Don’t Answer Me

Non-directed reading sometimes follows its own track and a reader might become kind of an accidental expert. I wouldn’t claim that for myself, but I have noticed that scholars, until very recently, tended to give the cold shoulder to anything with a whiff of magic about it. Ancient magic is fair game, of course, but anything like post-Enlightenment magic is anathema, a veritable shibboleth of philistine sensibilities. No scholar worth their diploma would study such a lowbrow topic, let alone give it any credence. Popular culture, and increasingly political culture, tend to ignore academics, however. I have, in my exile from academia, become interested in those who consider themselves witches. I have, I realized recently, read quite a bit about the phenomenon and have been casting about for academic treatments that might fill in some of the gaps. It is a fascinating subject.

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Ironically, many religion scholars who swear by a mythological worldview of the first century, devalue magic, or Wicca. Many who study it handle it like a peculiar bug, something that might profitably be placed under the microscope as a living curiosity. The thing is, and I realize that academic institutions often shelter their inmates from the real world, many people still do believe in a kind of magic. It may not involve Harry Potter spells and wands, but everyday life outside the academy sometimes defies explanation. Scientists say it’s impossible, and scholars of religion are quick to lock step. Yet the number of those either openly or clandestinely joining occult groups appears to be increasing. Maybe they know something that the experts don’t?

While working on my academic paper for the Society of Biblical Literature annual meeting, I have run into the amazing void of interest in contemporary magic. The television series Sleepy Hollow has revived some popular fascination with the topic. The curious, however, have few scholarly resources to consult. Here is perhaps the paradigm that shows most clearly why higher education runs into trouble. Could it be that in the academy the Lowells talk only to Cabots, and the Cabots talk only to God? Have they forgotten how the common folk live? Those of us who grew up common are often not welcome in the academy. Our downmarket ways and simian brows mark us as the sort so gullible as to believe in some kind of magic. But the numbers are on our side. And the only option sometimes is to become your own expert.


American Bible

BibleInAmericaAny book that sets itself the task of addressing American culture has, it seems, a built-in obsolescence.  Culture shifts are radical and swift, and it would seem that distance is necessary for any serious analysis.  I am reminded of historian Barbara Tuchman’s opinion that history cannot be written without the passage of at least a half-century. We’re simply too close to the subject matter otherwise.  The Bible in America, edited by Nathan G. Hatch and Mark A. Noll, does not claim to be an analysis of the current situation, but it stands as a representative of how much has changed since the 1980’s.  The era in which the book was written is stamped all over it like the Preppy look or Doc Martens.  American culture was very different then.  Some of the contributors noted that the Bible, as we’ve often been told, is on its way out.  Elections of the new millennium would give the lie to that observation, and we might now argue the same, but I wonder if our view is long enough.
 
The source of my wonder is a basic observation.  The Bible was foundational for the idea of the United States.  Those who have joined the “melting pot” (willingly or unwillingly) have been brought into a soup whose stock is Bible flavored.  I’m not naive enough to think that it is undiluted or even anywhere near its original form, but as a former biblical scholar I’m sensitive to the motifs and themes of the Bible and I see them daily in undiminished numbers.  Transmutation is not the same as exodus.  I make no judgment whether this is a good or bad thing.  It simply is.  Those who think it is an exaggeration to put such prominence on the Bible in American culture should read the first couple of essays in this book.  It may have been that without the Bible the will to cross the dangerous water to an uncertain (and to many, catastrophic) future would not have been so pressing.
 
Like most collections of essays, this little volume has a grab bag of wisdom.  Reading it is like taking a stroll through the ’80’s again.  We seemed to know things with a certainty then that has all but vanished these three decades hence.  The Fundamentalist movement provided a Tea Party appropriate to Mad Hatters and White Rabbits alike.  Presidents declared that we were on Crusades again.  Megachurches have the budgets of small developing nations.  I’m not about to make any predictions for the future of the Bible here.  An observation, simple, but fairly obvious, will have to suffice.  Since colonial times, Americans have always had their Bible.  It hasn’t always been the same book, and it hasn’t always been interpreted in the same way, but it hasn’t ever gone away.  I can’t say about the future, but right now I’m about ready to put on my Ray-Bans listen to some Madonna.
 


