Hereby Resolved

Photo credit: chensiyuan, Wikipedia Commons

New Year’s resolutions have never been my thing.  Having had a good Calvinistic upbringing, I’m a natural self-corrector.  If I’m aware I’m doing something wrong, I attempt to change my behavior right away.  This makes annual reviews at work exceptionally uncomfortable for me.  I’d much rather have my boss point out foibles as they happen so that I can stop doing them right away.  I realize my mindset here may be weird to those who were raised in more normal ways, and employers love process.  So I sit here in Ithaca on New Year’s day, preparing to drive home to face all kinds of unfinished business from 2019.  I’m still doing research for Nightmares with the Bible, thus it’s not ready to go back to the publisher or series editors yet.  I’ve started a new round of queries to agents about one of my novels, but I haven’t sent them yet.  And don’t even mention projects that need to be done to the house.

Life is busy.  I’ve taken on some new duties at the church I attend, exemplifying that old saw “If you want something done, ask a busy person.”  As the pressures from that obligation mount, I start to think that most people don’t have any idea just how all-consuming writing a book can be.  I work long days and although I don’t commute much any more, most of the rest of each day is taken up with writing and reading so as to write some more.  I hesitate to call myself a writer since I make laughably little lucre from it.  I can’t stop myself from doing it, though.  And although it’s the season for resolutions, I don’t plan to stop.  I know from work that graphomaniacs can be a problem.  Anything can be overdone.  On days when I don’t have to work I have to be pried away from my computer.  Otherwise I’ll write all day long.  It’s an issue, I know.

Perhaps because life on the national scale is so depressing, writing about things like horror movies is a great release.  I’ve been so busy lately that I haven’t had the chance to write pieces for venues like the excellent Horror Homeroom.  I used to contribute to Religion Dispatches.  That time has been sucked into getting my books that nobody will read finished.  Having written that self-disparaging remark I have to remind myself that one of my alumni magazines published a notice about Holy Horror without me having to send said notice personally.  That self-disparaging thing requires some fixing, I guess.  And were I not too busy already in 2020, I’d start on it right now.


2019 Books

  Goodreads is always a little eager to put the tally on a year’s worth of reading.  This year, however, since I’ve been engaged in some larger books, they may be on target.  According to their count I’ve read 71 books this year.  (I re-read two, so my personal count is 73.)  New Year’s Eve, for me, is a time to reflect about what I’ve learned in the past year.  Much of that involves books I’ve read.  A good deal of my reading has been for Nightmares with the Bible.  To write a book you need to read books.  Frequently it means taking them on regardless of your mood—and I tend to be a mood-driven reader.  So what books stand out from 2019?  (They all have individual posts on this blog, in case you missed them.)

My first nonfiction book of the year was Christopher Skaife’s The Ravenmaster.  Animal intelligence always makes for good reading and this was reprised in Jennifer Ackerman’s The Genius of Birds.  I’ve fallen behind in my Frans de Waal reading, though.  Of the many research books on the Devil and demons, Jeffrey Burton Russell’s Mephistopheles stands out.  Russell’s clear thinking and wide view make him a pleasure to read even on unpleasant subjects.  Other books in that category didn’t quite rise to his level.  Monster books, on the other hand, rocked.  I loved James Neibaur’s Monster Movies of Universal Studios, Mallory O’Meara’s Lady from the Black Lagoon, and Kröger and Anderson’s Monster, She Wrote.  These were all excellent.  Tipping toward the unusual, Guy Playfair’s This House Is Haunted and Jeffrey Kripal’s The Flip gave me pause for thought.

Perhaps because I was reading longer books, this year didn’t have fiction in the numbers I usually strive for.  Most of it was quite good, though.   David Mitchell’s Cloud Atlas was memorable and Italo Calvino’s If on a Winter’s Night a Traveller (strangely similar to Mitchell) became an instant favorite.  My young adult fix came through Christy Lenzi’s Stonefield and Lois Lowry’s The Giver.  Victor Gischler scored with Vampire a Go-Go and Cherie Priest made a fine impression with The Toll.  I mentioned Neal Stephenson’s Fall yesterday, but it will stay with me into 2020.

