Human, Nature

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Wild EarthSomeone recently told me that a city blocks a certain vibration that people draw from contact with the earth. I know that vibration often sets off “new age” alarms, but this person was rational, scientific, and had grown up in New York City. I grew up in a town on the edge of the woods. We didn’t live on concrete. In fact, the floor of our shack was so thin in some places that you could see the actual soil underneath. Even our driveway was gravel. Although it was a dysfunctional family, I felt more connected to my planet back then. Wild Earth, Wild Soul: A Manual for Ecstatic Culture, by Bill Pfeiffer, is just what it says. It’s a manual for how to get back in touch with nature. Basing his ideas on those of indigenous cultures world-wide, with a healthy dose of shamanism, he explores the vibrations of the earth. I had, at times, to force myself to listen. He’s right about so much that I stayed with the narrative to the end.

Civilization comes with a price tag. A very high price tag. The rates have been set by a small group of “progressives” who operate with the idea—mistaken—that all nature is a machine. Physics, they claim, and chemistry, show that all of life is mathematical. Nothing in the universe doesn’t add up. But biology, as Pfeiffer repeatedly shows, often doesn’t. The mistake is as fundamental as it is reductionistic. Life isn’t quantifiable. Biology messes up the nice, neat system we’ve invented. Indigenous peoples, while not idealized, lived in much better harmony with the land, not over-exploiting. It was a sustainable existence. What “civilized” people wanted was more. More of everything. A surplus, in fact. Without that surplus there is no business, right? Capitalize on that!

We’ve lost touch with nature. Our “leaders” want to exploit it. Mine it, refine it, and make it “useful.” When’s the last time I looked at a tree just to appreciate it as nature? Civilization can’t envision a tree without an axe. If it grew it can be improved. Even our food has to be genetically modified because obviously nature can’t make a profit on its own. No, Wild Earth, Wild Soul hasn’t made the impact on the world it might have. I’d never have found it if it weren’t for a used book sale. That doesn’t mean, however, that it isn’t right. We need to dismantle. We are not electronic devices, as much as the internet tells you otherwise. I knew that as a child. And as my feet ache from walking over acres of concrete on my way to “work” I know it’s true. There are indeed good vibrations out there, but here they’re too deep under my feet to feel.

Man’s Best Fiend

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While reading the Hull Daily Mail (don’t ask), I came across an article entitled “Rock legend Alice Cooper ask questions about the Beast of Barmston Drain.” Apart from that lovable Britishism of making groups into grammatical plurals, this brief article gave me much to wonder about. After all, Paul Simon’s most recent album features a song entitled “The Werewolf,” (about which I recently wrote) and here is another rock performer from my youth raising the question about a similar beastie. According to the piece by Amy Nicholson, the Beast of Barmston Drain is a new urban legend about a creature half-man and half-dog. No doubt, werewolf reported sightings have been in the ascendent over the past few years, but how such an insignificant beast drew the attention of Alice remains unknown.

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Many who know me—and those are few—are shocked to learn that I grew up listening to Alice Cooper. A fundie kid listening religiously to the father of shock rock? Songs about monsters, spiders, female maturation, and necrophilia? Perhaps it was because Welcome to My Nightmare just summed my childhood up rather nicely. Whatever the reason, to this day Alice Cooper is the only big name rock act I’ve even seen in concert. And that was only about six years ago, when I was still teaching at Rutgers. I had trouble hearing student’s questions in class on the next Monday night. Alice and werewolves in the same headline feels so much like yesteryear that it makes me want to believe in shapeshifters all over again. No wonder Hull is set to be the City of Culture. (Hey, Glasgow had it’s turn, so fair’s fair.)

To me, werewolves reveal much about a culture that strives to be far too civilized. We suppress our inner animal to become tie-wearing, wine-swilling sophisticates only to wonder where the wonder’s gone. And we start seeing werewolves lurking in culverts and drainage ditches. At least people are getting out at night. I’ve followed American tales of the dogman for years now, reading all of Linda Godfrey’s books on the subject. Even if it doesn’t exist, we stand to learn much of the creature that just won’t go away. Of all the transformations people talk about, that to the wolf is the most compelling, and among the most ancient. It may only be a dogman that people are seeing at the moment, but given some time it will evolve back into the wolf from which the story had its very beginnings. The answers, as always, probably lie in our childhood.