Human Race

PlanetOfTheApesMythFor reasons no one fully understands, Planet of the Apes touched a deep level of responsiveness in American society. I have to admit to having fallen behind a bit; I need to see Dawn of the Planet of the Apes to be back up to speed, but nevertheless, I remember the television releases and airings of the originals, and even have gone through the entire series in the form of home theater offerings. One Saturday long ago on a visit home, I sat through a marathon of the entire five-movies sequence all in a day. It should be no surprise, then, that as soon as I saw Eric Greene’s Planet of the Apes as American Myth it went on my reading list. Race and Politics in the Films and Television Series, the subtitle read. I admit that I grew up in a conservative, but sheltered environment. Having friends who were African-American, although, admittedly, they were a small fraction of the demographic in my small town, I never realized that there was a problem. Not until I took history and social science classes in school. You have to learn things such as racial distrust.

Struck by Planet of the Apes when I first saw it, I had no idea that it was a racial tale. It makes sense now, in the light of Greene’s analysis. To a child fearing evolution as much as Hell itself, the movie was a kind of forbidden fruit, and by making it science fiction, there was no reason to suppose there was a message here. It was a powerful kind of captivity. I have watched the movie, and current adaptations, many times over. Greene does an excellent job of demonstrating that the movies came at a time of great racial distress. Civil rights, the Vietnam War, the fear of the Communist—xenophobia was perhaps at an all-time high when the apes invaded our planet. As the series goes on, the identifications become clearer and clearer.

But more than that, Greene pointed out some very obvious—in retrospect—religious symbolism in the movies. Some of it was so intentional that it was written into the script. Among the scenes from the life of Jesus, the movies borrow most heavily from Exodus. Moses figures abound. Even Charlton Heston, in his role as Taylor, was following up on the Ten Commandments. Holy families and sacrificial victims mark just about every stage of this dystopia, a world where trust is always far from any relationship with someone physically different. It’s about time that I watched Dawn of the Planet of the Apes. And after that, I need to go back to the beginning, and watch them all with renewed eyes. In the light of current events, also with the hope of a more just future.


Work Weekend

It’s a Saturday and my wife’s at work. She’s worked five days already and will still be at work tomorrow. I’m lazing in bed until 5 a.m. when I hear the neighbor’s alarm clock from upstairs. An hour later I see him headed to his car, dressed for work. I think about the concept of weekend and how it apparently means nothing any more. Well, I’m not at work, so it must mean something, but it’s not what it used to be. Don’t get me wrong—when I was a professor I gladly worked through weekends. Indeed, I was working pretty much all the time. I was paid to be a thinker, and I can’t shut this thing in my head off. My current job, however, is a 9-to-5 with expectations of more, but not entailing any extra compensation. Overtime? You lucky one, you’re “exempt!” And don’t forget to take your laptop home, in case something comes up in the middle of the night. (I do read the timestamps on my emails.)

The weekend is a religious idea. Ideal, even. We have the biblical concept of the Sabbath to thank for our free Saturdays, when they come. Christian beliefs about resurrection to account for Sundays. Days originally set aside for worship. Time off work is worship now. When else will we get the laundry done? Groceries bought? Floors swept? I leave before six each day and arrive home near seven at night. To keep up my Manhattan lifestyle I have to awake before four and head to bed at eight. If I had an extra minute to access my memories I might think this a little odd. I used to have time to write books. Where did that go? Vacation time? You have to be at the airport two hours early so you can be frisked for a plane that’s inevitably late. You get five days off, and two will be spent traveling. Work waits for no one.

