Myth Making

Beautiful.  Standing outside in the pre-dawn, looking up at the current alignment of Mars, Jupiter, and Venus in the east, I am struck by their presence.  The planets, “wanderers,” were known by the ancients to be gods.  Tales were told of how they came to have their places in the sky.  For those too busy to look up, Venus alone can take your breath away.  After the sun and moon, it is the third brightest natural object in the sky that can be seen on a quotidian basis.  It has been brilliant this month, and the peoples of ancient times were fascinated by how this morning and evening star rose high only to flee before the coming of the sun.  Myths were built around it.  Venus, it is no accident, was associated with the goddess of irresistible beauty.  She still is.

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Trailing behind is Jupiter. The Roman avatar of Zeus, Jupiter is the king of the gods, but not the brightest.  Following Venus, it is the fourth brightest object in the sky, followed by various stars in their unchanging positions.  Jupiter seems to be chasing Venus these days.  Sometimes I see the two of them cavorting in the light of the moon.  The object most desired by the king is no object at all, but a goddess who outshines even the power of the primal deity.  And then there’s Mars.  Mars lags farther behind, never quite the master of war, at least according to Homer, that he hoped to be.  He is nevertheless the consort of Venus, for strong emotions tend to go together.

I glance at my watch and I know I should be headed to the bus stop by now, but I dash inside for the camera.  It is a vain hope that I can capture what even these eyes can plainly see.  It is a drama acting out in the celestial sphere.  Three planets in a neat line, clear as Orion’s belt, within the length of my thumb held at arm’s distance.  I can hear the bus rumbling toward the corner, and I know I’ll have to rush, but even as I power-walk to the stop, I keep glancing over my shoulder to catch a few last glimpses of a myth in the making.  Is it any wonder that we’ve lost the magic in our lives, when we can’t even take the last moments of darkness to pay tribute to the gods?


Pagan Religion

TriumphMoonFraming. Much of what we call “religion” has to do with framing. At one time it was standard practice to assume “pagan” was distasteful, if not downright evil. “Witch” was a pejorative term intended to humiliate and excoriate. Ronald Hutton is one of the few scholars who has taken the time to consider Wicca and related religions seriously. The Triumph of the Moon: a History of Modern Pagan Witchcraft has been on my reading list for quite some time. It is a big book, but this is a complex subject that can’t be dealt with briefly. Taking the time to get to know witches, with a historian’s patience, Hutton has given the world a valuable, balanced resource. Without prejudice, he traces how paganism, Wicca, and witchcraft are religions difficult to define or even categorize. There is little to frame them.

Rumor and hearsay make poor substitutes for understanding a religion. Most of what I grew up learning about witches was, in short, completely wrong. I wonder how much more pleasant the world might be if people assumed religions all to be similar in many ways. They are varied attempts to find ways of being moral in a world that gives little clear instruction on the matter. Witches and pagans are only evil in the uninformed opinions of more powerfully established religions. Religions of empire, whether real or only imagined. Those that had political backing and brute force to anathematize those who were different. Theirs is still a stigma that persists.

The Triumph of the Moon recounts the development, since the early part of the last century, of a somewhat organized experiment of religion as it grows organically. Without a leading figure or spokesperson, radically egalitarian, these groups, while sometimes in conflict, coalesce around the practice of finding something magical in the world. Theirs is an educated, literate world that does not judge other religions. It isn’t perfect, but then what religion is? The belief structure isn’t so different than many established religions except in the matter of degree. It is private and secretive in a way that we could only wish in many religions, if they could be counted on to behave themselves. I’m not likely to do a sky-clad spiral dance any time soon, but I would say that if we took religions at their word for being what they say they are, we might have a lot more resembling that of the noble pagan.


Dakota Territory

A few weeks back I found myself on the upper west side of Manhattan. This is a fashionable district in which to live, but back when the Dakota was built, as pictures from that era demonstrate, this was an undeveloped area. The building stands alone against the sky, not surrounded, as it is today, by neighbors. I’ve noticed this in other parts of Manhattan as well. New buildings can grow in seemingly impossibly slim spaces between other structures. Sometimes I wonder how construction workers can get their hands back there to lay the bricks. The city is so overbuilt that it is difficult to get into the Halloween mood of October. Yes, stores, restaurants, and bars do decorate windows, but the enormity of the surroundings makes them seem miniscule. Although New York is a gothic city, it seems to swallow up holidays. Perhaps because of its greater commercial potential, Christmas is much more evident around town. Halloween, however, is a holiday best appreciated outdoors.

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While in the neighborhood, we stopped by to look at the Dakota. It was under scaffolding the prevented seeing the entirety of the building, but the famous entryway was unobstructed. I know that it was near here that John Lennon was murdered, and I know other famous people used to live here: Judy Garland, for example, and Leonard Bernstein. To me, however, the visual aspect of that entry always suggests Rosemary’s Baby. Even the doormen still wear the uniforms that they wore in the movie, only today they have to shoo away those who try to wander inside the gates to snap a selfie where the other half live. For me it was once again being in the presence of a place I’d felt I’d been before.

Rosemary’s Baby still stands out among the classic horror films as being particularly effective. The Satanism scare of the late sixties and early seventies has moderated, and we know now that witches are not people to be feared. Nevertheless, the eerie pacing of the film, and the sense of threat forever mark this location as one of caution. Seeing Terry Gionoffrio lying in a pool of blood where John Lennon would, in reality be twelve years later, is prophetic in the worse possible way. Still, the tourists stopped to have their pictures snapped at this infamous location. New York can be like a giant movie set at times. I quite often walk through staging areas for films on my way to work. It is a city where fantasy can be difficult to parse from reality from time to time. Even being in the upper west side, for someone like me, is, I know, pure fantasy.


