Collinsport

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Nothing is ever wasted.  That’s my economy of the soul.  I spent my tween years mooning about Maine.  I’d grown up watching Dark Shadows after school and I’d begun reading the pulp fiction based on the series by Marilyn Ross.  My mother wondered how I could waste my time on vampire nonsense when there was sun shining outside and other kids to play with.  Little did she know that I was learning valuable lessons for the future.  My fascination with Maine—still intact—led me to vacation there whenever possible and over my career I’d applied to more than one or two jobs there based primarily on the potential reward of living in the same state as Collinwood and its spooky mansion  atop the cliffs overlooking the stormy Atlantic.  Once some friends in Norwalk, Connecticut took us to see the  Lockwood–Mathews Mansion, used for Collinwood in the movie House of Dark Shadows.   Such is the draw of childhood imagination.

What were these lessons I’ve mentioned?  Well, Collinwood stands outside the quaint fishing village of Collinsport.  Both are named after the family that houses some very dark secrets, as well as shadows.  Barnabas Collins is a vampire.  He has run-ins with many supernatural creatures, including ghosts, witches, and a few Scooby-Doo kinds of cases where someone’s faking the paranormal.  But Barnabas isn’t the only monstrous Collins.  His cousin Quentin, whom I kind of remembered being his ally, was an unstable werewolf.   Of course, I’m not sure there is such  a thing as a stable werewolf, but still.  Those in the family stay loyal, despite the beasts that lurk within their walls.  Some of the early Collinses were involved in the slave trade.

The Collins family has a long association with the state of Maine.  During the groovy 1970s they seemed somewhat progressive while maintaining the aloofness of the aristocracy they’d become.  Despite Tim Burton’s spin on it, they were the undisputed lords of Collinsport.  You felt you could trust them.  Unelected though they were, they possessed an innate sense of social responsibility.  I also learned as a child that, as appealing and tortured as they might be, you could never really trust a Collins.  Barnabas was not evil, but he was a vampire.  He required blood to survive, and his victims, like those of the current Collins of Maine, Susan, were female.  Any girl who trusted a Collins was in danger, unless she was their willing servant.  I was not squandering my childhood afternoons.  I was learning lessons about trust and its costs.

Writers Reading

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A lot of misconceptions about books abound out there.  One of those misconceptions that has become clear to me is that authors write books to teach.  (Or to make money.  Ha!)  That may well be part of the motivation, but for me, the larger part has been writing books to learn.  You see, the frontiers of human knowledge cannot be reached without stretching.  Writing a book is a way of learning.  Long gone are the days when a person could read every known published work.  Indeed, there aren’t enough hours on the clock for anyone even to read all published books on the Bible, let alone the far bigger topics these days.  And so writing a book that deals with a biblical topic—let’s say demons—is the ultimate learning exercise.  It’s a very humbling one.

I recently read an article where book pirates (yes, there is such a thing!  I should explain: there are those who believe authors are ripping off society by getting royalties for their books.  These pirates, like those of galleys of yore, take ebooks and make them available for free on the internet.) call authors “elitists” for wanting to earn something from their labors.  These folks, I’d humbly suggest, have never written a book.  Most books (and I’m mainly familiar with non-fiction publishing here, but the same applies to the other kind) take years to write.  Authors read incessantly, and if they have day jobs (which many do) it is their “free time” that goes into reading and writing.  They do it for many reasons, but in my case, I do it to learn.

The doctoral dissertation is accomplished by reading as much as possible beforehand and writing up the results quick, before someone else takes your thesis.  It is the practice I also used for my second book as well, Weathering the Psalms.  The third book, Holy Horror, was a little bit different.  Yes, I read beforehand, but much of the research went on after the body of the book had largely taken form.  I had to test my assumptions, which are on ground most academics, needing and fearing tenure, tremble to tread.  I read books academic and popular, and having been classically trained, often went back and read the books that led to the first books I read.  It is a never-ending journey.  I could easily spend a lifetime writing because I’d be learning.  But like other misconceptions, those who write books don’t lead lives of luxury.  They work for a living, but they live for the chance to learn.  And that’s worth more than royalties.  Besides, the nine-to-five demands constant attention.