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I guess it’s no surprise that those who argue that we should abolish religion have jobs that either they love or that don’t require weekend hours. They have time to examine this gift horse minutely in the mouth. You know, we don’t have to have days off. In olden times, or even today on farms, the concept of a weekend is only academic. Those whose jobs are just work to keep an imprisoned soul in its weary body are, after all, expendable. Perhaps I’m just too weak. The occasional three-day weekend rejuvenates me to a degree that’s almost frightening. I wonder why we can’t add holy Fridays to our list of days to worship. There is a price to be paid for neglecting time to reflect. I can’t imagine Pharaohs and kings wanting to grant any more time off, however. We all know who we’re really working for, and it’s not the one who gave us our weekends in the first place.


Christian Horrorshow

Books & Culture is the review organ of Christianity Today. Christianity Today is the evangelical answer to the more liberal Christian Century. Working in publishing, particularly in the field of religion, it is important to keep an eye on what the popular magazines are saying about our books. Well, neither is as popular as it used to be, but still. I’ll grown used to Books & Culture taking a rather wholesome reaction to books that challenge worldviews. In fact, it’s not unusual to find a fairly mild tome castigated as somewhat insidious. Negative reviews tend to sell books as well as positive reviews. Sometimes better.

I was a bit surprised to see a two-page spread in a recent edition of Books & Culture focusing on horror stories. Horror and evangelical generally don’t play well together. Well, maybe I should temper that a little bit. The first article was actually on Shirley Jackson, best known for her excellently moody The Haunting of Hill House. That particular book has spawned or inspired at least five scary movies, two of them versions of the book itself. I have to confess that this is the only Shirley Jackson novel I’ve read. The article, somewhat strangely for an evangelical magazine, had made me want to explore some of her other offerings. Horror doesn’t have to be splatter to be effective.

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The second review in this issue was for an Oxford anthology called Horror Stories. The reviewer, Victor LeValle, also comes out with a positive review of the collection. All of this makes me wonder if I missed something growing up as a conservative Christian who felt distinctively unsavory because his love of monsters and the macabre. I can’t remember ever not liking mild horror stories. They manage to evoke parts of my psyche that most other literature bypasses. I discovered Poe at an early age. That’s not to say that I like being afraid. Fear is not what I’m seeking here. It is a kind of strange redemption. In college many of my evangelical friends couldn’t understand my fascination. “Why don’t you watch something more uplifting?” I’d be asked. I was as surprised as anyone when one of my very few Grove City dates agreed to see Nightmare on Elm Street with me. Not even Shirley Jackson could’ve seen that one coming. I wonder how she’d respond to being written up as an evangelical inspiration?


Becoming an Icon

A kid among the Monster Boomers can’t let the death of Christopher Lee go by without comment. How many hours of my childhood were spent watching movies on Saturday afternoon TV with his many personae arresting my attention? And, of course, his prolific output just kept on coming. The Wicker Man, for instance, would never have been among my childhood fare, but his performance as Lord Summerisle is still captivating and sends shivers down my spine. Of course, he wasn’t always a horror movie star. His voice nevertheless conditioned us to be on our guard, for we knew something untoward was about to happen.

Photo credit: Avda, Wikimedia Commons

Photo credit: Avda, Wikimedia Commons

I often ponder the lure of monster movies. As a young boy, I couldn’t get enough of them. I tried to grow out of this stage, and managed pretty well through my doctoral work, but then when I found myself in a Gothic seminary where my life would be shredded and discarded, I suddenly found myself sitting up late to watch movies my family would not care to see. There was a catharsis happening here. Some would claim that it is puerile and immature—they would be the same people who’ve not been forced from careers and faced with unemployment and been dealt a failing hand by an institution that received full commitment during the formative years of an aborted career. No, those who’ve faced monsters cannot easily leave them alone.

