Mining for History

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An article by Matti Friedman in this month’s Smithsonian got me to thinking about the Bible’s iconic status again.  Titled “An Archaeological Dig Reignites the Debate Over the Old Testament’s Historical Accuracy,” the story’s about a decidedly non-biblical trope—King Solomon’s mines.  That phrase, as the article makes clear, comes from the title of H. Rider Haggard’s nineteenth-century novel, not the Bible.  As the piece demonstrates, however, many people suppose it to be biblical.  Our society isn’t as biblically literate as it is biblically motivated, so the question of proof keeps coming up.  It’s almost as if historical veracity is far more important than any spiritual truths the Good Book may be attempting to establish.  Those who need the assurance of history (those we tend to think of as literalists) often miss the message in the quest for certainty.

Reading the article makes it clear that archaeologists have discovered good evidence for copper mining in the Arabah.  This is in no way surprising.  Ancient people of biblical times smelted copper and used it to make bronze.  At issue here is the historicity of Solomon’s opulent kingdom, evidence for which we lack.  Archaeologists have been digging for well over a century now, and the magnificence of David and Solomon doesn’t really show up in the archaeological record.  Of course the issue is politicized because land claims are involved.  American literalists tend to support Israel because of its role in “end times prophecy.”  Eager to be done with this wicked old world, they require the assurance of history.  Interestingly enough, that doesn’t seem to have bothered Jesus of Nazareth very much.

Long ago biblical scholars realized that the biblical view of history isn’t the same as what we might term scientific history.  Any history, as those who specialize in it know, isn’t “what really happened.”  Objectivity is impossible.  Histories are versions of what likely might’ve happened, based on the sources consulted.  At the very least there will be the perspective of the other side.  There are facts, of course.  The Holocaust, for example, did happen.  The fascist government of Germany orchestrated and implemented it.  When trying to reconstruct that history, however, differences of opinion often arise.  That’s the nature of history.  Unfortunately we’ve seen the rise of these self-same biblicists denying the known facts of more recent history in order to make themselves appear more righteous.  They want to shield themselves from the genocide of American Indians and the evils of slavery.  Yet they are inspired by such headlines that hint that the Bible might have a tint of historical accuracy after all.  It’s all there in the passage about King Solomon’s mines.

Read Red

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Fairy tales can be pretty gnarly.  I recently picked up a new translation of Grimm but I haven’t read it yet.  For some time I’d been aware of Christina Henry’s The Girl in Red.  As soon as I discovered it I wanted to read it.  The BISAC code says it’s science fiction but I’d call it horror.  More than that, I’d say it is the most tense book I’ve read in years.  Henry knows how to keep readers on edge.  Yes, it’s a take off from Little Red Riding Hood, but in a way that I wasn’t anticipating.  Red is a strong, believable protagonist who finds herself in a pandemic-ravaged world (imagined before Covid-19) where she has to get to her isolated grandmother’s house.  Everything between will surprise, scare, and stun.

The writing carries you along.  A government with secrets, the ever-present threat of roving groups of bandits and militias who are always on the lookout for girls, and the uncertainty of how this will all end make for a powerful tale of what people are capable of.  And not necessarily for good.  Making Red “disabled,” and black, Henry has given us a protagonist we need.  And it’s always a delight when a character finds that watching horror movies has been good training for a world where order has broken down into a Trumpian anarchy.  Scary and witty, the story has so much to like it’s difficult to know where to start beyond the recommendation to read it.

Those who analyze literature sometimes say that the great story-lines have already been taken and that the best modern writers can do is to adapt them.  There may be an element of truth to that, but even if there isn’t the clever retelling of old tales can be quite enjoyable.  This isn’t so much a retelling as a reimagining.  It’s also a poignant reminder that when things start to break down—or even in the status quo—women are put at risk.  Men too quickly resort to guns and violence.  As the story unfolds it becomes clear that Red is capable of surviving in this world, even when at a disadvantage.  There’s also no overcoming of the military.  It’s too well established and too heavily armed.  Red’s run-ins with them allow her to impress those who assume white male superiority.  In that way this is a parable within a fairy tale in a modern guise.  I’ll be reading more of Christina Henry’s books.