A couple of memories/biographies also made deep marks on my mind.  Anne Serling’s As I Knew Him brought me close to Rod Serling and Barbara Taylor Brown’s Learning to Walk in the Dark found me where I live.  America’s Dark Theologian by Douglas E. Cowan isn’t really biography, but it was thought-provoking (as his books always are) and increased my resolve to read some more Stephen King.  The books I read make me more myself.  At the end of each year I think back over it all.  And this year I pondered what got me through a difficult 2019.  I have ended the year more myself than ever, I suspect, and I looking forward to a reading through the new decade.


Fearful Faithful

It’s sitting on the table next to my chair and I’m afraid of it.  It all started during the Easton Book Festival.  I feel sorry for those people who have to stand on the street corner and pass things out for a job.  In Manhattan I used to see them being completely ignored by swarms of people passing by.  They’re only doing their job.  I made a habit of accepting their chits, and even if they didn’t mean anything to me, I felt that the person handing them out might have experienced a small measure of satisfaction that someone accepted what they were offering, and had said “thank you.”  In Easton back in October, my wife and I were heading to one of the venues to hear an author talk and a guy was passing out paper, and I accepted one as a matter of habit.

It was a Chick tract.  If you’ve been reading this blog a while you’ll have run across the concept before.  Jack T. Chick was a cartooning evangelist.  He drew hundreds of tracts and comic books that formed a steady diet for me, growing up.  Although they looked like cartoons, these intolerant, Fundamentalist tracts were quite often very scary.  Especially to the young.  More than once I’d spiral into a childhood depression after reading one.  Although it seemed simple—say the prayer at the end and you’d be saved—how could you be so sure?  The disturbing contents stayed with me long after the sixteen pages were done.  Now, as an adult, I was being offered a road back to a childhood I fervently wished to avoid.

I stuck the tract in my pocket and forgot about it.  When I got home I emptied my pockets and found it again.  Curious, I was tempted to read it.  I know, however, that doing so will only drag me back to a memory of younger days when a kind of terror permeated my days.  And nights.  My theology, which was formed of a mosaic of these tracts (what child really listens to sermons?), was a scary one indeed.  It was populated by demons, Catholics, and servants of the Antichrist.  Anyone who wasn’t straight and pretty waspish was a threat to my eternal salvation.  Is that somewhere I want to go again?  The tract sits, unread, on my table.  It reminds me of the abuses to which religion might be put.  And I’m thinking I might start refusing free handouts on the street once again.


Job’s Jobs

Many years ago, after Nashotah House decided it no longer required my unique outlook, I bought a book.  (That’s my default reaction.)  This book was on how to write killer cover letters.  I don’t remember the title or the author, but I followed the advice, well, religiously.  It got me nowhere.  Business tricks, at least historically, don’t work in academia.  Sitting at home, pondering my sins, I flipped to the chapter on advice to take if none of the rest of this was working for you.  Here’s where the human side began to show through.  Have you been eating onions or garlic before your interviews? it asked.   Do you need to lose weight?  Try dressing nicer.  It occurred to me that the business world lacks the imagination required for denying jobs.  And besides, who was getting any interviews before which I shouldn’t eat garlic?

Business advice is, in a word, shallow.  It assumes that if you’ve got the goods there’s no reason you won’t get hired.  Reality is a bit more complex than that.  I often ponder how people simply go for what they want.  They reach for the biggest piece without pondering the repercussions of their actions.  I see it in my small world of publishing all the time.  Those who are “hungry” (read “greedy”) succeed.  Those who wait behind to help others simply can’t compete.  So the cover letter book did get that part right.  Is it possible, however, to devise a society where everyone fits?  Not all are created equal, perhaps, but do we have to reward those who seem to care only for themselves?  Let them eat garlic.