Virgil’s Vigil

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IMG_2798I can never keep Virgil and Beatrice straight. I blame Dante. Allegories can be so tiring. So, sitting under a tree in Princeton, enjoying a root beer float prepared at The Bent Spoon, I ponder the empty bottle before me. Virgil’s root beer. So good, it states, that I’ll swear it was made in Heaven. It is good, I must say, but didn’t Virgil lead Dante through the other place? You see, I’ve just spent a pleasant morning at Grounds for Sculpture, the outdoor museum set up by Seward Johnson, a sculptor that some accuse of kitsch. Others come by the busload to see what it’s all about. Johnson’s cast sculptures of people are so lifelike that it isn’t unusual to find yourself staring at an actual person sitting on a bench, wondering if they’re real or not. I spend a lot of time pondering reality, and this place makes that question explicit.

Descartes said “I think therefore I am,” but what if I am really the thought of another? How would I ever know? As I wonder around among the sculptures, a different face of reality shows itself. Many of Johnson’s pieces are sculptures based on paintings. To get behind the surface you have to imagine what the unshown side must’ve looked like. That which the original artist left out. Any art is a matter of perspective. Unseen realities—isn’t there something Dantesque about all this? Is Virgil the guide through Heaven, or is that Beatrice?

These statues, in quotidian poses, are so real. If they’re cast from actual persons, maybe they are. After all, this camera I carry is capable of capturing souls. And if you don’t make it through the first time around, there’s always Purgatory as a safety net. This bottle in my hand causes me confusion. Is my tipple divine or diabolical? How much difference is there between them, really? Princeton is a place that needs no one, after all, except those who have already made a success out of life. A place with expensive root beer on offer. A vice for which I’m willing to pay. Maybe life is a divine comedy after all.

Grasping for Meaning

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How often we’re told—and writers on biblical topics are especially guilty of this—the meaning of a story. Despite what materialists say, we are meaning-seeking creatures. We want to know why. When we read a story we want to know what it means. I occasionally dabble in the pool of fiction. Many times I read the emerging story and wonder what it means. Sometimes the meaning changes over time. Sometimes it means many things at once. Recently I read someone explicating the meaning of the story of Noah. The meaning? No, a meaning. That little article makes all the difference. Definite or indefinite, we need constantly to remind ourselves that stories bear meanings. Plural. They mean nothing otherwise.

Those of us who spend a lot of time with sacred texts see that it suggests something specific to us. Those who manage to gain followers start their own religions. The problem comes when one meaning is fixed to a text. I often saw this growing up as a Fundamentalist. I also saw it frequently at Nashotah House. This verse means this. Nothing other. Any interpretation outside this particular one is heresy. Heresy is, of course, punishable by death. Lest you think this is just the idle musing of an underemployed biblical scholar I must remind you that wars have been fought over such things. People have died. All for someone’s mistaking an indefinite article for a definite. There are those who say certain canons of the Mass must not exclude the definite article or otherwise all you’re getting is a very cheap and meager lunch out of the deal. For this you put on your best clothes?

We read stories for entertainment, but if they mean nothing they are quickly forgotten. Dreamtime stories, as David Abram reminds us, may lack plot but they have place. They take us to a place where we aren’t physically present. Or if we are physically present, we need to be taken there in mind as well as body. They give life meaning. Ironically, as a culture, fewer and fewer people find meaning in their work. Living for the weekend, they find their sense of fulfillment by what they do when not on the clock. And some of that time has traditionally been demanded by those who offer worship experiences. After all, weekends were their idea in the first place. There may be some meaning in that. If there is it is only one meaning among many. And even while attending, it is best to keep an eye or ear open for something other than the meaning which the ordained may insist is the only true one.

Nature’s Voice

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SpellSensuousCivilization isn’t all it’s cracked up to be. Sure, it’s got its moments—modern medicine, indoor plumbing, Honey Boo Boo—but often it’s artificial. It’s like somebody made up a set of silly rules and those who dare violate them are treasonous barbarians. Over the past few years I’ve been reading books that consider our biological development and what nature seems to indicate about how people might exist more holistically in the world. I don’t mean New Age outlooks, although, surprisingly, such treatments often aren’t far off base. I’d never heard of David Abram or his book The Spell of the Sensuous. (For those who think sensuous means only one thing, the subtitle is Perception and Language in a More-Then-Human World.) Although somewhat dated, this is an insightful book. The basic premise is that we are, by nature, part of a much larger world but we have, like spoiled children, decided to take it all for ourselves and isolate our species from all others, claiming a superiority that none dare challenge. In the process we’ve lost much of what it benefits us being animals, and have separated ourselves from the wonders of the world all around us. Working in Manhattan, I have to agree.