Change Management

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Calendars fascinate and flummox me.  When I try to convert from Julian to Gregorian, or vice versa, I get hopelessly lost.  The same applies to time zones and that horror known as springing forward or falling back.  Time, as something that is constantly moving, isn’t easy to grasp.  I’m in charge of a scheduling activity at a local organization.  (Whoever thought that was a good idea I’ll never know.)  While trying to sketch out 2022, with fear and trembling, I noticed something for the first time.  In a non-leap year the dates correspond to the same days of the week for January and October.  This is also true for February, March, and November.  And September and December.  This would’ve been helpful to know, it seems, in the previous half-century of my life.  There’s solidity underlying the flux.

It was really only in the 1890s that “eastern religions” were discovered by Americans.  Our nation was so thoroughly biblicized that we had forgotten that there are other ways to view the world.  The idea, prevalent in the sixties and seventies, that we can gain wisdom from exotic religions was probably misguided.  After all, to truly understand them you need to have years of immersive experience in them.  It also helps to be a true believer.  Still, I find the conceptions of change from Buddhism and Taoism particularly helpful.  Change is permanent.  If we spend our lives fighting it we’ll be frustrated rather than enlightened.  Of course, for those of us who are chronologically challenged this isn’t necessarily good news.

Employers are busy hiring change managers.  These people work at a pretty theoretical level that doesn’t always address the desire for stability.  Sometimes I want to say, “Hey, for the first two decades of my career change was slow, and now that I’m aging I’m being told to go faster.”  I do try to keep up, but the automobile hadn’t been invented when my grandmother was born and we were walking on the moon before she died.  Since the internet, however, things have speeded up even more as ideas are shared worldwide and we see new ways of looking at things.  We may desire stability, but change is indeed permanent.  The pandemic has changed much, and things aren’t going to go back to the way they were.  I look to the notebook in front of me.  I probably would never have noticed the correspondence of January and October if I hadn’t been writing the dates out on old-fashioned paper.

Old and New

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Annual holiday traditions show just how deeply ritual is established in our behavior.  As the holiday season rolls around we find our familiar customs to be fun and comforting.  I’m not much of a commercialist; for me the end-of-year celebrations are mostly about rest and peace, still a family tradition since settling in the Lehigh Valley is the Christkindlmarkt.  Bethlehem, founded on Christmas Eve by Moravians, has attempted to live up to its namesake and celebrate the season well.  It’s become an established family tradition to visit the Christkindlmarkt and we wander the tents with artisanal goods, some Christmas-themed, and others more just gift-ideas.  We seldom buy much.  It’s the spirit of the holidays that seems to come through and we need something to help us get through winter.

Each year things are a little different.  Many of the mainstays are similar, however, with the same vendors with the same merchandise.  What has changed in the past year is really us.  We’re not the only ones who make an annual tradition of this and we’re not the only ones who see the same scarves, sweaters, pillows, and pottery.  And ornaments—lots of ornaments.  We see new things because we’re different from our selves who’ve wandered through here before.  Hopefully we’re better selves.  Each time I do this I find myself growing more and more reflective.  A celebration of peace and love to all seems to hold, for the most part.  There are lots of people—too many for my comfort at this stage of the pandemic, but we’re wearing masks and hopefully most of these people are vaccinated—peace and love for all.

The end of the year has long been a season of festivities.  Even ancient peoples, especially in temperate regions, longed for the return of warmth and light.  In response to the long hours of darkness around the solstice they instituted holidays.  Times for us to get together and work a little less and relax a little more, recharging our spiritual batteries.  Yule with its Christmas trees and logs, served to bring the message of light into the darkness.  The twinkling of holiday lights is a festive sight, bringing back childhood memories of gifts, special foods, and time off from school.  I’m a different person than the one who’s written a blog post about Christkindlmarkt in the past.  If you’ve read such posts you’re a different person now too.  We all hope that the present person is a better one than the previous as we enter this season of joy and kindness.

After This

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It didn’t rock the critics, but it is distinctly creepy.  After.Life came out in 2009 and quickly fell from sight.  It’s an interesting movie nevertheless.  Any film that features an undertaker, for one thing, gets edgy.  The story of a young teacher who never really felt loved and who is killed in a car crash sounds tragic enough.  Then she finds herself conscious in the preparation room where the funeral director, Eliot Deacon, talks to her, assuring her that he can speak with the dead.  As the movie progresses we begin to wonder if Anna, the teacher, really is dead or if she’s being killed by Deacon for having given up on life.  His name is suspiciously religious, fittingly for a film that deals with such a topic as the afterlife.  Overall, however, it’s pretty bleak.  One of Anna’s students also sees her after she dies and Deacon befriends him, offering to teach him his trade.