Of course, Christopher Lee was only playing monsters. Now many people around the world can instantly recognize his name, face, or voice. We all face monsters. Our society teaches us to deny that they exist, much to our own peril. Little children, bewildered by this insanely complex world that adults have constructed, may be the ones to see most clearly. We watch the monsters on the screen so that we might figure out how to deal with them on the playground or in the boardroom. Christopher Lee was more than an actor. He was a teacher. And his best students learned something of human nature from him.


Once and Future Bible

RiseFallBibleWhile I may not share Timothy Beal’s view that print culture is on its way out (I harbor hopes every time I see vinyl records making appearances in stores), he is certainly correct most of the time in The Rise and Fall of the Bible. Written for non-specialists, this book nevertheless gives his fellow biblical scholars pause to stop and think. Beginning with an eerily similar childhood experience (although mine was considerably more dysfunctional and appears to be veering back in that direction by career exigencies), Beal recounts how he came to study the Bible with a critical eye and to observe a number of important things. One of the scholars associated with the Iconic Book movement, he shows how our biblically illiterate society still values the symbolic nature of the book in various ways. We still buy, for example, lots of Bibles. We still want elected officials at least willing to swear on one. We still think it has some special kind of power.

Beal gives a brief history of “the Bible” as an idea. It is essential, as he notes, to realize that as a “thing” the concept of Bible is fairly recent. Certainly nobody in Jesus’ day thought of it as we do. What’s more, and more to the iconic element, Bible sellers have been looking for “added value” to boost the sales. Biblezines (of which I’d not heard) and Manga Bibles are only two examples of the many “extras” Bible vendors add to their texts. In essence they are making new Bibles. Beal wonders how much buyers read the actual biblical text as opposed to the other, more eye-catching material in these books. Bibles are made trendy and hip, decorated, dissected, and dolled up. And we feel virtuous for purchasing them. We play right into Big Dan’s hand, if you get my meaning.

A fascinating collection of interesting bits about the way the Bible has been re-presented to the same public for over two centuries, The Unexpected History of an Accidental Book is an appropriate subtitle here. Those who fueled the Bible craze—those that we now routinely call Fundamentalists—are among those most distressed by the indignities perpetrated upon what was once considered a sacred text. What can be more fundamental than making money off people’s beliefs? Still, for Beal and his colleagues who have managed to land the rare positions teaching Bible, there is an urgency about this whole enterprise. “These jobs,” in Bruce Springsteen’s words and my own experience, “are going boys, and they ain’t comin’ back.” Meanwhile our culture will continue to make love to its holy book, even though they may not recognize who they wake up next to in the morning.


Forest of the Subconscious

The mind is not the brain. This isn’t mystical mumbo-jumbo (although there’s nothing wrong with mystical mumbo-jumbo either). We’ve been bombarded with the message that we are meat machines for many years now. Those who have studied physics and plumbed its depths often tell us that if we had all the bits of information involved, we could figure out anything. Our minds are our brains and it is merely electro-chemical signals that form a kind of operating system for this biological computer. The idea that we have a separate mind, we are told, is an illusion. Interestingly, studies of the subconscious mind raise significant questions regarding this interpretation. The subconscious, it is generally acknowledged, was discovered by Sigmund Freud. Prior to Freud many people did things and didn’t know why. Now we know, despite debates about the details, that we have to consider the subconscious mind as well as the more familiar conscious one.

I’ve been on a Through the Wormhole kick lately. Since we don’t have television, I have to watch the episodes after they air, but at least I have the option of doing this when I have some time. I recently watched the subconscious episode. The truly amazing takeaway from this was that our minds often, daily, in fact, operate on a level that we know nothing about. There are ways of tapping into the subconscious mind—meditating, as I mentioned earlier this week, is one way. Others are more scientific. Stimulating areas of the brain with small amounts of electricity can enhance abilities that we never knew we had. In fact, we might even be able to enact a Matrix-like download of information. I think I may have swallowed the blue pill after all.