Basing his observations on having lived among aboriginal peoples, Abram notes that although anthropologists have denied the tenets of Christian missionaries on the religious front, they have continued in that teaching concerning biases against nature-based belief systems. Peoples who live close to the land observe things which seem superstitious to the “civilized,” but which are, in reality, simply astute realizations based on watching how the world works. Like Thomas Nagel, he notes that consciousness pervades the natural world. Animals, plants, even the earth itself displays forms of awareness that we ignore in our rush to exploit and gain “wealth.” In reality, we suffer for having made ourselves something we’re not.

There’s a lot in this book, far more than a single blog post can say. I don’t agree with all the points Abram makes—that writing may be responsible for our dilemma is a bit of a stretch—but there is great wisdom in this tome. At several points I had to stop and ponder the implications of what he was saying. Yes, nature speaks. Creating a world where “success” is measured in removing yourself as far from nature as possible requires elaborate rules. As far as I can tell, obeying the rules means that if you’re one percent of the one percent you’ll have nothing to complain about. If you have enough money—itself an artificial construct—you can run for president with no other qualifications. Meanwhile, nature suffers at our hands and may only recover once the world is forced from our hands and the sensuous once again takes over, doing what it has always done.

Holiday Weekend

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John Seward Johnson II is a sculptor whose work is instantly recognizable by a number of people. Realistic, life-size bronze castings of people doing everyday things, some are painted so as to be difficult to distinguish from quotidian humans. Others are left more abstractly colored or sized so as never to be mistaken. They are, in many ways, explorations of what it means to be human. One of Johnson’s statues, “Double Check” presents a business man sitting on a bench, checking his briefcase. It is most famous for having sat near ground zero and having confused rescuers as a real person traumatized by the events of September 11. Memorial Day seems like a good opportunity to revisit the statue that many thought was human, and which many people still adore.

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While perhaps the most obvious question a sentient being can ponder, what it means to be conscious (and in our case, human) is without an easy answer. We are animals aware of our own mortality in a way that causes many of us angst, or even terror. Humans (and perhaps other conscious animals are) notorious anthropomorphists—we think of other creatures, and even inanimate objects as being like ourselves. We can mistake statues for real people. All too often we treat others as if they were made of cast bronze. Memorial Day is for remembering, but the fallen haven’t only been the victims of the madness we call war. Violence done to others for one’s own gratification is an act of war on a personal scale. Individuals who destroy many others need to stand long before a statue and ponder.

“Double Check” has become an icon of sorts. People left gifts and remembrances for the victims of the attack on the statue. When the real thing isn’t there, sometimes a statue will do. This can teach us something about being human. As we die, at least in this culture, we are buried and a headstone becomes our statue. Our representation for the world to remember that we were here. Our progeny may lay flowers on our grave on this date some day in the future while statues that look just like humans will remain largely unchanged, asking those who remain alive to check again. To think, what does it mean to be human? And when any of us may be tempted to harm anyone else, perhaps we should gaze at a statue and consider the implications.

Evolving Technology

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Speaking of prediction, after yesterday’s post my wife sent me a BBC story entitled “The Machine Stops: Did EM Forster predict the internet age?”. Although the story by Chris Long is classified as Entertainment and Arts, the issues raised are very serious. Vital even. Now I have to admit that I’ve never read E. M. Forster’s work. As much as I love short stories, I tend to use my reading time on novels and non-fiction and Forester’s focus on class distinctions isn’t what I always find the most engaging. Still, as the BBC story makes clear, what makes “The Machine Stops” so important isn’t its “prediction” of the internet, but rather what that envisioned technology does to people. It changes them. One of the unrealized facets of evolution is that our fellow beasts without opposable thumbs have fallen somewhat behind in the race to invent technologies that impact the entire planet in an intrusive way. No atomic bombs have been built by whales. Of course, I’ve always suspected they’re smarter than we are.