Although the critics didn’t like it, it is spooky on many levels.  Not the least of which is the question never satisfactorily answered of how to know when you’re really dead.  The movie presents the soul as a fact, and even dead bodies can move around when the situation merits it.  Death is one of those areas that religion generally enters.  Some secularists maintain their lack of religious thought even in this situation, but many people find religion helpful at this ultimate transition and the soul seems entirely natural then.  It’s unclear in the movie whether Deacon is good or bad.  He’s certainly obsequious, accommodating the wishes of families even when unreasonable.  With the dead, however, he takes a firmer stance, having to convince them that they’re no longer living.  The movie’s a bit confusing in the case of Anna—we’re never really sure if she’s dead or not.

Even with commercial interruptions (it’s free to watch that way) I found myself getting caught up in the story.  Deacon kept asking what it is the living really want.  He’s shown throughout doing the work singlehandedly, from picking up the bodies, to embalming, to even digging the grave.  His loneliness is ameliorated by his ability to speak to the dead, each of whom he photographs and puts on his bedroom wall.  Religion may be behind the soul, but no obvious religious talk pervades the film.  I have to wonder if this might not be the reason it fails to frighten its many critics.  Horror that uses religion effectively often becomes successful.  Those that avoid religion like, well, death, often fail to convince even secular critics.

Justice Hungry

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Social justice is very important to me.  At the same time I realize I’m just a single individual, and a small one at that.  I have a little group of internet friends (rather strangely called “followers”) but what I do and write has barely an impact with so much wrong in the world.  I suspect most people fall into this same dilemma.  A recent thread on the local Nextdoor app, for instance, reminded me how much people care for strangers in difficult times.  I side with Batman here—people are generally good.  Most of us are easily led, however.  And as we were taught in kindergarten, just one bad person spoils it for everyone.  So we find ourselves in a world disastrously off kilter and with nobody able to fix the problem.  Problems.  There are so many that it’s overwhelming.

Democracy seems like a good idea.  The problem is that the system is easily gamed by autocrats.  World news shows us the Hitler’s playbook is alive and well, even, if not especially, among “Christian” nations.  Jesus had no political power.  As soon as his followers gained it, the message of their master faded.  Today it’s unrecognizable.  “Bible believing” Christians who violate every principle in the Good Book to retain power is hardly something the carpenter from Nazareth would’ve advocated, or even, I venture, comprehended.  Bullies with only their own interests in mind take up the reins of state and convoluted laws allow them to do so.  The selfish win.

Photo by Sarah Ardin on Unsplash

I have great admiration for the people I know who work for social justice incessantly.  The kind of people you tremble to see coming because you know you can never measure up to their level of commitment.  Needed change, however, comes in small steps.  People are fearful and don’t welcome overnight paradigm shifts.  I admire social justice warriors even as I admire hose who throw themselves in front of buses or trains to save others.  I find myself watching their heroic action while calculating the best way to help, overthinking the problem.  I’ve marched in a number of protests, and it felt good.  I’ve not been able to free myself from capitalism long enough to really make a difference, I fear.  An idealist, conceivably, but not, I hope, an unawoken one.  So I struggle for justice and contribute what I can to right causes.  At the same time I’m compelled to acknowledge and thank those who do it so much better than I ever will.

Brooding

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Horror was undergoing a serious development beginning in 1968.  Into the seventies many boundaries were being crossed and new areas of fear were opened.  David Cronenberg is known for his body horror.  Being the squeamish sort, I don’t always seek out his films, but I’d been curious about The Brood for several years.  A holiday weekend afforded the opportunity to see it and, in a strange way I’m glad I did.  The story concerns a psychiatrist who helps his patients embody their neuroses physically in order to deal with them.  The patients manifest in their bodies their deep-seated rage, generally from childhood parental issues.  Those of us who grew up in broken families may seem to wear them on our sleeves, but I suspect most people have issues that were unresolved from that complex parent-child relationship.

