Memento Mori

This is the end, my friend, my only friend, the end

This is the end, my friend, my only friend, the end

Those of you who’ve listened to my podcasts have no doubt noticed my reference to George Pendle’s, Death: A Life (Three Rivers Press, 2008). This fictitious account of Death’s memoir, all things considered, is a fun read and a wild romp through various ancient religions. Postulating a loveable, if somewhat obtuse, God (no more obtuse, however, than the supreme being in Harold Bloom’s Book of J) Pendle populates his mythological world with a vast array of embodiments, personifications and supernatural beings, all slightly neurotic, and more or less on an equal playing field. Although the book is intended as fun, it does offer some serious consideration to the phenomenon of death.

One of the earliest intimations that Homo sapiens had begun to consider religious sensibilities is burial, the concomitant state to death. Burial serves an important biological function of preventing the diseases borne of putrefaction from infecting others, but it also serves as a condensed statement of a fledgling belief in an afterlife in some form. Even Neanderthal burials have been discovered with rudimentary grave goods. Concern for the wellbeing of the departed is surely a religious sentiment. Death and religion are never far from each other. Even the early Mesopotamians trembled at the etemmu, their version of a ghost, and marked it with the divine determinative on their clay tablets. Religion has been a fine-turned handle that humans have used to get a grip on death.

That is not to say, of course, that death is religion’s only concern, but there is some wisdom in that old saying that people seek out their religious leaders when they are “hatched, matched, and dispatched.” Mesopotamian (and Hebrew Bible, for that matter) afterlife was a gloomy prospect, yet it was certainly brighter than the alternative of the simple cessation of biological functions. Death as a concept inserts meaning into the all-too-natural act of dying. Not a religion exists that does not address itself to this great leveler of all human aspirations. If at times it seems that my posts tend toward the macabre, peopled with vampires, werewolves, zombies and Republicans, bear in mind that such creatures of the night are expressions of the essentially human and indisputably religious preoccupation with death. Its unbeating heart transfuses life to religion.



Cenobites and Angels

I recently became aware of Hellraiser. Actually, I’d seen images of Pinhead around for years, but never realized that he was a Cenobite until reading Douglas Cowan’s Sacred Terror (see my post on Vampires, Mummies and the Holy Ghost). In fact, Pinhead is featured on the dust jacket of the book and comprises a large part of Cowan’s evidence. Curious enough to watch the movie, I steeled myself for the macabre and terror, but although there were gory scenes it was no more disturbing than the Republican National Convention.

Pinhead for president?

Pinhead for president?

This movie draws its lifeblood from religious, particularly Christian, imagery. Cenobite, of course, is an old word for “monk” and in the movie Cenobites are interdimensional beings known as “demons to some, angels to others.” In a strange convergence of themes, I had recently viewed Dogma again after a gap of a few years. Here Loki and Bartleby are fallen angels, who, rather like myself, move from Wisconsin to New Jersey. Both of these films are pervaded with a healthy ambivalence towards those beings who have the potential for so much good but who opt for what most of us would consider evil.

Angels have a long pedigree in ancient religions, probably originally being gods who only ever achieved supporting roles. Not all gods were created equal. At Ugarit we find a whole class of deities below the power and dignity of reigning gods. Besides, in a non-scientific worldview, angels, especially fallen ones, had great explanatory value. When things unexpectedly go wrong and you’ve made all the proper sacrifices to appease the resident deity, bad angels might just be the cause. Theirs was a world of naive realism; what the eye observes is pure reality and what the eye doesn’t see is divine. Today we know this to be overly simplistic — reality is so complex that even our brightest can’t completely comprehend it. Yet when we have trouble explaining things, even in a scientific world, many are ready to point to the angels in the wings.


Ghosts of Nashotah House

A recent search for “Nashotah House” + ghost (not unsurprisingly) brought up my blog. Perhaps I was being bated, but I’ll bite anyway. Who can resist a good ghost story?

