns with J, E, D, P, R, Q, and double, or triple-redactions, we’re going to lose readers from page one. Knockin’ on Heaven’s Door is a page-turner. You can sit on the bus and have people think you’re reading about the Bible when in reality, a chapter on pornography may have you blushing madly. It brings to mind Odysseus in Polyphemus’s cave. But then, blind giants may be the most dangerous of all.

Casing the Promised Land

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In one of the great ironies of the English language “flammable” and “inflammable” mean the same thing. Sometimes an extra syllable can make all the difference. “Ideas are incombustible,” wrote Ellen Hopkins in the final stanza of “Manifesto.” Unlike inflammable, that which is incombustible can’t be burned away. Most literally expressed in Ray Bradbury’s Fahrenheit 451, ideas are, however, endangered in a culture that claims to support them while secretly allowing them to be banned. Orwell called it doublespeak, and we all owe it to our heirs to fight it wherever we can. Sometimes the promised land may not be all that it seems. Can the brave truly be this afraid? Some politicians think “Born in the USA” is a complimentary song. Never has there been a better case for emphasizing literacy.

We fear the ideas our children might encounter, making them into the people they are meant to be. I’d like to return to an idea I broached at the beginning of this year’s Banned Book Week—the Bible has been a banned book. According to the antics of various preachers and vigilantes, so have been the Quran and the Book of Mormon. Destroying books or their authors, however, only creates martyrs. Until the world begins to understand that memes are more durable than genes we will fight our futile wars to drive the thoughts away. Azar Nafisi in Reading Lolita in Tehran tells of how some regimes want to control even our dreams. As if cutting the wings from angels were even possible. How do you physically cut an incorporeal being? Some may need to look “incorporeal” up in a dictionary.

I can’t remember when I started to read for fun, but I do know I haven’t been able to stop since. I have no idea how many books I’ve read, but it certainly comes out to more than the money I’ve ever been able to save. I write this with not an iota of regret. In my humble opinion people are products of the books they read, the songs they hear, the movies they watch. Ideas. Ideas permeate us and we, like sponges, absorb our nutrients from them. Inevitably we come to resemble the concepts we ingest. Ingesting concepts is perhaps the best way to think of Banned Book Week. Inflammable and flammable mean the same thing. Incombustible, however, is something completely different.

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Afraid for God

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ReadingLolitaInTehranReading Reading Lolita in Tehran, by Azar Nafisi, is not easy. It is, however, rewarding. Appropriate for Banned Book Week, we might want to remind ourselves what a society that bans books actually looks like. Nafisi, an Iranian teacher of English literature, had broadened her mind and had traveled abroad. When she returned to her home country to take up a teaching post, she discovered that the world you always knew can be very unstable. It can change without you realizing it. (Mene, mene, tekel, upharsin, left even the sages scratching their heads.) The Revolution, as it was known in Iran, brought in the radical conservatism of religious outlooks that saw women as little more than temptations for men. The wearing of the veil was enforced by law. Nafisi was told it was a small price to pay for the greater good. The rhetoric is the same every time I’ve been frisked at the airport, although I’m a lifelong pacifist. In Iran, things were much worse.

Nafisi recounts gathering a group of her women students together after she was forced out of the university. They would meet at her apartment to discuss literature, including Vladimir Nabokov’s Lolita. How must it feel to be a woman reading about a man’s obsession with a girl so young? As Nafisi points out, girls of Lolita’s age are considered marriageable in some Islamic states. It isn’t Islam that’s the problem, it is extremism. When I read about how she became “irrelevant,” I literally shuddered. In my own way too, I had been made irrelevant to higher education by those who felt any means would justify religious ends. And the bookstores in Tehran were closed, for they sold dangerous ideas. The irrelevance of one woman, or even half the population, is a small price to pay for self-righteousness.

“You say you’re afraid for God,” Ellen Hopkins wrote in “Manifesto.” Afraid for the Almighty. Such a strange concept. Fundamentalists of all monotheistic stripes believe in an all-powerful God whom they arrogantly presume to protect. How can a human even conceive such hubris? We feel secure in our Bible-emboldened superiority, challenged when reminded that the Quran, the Book of Mormon, or even Science and Health came later, and by definition supersessionism inevitably takes hold. “Paranoia is in bloom,” Muse reminds us. Missiles fall on Tehran, killing women and children. We elect, however, officials who agree that healthcare for women is politically negotiable. The reason has nothing at all to do with justice. It has everything to do with using a black-bound book for power over those who are just twelve-year olds wondering how any of this is even possible.