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Call it a gut-level reaction, but I have always had a strong resistance to the idea that we are mere automatons. Consciousness, which, increasingly we’re discovering, involves a dose of subconsciousness, doesn’t feel at all like a we’re programmed. Theologically, I always objected to the strange notion of predestination. It made no sense, theologically, or experientially. One very wise professor once told our class, “If you want to test this, tell your spouse that you’ve got her or him completely figured out. They will do something you don’t expect.” Our minds are perhaps the most miraculous parts of human beings. The concept that we are merely following the pre-determined laws of physics makes no sense unless we believe in a literal Hell that we’ve made of this world. Are we programmed to self-destruct? I believe not. Whether in my conscious mind or in the true mind that lies underneath it.


Molly Picture

Lovely-molly-posterMaybe I’m getting out of practice with my horror movies—I don’t have time to watch them like I used to—but Lovely Molly left me a little confused. I suppose I’m more susceptible to big advertising than I’d like to admit, but I knew about Lovely Molly from the massive Times Square ads back when I was still with Routledge. I’m ambivalent about demonic possession movies, but I put it in my mental bucket list until I had a weekend evening alone to fire it up on Amazon Prime. As I’ve noted, it left me more confused than scared. Yes, watching it kept me tense, not knowing what was going to happen next (I knew nothing of the story beyond that it was a possession story) but as gruesome as a couple scenes were, the question of what’s going on never really got resolved. It’s pretty clear that Molly was abused as a child, turned to drugs to cope, and is having a breakdown after moving into her creepy childhood home. If her newlywed husband didn’t hear some of the sounds, it would seem to be a conventional breakdown story. Eduardo Sánchez doesn’t show us the monster until the very end, and even then, not clearly. I had to turn to online discussion groups to understand what I’d just watched.

While in this post-modern age no one is qualified to say what anything really means, if fans are to be believed, the DVD extra implicate the demon Orobas. I’m no expert on demons, and I couldn’t recall having heard the name before. In the “found footage” scenes where Molly eerily hums to herself while visiting the sites of childhood memory in the house, she does uncover what seems to be the symbol of Orobas. This is a horse-headed, horse-footed demon with the body of a man. Indeed, when she is being stalked by what she believes to be the ghost of her father, Molly hears horse hooves on the floor. In the final scene, she leaves a photo album for her sister to find with her father’s head covered with pictures of horse heads that she’d cut from his wall of framed pictures, apparently of prized beasts.

The real horror here, however, is in what seems to be a misogynistic implication, no matter how justified, that Molly (and her sister) are the murderers. Molly reveals that her sister killed their father, and Molly herself dispatches, it seems, the preacher, her husband, and the girl of the neighbor next door. She, however, is the one who had been victimized. If this is a case of possession, at least by implication, then the male demon is to blame, but it looks like Molly pays the price. The evidence is circumstantial and Molly disappears at the end, leaving open the room for a sequel. While I felt no need to sleep with the lights on after watching it, the movie has enough provocative material to make me think about it, trying to figure out what was supposed to have transpired. I suppose that many horror movies are more straightforward, but the more easily forgotten for being so.


UCB

The Flying Spaghetti Monster came onto my radar while teaching at the University of Wisconsin, Oshkosh. I was teaching a course entitled The Bible and Current Events and the controversy over teaching Intelligent Design had been gaining steam. As I addressed the evolution section of the course, I became aware of the Flying Spaghetti Monster and his noodly appendages. The Jesus fish had recently evolved to a Darwin fish, and the Darwin fish was being eaten by a Jesus shark, then I finally saw the Flying Spaghetti Monster on somebody’s bumper. I looked it up online and discovered a whole mythology had been developed to go with this parody of a religion. It was lighthearted and funny and had an obvious purpose—to challenge the equally bogus claims that creationism is science. Now, I don’t try to change anyone’s religion. If someone finds creationism comforting, well, the United States is based on freedom of religion and who am I to dictate what someone else believes? The problem is creationists often don’t share that courtesy and try to get their religion taught in public schools as science, which it isn’t. The Flying Spaghetti Monster was their nemesis.