A wee history lesson will help to set the scene. Nashotah House is/was a seminary of the Episcopal Church nestled in the woods of what had been the frontier in Wisconsin. Established in 1842, it was originally conceived of as a monastery — an ethos it has tried to maintain ever since. It is a residential campus with both students and faculty required to live on the school grounds. I taught there from 1992 to 2005, long enough to see some strange things.

I admit up-front that I don’t know what to believe about ghosts. Very nearly ubiquitous as a cultural phenomenon (and firmly related to religion), ghosts permeate the human imagination. It is not at all unusual that ghost stories should thrive in a gothic setting like Nashotah; a simple web search will bring out the traditional hauntings of the place, especially those of the black monk. When I made my first visit to campus there were some distinctly creepy vibes that I wrote up as being non-priestly jitters amid the secretive life of the black-robed clergy. For my first two years I would be there for just part of the week, so instead of the usual faculty house to reside in, I was assigned to live in an apartment in Webb Hall. Known simply as “the Fort” for the solidity of its limestone block construction, Webb Hall had been built for a former dean, Rev. Dr. Azel Cole, as a grand three-story residence for the priest and his wife, Betsy. (Episcopal priests can marry, creating a steady siphoning of Roman Catholic priests who love both the liturgy and the ladies.) My apartment was on the third floor of the Fort, the highest point on campus. As the living dean showed me around, I had that oppressive, “something’s not right” feeling, despite the fact that the living room had been newly furnished and had a spectacular view across campus.

The dean pointed out the amenities of the spacious apartment, but when we reached the kitchen/dining area, we found something unusual. In the very center of the floor was a single dining plate, shattered. The dean muttered something about how the cleaning lady must have missed it on her rounds when she had prepared the apartment for my arrival. Otherwise the apartment was spotless. There was a door leading to a private chapel that Dean Cole had constructed. I was told it was no longer used since the only access was through the apartment, but the dean supposed I would be interested in seeing it. We stepped inside and it was coated with cobwebs and a thick layer of dead black-flies covered the floor, especially near the windows. The dean informed me that it was kept locked to prevent clandestine, unapproved Masses from being performed there by renegade priests on the faculty.

The creepiest room, however, was my bedroom. A spare room (for sleeping only, no doubt), furnished with only a new bed and side-table, it nevertheless felt crowded. When something finally did happen in that room it was after I had moved to a regular faculty residence.

[For the rest of the story please see the Full Essays page]


Origins of the Undead

With all the talk of organ harvesting in New Jersey (see any Jersey paper over the past couple of days — you can’t miss it), my mind naturally turns to zombies. I have to confess to having enjoyed Pride and Prejudice and Zombies (Jane Austen and Seth Grahame-Smith, Quirk Books, 2009) very much, particularly when the Bennett girls form the “Pentagram of Death” at a ball. Like most creatures representing humanity’s deepest fears, however, the undead have religious origins.

The evils of the slave trade and missionary work concocted a dangerous brew in the West Indies. Shamanistic “voodoo priests” claimed to have the ability to arrest a person’s soul, making that person an unthinking mercenary of their bidding. (The mind again turns to missionaries!) A similar idea enlivened the golem in medieval Jewish lore, only dirt was used to construct a golem rather than an already occupied fleshy apartment. The concept of the inculpable perpetrator of revenge in West Indian religion was first introduced into popular consciousness by the writing of William Seabrook, a noted traveler and author. Seabrook spent some time in Haiti and his account of zombies in The Magic Island captured the public imagination.

The undead aspect of zombies is largely due to the unexpected success of George Romero’s 1968 cult hit film, Night of the Living Dead. In an interview Romero noted that the zombie idea had been applied to the film rather than having been its driving plot device. The undead are called “creatures” at several points but never “zombies.” The zombie connection nevertheless took off from the movie and landed the undead directly into the supernatural monster pantheon. As people continue to struggle with death and all its implications — one of the largest psychological roles of religion — it may seem difficult to believe that zombies have only been with us since the 1960s. William Seabrook committed suicide after having committed himself to an asylum in his later years. In one of his travelogues, Jungle Ways, he describes in detail the experience of eating human rump roast while in West Africa. Perhaps he was well on his way to becoming a zombie (or at least a New Jersey public servant!)?