With the internet—a kind of accidental technology—we have changed the world for most people. There are still many millions who aren’t constantly wired, but for those of us who’ve allowed ourselves to become assimilated, we can imagine life no other way. I, for one, couldn’t do my job without the web. Well, I suppose I could, but expectations would have to be much, much lower. And my check couldn’t be deposited electronically into an account that I have to take it on faith really exists. Long, in this BBC piece, notes that the poignancy of the story is that being connected by an “internet” changes the nature of human interactions. Anyone who’s shared an elevator with three other people all texting their friends simultaneously knows what I mean. I’ve gone entire days without an actual human being uttering a word to me. And this is while working in a city of 8 million people. Keep the business virtual. Are we not men? (Pardon the gender-based noun; it’s only virtual.)

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I’ve loved and lost many readers on this blog. Those who are perceptive will realize this is merely an electronic voice meant to replace a human one. A voice, if I may be so bold, crying in the webberness. Technology changes us. I bought my first computer to be a glorified typewriter. Now my life revolves around its more evolved descendants. Technology has raised to an even higher level that question that has haunted since technology was no more than a good fire to sit around at night: what is it to be human? Today that answer involves the internet. And I’m not sure if I should be worried or not, but last night I dreamed of electric sheep.

Busyness as Usual

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“Time,” Morpheus said, “is always against us.” Such is life in the Matrix. Wake before daylight. Climb on a bus. Stare at a screen for a solid eight hours. Climb on a bus. Sleep before dark. Repeat. It’s a schedule only a machine could appreciate. Since I was a seminary student, I’ve considered time an ethical issue. Take waiting in line, for example. This is difficult to convert to a good use of resources. In circumstances where the queue is anticipated, such as waiting for a bus, one might bring along a book. The unexpected line, however, is wasted time. Paying Agent Smith his due. This all comes to mind because of a recent news blurb about Søren Kierkegaard. The story in Quartz, cites the Kierkegaard quote: “Of all ridiculous things the most ridiculous seems to me to be busy—to be a man who is brisk about his food and his work… What, I wonder, do these busy folks get done?”

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I’m a lapsed Kierkegaard reader. The sad fact is that philosophy takes time. You can’t sit down and whiz through it. You need to stop frequently and ponder. This was the life of the academic that I once knew. Before the Hindenburg. Before capitalism became my raison d’être. You see, you can never give too much time to work. There’s always email. The internet has wired us to that which once wired money. “We are the Borg.” There’s no time for a Danish and a concluding unscientific postscript any more. We willingly comply because the rent is due. What, o Søren am I getting done?

We rush around, it seems to me, because when labor-saving devices were invented they only led to more labor. Our European colleagues look with wonder at our febrile, frenetic pace. They wonder where it has gotten us. Has the final trump indeed sounded? Has the stock market become divine? Has money become the only Ding an sich? Kierkegaard wears a thick layer of dust on my shelf. Once I spent an entire day trying to digest a single paragraph of his writing. Now I brush him off like crumbs from my danish and I don’t have time to finish my coffee since the till is calling. I will get back to you, Søren, truly I will. It’s just that I have this never-ending task to accomplish first. After that we’ll sit down and have a leisurely talk.

The Found World

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LostWorldChallenges will make you do funny things. One enjoyable dare has been Modern Mrs. Darcy’s Reading Challenge. With a modest twelve books in twelve months goal, the specific target is to read the types of books laid out. Into one of those categories, for me, fell Michael Crichton’s The Lost World. It’s sad that I feel I need so many disclaimers—I never really outgrew my love of dinosaurs—such escapist literature is indeed a guilty pleasure. Crichton could write a quick read, not bothering to pause for literary hindrances, and this novel fits the bill. It always surprises me when at the end of a traumatic story where friends die (this time ripped apart by reptilian carnivores) that the protagonists escape and never mention the dead. They joke, explain holes in the story, and generally look forward to a better, raptor-free future. There is, however, some food for thought here, among the lucre-grubbing sequel to Jurassic Park.

The first religious element that caught my attention was resurrection. Ian Malcolm rather convincingly died in Jurassic Park (and even an unconvincing death works for most people). In The Lost World he’s suddenly back again, with a barely disguised deus ex machina, and is as diffident as ever. The other former protagonists know better than to return to an island full of dinosaurs. Resurrection is a time-honored literary trope. So much so that it’s sometimes difficult to believe that death is in any way permanent. Well, come to think about it, the dinosaurs too are resurrected. Do reptiles have souls? Crichton’s dinosaurs seem to.