The interesting thing here is that there is really no antagonist in the film.  Dr. Hal Raglan isn’t evil, but he does have secrets.  He tries to help his patients, but one of them, Nola Carveth, has major, well, issues.  Abused by her mother, she enters Dr. Raglan’s institute while her husband cares for their five-year old daughter.  Nola’s rage, however, bears a brood of small, gargoyle-like children who, when she focuses her anger on one person, attack and kill them.  Her parents, their daughter’s school teacher, and even Dr. Raglan receive her rage, all murdered by these children born purely from herself.  This strange kind of parthenogenesis makes for a distinct form of body horror.

It’s pretty clear that there is a critique of therapy going on here, but also a kind of therapy is being offered.  I’ve had people ask me if I watch horror as therapy and I freely admit that I do.  The movies I watch are often self-care, or even a spiritual practice.  Many people suggest that horror portrays a negative view of life.  Others of us tend to think of it as more metaphorical.  And besides, the message is often an upholding of conservative social values.  This particular film is difficult to interpret in that regard.  It was written after Cronenberg had gone through a divorce and that makes sense of the central conflict of the movie.  Parenting is as difficult as it is life-changing.  While The Brood may not give solid parenting advice, it may offer a way of understanding ourselves.  If a film does that, it can’t, in my opinion, be all bad.

True Value

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It’s a funny idea, net worth.  (Who says Capitalism isn’t a religion?)  We decide what people are worth by what corporate executives and small-minded economics determine what they will be paid.  We seem to think entitled, essentially worthless, inheritors of ancestral money are of more value than the workers who actually fuel the economy.  Economics is called the “dismal science” for more than one reason.  This system can’t help but to make individuals question their self worth, which, according to Capitalism, is different from net worth.  (Net requires taking the cost of goods into account, and is less than the list worth.)  And you must never tell anyone your net worth.  Why do we still hold to this system that future historians will see as just as archaic and cruel as feudalism?

Photo by Sharon McCutcheon on Unsplash

Nashotah House could hardly have claimed to be competitive with salaries.  Still, to those hired the title “professor” indicated you were a cut above many other professions.  Certainly above most clergy, the future cohort of which you were teaching.  Even so, it took a dozen years in publishing for me to reach the salary level at which I was asked to leave said seminary.  Net worth?  I tend to think of it as idol worship.  Many well-meaning colleagues congratulate me on my LinkedIn work anniversary.  None ask “How are you doing there?”  None wonder “Have you yet caught up with your net income of 2005?”  We’re all too busy bowing at the altar of the Stock Exchange.

People are worth far more than money.  For some, money, and only money (which is a symbol only), is worth having.  Some run for president on that very platform.  Holding up a Bible they’re careful that it doesn’t fall open to the place where it says love of money is the root of evil.  There is no such thing as evil in the religion of Capitalism.  Except Communism.  Interestingly enough, the New Testament advocates for a form of communism, but Acts is easily overlooked on the way to Leviticus.  I tend to stop about half-way between, at that comfortably uncomfortable book of Ecclesiastes.  It’s there that we read that all is vanity.  Money is merely a symbol of what we value.  Looking at what those who’ve devoted their lives to it have done with it, net worth sends me back to the cynical old preacher wondering about the meaning of it all.  It seems an appropriate place for the musings of a mere editor aware that his colleagues are valued much more by this “Christian” society.  I think the “net” in net worth should be cast much further.

Devils and Witches

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If you’re a regular reader (thank you!) you know that I’m currently under contract to write the Devil’s Advocates series volume on The Wicker Man.  As an editor myself I’m aware that academic series, often unlike fictional series books, tend to vary quite a bit from one another.  I want to try to get my submission close to the goal, however, so I’ve been reading volumes by other authors.  You may also know that The Wicker Man is part of an “unholy trinity” of early British folk-horror, with the other films being Witchfinder General and The Blood on Satan’s Claw.  Of the three my least favorite is Witchfinder General, so I’ve put off reading the particular volume on that film by Ian Cooper.  That has nothing to say about the author, but rather a lot to say about the base film.

The book is quite good.  Cooper is clearly aware of the controversy surrounding the movie and he points out some of the difficulties with it as well as what it does well.  His treatment is quite insightful.  The movie is violent and it’s an representation of the historical violence we thought we outgrew.  Matthew Hopkins was an historical “witch hunter” who was, in reality a serial killer,  mostly of women.  Fearing witches, while getting paid to find them, he was responsible for over 200 deaths.  As Cooper makes clear, the film lingers a bit too long on the abject nature of many of the tortures, not allowing us to look away.  For this reason many critics found the film distasteful.  I personally found it hard to watch.  Education isn’t always easy.