The cover letter book, in the end, never really did me any good.  I found my way into publishing by being willing to aim low.  I’ve written many cover letters since leaving Nashotah House, and only two ever led to a job.  Those who work in business, what with their concerns about readers’ aromas and weights, seem never to have considered the intricacies of the intellectual job market.  What strikes me as particularly odd is that there are plenty of smart people out there, and yet they haven’t organized to offer alternatives to the greed-based structure on which our work lives are based.  They can’t, it seems, gaze beyond capitalism as a mechanism for helping individuals lead productive lives.  Business operates on the principle of replaceable parts, many of which happen to be human.  And even those who know how to write can’t hope to compete against those who prefer cogs that know to avoid onions.


Steel and Snow

I sometimes feels I need to pause before launching back into my usual reflections.  Commercialism tells me the holiday season is here (I noticed while watching Macy’s Thanksgiving Day Parade that the real highlight is Santa and the official start of Christmas).  Please don’t misunderstand—I love the holiday season and look forward to it every year.  It’s not that I want to get things or spend lots of money.  For me the holidays are about rest and respite from the constant stream of work that never really gets done.  I need to retreat once in a while.  Ensconce myself in a quiet room and not have to worry about the next crisis facing me as an editor or the publishing industry as a whole.  I do love the holidays, but I often wonder about how we’ve let their symbols become the main point.

Now that we live near “the Christmas City,” we attend the Christkindlmarkt in Bethlehem while family is home.  One of the more stark symbols of this festival is the juxtaposition of a Christmas tree against the now silent and rusting steel stacks of what used to be Bethlehem Steel.  The evergreen, of course, was a Teutonic symbol of life continuing in the midst of the shutdown of the growth season.  Nature hasn’t really died, although it may appear to have done so, but we feel that difficult times with short days and cold temperatures will now dominate our existence.  Our industrial efforts participate in this slowdown too.  What once identified one of Pennsylvania’s two steel cities has ceased an Bethlehem has had to adapt.  We see the change and wonder.  I grew up just north of Pittsburgh when it was a very large industrial city.  When I was in high school it was the 16th most populous city in the country.  Currently it’s 66th, with Charlotte, North Carolina holding its former place.  We adjust to changing seasons.

Christkindlmarkt is a lively place with four large tents dedicated to symbols of the season.  Christmas merchandise is a large part of it, of course.  Small business vendors, however, take advantage of the fact that crowds throng in.  Food, naturally, comes to hold a place of some significance as your blood sugar drops after spending a few hours on your feet.  Music is in the air and people don’t seem to mind the masses of others who all had the same idea.  I never purchase much at the event, but I enjoy being among those inspired by it.  Some of us are the rusty towers in the background, and others are the lively, decorated tree that stands before them.  The season has begun, and the symbols are open for interpretation.


Mad Dog

Like those who write long books, those who write very many books ask for some level of commitment from their fans.  I’m sure I’m not alone in wishing I had more time to read.  I tend to be driven to Stephen King’s novels by the movies made around them, and there’s nothing wrong with that I suppose.  I decided I wanted to read Cujo some years back when I was on a werewolf kick.  I knew it wasn’t a werewolf story, yet as one who suffers from cynophobia even a large household pet will do.  I didn’t know the story in advance, and I had no idea how it ended.  It’s good to read novels like that sometimes.

I took it with me to San Diego and read most of it on the plane, finishing it somewhere over the mountain west.  It is a bleak story, one of King’s more drawn-out and wrenching tales.  It’s made more so by the fact that it could happen, at least in the main storyline.  Or could have happened.  Maybe I waited too long to read it, but I kept thinking as I was going through—today we have cell phones.  A large part of this story unfolds because of Donna Trenton’s inability to contact anyone while a rabid dog keeps her trapped in her car during a record-breaking heat wave in Maine.  I suspect it’s kind of a story about redemption, but I really need some time to think about it before rushing to such conclusions.  There’s not much you can really consider religious in this particular tale, and perhaps it’s because Cujo is a very natural kind of monster.