Over the weekend, when I actually have time to do a little surfing, I came across the United Church of Bacon. Noticing the similar food-based theme as the Flying Spaghetti Monster, I decided to check it out. It seems to have become a cottage (cheese?) industry to start your own anti-religion. A look at the United Church of Bacon’s website reveals it to be the brainchild of Penn Jillette of Penn and Teller, and friends. As usual, the voice of Teller is not heard. This is a legal church which performs many of the services of traditional religions, but without the belief. Bacon, it seems, is the ultimate reality here—to quote the church on a billboard: “Because bacon is real.” They have nine bacon commandments and an impressive list of charitable works.

Looking over all of this material, I wonder what the mainstream churches might take away from all of it. For one thing, the obsession that Christian denominations have had for centuries with correct belief has become a kind of albatross. Petty differences in theology tend to lead to hatred in the name of the prince of peace. Another is the repeated emphasis on giving has taken its toll. The United Church of Bacon openly advertises that they give money, they don’t take it. While few clergy become fantastically wealthy, it is no surprise that most bishops or those of equal rank never seem to go hungry or drive cheap cars. If entertainers are rich, it is because they offer something worth paying for. And for those of us who are vegetarians, the UCB offers the alternative of praising vegetarian bacon. You are, after all, what you believe.

Heretic?

Heretic?


Science v. Evil

Can we eliminate evil? More than a question of metaphysics, this is also the title of an episode of the third season of Through the Wormhole. I’ve noted before that this particular season has been delving more profoundly into areas once reserved for religious thought. Evil is perhaps the most religious of topics, as distinguishing good from evil is at the heart of many religious traditions. Fast forward from the founding of your favorite religion to today. In order to answer the question of whether or not we can eliminate evil, we turn to neuroscience rather than any sacred book. Looking at brain scans, the scientists of Through the Wormhole have isolated areas that indicate who might be a sociopath—a convenient measure of evil—and also who might be less empathetic than whom. Perhaps drugs could be developed to inhibit sociopathic behavior and tendencies. As always, these episodes leave me somewhat distressed.

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Losing my long-term position in higher education “without cause” threw me into mental turmoil. Never one to use medications for a long term, I was shattered when my doctor suggested anti-depressants. Would this chemical, designed to “correct” my brain chemistry change who I was? The morning the treatment began, I hesitated to take the first pill, staring long at it and wondering if the person I’d been would be lost forever. I hated being on the prescription. Worse, it was a medication that you couldn’t simply stop. The drop in anti-depressants could bring me dangerously low. Although my employment situation hasn’t radically improved since then, I eventually weaned myself from the prescription. Looking back now, I see that time as an interlude in who I was, depression and all. Mine was, thankfully, a mild case. It has, nevertheless, left me wondering about the nature of evil.

Extremely empathetic, I have never had sociopathic tendencies. I care for insects and amphibians, as well as my fellow humans. I react to the emotions of others. Yet, like all people, I suspect, I know that I’ve got my own personal evils with which to struggle. I wonder if it is a matter of degree. Religions often suggest that the solution to evil is repentance and taking the decision to live a new life. What if one’s brain, however, prevents that? Would the administration of a drug amount to a kind of salvation? And what of those theologies based on concepts of human depravity—can neuroscience prove them wrong? When the moral questions are raised, the physical solutions offer answers. Can we ever reconcile belief and biology? The jury may never come back with a verdict on that one.


O My Stars

I know many conservative religious believers. I also know a lot of nones and atheists. One thing they all have in common is that they want to believe the truth. They want to do what is right. Enter the media. A day of peace and prosperity for all is a slow news day. To keep the pot boiling, differences need to be emphasized and people’s fears and frustrations must be highlighted. Nowhere is this better on display than in party politics. Do people really not get along at all? Are we really so polarized? A friend recently sent me an internet story about the Republican elephant. Honestly, I’ve never paid much attention to the posturing of the GOP since so much of it is obviously show. The coalition, cynical at best, between the evangelical camp and the fiscal conservatives has created a kind of Frankenstein’s monster of the party which began out of an anti-slavery movement and was represented in the politics of Abraham Lincoln. I have trouble seeing him approve of Reaganomics or some of evils that have flowed from it. We are more deeply divided now than we ever were during the Civil War. And better armed too.