Academic Freedom

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Azusa Pacific University, 2013. Emmanuel Christian Seminary, 2012. Interdenominational Theological Center, 2012. University of Illinois, 2010. Carroll College, 2005. Nashotah House Episcopal Seminary, 2005. Unfortunately the list could go on and on. Academic institutions in the land of the free and the home of the brave dismissing faculty for saying or writing something that offended their doctrines. This is the land of my birth, and yet I’m still rocked by its permissiveness. That’s not permissiveness in that sense. I was latterly working on a paper called “the myth of academic freedom.” I know too many people for whom that myth has become a reality and all the while the governments, state and national, try to decide on more important issues such as whether or not to give children equal opportunity, our institutions crumble for petty points of pretentious pugilistic piety. Not only books may be banned, but those who potentially write them as well.

“You say you’re afraid for America,” Ellen Hopkins’s “Manifesto” suggests. Academics, of all people, should be afraid. Our society asks us to borrow thousands and thousands of dollars to become experts in some obscure topic only to release us from any possibility of finding employment that allows us to pay off said debt. “I don’t need no arms around me,” but I sure could use a podium in front of me. I am afraid for America. I am afraid for a nation that doesn’t defend its thinkers, instead following the wealthy to the peak of an unscalable Everest.

Academic freedom was once the guarantee that no question was disallowed, no thought anathema. We live in a time of pronounced conservative pushback, where those who feel threatened by knowledge persecute those who dare to think. Ironically in this situation many academics have become complacent. Having a place of your own, and the compunction not to make waves in this bathtub will allow your toy boat to float for many a year. Long enough to reach safe harbor. Beneath the surface shipwrecks lurk and books will never be written. Banned books are easiest to engineer at the aborted career stage. Even a pro-lifer knows that.

They don't write 'em like that anymore...

They don’t write ’em like that anymore…

Lola Lolita

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LolitaAs a father, Vladimir Nabokov’s Lolita is difficult to read. With Banned Book Week upon us, however, and with my wife suggesting I read Reading Lolita in Tehran, I figured I’d better read Lolita in New Jersey first. It’s not the kind of book you want to be seen reading on the bus. As is well known, the novel is written from the sympathetic point of view of a pedophile. It is distinctly creepy and yet also strangely sincere. Effacing the distinctions between love and lust and healthy and ill psyches, the story draws you into the life of a single-minded Humbert Humbert and his twelve-year-old obsession. I had been prepared for the end of the story, having seen Stanley Kubrick’s cinematic version some years ago, still, this tale distresses. Banned books take us to places we’d rather not be, and cause us to linger there. This is part of their secret appeal. These authors are honest enough to make us question assumptions. You have floated out of sight of land.

Lolita, through euphony, if not something more, reminds me of “Lola.” The Kink’s hit. I first heard “Lola” while I was in seminary, although it had been released a decade and a half earlier (I tend to run a little behind the times). When I listen to songs I pay attention to the lyrics, and I was disturbed to find that “Lola” was a catchy tune with a (to me, at the time) disturbing message. I confessed to a friend that I liked the song, but wasn’t sure that I should. We ban songs just as we ban books, because they bring us to a place where we question what we thought we knew. In my case, it often doesn’t take much. My friend Dave gave sage advice not to overthink the whole thing. If you like a song, you like a song. Let the music play on.

“You say you’re afraid for children,” Ellen Hopkins’s second stanza of “Manifesto” begins. (I confess to following a different scansion of the poem, call it poetic license.) I believe, however, our fear is for ourselves. We know that we could have a monster lurking inside. Lolita does not encourage pedophilia. Like many social crimes, pedophilia is the manifestation of an illness that some people, like sociopaths, unfortunately suffer. The lack of empathy for others is a frightening thing indeed. It makes for some of the scariest movies, and headlines, that I have ever seen. We do ourselves no favors, however, by pretending it doesn’t exist. I know little of the life of Nabokov, but I know that he died in Montreux. I know that he could afford to live there at least in part because of the royalties from Lolita, a novel whose manuscript he had once attempted to burn. And I know that in Montreux “some stupid with a flare gun,” well, you know the rest.