I saw my first rabid dog when I was maybe five.  My brothers and I reported a dog acting strange to our mother, after which she kept us in the house.  That wasn’t the origin, I don’t think, of my cynophobia.  Two of my brothers were bitten by a family dog when I was little, and I was once chased by a dog about as big as I was, certain that it was going to eat me.  At the same time, we had dogs as pets, and apart from the one that liked to bite, they never gave cause for fear.  Cujo tapped into those memories and made me reflect on what it means to befriend wolves.  It won’t be my favorite King novel, but it did help to pass the time from coast to coast.


Post Facto

“Yea, though I walk through the valley of the shadow of death,” Psalm 23 asserts, “I will fear no evil.”  Nor should one fear evil when flying over Death Valley, as I did coming out of San Diego, but I did.  There are perhaps not too many national monuments that can be appreciated from 30,000 feet, but the only way I’ve seen both the Grand Canyon and Death Valley is by plane.  My flight home from AAR/SBL had me sitting over a wing, so a photograph of the famed graben would simply show mostly wing and a bit of Death beyond.  This valley holds the record for the hottest ambient temperature recorded on the surface of the earth (134 degrees) and is famed as one of the filming locations for Star Wars.  Still, from the air the juxtaposition of mountains and salty, flat dearth was impressive.  I had no one with whom to share my excitement; the kid next to me was watching a movie on his phone and I had no idea who he was or if he’d be interested.

Disneyland, they say, is the “happiest place on earth.”  While I have my doubts about than endorphin-laced claim, I do know one of the opposite locales.  The hotel in which I stayed, the Grand Hyatt, San Diego, hosted the AAR/SBL Employment Center.  The hotel is not to be blamed for holding the most unhappy place on the planet, but as I looked at the booth I wondered if this was truth in advertising.  Should it not read “Unemployment Center”?  That two-letter prefix would make this at least honest, if not cheery.  I have spent some of the most miserable hours of my life in the employee hopefuls’ lounges at past conferences.  Hours and hours wasted, waiting to see if anyone, anyone at all was willing to grant you an interview.  I saw more than a few tears shed in that horrid place.  Some of them mine.

Now I’m high over Death Valley.  It feels far too sanitary to experience it in this way.  The professorate, which seeks to improve the world, is generally a powerless lot.  Signs scattered throughout the Convention Center and hotels asked such things as Does your school have over 50% contingency faculty?  And statements like Tenure track is not the norm.  The psalmist, it seems to me, got it right.  If you want to face the valley of the shadow of death and not fear, you have to walk through it.  The more people who do, the better the hope that we’ll land this plane with some kind of resolve to do be open to visions and to act upon them.


Speedy Delivery (SD)

Ritual, no matter what scientists say, is deeply woven into the fabric of human psyches.  It may be either the warp or the weft, but it’s downright basic.  I was reminded of this on my hurried and slow trip to San Diego yesterday.  I always wear the same shirt when I fly to this conference.  This isn’t superstition, but rather it’s a case of sticking with something that works.  I don’t often wear turtlenecks, and one reason is that they seldom fit well.  More years ago than I care to admit (I’m wearing the shirt in the photo below, which was taken at Nashotah House nearly two decades in the past) I found a navy blue turtleneck from Land’s End (this is not a sponsored post, although it probably should be) that works perfectly.  Even today it fits snugly around the neck after hours of wear.  Maybe ten years back I bought a black turtleneck from the same company and after pulling it over my head, it gaps something awful.  I tend only to wear it around the house.  The original still does the job.