October Devotee

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Here it is October and I have hardly written about monsters.  Apart from the US government, that is.  I suspect that I could use a little escapism right about now, and most of the boxes are unpacked from the move.  Perhaps it’s time to watch a little horror and feel better about the world.  Monsters, you see, crop up in the most unexpected places.  Yes, in October we expect them to be crouching in dark corners and in dismal swamps as the light begins to fail.  Yet the trees are still mostly green around here and I think I might be in need of some new material.  As with most people my age, I get lost on the internet—someone needs to offer a roadmap to it.  Preferably on paper. 

I admit being stuck in the past.  As any music therapist will tell you, a person’s musical tastes often reflect the sounds of their youth, and some of us believe that rock hit its high point in the 1980s.  My work doesn’t lend itself to background music, so I seldom listen to the radio, and I wouldn’t even know what station to try to hear contemporary offerings.  Fortunately I know some people half my age who find their tunes on the internet, and I was recently introduced to Panic! At the Disco via YouTube.  I’m old enough to remember when music videos first appeared, although I never saw them.  We lived in a small town and, besides, we couldn’t afford cable.  Kids at school, however, talked about MTV and other places—there was no world-wide web then, kids!—that they had seen the latest, coolest video that I could only imagine.  When my contemporary young friends showed me “LA Devotee” by Panic! I was stunned.

If you haven’t seen it, just look up the official video on YouTube.  You’ve got the whole internet at your fingertips!  While the lyrics seem innocent enough—young person wants to make it big and so imitates the Los Angeles lifestyle—the video is horror show.  Literally.  Borrowing from M. Night Shyamalan the opening sequence is a cross between The Village and Signs.  Then it becomes a torture chamber for a young boy (from Stranger Things, no less, a show I binge-watched when it came out on DVD).  And Satanism.  Yes, taking on the LA lifestyle is compared to selling your soul to the Devil.  The stunning visuals kept me clicking the replay button.  Even as I felt my age, I also felt October growing.  And I was glad to see the monsters are still there.  Too bad we can’t banish them from DC, however.

Graymalkin October

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It’s not like you need an excuse to read ghost stories in October.  At least that’s what I hoped other passengers on the bus would think.  Yesterday on my way into and out of New York City I read the next in the series of Ed and Lorraine Warren books, this one titled Graveyard, and written by Robert David Chase.  Now, you need to realize that I’d heard of the Warrens long before The Conjuring came out.  Those of us curious about ghosts to the point of reading at least semi-serious books on them know the brand.  What I don’t know is how to find out much about what “the Warrens” actually wrote.  These books are being (have been) republished by Graymalkin Media, after having originally been published by mainstream publishers.  This one was originally released by St. Martin’s Press.  Those of us in publishing believe that stands for something.

Loosely tied together around graveyard stories, featuring for half the book Union Cemetery near the Warrens’ Monroe, Connecticut home, the book ranges far and wide concerning ghosts.  Here we meet a man or two who turned into demons—I wonder how that works?—and a good demon punishing an evil person.  Some of these stories seem straight out of the high school scare-your-date playbook, while others are actually pretty scary.  A mix of accounts by either Ed or Lorraine, and stories embellished, it seems, by Chase, this book is like a trick-or-treater’s Halloween bag—you never know what you’re going to get.  It’s a little too bad because I’ve read some sober, and serious treatments of ghosts over the past several autumns, and with the Warrens’ vast experience, it’s a unfortunate that the accounts had been so dolled up.

It’s a shame that scholars of religion can’t be more forthright about their interest in the spiritual world.  I know many that I won’t call out here that are secretly—some openly—exploring these kinds of questions.  That won’t get you tenure anywhere (something the Ghostbusters reboot got right).  Even in the world of science there are forbidden topics.  That’s because, as this little book points out, spirits creak open the doors to all kinds of uncertainties.  I suspect that’s a similar reason that scholars of religion are treated with a certain mistrust by other guilds within the academy.  We need to play it straight and prove that we aren’t given to flights of fancy that might suggest something as unsophisticated as belief.  Still, as Graveyard shows, ghost stories are extremely common.  In fact, no October would be complete without them.  So I hope the other passengers think.

Getting Dirty

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Composting is a very biblical activity.  Adam, according to the second creation account in Genesis, was formed from the divinely created dirt.  Some scholars try to capture the word-play in that story by suggesting “human” was made from “humus,” but since that sounds like chickpea dip it may not help so much after all.  Besides, we now know that soil has a complex and fascinating history.  Erosion grinds up rocks.  Organic matter dies and decays, forming the loosely packed substrate in which plants can survive, slowly breaking up the more dense pieces through the transformative power of water.  It is, imprecisely speaking, a miracle.  When Adam drops dead, he becomes once more part of the soil from which he was formed.  It’s poetic.  Elegant.  Economical.