Acts of Apostles

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“Manifesto,” the poem that launched Banned Book Week 2010, was written by banned author Ellen Hopkins. As a perspicacious undergraduate I know pointed out, each stanza of this poem addresses an aspect of that strange cultural fear known as Banned Book Week. Her line, “false
patriots who live in fear of discourse,” in stanza one makes me tremble each time. You see, it is easy to believe that censorship applies only to Nazis goose-stepping around bonfires with books flying through the air like a Steven Spielberg movie, or even, more recently, The Book Thief (the book is better than the movie), or godless Communists. That fear, however, travels both forward and backward in time. The Patriot Act has been at work effacing liberty for several years now, and people too fond of fear are unwilling to withdraw it. The world of frightening ideas in which we live, however, is nothing new. Literary artists bring us to uncomfortable places. That’s why we read them.

If we turn history’s pages back to the Nazis, we find ourselves sitting in judgment over their cowardly act of book burning. Those who never read of the phoenix are swift to recreate the myth. But we do history a disservice if we stop there. I was recently reminded that burning books has a biblical precedent. According to Acts 19.19, while Paul was performing miracles in Ephesus, those who were converted brought out their books of magic and burned them, to the approval of the nascent Christian movement. A Bible that advocates the burning of books is ironic, for the Bible itself has been banned in parts of the world. What greater crime against humanity can there be than the deliberate destruction of its own cultural heritage? We don’t believe in magic any more, but we still burn books.

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Owen Davies, in his book Grimoires, shows that the practice goes back even further, with Romans burning books of magic as early as 186 B.C.E. There is a perverse symbolism at work here. As someone who admires, but can’t afford, antique books, the thought of ancient documents intentionally destroyed appears as one of the most easily preventable of cultural crimes. Sometimes as I hurry through the Port Authority Bus Terminal to reach my gate, I see the military guards with machine guns and full combat fatigues and I hope that they don’t stop me to search my bag. The only thing I’m carrying is books. Books, however, convey ideas. Banned Book Week reminds us each year that ideas are essential to the life of the mind. They may be burned or banned, but they will live on. The cost, however, may never be fully recovered by the society that permits its ideas to be incinerated.

All Things Being Equal

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Today the light and darkness are equal. The equinox is the great equalizer of the year, the day that reminds us summer’s ebullience is always, and ever will only be, temporary. From this day forth, for six months, night will dominate day. Religions the world over have offered responses to the increasing darkness. Autumnal festivals are among the most poignant as we can see the light diminishing, but we know nothing we can do will prevent it. Time alone cures this growing tenebrous atmosphere, until, as the solstice arrives, we dance, and sing, and drink, and burn candles to encourage the light to return. Return it does, on our universe’s ever rotating axis, bringing us around once again to when days lengthen and we turn our thoughts toward shallower things.

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The ember months, September, October (by association), November, December, each with an increasing sense of solemnity, invite us to read. Today begins Banned Book Week. I’ll be posting about banned books since, although my books deemed fit to print are so mundane as to offend no one, I stand in solidarity with any writer who has ever been told that her or his book is too violent, sexy, or depraved to be read. What thoughts are too dangerous to think? Religions will tell you, and so will pseudo-religions. Thoughts, however, are not so easily stopped. As an editor, I am a gatekeeper of sorts. Still, I know as an author that those I turn aside will persist. They will find their publishers. Their words will not be banned.

As an erstwhile writer I know that some of myself resides in each work clacked out on this keyboard. Those lucky enough to court editors with their efforts find the larger readerships. Some authors don’t even write their own books any more. Anyone can be imitated. The truly original, however, will always end up on someone’s banned book list. Our minds resist being challenged. We don’t want assumptions to be wrong. It’s too much work to have to think through all of this. It is easier to ban books than to have to try to comprehend them. As the darkness increases over the coming months, I will stockpile candles and light bulbs and huddle down next to a stack of books, secure in knowing that most of them have offended somebody along the way. And reading those books will only cause the light to grow.