I was ready to drive myself to the airport yesterday and I grabbed a quick lunch at home.  Part of said lunch involved opening a ketchup bottle probably nearly as old as the shirt I was wearing.  (I’m sure you can see where this is going.)  I ended up looking like a murderer, which is not something you want to try to explain to a TSA agent.  I quick threw said ritual shirt into the washer and the drier buzzed at the same time as my phone did for when I had to leave for my two-hour-ahead check-in.  This remarkable shirt was dry and ready to serve.  Maybe you can see now why I’m so ritualistic about clothes.  I also opt-out of those Star Trek scanners at the airport.  This means I get lots of governmental pat-downs.  It feels more authentic when you have actual hands running down your body—at least it’s honest.

The TSA agent commented that you don’t see many turtlenecks these days.  I explained that it’s good for flying because I’m always cold on planes.  As this stranger’s hands were rubbing down my chest, I was wondering how many times this shirt has been felt up by the US government.  It has no pockets to pick, and besides, at airport screenings everything is stowed in my carry-on, including wallet.  At midnight San Diego time, I checked into my hotel.  East coast time said I’d been awake 24 hours because who can really sleep on a plane?  Once my patted-down body reaches 3 a.m., Eastern Time, it wakes up.  In these circumstances it’s good to know I can rely on that shirt in my drawer.  That’s what rituals are all about.


Daylight Saving Time Zone

One or two of you out there—you know who you are—put yourselves through reading my musings on a daily basis.  I haven’t missed a post in nearly a decade, but travel always complicates things.  Yes, it’s that time of year again—I’m on my way to AAR/SBL.  The American Academy of Religion and Society of Biblical Literature Annual Meeting is the trade show of the guild.  This year we’re meeting in San Diego, California.  The hope of many of us is that it’ll be sunny and warm.  Last year, of course, I missed the conference for the first time, exchanging the Denver Hilton for a night on the floor of Newark’s Liberty Airport.  This year I’m flying out of a different venue—one where egress is possible in the case of snow.

I always like to post a reminder to the faithful few that normal service on this blog may be interrupted.  One never knows what might happen when away from the regular routine.  And three time zones will surely wreak havoc with circadian rhythms that haven’t yet caught up with the end of Daylight Saving Time.  Or is it the beginning of Daylight Saving Time?  It makes no difference, because it lead to lack of normal sleep, no matter what we call it.  In any case, San Diego may make usual posting unusual.  At the very least it’ll be a few hours off.  I’ve become a creature of habit, posting my thoughts between six and seven on weekdays.  On weekends I’m up just as early, but I give the web a chance to sleep in.

These annual meetings are exhausting when you go on behalf of a publisher.  Unlike the leisurely experience of a paying customer, you don’t get to go back to your room for a nap, or even to sleep in.  Every year colleagues ask me to receptions but I decline because every day is a school day.  And I have appointments from 8:30 until 6:30 daily.  Sometimes even later.  You, my gentle reader, have been given advance notice.  I’ll try to continue my daily chronicle of life inside this particular head as thousands of scholars of religion mill about, wondering about the answers to the big questions.  Right now the big question is whether I’ve packed everything I’ll need.  I’ll gain three hours on the way out, but I have to leave them at the desk when I get back.  Along the way I’ll scatter posts like breadcrumbs to help me find my way home.


What I Meant to Say

So I try to illustrate each of my posts. I do this because in the days when the internet was young I often found blogs during image searches. I’ve grown more cautious over the years, regarding copyright. I try to stick to the “fair use doctrine”—and that’s what it’s called, a doctrine—or images I “own.” In the latter case it often means searching WordPress for a picture I’ve posted before. Since nobody has time to name all their photos, I use the assigned DSCN or IMG nomenclatures. There aren’t so many that a search won’t turn up an image in my library. Thing is, WordPress likes to anticipate what I’m looking for. What’s more, it “autocorrects” after I’ve begun scrolling through everything. DSCN becomes “disc” in its addled electronic brain, and IMG becomes “OMG.” Naturally, the image you’re seeking can’t be found until you manually correct autocorrect.