Now that we have a house we’ve decided to try our hand at composting.  We’d considered it many times over the years since, what with recycling and hoarding, we’d managed to get our weekly garbage down to one fairly small bag.  Besides, since our government won’t be nice to the planet, somebody has to.  Institutional people that we are, my wife and I had to read up on composting before giving this very natural decomposition a try.  Things have to be just so for the process to work perfectly.  It was in the process of this reading that the biblical aspect became clear to me.  

The trick is to make sure the neighbors don’t complain about the smell.  That, in part, determines what can or can’t go into the compost bin.  Meat and dairy can’t go into the mix.  Since I’m primarily vegan such things aren’t generally here to be disposed of in any case.  Even the drier lint can go there, for the clothes that we wear become part of who we are, right Henry David?  And here’s where there’s a danger of TMI, although it’s good theology—cast-offs from our selves can also be composted.  Hair, for example.  The composting literature we have seems to take Adam himself out of the equation by specifying pet hair, but hey, mammals are mammals.  The longer I thought about this, the more obvious it was that burial, ideally, is a form of composting.  Giving back to the earth from which we’ve sprung.  That simple wire bin out by the garage is in the process of making the substrate for new life.  We may not be farmers, or gardeners like Adam, but composting feels like giving back somehow.  It’s an act of creation.

Beyond the Facade

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Over the summer the New York Historical Society had an exhibit, now over, on Norman Rockwell, Franklin Roosevelt, and the Four Freedoms.  I think we may be down to one or two freedoms by now, but nevertheless.  One weekend my wife and I went to the exhibition.  She’d just read a biography of Rockwell, and although his Americana is my America, I suppose, his pluck is sometimes unnerving.  You see, an artist has to show emotions on people’s faces and in their gestures.  Long ago I learned that if you show what you’re feeling in real life, people will quickly take advantage of you.  I learned, even as a teen, to be subtle.  If you think you’ve got me figured out, here’s a hint—that subtlety continues even into my writing.  It’s often not what it appears to be.

Some months back I wrote a funny piece on this blog.  Some people who actually know me—or the part that I let be known—thought I was depressed.  Or angry.  Or both.  That’s a side effect of subtlety.  Episcopalians have it down to a science.  At least they used to.  The only place they showed emotion was in high mass, and that, if done right, packs a wallop.  One of my brothers comments that I seldom smile.  I might say too much about myself if I did.  What would you do with that knowledge?  In my earliest experience, you might use it to hurt me.  Walking through Manhattan to the exhibit, I noticed the stone facades.  Some buildings have solemn stonework, almost gothic is aspect.  Behind the windows, however, I can sense emotion left unshown.  It’s not very Rockwell.

I admire Rockwell’s outlook.  Indeed, I might share more of it than I want to reveal.  Rockwell, according to the exhibit, believed in America for all races and all creeds.  Strong women dominate his paintings and illustrations.  Equality was what America used to stand for.  And although I’m reluctant to admit it, when my writing’s most serious an element of humor enters in.  Like a Rockwell painting.  He wished to be taken for a serious artist, but had a difficult time suppressing the irony of life itself.  I get that.  It’s just that if other people see what’s beneath the surface—what goes on behind that stone facade?—they will find a means of extorting it.  Best to be subtle.  Words can mean the opposite of what they say or can be literally true.  The shades between the extremes are endless.

Sinful Thoughts

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Nothing is quite so scary as that which is undefined.  I learned that as an Evangelical child.  There’s a verse in the gospel of Mark—I’ll use Mark because it’s the earliest, by consensus—that reads, “Verily I say unto you, All sins shall be forgiven unto the sons of men, and blasphemies wherewith soever they shall blaspheme:  But he that shall blaspheme against the Holy Ghost hath never forgiveness, but is in danger of eternal damnation.”  Now, that was heavy stuff for a kid.  There was an unforgivable sin.  Naturally, the mind goes to what exactly blasphemy against the Holy Ghost might be.  I hadn’t learned much about context by the point, but Mark places this statement right after the good people of Capernaum accuse Jesus of casting out a demon by the power of Satan.  In context the unforgivable sin in stating that what comes from God is of the Devil.  By extension, vice versa.  Keep that in mind.