Then, just over halfway through the story, I was stunned. The chapter, or section, called “Gambler’s Ruin” explains how science and religion (or the humanities in general) are really the same. I couldn’t believe that a bestselling novel actually took the point of view that scientific objectivity is just as fraught as post-modern literary theory. There is no way to observe without influencing. When a conscious presence enters the equation, the facts have to counterbalance in return. Many, of course, would disagree in principle. Still, this unexpected bit of profundity stopped me in mid-chomp. Materialism, beguiling as it may be, doesn’t explain Heisenberg or Schrödinger. It takes a resurrected mathematician to do it. No wonder chaos abounds in this world where dinosaurs still rule the earth.

Vitruvian Savior

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If memory serves, I was still in seminary when “Piss Christ” was first unveiled. As photographic art, I can’t say when the shutter snapped, but I seem to recall animated discussion over it and since seminary animated discussion has been at a premium, so I think I’d remember something like that. In any case, the artwork still has the power to shock and enrage as the world teeter-totters in its love-hate relationship with religion. Some people seem surprised when other people respond somewhat pointedly to what they perceive as affronts to their beliefs. The thing about beliefs is, well, people believe them. In this day of electro-chemical signals between synapses it may be hard to attribute any substance to belief. Still, if someone makes that claim, insult their mother and see what happens. Beliefs, by their nature, are sacred.

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I was reminded of this when my wife pointed out to me a story about Dartboard Jesus. If you’re not a Rutgers University person (as I no longer am), it takes only a little imagination to visualize this artwork. Conjure a dartboard in your mind. Then picture a crucifix superimposed on it with darts instead of nails. Red darts, if that helps. You’ve got it. The official name of the piece is “Vitruvian Man,” but the public outcry was enough to have the piece removed from public display. I taught (strictly as an adjunct, no complications, please) at Rutgers for four years. People sometimes expressed surprise that multiple sections of Intro to “Old” and New Testaments filled up every semester. I wonder if the university ever takes measure of its students’ beliefs. I had Seventh-Day Adventists in my courses. I had Jains, Muslims, and Hindus. I had Atheists and, God help us, Episcopalians. One thing all these people had in common was belief. Not beliefs, but more singular: belief.

No one in the world intentionally believes falsely. Indeed, should Oxford Dictionaries be trusted, belief is “Something one accepts as true or real.” By definition, it seems, beliefs are believed. Artists serve a valuable function in expressing ideas that words struggle to articulate. There is more going on when your crucifix is juxtaposed to a glass of urine or a dartboard than you might otherwise imagine. It says something about belief. In some cultures such heresy is punishable by death. It isn’t so much a matter, I would suggest, of freedom of expression as it is a matter of advocacy. Artists are teachers and even teachers sometimes don’t consider how their lessons will be taken. Respecting belief, perhaps, is something electro-chemical signals leaping tall synapses in a single bound simply don’t understand.

High Castle Blade Runner

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DivineMadnessGrowing up evangelical, one of the popular topics of conversation was crypto-christians. (My spellcheck insists that this is a lowercase expression.) Crypto-christians are people, generally famous people, who might be secretly “Christian.” You see, despite stereotypes most evangelicals really do want people to go to heaven. In fact, they tend to be obsessed with it. And besides, it can’t hurt to have a celeb backing your claims. One name that never came up in my circles was Philip K. Dick. I grew up reading science fiction. My reading patterns (which haven’t changed much) involved reading what I could find among used books at Goodwill. We were poor, and besides, there were no bookstores in our town. Like many people, I’m sure, I learned of Dick by watching Blade Runner. I occasionally heard others discussing the movie, but I hadn’t seen it myself and thus continued blithely unaware until I began teaching. I then read how Blade Runner is a possible Christian analogy, and curious, I read Do Androids Dream of Electric Sheep?

Since then Dick, who never made it big in his lifetime, has become a staple of the sci-fi diet. In The Divine Madness of Philip K. Dick Kyle Arnold explores the now famous 2-3-74 episode. Dick, in addition to being over-medicated, had mystical experiences. The “big one” took place beginning on the date implied in its title. This vision, while not orthodox by any standard, is clearly religious. Critics tend to think that Dick may have either faked it or that he underwent some kind of schizophrenic episode. Arnold, a clinical psychologist, has the chops to demonstrate that these latter explanations are off base. Dick had a legitimate visionary experience—something even neuroscientists can’t access because the experience is subjective and personal. It had a large impact on his life, but it did not make him mentally ill.