OMG has become very common shorthand these days. Growing up evangelical, there was a debate whether “o my God” was swearing or not. Those who like to hedge their eternal bets argued that this was taking the Lord’s name in vain, thereby breaking one of the big ten. This was to be avoided at all costs. Those with a little less fear (or perhaps a bit more courage) argued that “God” wasn’t “the Lord’s name.” God is a generic word and can refer to any deity, except, of course, for the fact that there is only one God. This led straight back to the conundrum. Exegetes tell us that technically this commandment isn’t about saying the deity’s name, but rather it’s a prohibition against using said name when you don’t intend to do what you say you’ll do. In other words, lying.

It’s truly one of the signs that evangelicalism has evolved that the world’s best known liar is unstintingly supported by this camp. When I was a kid, saying, well, OMG, could get your mouth washed out with soap. Lying could lead to other forms of corporal punishment, such as being, in the biblical parlance, smitten. Now it gets you elected to the highest office in the land and supported by all those very people who won’t spell out OMG, even when they’re busy cutting you off in traffic with their Jesus fishes flashing in the sun. When I was a kid presidents would step down rather than go through the humiliation of being shown a liar in the face of the world. Times have changed. And I have no idea how to illustrate such a post as this. What comes up when I search OMG?


Author Revise Thyself

Monster fans may have noticed that, despite the season I haven’t been writing much on the topic.  One of the reasons for this is that I’m in that dread stage known as “revision.”  As an editor I often see book proposals—or even entire books—that have never been revised.  You can tell.  I learned this while writing Holy Horror.  If you’re one of the people who took out a second mortgage to buy a copy, the book you purchased was based on a manuscript rewritten thoroughly at least five times.  The idea is that like rocks in a river, all that pouring over a text smooths the words like stones over the millennia.  Few rocks emerge from volcanic or sedimentary situations as smooth and round.  That takes revision.

My peer review report for Nightmares with the Bible came in a few weeks ago.  Nightmares had been revised a couple of times, at least, before I submitted it.  I understand the review process very well, as I deal with it daily.  Sometimes single blind (the writer doesn’t know the reviewer’s identity), other times double blind (neither reader nor writer know the other’s identity), the process is meant to provide feedback on a manuscript.  Having written many more manuscripts than have seen publication, I know just how useful peer review can be.  Like anything, however, it can also be treated legalistically, as if the reviewer knows more about a subject an author has just spent years researching.  No matter your impressions about this, once the reports come in, revision is in the cards.

Self editing is difficult.  And occasionally embarrassing.  You read again what seemed to make sense to you at the time, but even after you hit the “send” button you’ve continued reading.  New information comes to light.  Monographs are a very expensive form of dialogue.  Well, not so expensive as all that.  Many people are happy to pay out the cost of a monograph for a dinner out, which lasts an evening.  A book, mutatis mutandis, lasts much longer.  Like that meal, it’s taken internally and digested.  You can read the same book twice, however, without having to pay the second time around.  It’s a good idea, then, to revise before sending it to a patron’s table.  Ironically, revising a book on monsters takes time away from writing about monsters.  I also have essays awaiting revision, circling overhead like planes at Newark’s Liberty Airport.  And then there’s work, which has nothing to do with my own writing at all.  There’s a reason Nightmares occurs in the title.


Seventies

It’s pretty rare for me to be out on a week night.  Like a kid on a “school day” I’ve got to get up early the next morning.   And yawning a lot at work is bad form, even if nobody can see you.  I risked it recently, however, to meet with some colleagues from the Moravian orbit in Bethlehem.  As we talked, current projects came up, as they’ll do when doctorate-holders get together.  Demons are a conversation stopper, but I nevertheless asserted that our modern understanding of them derives directly from The Exorcist.  The insight isn’t mine—many people more knowledgable than yours truly have noted this.  One of my colleagues pointed out the parallel with The Godfather.  Before that movie the mafia was conceived by the public as a bunch of low-life thugs.  Afterward public perception shifted to classy, well-dressed connoisseurs who happen to be engaged in the business of violence and extortion.