A few chapters later Jesus is describing sin again.  This time he lists: “evil thoughts, adulteries, fornications, murders, thefts, covetousness, wickedness, deceit, lasciviousness, an evil eye, blasphemy, pride, foolishness.”  If you read the news these characteristics sound very much like the repeated and continued behavior of 45.  Jesus himself cites this as evil—and here’s where it’s important to remember the unforgivable sin—to claim that such things come from God is blasphemy against the Holy Ghost.  Yet Evangelicals are doing precisely that.  Every time they exonerate Trump and his ground in behavior that for any other human being would be condemned as “sinful,” they are committing the unforgivable sin.  And they’re not even scared.

When I was a child, Evangelicals took the Bible seriously.  It was more important than anything—even railroading anti-abortion judges through to the Supreme Court.  Little known fact: Evangelicals of the 1950s supported abortion.  Since that time they’ve lost their faith.  And their mind.  Sucked into a political activism controlled by forces they don’t understand—if any man have ears to hear, let him hear—they committed the unforgivable sin that kept me awake countless nights with the fires of Hell roaring in my head.  I set aside the gospel of Mark and scratched my head.  How’d we come to this?  A nation, one might say a house, divided against itself.  The kind that Jesus, again speaking of Satan, declared could not stand.  No wonder Evangelicals avoid the Bible these days.  It is a very scary book.

Fear Factory

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Every politician knows that fear wins elections.  Just how deep into Orwellian territory we are became clear at 2:18 p.m. on Wednesday.  A man I loath and distrust, who happens hold high office sent out a national presidential alert to cell phones everywhere.  After being awakened at odd hours a time or two over my cell phone owning years, I’d turned off my smart phone alerts.  I wasn’t out driving to spot amber alert situations in the middle of the night.  If there’s a severe thunderstorm coming, I’m already awake.  The idea that if everyone with a phone is on the lookout we’ll all be safe seems a bogus one to me.  There is, however, no way to turn off a presidential alert.  Like most Americans I was working when my phone went off.  I wasn’t afraid.  Just annoyed.

Random scary sounds are among the most frightening things people experience.  I recently started writing in the attic (if you read this blog regularly you won’t even ask why).  As I was writing this post a gust of wind blew and it sounded like the roof might collapse upon me.  Sudden load sounds make us look for comfort in a strong person.  On a national scale that means, God help us, politicians.  When my phone alert goes off, it’s telling me to vote for the party in power.  There’s psychology afoot here.  This was no accidental coincidence.  Midterm elections are just weeks away.

I know something about fear.  Not only do I write about horror films, I grew up with so many childhood phobias that my mother wondered how I would ever get along.  Those phobias may have gone underground when I became an adult, but they never truly left me.  I don’t encounter them on a daily basis, but I can draw on them for my fiction.  I don’t, however, appreciate my government using them against me.  Perhaps this sounds paranoid.  If paranoid it’s by design.  Even if 45 can’t see beyond his own proboscis, those on his team know the fear factor works.  Winston will come to love big brother.  Fear robs rationality.  We’re mere primates, after all.  Was it coincidence that there was what appeared to be an impromptu Trump rally later that afternoon?  There is a difference between paranoia and naiveté.  We’re a wired nation and the Republican Party has the phone number of each and every one of us.  If this is not a drill, you know where to find me. 

Just Sagan

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Perhaps the most famous resident of Ithaca, New York, during his career at Cornell was Carl Sagan.  The astrophysicist had had a noteworthy career, becoming a household name with his popularizing television programs and books.  When he died prematurely, there was a real sense of loss among many of us who appreciate those who dumb down science so the rest of us can understand.  Over the weekend in Ithaca, which still bears his physical legacy in a scale model of the solar system, we went to find his final resting place in Lakeview Cemetery.  There is something oddly peaceful about passing time among the dead.  It was late afternoon and we were the only ones in the graveyard.  We also had no idea where his plot might be, so we surveyed a good bit of the grounds, finding the Cornell family mausoleum along the way.