There’s quite a bit of film history in the book.  Cooper does a great job placing the movie in its cinematic context.  Like The Wicker Man, Witchfinder General is sometimes said not to be a horror film.  Indeed, there’s nothing supernatural about it.  Still, it fits the bill for many of those in-between movies that cross over into horror.  In this case it’s due to the violence.  For me, monsters are preferable to human monstrosity.  They’re easier to walk away from.  Although the witch hunts ended centuries ago, violence against women has remained.  Whether it’s legislative or physical or economic, women deserve better treatment than they’re offered by the male establishment.  Movies, and books about movies, like this one may be difficult to watch/read, but they carry important reminders that power continues to corrupt and it must be challenged and changed when it reverts to the mentality of Matthew Hopkins.  His spiritual kin, unfortunately, continue to thrive. 

Standard Maintenance

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Something disturbing happened the other day.  My laptop started requiring constant plugging in.  I figured the battery was starting to go—it is several years old now.  Since time is the ultimate commodity in short supply, I made a weekend appointment with a genius at the local Apple store, which really isn’t that local.  I drove out on a rainy Saturday afternoon to get the battery replaced.  That’s not the disturbing part.  Neither is the fact that so many people were flocking around in an Apple store without wearing masks (although that does count as disturbing in it’s own right).  As I sat there watching the giant projection of devices I should consider buying, my daughter mentioned to me how like a dystopia it was: being subjected to advertising aimed at purchasing something you’re in to have repaired.  That wasn’t really the disturbing part, either.

No, what was disturbing occurred when our genius told me I would need to leave my laptop there for three-to-five days for it to be repaired.  I use my laptop daily and extensively each day.  I have no spare and I post daily on this blog.  (Those times when a post doesn’t appear it’s because I think I’ve hit the “publish” button but I haven’t.  That happened to me again recently and I only discovered days later that WordPress was listing it as a draft.  Sure enough, I’d gotten so busy I’d not click “publish”—which happens, ironically, mostly on weekends.)  I was hit with panic.  Could I live for three days, up to a week, without my laptop?  No email.  No blog.  No ubiquitous Zoom meetings outside of work?

Even before the pandemic the internet had become my lifeline to the larger world.  And the thing is I’m sending my thoughts out like a Pioneer probe to that outer space of the web, not sure if anyone will intersect with it and understand the gold-plated plaque within.  At least I hope it’s gold-plated.  I’ve been blogging here since 2009, at least one laptop ago (or perhaps two).  I’ve posted over 4,500 times.  What would happen if the earth went through the tail of a comet and wiped out all this electronic data?  Would there be anything left at all?  That’s the part I found disturbing.  My ambivalence about technology doesn’t mean I’m not addicted to it.  I was spared an immediate crisis since the genius at the bar told me the battery (being such an old model) was out of stock and would take a few days to arrive.  Meanwhile I could continue to live in my virtual world as normal.

Remarkable and Beautiful

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Last year I read and commented on Hank Green’s An Absolutely Remarkable Thing.  I knew there’d be a sequel, but it took some time for it to come out in paperback, and it took a day of flying to give me dedicated time to finishing it.  A Beautifully Foolish Endeavor picks up where the first novel left off, bringing April May back to life.  It’s a story about good and evil and how humans, as flawed as we are, are nevertheless worth saving.  This story takes a further sci-fi and dystopian turn than the first part, moving it more into the regular novel than the “new adult” that seems to better fit the initial book.  Really only six months have passed since the first story, but the still young protagonists have aged in the way experience doles out to people who think they understand the world better than they do.

The world of A Beautifully Foolish Endeavor is dystopian in the sense that corporations have too much power and can (and do) drive the direction of human development.  It’s clearly a novel written after a couple years of repressive Trump rule where autocrats will do anything to keep in the public eye, even destroy their own world.  It becomes Manichaean, or maybe even Zoroastrian in that the extraterrestrial entity Carl, who was the subject of the first novel, reveals that he has an evil “brother” that encourages the corporations in their efforts to rule the world.  The goal of this evil intelligence is to get humanity to destroy itself as a failed experiment.  There’s plenty of metaphor here since the way to get people to destroy themselves is through virtual reality.