The insight, should I ever claim as much, was that these films were both from the early seventies.  They both had a transformative cultural impact.  Movies since the seventies have, of course, influenced lots of things but the breadth of that influence has diminished.  I noticed the same thing about scholarship.  Anyone in ancient West Asian (or “Near Eastern”) studies knows the work of William Foxwell Albright.  Yes, he had prominent students but after Albright things began to fracture and it is no longer possible for one scholar to dominate the field in the same way he did.  Albright died in the early seventies.  Just as I was getting over the bewilderment of being born into a strange world, patterns were changing.  The era of individual influence was ending.  Has there been a true Star Wars moment since the seventies?  A new Apocalypse Now?

You see, I felt like I had to make the case that The Exorcist held influence unrivaled by other demon movies.  We’re still too close to the seventies (Watergate, anyone?) to analyze them properly.  Barbara Tuchman suggested at least a quarter-century has to go by for the fog to start clearing.  Today there are famous people who have immense internet fame.  Once you talk to people—some of them my age—who don’t surf the web you’ll see that internet fame stretches only so far.  It was true even in the eighties; the ability to be the influential voice was passing away into a miasma of partial attention.  The smaller the world gets, the more circumscribed our circles of influence.  And thus it was that an evening among some Moravians brought a bit of clarity to my muddled daily thinking.


TMI

Recently I was left alone for the entirety of a Saturday.  On rare days when I feel affluent, I’ll go and purchase supplies to take on the many tasks that need doing around the house—most of the books on my office are still stacked on the floor for lack of shelves.  I can build them, but that takes money.  Often when I have an unclaimed day I plan it out weeks in advance.  Things have been busy enough of late that I didn’t even have the time to do that.  All the sudden I woke up on a November Saturday with tabula rasa in front of me.  Then I realized one of the constant pressures I face: TMI.  One of my nieces—the one who started this blog, actually—first introduced me to Too Much Information (TMI).  I don’t get out much, you see.

Like most people who flirt with tech, I snap photos with my phone.  When we go somewhere that I suspect we’ll never be able to afford to go again, I take an actual camera and let fly like I work for National Geographic or something.  Since my laptop’s on a data diet, all of these end up on a terabyte drive, hurriedly downloaded as IMG or DSCN files, waiting to be sorted later.  Do this since the inception of digital photographs and you’ll get a sense of the magnitude of the problem.  My laptop says it’s full and I have to delete images with that dire warning they’ll go away forever.  I back them up.  When was the last time I did this?  I wrote it down, but I forgot where.  What did I even name the file?  Did I back it up or is it on my hard disc?  Why are there eight copies of the same photograph?  I spent the day sorting, virtually.

Before I knew it, the sun was beginning to set.  I’d awoken at 4:00 (being a weekend I slept in), and after a day of organizing electronic photos into electronic folders, I’d barely made a dent.  Deduping alone takes so much time.  Some of the pictures, while nice, I couldn’t remember at all.  I shudder, though, thinking about grandparents that burned old photos because nobody remembered who they were any more.  Then I realized that our lives are the most documented of any in history (so far) but nobody really cares.  You could learn an awful lot about some stranger just by going through their photos—where they’ve been, what they thought important, and just how obsessive they could be.  As I wound up the day, I realized why I don’t get out much any more.