When my wife found his plot, with a simple tombstone laid into the ground, it was impossible not to notice the grave goods.  The leaving of mementos at the burial places of the famous is nothing new.  Douglas Adams’ grave in Highgate Cemetery in London had a profusion of pens pressed into the ground.  H. P. Lovecraft’s final resting place in Providence likewise had remembrances scattered about.  Among the items at Sagan’s grave were various bits of money, a teddy bear, and a somewhat lengthy letter written to the late scientist, expressing how much he had influenced the life of the writer.  After paying our respects, it struck me how even in a cemetery where death, the great leveler, has visited all, we still seek out the famous.

I couldn’t help pondering the implications of leaving behind something for the dead.  Money is of no use where goods and services can’t be traded.  Approaching the cemetery from the upper entrance, we first encountered a Jewish burial area where many of the tombs had rocks characteristically laid on top.  Sagan’s grave is on the border where stones on tombs begin to give way to crosses.  The custom of placing rocks on gravestones is ancient, but the reasons it’s done are disputed.  One of my favorite explanations is that flowers die but rocks do not.  There’s a simple elegance to it.  Many Christian graves appear neglected by comparison.  We don’t live in Ithaca, and it’s difficult to guess how often this somewhat hard-to-find cemetery is visited.  When it is, however, it is in the spirit of remembering a life that was ever focused outward, to an infinite yet expanding universe.

Whelmed Over

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I have to admit I feel overwhelmed by the task.  You see, I spent twelve years living in a town that went from one small used bookstore to none.  Within a half-hour’s drive I could be at two bookstores—indies, of course, since B&N doesn’t always count.  One of the shops was the Princeton University bookstore, so that was almost unfair.  Now I live in a region with many bookstores.  I wasn’t truly aware of this when deciding on where to settle; the decision was made on practical matters such as being able to get to work, and affordability.  It turns out that central eastern Pennsylvania is unexpectedly bookish.  I’m not complaining, you understand.  I haven’t had much time to explore, and that’s why I’m overwhelmed.  That, and Banned Books Week.

I’ve been to the oldest continuously operated bookstore in the world, The Moravian Book Shop, in Bethlehem.  Twice already.  But there are many more within an easy drive from here.  “Lead us not into temptation,” the prayer goes, but if we’re honest we’ll admit we love the challenge.  Home owning is expensive.  There’s always something that needs to be done—the sort of thing you used to let the landlord handle—they are lords, after all.  And time for reading is scarce.  Add to this that there are bookstores I haven’t even entered yet, not far away, and a kind of anxiety grows.  You have to realize that even in Manhattan reaching a bookstore on lunch hour was difficult.  They are few and far between.  It’s overwhelming being in a region where indie bookstores have held on.

My wife recently showed me an ad for an indie bookstore over the border in New Jersey.  They were looking for new owners.  We’ve often discussed how perhaps a retirement job for us might be just such a thing.  Of course, business sense isn’t my strong suit—just learning how to own a house seems pretty hard.  The idea of making a living surrounded by books, however, is appealing.  (You might think an editor reads all day, and while that sometimes happens the reading is generally embryonic books.  Besides, there’s something serendipitous about discovering fully fledged books that you didn’t know were coming.)  To buy a business requires capital, and we’re more the minuscule type, when it comes to finance.  As we settle into our house we decide which books go where, and it is remarkably satisfying.  After I’m done being overwhelmed by all there is to do in the house, I’m looking forward to being overwhelmed by exploring the bookstores of central eastern Pennsylvania.

All Things Being Equinox

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The weather around here has been appropriately gloomy for the autumnal equinox.  Although Hurricane Florence gave us a day of rain, the heavy clouds have been part of a pattern that has held largely since May.  Given the gray skies, we opted to watch Alfred Hitchcock’s The Birds last night.  My wife isn’t a horror fan, but she does like Hitch.  We’ve watched The Birds together many times, but this is the first time since I wrote Holy Horror.  I was somewhat surprised to recall how much Scripture plays into the script.  This is mostly due to a drunken doomsday sayer in the diner.  After the attack on the school kids of Bodega Bay, he declares that it’s the end of the world and begins citing the Bible.  He’s there for comic relief, but the way the movie ends he could be right.