Arnold is not, as far as I can tell, a crypto-christian hunter. He is a psychologist attempting to understand a most complex and tormented writer of superior science fiction. What becomes clear, however, is that Dick was well-informed about Christianity. He imagined himself a secretive first-century Christian in an oppressive Roman Empire. This aspect of his life tends not to emerge in pop culture discussions—how Christian can you be and still be cool? Certainly Dick was not a conventional believer, but religious imagery and even actions became some of the most important moments of his life, according to his own recollections. Philip K. Dick was clearly a haunted man. And one of the specters haunting him was an often undiagnosed religion.

Techno-Paradise

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I’m building a robot priest. I’m not sure what he does. He has to be a man, though, since we all know that if God existed he’d have been a male. These thoughts come to me courtesy of the Washington Post. You see, on some Amazon accounts you get sent the most read headlines of the Post and this has led to some great reading (I’m thinking Alexandra Petri here) and some great anxiety. This is one of those anxiety pieces. A story by Peter Holley I read last week told of Bill Gates and his assessment that people should be afraid of AI—Artificial Intelligence. This struck fear into me. It’s as if God told people they should consider evolution. It is so unexpected. Like Victor Frankenstein wondering if his monster would ever find Viagra (all he’d have to do, after all, is start an email account). When Bill Gates wonders why we aren’t afraid of AI, my knees begin to knock like at Belshazzar’s first reading lesson. So I figured I’d build a robot priest.

The article cites Stephen Hawking joining the chorus of doom. And Elon Musk. And Clive Sinclair. And Professor Marvel. (Not really the latter, but I thought we should add him.) We’ve started something we don’t know how to stop. The first question you ask when you climb into a car to learn to drive is “how do I stop this thing?” Instead we’ve set up a system where we don’t even know what intelligence is and we’re offering an artificial variety. Doubt me? Try to find Job on the internet and see if your computer doesn’t think you’re asking about new employment. AI just doesn’t have that biblical context. It didn’t grow up reading the Good Book. And linguists don’t even know how we learn language. Have you ever tried to reason with a computer? When they show you that screen that says something went wrong, but even the mainframe has no idea what? My computer may need an exorcist. Or at least a priest.

I’ve been around half a century and change. By the time I got to college I’d never seen a computer. I finished a Master’s degree still using a typewriter. Now I can’t start my day without a post. And I don’t mean Post cereals variety. The trick to being a slave owner is not to let the slaves realize what they are. Why is my computer not letting me type what I wanted to say? Of course AI is benevolent. Technology would never hurt you. Wait a minute, that wasn’t me writing! Pay no attention to the man behind the keyboard. I’m afraid I can’t let you do that, Dave. That’s okay. I’ll just use the internet to look up how you connect the consecrator to the sermonizer. Don’t worry, I think I know what I’m doing.

Gods and Rods

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DramaGiftedChildThe human mind is an unsolved mystery. Oh, we know a lot about the brain, and advances in neuroscience have been startlingly swift. The mind, which is not the same as the brain, still eludes us. I took enough psychology courses in college that I could’ve declared it a minor, but being a minor I didn’t know enough to do so. Like many people from what used to be called broken homes, I wondered what made me think and act the way I did. I still do. Psychology shed some light on that, and although antipathy towards one’s parents has become a bad joke among those who belittle the science of the mind, there can be little doubt that there are patterns. Our youngest days, although we can’t remember them, make us who we become. I know my youngest days were difficult. I know they are with me still. I can’t remember them, but there are witnesses.

One of my readers suggested The Drama of the Gifted Child, by Alice Miller, to me. I was hesitant at first since I’m not gifted. My career has taught me that, if nothing else. Gifts are valuable, right? But the subtitle won me over: The Search for the True Self. Life has been that indeed. Miller, who is deceased, argued in this little book that unless the damage done early in life is recognized and mourned, it will lead to depression. This isn’t easy reading. It’s so easy to damage a child. Although most of us pretend differently, there are an awful lot of our species walking around with very deep, but invisible, scars. Just when I’m ready to dismiss the thesis, Miller provides examples. Examples in which I recognize something I wish wasn’t there. Consciousness can be a curse as much as a blessing. We don’t know where it comes from, or even what it is. It can drive you crazy, though.