As someone who finds quotidian reality difficult enough, I have no desire to see how well some technocrats can imitate what nature already does so well.  Stepping outside with a cold November wind blowing down my collar, threatening snow and driving me back indoors I know I’m in a world not custom built for our comfort.  I am one of billions of scurrying, resistant, persistent creatures doing my best to survive.  I’m sure that virtual reality is an amazing experience, but so is stepping out into that November wind.  Hank Green is gifted at writing compelling, conflicted characters.  From his own internet platform he’s become a significant influencer, gathering the interest of even the White House.  His two novels form a thoughtful set that, like the books of his brother John, make us stop and think what it is to be human.

Abominable and Biblical

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In many ways Holy Horror was an initial volume.  The Bible  is fairly prevalent in horror, and had the book done any better I might’ve considered a sequel.  Take The Abominable Dr. Phibes.  I’d literally never heard of it until I saw on a website listing states’ favorite horror films that it was number one in Pennsylvania.  At that point I decided I would have to see it one day.  That day came and I later found out that quite a few critics hold it in high regard.  It is very campy, almost worthy of the live action Batman series with which I grew up.  Phibes is out for revenge and kills his victims (more on this shortly) with vampire bats and acid.  It may have been the first movie I’ve seen with death by brussels sprouts and locusts.  None of this makes it fit Holy Horror’s premise, however.

Phibes is a serial killer using the Bible as his road map.  About halfway through the film we learn Dr. Phibes’ doctorate is in theology.  He is using the ten biblical plagues to kill his victims.  The police consult a rabbi to learn about the plagues but even here the Bible’s misquoted.  Interestingly for this period, the inspector refers to the plagues as a myth.  The first plague shown is of bats.  There is also a plague of rats.  Neither of which occur in the Good Book.  The Bible’s a fairly easy tome to find, but it takes quite a bit of ingenuity, I guess, to murder by gnats or the death of cattle (which doesn’t prevent The Reaping from trying).  Plot holes are large enough to drive a chariot through, but the Bible clearly has a starring role in the narrative.  And Vincent Price is able to pull it off because he’s, well, Vincent Price.

Drawing some inspiration from The Phantom of the Opera, and featuring a scene set in Highgate Cemetery, this movie has its fingers all over the place.  I do have to wonder why so many people in Pennsylvania picked this as their favorite horror film.  I grew up in the state watching horror, much of it camp, and much of it worse, but never heard a thing about this.  It’s not really scary.  Perhaps it appeals to those who think they know the Bible but really don’t.  Of course, having amulets inscribed with Hebrew letters to symbolize the plagues is classy.  I doubt The Abominable Dr. Phibes will give anyone nightmares, but it could stand a bit of analysis in its use of the Good Book.

Not Shopping

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Santa Claus arrived at the end of Macy’s Thanksgiving Day parade yesterday.  I actually began seeing Christmas paraphernalia in stores before Halloween.  It feels like we could really use Christmas this year.  We all thought 2020 was a difficult year and 2021 hasn’t been much easier.  The capitalist response—so shallow, but it’s all we’re left with—is to shop to make yourself feel better.  Sometimes it’s the simple things: time off work, time with family, time for reading, time itself.  Time heals most things.  People, however, aren’t the most patient of creatures.  Our desires seem so urgent and cash or credit seems to offer a way of achieving them.  Black Friday is entirely from the business perspective.  A day off work to get people out and spending.  Outspending.

Black Friday has traditionally been one of my favorite days for staying home, reading and writing.  Indeed, Thanksgiving is the only annual four-day weekend most of us are given.  I haven’t used this day for shopping.  Crowds are about and so is an insidious virus that we can’t seem to contain.  It feels more comfy and secure to stay in my drafty house and use the time to recover from the capitalism that dominates the rest of my days.  A day to not shop.  A day to think.  The idea of having quiet holidays to ground oneself seems like a progressive idea.  We all find our own ways of centering, even if we don’t call it that.  For some I suppose that’s shopping, but that’s just not me.

This year I’m spending the day with extended family in Iowa.  I flew out on the busiest travel day of the year to ground myself in the heartland.  It’s a day I need not work and I need not shop.  I find my meaning elsewhere this Black Friday.  The term began with a negative connotation, referring to workers in the early fifties calling in sick that day in order to get a four-day weekend.  It was also used in the next decade to describe the traffic congestion as people went out to start their shopping.  It was really only in the eighties that the term took on its current meaning of a day when retailers go into the black by earning profits from the influx of cash the day brings.  Santa had come the previous day and wallets were open and those with the day off work wanted to spend it spending.  I’m here in Iowa, glad to be avoiding the stores and the contagion, and enjoying the quiet of not having to clock in.