The New Light

Sometimes you meet kindred spirits in books.  Barbara Brown Taylor’s Learning to Walk in the Dark has been waiting patiently.  It’s one of those books that I suspected would meet me where I live, and regarding this I was correct.  Brown Taylor, a former Episcopal priest and professor of religion (both of which I attempted but failed to achieve), has the courage and insight to suggest that darkness might just be a friend.  The darker half of the year settled hard on me this year.  As its black wings gathered about me I reached for this book.  I’ve been struggling with a question I’m sometimes asked: why do I let my thoughts linger in what must be considered darker corners?  I watch horror and write books and stories about monsters.  What’s wrong with me anyway?

One accusation may be fairly leveled at much of American religion is that it is shallow.  Light is uncritically accepted as good and dark becomes somehow evil.  There are biblical prooftexts that can be used to “prove” this, but they change color when you wrestle with them.  Learning to Walk in the Dark contains many ways of reflecting on realities which are inevitable.  Brown Taylor visits museums that give the sighted the experience of being blind in a safe environment.  She spends time in caves.  She stretches out beneath the stars and contemplates the dark night of the soul as well as the cloud of unknowing.  These latter two are, of course, spiritual classics.  There’s quite a bit that can be learned from experiencing darkness and listening intently.

My own predilections toward subjects called “dark” are forms of therapy.  My religion simply can’t be shallow.  I need enough water to swim.  And yes, I’m afraid of deep water.  Darkness perhaps comes more naturally to those of us who are awake for every sunrise.  If I move far enough north that may cease to be the case, but for the last decade or so my internal alarm goes off a couple hours before the first sliver of light creeps over the eastern hills.  And I seem to have assimilated to it.  As I read Learning I could imagine the accusations flying from my former Nashotah House context.  Looking at that patriarchal theology of sin and misery, however, I think there’s no question whence true darkness comes.  Without the dark we could never tell that it was light.  Since we need both, it seems wise to follow the sage advice here offered and get to know the dusky side a bit more intimately.


Old Grains

Back when I was somebody—a professor is somebody, even if only a seminary professor—I was invited to meet with a group of Seattle writers and intellectuals.  I was in Seattle already because driving all the way out here was possible when you live in the Midwest and your summers are basically open and free.  (Professor’s privilege.)  One of the group members, the one who invited me, asked me about grain.  When the club met they ate.  With a bent toward history, one of them brought period-appropriate bread.  What kind would be fashionable for a night of ancient Near East talk?  (I was still researching and writing on Ugarit at the time, before Ugaritology passed away.)  Without stopping to think I replied “Einkorn.”  I didn’t know if einkorn was still around or not.  All I knew is that it was the earliest (at least as understood at that time) domesticated grain.  The loaf that arrived that night was a more accessible grain variety.

All of this came back to me as I stood in the local health-food store.  We don’t shop here for regular groceries—it’s expensive to eat healthily—but we’d been invited to someone’s house and said we’d bring appetizers.  The health-food store had vegan cheeses, so we needed crackers to go with.  Then I spied the word “einkorn.”  The Seattle discussion had to be well onto two decades old by now.  I was finally able to answer my question, einkorn was still alive.  The craze for ancient grains did not exist in my professorate days.  Some companies, according to occasional news stories, were trying to brew the beer of ancient Egypt or Sumer, but the health conscious hadn’t gone so far as to trying to replicate the diet of the earliest agriculturalists.

Ancient grains cost more because the yields are smaller.  Although the grain heads look disturbingly like those house centipedes that scamper in the basement when you flip on the light, they aren’t nearly the size of a current wheat head.  It stands to reason that it takes more of them to make up the same amount of flour, and appetites have grown over the millennia.  Like most vegans, I read boxes.  Another ancient grain cracker, apart from brown rice, included amaranth, flaxseed, millet, quinoa, sesame, and sorghum.  Never mixed this way in antiquity (for amaranth and quinoa were part of the “new world” and the others “old”), modern mixologists have devised new ways of using ancient grains.  Einkorn nearly went extinct with the development of wheat, rye, and barley.  But it hung on, and now, as a dozen millennia ago, it has a way of sustaining both dreams and fantasies.