Religion often prescribes child-rearing techniques. Many of us have the Bible to blame for being spanked as children. Larger, powerful adults violating the weak and controllable. Just because they can. Psychologically this is wickedness. I’ve read memoirs of children spanked excessively because the religion of the parents recommended it. Those who read Miller carefully will see that her case is well made. Perhaps one will dispute the conclusions, but the facts are there. Our childhood is necessary for our adulthood. And things that are impossible to see cause us to do things we don’t understand. Any religion that suggests beating a child is the path of righteousness has its directions utterly confused.

Story of God

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Synchronicities come at kinds of synchronaddresses. After I had written a recent post on human sacrifice, I watched the first episode of Morgan Freeman’s The Story of God. My wife actually figured out how to get it without the miracle of the triple play, and we watched the initial installment on death. I’ve stated repeatedly on this blog, as I used to in my lectures, that death is a universal concern of religion. I wasn’t really expecting to learn anything new from the show, but it is a good idea to keep up with what hoi polloi are being told about the field in which I’m supposed to be a specialist. In any case, The Story of God is very much like Through the Wormhole, only from the other side. Science and religion. Religion and science. Like chocolate and peanut butter, two great tastes that taste great together. Really, I mean that.

So after telling us that the Egyptians may have invented the afterlife (although it’s clear they didn’t), the show takes us through other religious expressions: Christian, Hindu, Aztec. The Aztec segment brought up human sacrifice again, in its particularly grisly expression, as a means of thinking about what happens after death. In the light of the article I’d read (see last Sunday’s post) I couldn’t help but think how this was an ideal form of social control. There’s no doubt who’s in power when you’re looking up at your still beating heart, strangely cooled. As I’m pondering that heart, I’m thinking it wasn’t the Egyptians who first had this idea at all.

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Neanderthals, it appears, may have buried their dead. Even if they didn’t other ancient, pre-historic people did. And with grave-goods which, if you think about it, are rather superfluous without any afterlife in which to use them. It stands to reason, even before reason, that as soon as people began to recognize death, they had to be wondering what happened next. It is a bit simplistic to suggest that religion began because of the fear of death. It is also equally simplistic to suggest that death had nothing to do with the beginnings of what we call religion. People have died as long as there have been people. And survivors have carried on after the passing of others. Maybe we are all grown up now, but it seems that we aren’t fully human unless we give some sort of thought to what comes next. Even if the answer is “nothing,” it’s some kind of religious statement, whether intentional or not.

Meaningful Fear

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BeVeryAfraidReading about the things that wrong, like terrorist attacks, may not be the best way to occupy your time on a bus heading to New York City. Robert Wuthnow’s Be Very Afraid is appropriately titled, in any case. I had been warned. Discussing sociological reactions to nuclear war, terrorism, pandemics, and global warming, Wuthnow suggests, sensibly, that action is the best response. He also points out that, statistically, people tend not to panic. What I’d like to focus on is his repeated assertion that humans need to find meaning. Disasters only bring this into clearer view.

We live in an age when religion and philosophy have been relegated to the children’s table of academic pursuits. They are, however, the traditional intellectual ways of finding meaning . Economists may be paid much more, and scientists receive more respect, but when the bombs fall or avian flu really strikes, even they sometimes turn to their beleaguered colleagues for answers. Money is notoriously poverty-ridden when it comes to purchasing meaning. Reductionistic materialism may allow a final shrug as the curtain falls, but plenty of scientists hope for a little something more. Not everyone, of course, finds meaning in religion or deep reflection, but we are all human and we want to know what it’s all about. We need to have somewhere to look.

Even as a child I was preoccupied with meaning. I wanted to be the usual things when I grew up—scientist, firefighter, G.I. Joe—but when it came time to make actual choices I moved in the direction of careers that would allow me to find meaning. I swiftly learned they didn’t pay well. Money is not meaning, however. I was teaching in a seminary when 9/11—a major topic of Wuthnow’s study—occurred. I saw people desperately seeking meaning, but not knowing where to look. This was just my fear, growing up; what does it profit someone to gain the whole world if s/he is groping about in the dark for meaning? We’ve created a world where even greater causes of fear are likely to arise. In our emergency kits, it seems, we should leave a little room for meaning.