When I was writing Holy Horror I had a few moments of panic myself.  Had I found all the horror films with the Bible in them?  Could anyone do so (without an academic job and perhaps a grant to take time off to watch movies)?  I eventually realized that I was merely providing a sample in that analysis.  Several weeks after I submitted the manuscript I watched The Blair Witch Project.  There was the Bible.  The same thing happened last night under a glowering late September sky.  The Birds has the Bible.  Two weeks ago I saw The Nun; well, that one’s almost cheating.  But you get the picture—the Good Book appears rather frequently in horror.  That’s what inspired me to write the book in the first place.

Now that nights are longer, and cooler, the grass has somewhat poignantly relinquished its aggressive summer growth.  Most of the ailanthus trees have been cut down (I must be part lumberjack).  My outside hours are limited not only by work but by the fading light.  In the words of the sage, “winter’s tuning up.”  We moved to a house we saw in the spring as days were lengthening.  Now we’ve come to the dividing line that will slowly leech the light from our evening skies.  I suspect that as I go back and watch some of my old favorites again I’ll discover something I already knew.  The Bible and horror belong together because both are means of coping with the darkness.  Call it puerile if you will, but there is something profound about this connection.  It just has to be dark for you to see it.

Capital Idea

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Capitalism encourages a kind of racketeering among businesses, in my experience.  Take the case of utility companies after a move.  To date I have received well over a thousand dollars in bills for services not rendered.  These bills were from utility companies claiming that I owed them final amounts for bills that had been paid in full, on time, for over twelve years.  I should, it seems, be able to bill them for my time on the telephone setting their records straight.  The “final bill” is a racket.  And it is deployed just after a customer, formerly a “valued customer,” has entered into new financial obligations—moving is not cheap!  Most of these bills are for multiple hundreds of dollars for services, that when I used them, were generally billed at a mere fraction of that amount.

Corporations, according to the law, are people.  And like people, they are exceptionally greedy.  Just yesterday I received a bill from a heating oil company—which shall remain nameless for the moment—stating that I owed a multi-hundred dollar final balance.  I had notified them in April that we would be moving and that I had paid their final bill and no more deliveries should be made.  None were.  Fully five months later I receive a “final bill” politely reminding of an outstanding balance.  For what?  Heating oil delivered in July?  Have I suddenly switched hemispheres or is this some kind of racket?

Come to think of it, while unpacking I came across a budget book.  My accounting is pretty much in the range of horseshoes and hand-grenades—I know the regular bills and can guess how much they are likely to be.  I’ve got other things on my mind besides money.  The budget book had never been used.  Budgets, to my understanding, project a stable world.  That’s not like the capitalist world.  When we bought the budget book, some 30 years ago, could we have projected monthly expenses for the privileges of using an internet that at that time didn’t even exist?  Capitalism is creative in finding new things to make you pay for, even if they are only virtually real.  Like heating oil that was never pumped off the truck.  It’s always your word against theirs, and corporations are bullies, being bigger than regular people.  So I sit here with a blank budget book and a stack of “final bills” for things never delivered.  And I think to myself, what a crooked world.

Jericho’s Folly

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The sound was compellingly familiar although it had been years since I’d heard it.  We were visiting the Quakertown farmer’s market for the first time—this weekend event is widely advertised and we were curious.  Part fresh produce, but mostly flea market, it was a tribute to my generation.  You could find stuff from my childhood years here, making it a species of time travel.  We stepped out of the car on a gray morning when I heard it.  I was drawn to it.  I’m at the age where I recognize things before I can name them.  “Where are you going?” my wife asked.  “Toward Pink Floyd,” I replied.  Music has a way of doing that to you.  It took another minute for me to place the song.  It was from the album The Wall.

After we returned home I had to hear it again, uninterrupted by the distractions of a flea market to new home owners.  It was a frightening experience in the age of Trump.  Although they’d never been my favorite band, I had a long history with Pink Floyd.  My older brother used to listen to them, and when I was working as a church intern (yes, there is such a thing) while in college, the kids in a family I was staying with took me to see The Wall on laser disc—an affluent family in the neighborhood had just bought a player, and I was curious both about the technology and the film.  The Wall is one of those concept albums that requires attention—you kind of need to listen to the whole thing.  The accusations against those who are different being sent “up against the wall” chilled me with thoughts of Trump and American fascism.  I can only listen to the album within prescribed headspace.