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So, what about the Republican elephant? The stars on the blue top half are upside-down. I’m not sure if this represents a change or not. The problem, of course, is that the upside-down star is a “pentagram” associated with Satanism (which is not what most people think it is). The insinuation is that the symbol was subtly changed to reflect the true values of the party. I don’t know if the stars on the elephant were ever right-side up. As long as I’ve been politically aware, the Republican party has been the one that supports the wealthy while trying to cut the poor and working class from the budget in any way possible in order to build an ever stronger military to protect the plutocracy for which it stands. One nation, under Mammon, with surveillance and distrust for all. Principles, in my opinion, far worse than Satanism.

Ironically, in this media fueled division of the nation, conservatives know and hate Satanism. In fact, seeing a pentagram pattern in school bus taillights can send the internet into a tizzy. We’re afraid, but of what we don’t properly know. Must be those liberals with their radical ideas of liberty and justice for all. On the street things haven’t felt like they’re getting better for a very long time. Each year since the overspending Bush decade the economy has found inventive ways to get worse and worse. One thing remains constant—the ultra-wealthy flock to the political party that once stood for freeing of slaves and uniting a deeply divided nation. The best way to keep us together is to keep us afraid. That’s easily done when economists tell us you can’t hope to retire with the medical benefits and living standards of the middle class without at least a million dollars in the bank. Something’s upside-down alright, and it doesn’t take a genius to figure out what.


Too Much Stuff

The informal name for economics, rightly, is “the dismal science.” When I recently learned about The Story of Stuff (storyofstuff.org), I found myself again shaking my head in dismay. I have no problem admitting that I’m a liberal pretty much through and through. I believe what I believe is right. Statistics show that the older we grow the more conservative we become, but in my case the opposite trend seems to be in effect. I grew up in a conservative backwater and I saw first-hand what it did to those who adhere to it most religiously. Rouseville, the town where I spent my teens, was an industrial armpit, dominated by a large Pennzoil refinery, now derelict. The town smelled bad despite the pristine woods that surrounded it, and pollution was everywhere evident. People didn’t move away because they couldn’t. Drugs were a rampant problem and I never felt safe going out at night, even though it was a town of less than a thousand souls.

Growing up I often wondered about this. When you live close to the edge, you hang on. The existence of the working class is precarious. Living in a cancer factory like that, you needed your job more than you needed food. If you were to survive, you had to work. Pennzoil was the only game in town. Local pride at being near the fountain head of the oil industry helped only a little. I turned to spirituality to cope. I’m now told that’s naive. I’m told that meaning is found in consuming. The most disheartening part of The Story of Stuff was learning that this was all intentional. Victor Lebow’s 1955 assessment of where our dismal science must go chills me:

“Our enormously productive economy demands that we make consumption our way of life, that we convert the buying and use of goods into rituals, that we seek our spiritual satisfactions, our ego satisfactions, in consumption. The measure of social status, of social acceptance, of prestige, is now to be found in our consumptive patterns. The very meaning and significance of our lives today expressed in consumptive terms.”

Our spiritual satisfaction in buying? And what is more, this advice has been heeded as gospel by the government. Is it any wonder that one percent tell the rest of us what to do? It is time for civilization to grow up. Our infantile need for more stuff has poisoned the very well from which we drink. It may cost you some sleep, but take a look at the Story of Stuff. What you lose in sleep you may gain in peace of mind. And soul.