Flight Path

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It’s been some time since I was on a plane.  Or in a hotel.  These things seem strange and foreign to me now.  Covid-19 is now a fixture in life and we, as humans typically do, have adjusted.  Of course I was flying for Thanksgiving on the busiest travel day of the year.  Seeing all those people standing in line at 4:30 a.m. at the airport made my lifestyle seem a little less weird.  I’m used to being up at this time.  They did have to de-ice the plane at Lehigh Valley International Airport.  I’ve never been on a plane that was taking a shower before.  I also didn’t touch anything but my book.  And it seemed that those who “don’t believe in” masking weren’t making a fuss because you can’t win an argument with the FAA. I’m thankful for that.

I’d almost forgotten how to fly.  On the first leg of the journey I was the only one whose “hand-held device” was made of paper.  Connecting out of O’Hare, however, quite a few more books made an appearance.  I sit in front of a device all day at work, so on a rare day off I don’t really want to have to stare at a screen.  Although the total air time was under four hours I brought seven books in my personal item.  I finished one of them (the longest) on the trip.  I still have plenty of choices for the flight home on the weekend.  Thanksgiving, even more than Christmas, is the time for family gatherings.  We’re all vaccinated on this side, so it feels mostly safe.

This Thanksgiving I’m thankful that no turkeys were harmed on my account.  If you knew how “thanksgiving turkeys” are raised it’d put you off your feed, as the saying goes.  I’m also thankful that travel is possible, even if with added restrictions.  Frankly, I’m glad for them.  Anti-vaxxers don’t seem to realize that it’s not just themselves they’d be protecting, but others as well.  Vaccines and masks aren’t just about selfish desires.  Last year we couldn’t even consider traveling.  Covid-19 has changed the way we do things, perhaps permanently.  We can be thankful that we learn to adjust.  I’m no fan of crowds, but there was something a bit exhilarating about being among other goal-oriented individuals all focused on being with loved ones.  It gives me renewed faith in humanity, and that is something for which to be thankful.

Photo by Priscilla Du Preez on Unsplash

Celts and Gods

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We’re accustomed to religions being written out.  Indeed, many world religions have sacred texts from the Avestas to Dianetics.  Some ancient cultures, however, didn’t have written traditions and when they disappeared, as all cultures eventually do, their religion became nearly impossible to understand, or reconstruct.  Miranda Green has tried to provide, in written form, a summation of her understanding of The Gods of the Celts.  Celtic mythology, interestingly, had long ago caught the attention of New Religious Movements, as well as the New Age movement.  Much of the Wiccan calendar is based on Celtic religion and many New Age practices trace their roots to the ideas of Ireland, Scotland, and Wales lost to the mists of time.  What we actually do know about these cultures is about as fascinating as what’s been reconstructed.

Green’s study shows us a religion that grew out of profound respect for nature as well as human prowess at fighting.  (The “fighting Irish,” indeed may touch on an historical pulse.)  Celtic gods reflected a large swath of thinking throughout western, and parts of eastern, Europe.  Their names may be less familiar to us, and some may well have been lost to the vicissitudes of time, but there was a vibrant devotion to them that went as far as human sacrifice.  We know that it occurred, but it probably wasn’t frequent.  Although polytheistic, Celts were moral in their own understanding of their world.  Morals tend to come from human understanding of their place in a world they didn’t create.  How do you live in somebody else’s property?

Unlike the more literate Greeks, or even the Semitic religions on which they drew for their stories, we have no narrative Celtic mythology.  We have fragments and glimpses.  Nobody had a recorder while sitting around the fire, recounting the activities of the gods.  Later, sources such as the Mabinogion were written down, which surely held some memories of such fireside tales.  The originals, however, we’ll probably never have.  Such is the way of conquered peoples.  What the Romans started the Christians finished.  We’re left with some deities, such as Brigit, made into saints, but their stories forgotten and not originally written down.  Our time looking back isn’t ill-spent.  It teaches us who we are and guides who we might become.  Our own violent politicians, threatening to murder those who are different, clearly have learned nothing from history, ancient or modern.