In the Light of the Moon (Sin)

While teaching at the University of Wisconsin Oshkosh I was assigned a course whimsically entitled “Myth and Mystery.” With little more than an old syllabus and some Agatha Christie reading experience to go on, I set about building an academic study of the unknown. (Ironically, in the years since then it has mostly been students from this course who have contacted me later to follow up on classroom material.) One of the mysteries I addressed was the werewolf legend (also see the previous post).

The earliest known record of a man becoming a wolf derives from ancient Greece. An Olympic athlete named Lycaon reputedly turned into a wolf (not during the games, I suspect, or he would had to have been put in the dog races). I would contend, however, that werewolves are at least biblical and likely older yet. The tale of Nebuchadrezzar transforming into an animal in Daniel 2 is widely known. Less recognized is that this story likely originated earlier than the book of Daniel, and it was associated with Babylonian king Nabonidus. Nabonidus was a devoted worshiper of Sin, the god in charge of the moon, and was rumored to have struggled with an “evil ulcer” (the mind reels) instead of having transformed into a beast. Rumors that he’d gone insane abounded, which, for lunatics, must count for something! How far back the moon’s transformational powers go is not known, but the marauding beasts of the night were known and feared long ago, along with the occasional insane king.

Not Nabonidus, but maybe one of his kids?

Not Nabonidus, but maybe one of his kids?

Unfortunately only after my Oshkosh course ended, I struck up correspondence with Linda Godfrey, a journalist who lived almost close enough to be a neighbor. Linda is an avid researcher of the Beast of Bray Road, Wisconsin’s own home-grown version of the werewolf. The closest I ever came to experiencing the beast was being awoken one midnight by a pack of coyotes howling through the yard, but I read Linda’s books with wonder. Are ancient fears really present realities? I suppose only time will tell, but our ancient ancestors sometimes had more keen eyesight than their modern day beneficiaries do. Their advice was to love the moon with caution since it could cause insanity in select cases!


Vampires, Mummies and the Holy Ghost

One of the many quirky things I experienced in my teaching days at Nashotah House was the fascination of theological students with the (then current) Jimmy Buffett hit “Vampires, Mummies and the Holy Ghost.” Not really a Buffett fan (I must confess, however, to being strangely touched by “Margaritaville” although I’ve never had a margarita and I’ve never been to Mexico) I was nevertheless intrigued by this juxtaposition. One student confessed to being a vampire-novelist wannabe. The vampiristic connection with the Eucharist was kindergarten, but there was a more ancient tale hidden here.

With a career crashing down around me, I found myself habitually watching horror movies — something I hadn’t done since my own seminary days. One bleary-eyed morning it struck me how our nightmare-zone creatures are religious in origin. Vampires can be traced back to ancient Sumerian mythology. Mummies? Ancient Egyptian burial practice to preserve a body for the afterlife. Ghosts, apart from finding a feared spot in most cultures, are attested in the Hebrew Bible and even earlier. They are, of course, from the supernatural realm. Werewolves are a branch of the lunar worship tree, again an ancient form of religion. Even Frankenstein’s monster toys with the account of Adam’s creation, although Mary Wollstonecraft Shelley associated him with the Greek mythological figure of Prometheus. While Godzilla (apart from his apparently theophoric name) may fall outside this scheme, most of our nightmare creatures are ancient kin of the gods.

My favorite vampire

My favorite vampire

At a professional conference last year I found and purchased a book entitled Sacred Terror: Religion and Horror on the Silver Screen, by Douglas Cowan (Baylor, 2008). Given my renewed penchant for fright flicks, I was intrigued by Cowan’s contention that religion lies at the heart of horror. Indeed, one may think of them as fellow ventricles in the anatomy of fear. Perhaps ancient religionists were on to something when one of them penned “the Lord taketh pleasure in them that fear him” (Ps 147.11). Religion may be a response to fear, or to a world that for us has become natural and upon which we wish to project a human (or divine) face.