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The Reveal

SmallScreenRevelationsThe end of the world as we know it is far more common than reason might suggest. As I’ve been researching the way the apocalypse is represented in popular culture, I’ve been impressed at just how prevalent it is. James Aston and John Walliss have brought together some intriguing essays on the topic in Small Screen Revelations: Apocalypse in Contemporary Television. As one contributor notes, it is far more common to find the apocalypse in science fiction, horror, and fantasy programs, but it clearly visible in other genres as well. It is primarily an American phenomenon, although it may also be found elsewhere. It’s pretty hard to pin down the end of the world. On television it comes in both fiction and non-fiction varieties. The constant here is that we know it’s out there.

What I found most revelatory about the subject was a persistent question: why? Why are we so fascinated by the end of the world? I’m no sociologist, so I can’t give any kind of statistical answer. As the owner of a gut, however, I can offer a feeling. It seems to me that a culture of privilege ought to have a measure of guilt. While apocalyptic belief is most common among the poor (sorry, no statistics to back me up here) it also commonly occurs among the affluent as well. At the same time, we know that, as a society, we have far more than our share of the world’s goods. We have a massive military to make sure nobody else shares those goods. We must know, at some level, this is wrong.

At the same time, how can we give up what we’re so used to? An apocalypse wipes the slate clean. The essays in Small Screen Revelations offer more sophisticated theory than my simple observation, but academics have an obligation to muddy the waters. Considering the sheer number of shows cited: Buffy the Vampire Slayer, Battlestar Galactica, Lost, The Simpsons, Supernatural, Angel, The Walking Dead, Jericho, Doctor Who, Terminator: the Sarah Connor Chronicles, in addition to television news anchors and televangelists, the apocalypse is very easily found. So easily found, in fact, that one can become inured to what is supposed to be the ultimate end of everything. It’s related to what I’ve called elsewhere the crisis of superlatives. The fact that it’s television, however, provides a ready answer for what happens next. After the apocalypse we simply wait until the next season. After all, there’s a market for post-apocalyptic entertainment as well.


Watchers and the Holy One

WatchersI’m not really a fan of Dean R. Koontz’s thrillers, but I do find myself turning to them from time to time. Like Stephen King’s, Koontz’s books are easily found at book sales, but you don’t always have your choice of which titles. I picked up Watchers because it had a vaguely biblical sound to it. The title seems to fit the story only loosely, but there are a number of points where God is invoked in the tale. Watchers is a book about genetic engineering, both the good and the bad aspects of it. Scientists have produced a dog as intelligent as a human being, and a monster that kills indiscriminately; a Cain and Abel. As this is being explained to one of the characters, he says “If we can do this, we have the power and, potentially, the wisdom of God.” Here, in a nutshell, is the debate about intentional genetic modification. We don’t have the ability to see ahead very far, and although we like to think ourselves god-like, we could very well be creating catastrophes. At least, in this story, God is deemed wise.

Some time later another character in the story opines that when humanity can create an intelligent species, it is our responsibility to act, in a sense, as its deity. “If we’ve come so far that we can create as God creates, then we have to learn to act with the justice and mercy of God.” Interestingly, there is no question of theodicy here. The justice and mercy of God are assumed, despite the many wakeful nights and unsettled days of the theologians. Casting God as the “good guy” is not as easy as it used to be, and our own “engineering” isn’t always assumed to be for the good of our own planet.

Finally, as some of the characters are discussing who has the right to own this super-intelligent dog, God is invoked once again. The qualities of the dog (a golden retriever, since, one presumes, a Rotweiler, for instance, might have different qualities), its courage, ability to distinguish right from wrong, ability to love, and selflessness, make it more in the image of God than human beings. Again, God here is unquestioningly assumed to be the great good, the advocate of humankind. I realize novelists are under no obligation to be theologians, yet it is difficult to tell a tale of genetic tampering without invoking the Almighty. What I find so interesting here in Koontz is that despite the evil of some of the characters, the goodness of God is never called into question. It is assumed that the evil we create is our own while the good in the world belongs to God. It’s a view of the world that could be called almost biblical. Those who professionally reflect on these things, however, often come to a different conclusion.