Bargain Basement

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Signs, in my experience at least, lend themselves to being over-read. How often a heedless moment suggests something more than was intended—signs try to say too much in too few words. Indeed, poets rather than marketers ought to be sought. I found myself in Barnes and Noble recently, since Borders is gone. In all fairness, I attended two independent bookstores as penance afterward. Nevertheless, in the corporate atmosphere of the last major brick-and-mortar chain, I saw a sign. Several, actually. One of the most obvious is how many tchotchkes the store had, as opposed to wall-to-wall books. Barnes and Nobel has never been particularly imaginative in its selection of floor stock, but now it is a great place to buy toys, electronics, and coffee. Maybe pick up a book as an afterthought on your way out.

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The front space just inside the door of a bookstore is prime real estate. Publishers have to pay extra to have their books displayed immediately inside the doors—something they reserve for sure-fire rapid sellers. The average customer will walk in, down the center aisle and there they will find promoted (and demoted) items, laid out on their own tables. So it was that I saw a sign reading “Religion & Spirituality Bargain Priced.” In fact, they’re free. Not the books, but religion and spirituality. Even in this secular world, people are not shy about buying books in these categories. Step into the religion aisle sometime. You may be surprised how much you find there. In fact, those who track the industry often include Christian books as a third major category besides fiction and non. We trust those who know enough to write books about such matters. The Bible, despite its detractors, is a bestseller by any measure.

Do we, however, value religion and spirituality? So often religion is portrayed as the root of all extremism while spirituality is relegated to the weak-minded. The science section generally takes up only half the shelf space of religion. People want to know what it’s all about. The rates are anything but bargain priced. Some religion may indeed be simple, but most religions are unexpectedly complex. Those who engage them seriously know there is more to life than just fact and fiction. There are middle grounds and outer limits. There are places that have yet to be discovered, let alone explored. We are in the infancy of intellectual awakening. Of course that shows in how quickly we’ve abandoned our bookstores and gone off after less weighty things. If you have a moment, though, on your way to the coffee bar, you might pick up some religion cheap, and who knows where it might lead?

Banned Magic

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Grimoires“If you believe in the power of magic,” Eric Woolfson plaintively sang, “then I can change your mind.” A song that bewitched my younger years, when the atmosphere is just right, it can still bring a silent tear to my eye. Magic is a powerful elixir.

On my own personal almanac of holidays, Banned Book Week is one that takes the most preparation. In anticipation, for it is next week already, I read Owen Davies’ Grimoires: A History of Magic Books. Since this blog doesn’t get nearly the readership of a banned book, I might explain that witches are among my favorite topics. Despite that, and despite growing up with constant curiosity about religion, I only learned about grimoires recently. Davies makes it clear in his book that apart from some standard texts that have been around for a few centuries, the idea of a magic book is really relatively recent. Yes, the Egyptians and Mesopotamians had books of magic, but the concept of a grimoire only really fits the Zeitgeist of medieval Europe particularly well. Such books may draw on or cite oriental wisdom, frequently stepping into the forbidden territory of Arabic learning and alchemy, but they reflect the worldview of the Middle Ages when magic still seemed possible. In earlier centuries conjuring seems to have been subsumed under the miracles associated with Jesus, and we don’t hear much about magi beyond people like Simon Magus.

Davies packs a lot of information into his book, but my reason for focusing on it here, now, is the banned nature of grimoires. Many of them are considered rare and valuable books today, but in their day they were dangerous and forbidden. The concept that an idea can be suppressed is an odd one. In fact, many ideas have a very difficult time finding receptive minds. Once it is written down, however, an idea can circulate. The surest way to guarantee that it will is to ban it. People want to know what is so dangerous about this idea that it must be kept hidden. It makes an idea powerful, esoteric. Forbidden fruit, we all know if we’ll only be honest, is the sweetest.

Grimoires were considered most efficacious when written by hand. Although it took the printing press to proliferate such books, magic was believed to be most potent in the hand-written form. By writing text, one engages intimately with it. This is a reality we are in danger of losing in the computerized age. I grew up with only a second-hand typewriter acquired by my family when I was in high school. Most of what I wrote—for inspiration seldom comes when you’re sitting at your desk—was done by hand. My own little grimoires. Now we’ve added the interface of a keyboard. It is faster, and more efficient. Clinical even. But often the magic seems to be gone. And that is testified in many banned books. They especially, I would aver, believe in the power of magic.