Even those who’ve never been sent to boarding school can imagine how it lends itself to abuses and horror.  At Nashotah House the album was almost as frequently cited as Hotel California.  When the religious isolate themselves odd things begin to happen.  On one of the occasions when I was left home alone in our New Jersey apartment, I pulled out my DVD of The Wall and began to watch it.  As the years melted away, I suddenly felt young and intensely vulnerable.  The visuals, like a little pin-prick, were jabbing at nerves a little too close to the surface.  I had to turn it off and watch a horror film instead.  It’s even scarier to listen to the album when democracy has failed its constituents.  The wall, after all, is a most protean of metaphors.

Look Both Ways

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One of the things I miss the most about my teaching career is learning from the young.  While some professors in my experience believed the learning only went one way, I always found a kind of reciprocity in it.  I passed on what I learned from taking classes and having my face in a book all the time, and they taught me about popular culture.  Academics don’t get out much, you see.  It’s a basic issue of time—we all have a limited amount of it and research, if done right, takes an incredible chunk.  In fact, when hot on the trail of an idea, it’s difficult to think of anything else.  Pop culture, on the other hand, is what the majority of people share.  Now it’s largely mediated by the internet, a place that some academics get bored.

Speaking to a young person recently, I was initially surprised when he said that his generation was more interested in the Devil than in God.  Parents have always been concerned that their children not go astray, but this was, it seemed to me, more of an intellectual curiosity than any kind of devotion.  God, he averred, was thought of as aloof, pious, self-righteous; in a word, Evangelical.  The internet can be downright ecclesiastical in its affirmation that our inclinations can be what used to be called “sinful.”  Not that these things are always bad, but they are the kinds of things we’re taught to feel guilty about.  The divine response?  Anger.  Displeasure.  Shaming.  Young people, my interlocutor thought, found the Devil more understanding.

Perhaps this is the ultimate result of Evangelical thinking.  We’re watching in real time as the party of Jesus is becoming the party of intolerance for anyone different than ourselves.  Rather than turning the other cheek, it’s fire when ready.  Eager to retain the “brand” of “Christianity,” they slap the secular label on any outlook different than their own, although their own faith is without form and void.  It used to be that this was the realm of the Devil.  This sheds a different perspective on what my young colleague was saying.  Instead of bringing people to God, the Evangelical movement is driving them away.  Traditionally, the Devil was after the destruction of human souls.  That seems to be one of the new values of the right wing of the church.  There’s quite a bit to think about in this observation by this young one.  I’m glad to know that traffic still moves both directions on this street.

Appily Ever After

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While in the theater to see The Nun (which ended up being the biggest take) this weekend, I couldn’t help but notice that the pre-movie adds were all about apps.  I couldn’t help it because, much to my own chagrin, I’d left the house too quickly and I hadn’t brought a book to read while waiting.  This may not be news to some people, but different cinema chains have different “channels” of what passes for entertainment and ads to try to draw viewers in early.  The movie house we used to frequent in New Jersey had a variety of goods on show, most of the time.  The one we visited here in Pennsylvania presumed that everyone had their phones in hand, waiting for the show to begin.  On screen was the idolization of the app.

My phone is old enough that most modern apps don’t work on it.  Most of the time that doesn’t matter to me since I’m not addicted to the device.  Of course, when you’re trying to park your car in a town that offers only online options for such a convenience, I sometimes wish I could download the relevant necessary software.  Otherwise, I often wonder what we’ve lost in our lust for connectivity.  Coming out of New York on the longer distance bus recently, the driver called out, as leaving the Port Authority, “Lights on or off?”  The unanimous chorus, for I didn’t speak, answered “Off!”  I glanced around.  I was surrounded by devices.  I carry a book-light with me on the bus, for this has happened before.

“Drink the Kool-Aid” has become post-Jonestown slang for simply following the suggestion of someone without considering the consequences.  I sometimes wonder if our smartphones come in more than one flavor.  I’m not talking about features or physical colors.  As apps chip away at our money, a little bit at a time, they also take larger pieces of our time.  I’ve experienced it too, but mostly on my laptop (I don’t text—my thumbs aren’t that limber, and besides, the apocopated messages often lead to misunderstanding, emojis or not), the wonder of one link leading to another then realizing an hour has disappeared and I still feel hungry.  Perhaps that’s the draw to the modern commuter.  Or movie goer.  I’m sitting in the theater, taking a break from unpacking.  In my version of multitasking, I’m also doing research by watching a horror movie.  Around me eyes glow eerily in the dark.  I’m lost in the forest of unsleeping apps.