Babylonian Boogle

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I confess. I’ve fallen behind on my horror movies. My work schedule doesn’t allow for much down time, and on weekends when I spend time with family, well, horror films aren’t their favorites. So on a weekend afternoon when I was alone, I finally saw Sinister. I remembered seeing ads for it a few years back, but far enough back that I didn’t know what to expect. As I’ve often asserted on this blog, horror frequently draws its spookiest material from the deep well of religion, and Sinister once again emphasizes this point. With clear connections to The Shining and Ringu, Sinister does keep you in its web. Of course, ritualized murders are by their nature scary, since those who perpetrate them have taken leave of reason. I don’t read true crime because I have to sleep, and I’d rather not know what some psychopath has eating his brain as he plans his sacrifices. So it comes out in fiction.

The protagonist, crime-writer Ellison Oswalt, consults with a Professor Jonas, whose name those acquainted with the Bible can’t separate from Jonah, to find out about ritual crimes. Jonas informs Oswalt that the occult symbols found at a couple of the murder sites are unconventional. He eventually traces them to Bughuul, a Babylonian deity that eats children. The religious element couldn’t be clearer. Bughuul, who is a god fabricated for the movie, is effectively frightening in the film. But for the ritual element to the murders, the story might have passed as just another gruesome offering to audiences who want a little fright in their October. Religion makes it scarier.

The second appearance of Professor Jonas reveals that, like Ringu, watching the films that tell the story is dangerous. He delves into iconography. Icons, according to orthodox tradition, take part in the reality they represent. Bughuul knows that, and merely by watching the films, or looking at pictures (icons) you open a portal between his world and that of the viewer. By the time Oswalt learns this it is, of course, too late. Again, the element of terror is introduced through religious thought. Bughuul (Mr. Boogle) is a morbid iconographer. The reality of the evil is represented in the “artwork” itself. Once you’ve seen an image, you can’t unsee it. So it is that Sinister draws on religion to plumb the depths of fear. It is surprisingly effective, even on a sunny afternoon when I’ve had too much time alone.


Heaven Unawares

UninvitedIn order to have this book fit my blog, I’ll begin with a spoiler alert. If you plan to read Cat Winters’ The Uninvited, I will be giving away information below. Please believe me when I say it’s not intended to be persnickety by this preface, but I know what it’s like to enter a book knowing too much.

When autumn comes around I like to find a ghost story or two to read, to settle into what seems to be a primal urge connecting harvest with death. Sometimes the books I find are advertised in places like the Library Journal, or Publishers Weekly (which I see more like biannually). More often than not, however, they are books that I spy at a store. The Uninvited stared at me from a table. I picked it up, read the blurbs, and put it back. A week later I stopped in again and picked it up. It is a moody tale set during the First World War and the influenza epidemic. That was a time, I suspect, of great fear. And many ghosts. It’s easy to see why Winters chose such a time to set a tale. Still, the narrative is gentle and despite the places where the language sounds too modern, it is artfully told. Like most ghost stories it is a love story. Seriously folks, here come some spoilers!

The protagonist, Ivy, falls in love with Daniel, a German immigrant living in Buchanan, Illinois during the war. Germans have been under suspicion and lynchings have occurred. We come to learn, as in many ghost stories, that the protagonist and her lover were both victims—he of a lynching, she of the flu. He’s aware they’re dead, she’s not. The novel is one of Ivy’s growing self-realization that she’s deceased. While avoiding those who spy on Germans, she discovers the joys of an interracial, prohibition-free (being prior to prohibition, of course, but the idea was in the air) club where jazz is played all night long. She wants to bring her lover to the club, which is just across the street from his apartment, but he is German and feels he would not be welcome. The reader at this point doesn’t realize the two are dead. Once Ivy discovers the truth, she realizes that the club is actually Heaven. The reluctant ghosts, lost, stay away. She tries to convince them to come.

Heaven has been portrayed in many ways in literature. Although I find jazz very difficult to bear (it is like being inside a beehive without a bee suit, to me) the idea that Heaven is complete and utter acceptance of who we are is a compelling one. Religions are often all about change—how we must alter who we are to merit Heaven or Nirvana or whatever might await us at the end. Winters suggests that it is a place where people can be who they are and nobody will try to make you be any different than you were created. It is a comforting idea. It is my personal hope, however, that there might be a few different clubs in town and that some of them might be playing music other than jazz.


The State Demon

It’s the time of year for seeing things. I suppose that’s why there have been two supposed sightings of the Jersey Devil flying around the internet this past week. The credulous take these kinds of things for evidence, and the posters claim complete sincerity and who doesn’t want to believe? Still, the photos and videos fail to convince. It’s the time of year when we want to see monsters.

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While the origin story of the Jersey Devil is one of the main strikes against it for sheer impossibility: Mother Leeds, who had twelve children, finding herself pregnant with a thirteenth, wished that it would be born a devil. The cursed child, meeting motherly expectations, came out a devil, flew up the chimney, and has haunted southern New Jersey ever since. The folklore elements are thick in this tale: the thirteenth child, the exasperated mother, devils in the woods. This doesn’t, however, suggest much confidence in the literal truth of the story. This traditional tale circulated in the same region where legitimately strange things were seen, especially around the turn of the last century. Every now and again the devil reappears in a present-day venue. At one time the Jersey Devil was even the official state demon of New Jersey.

The ease of use of photo-altering software has taken us further and further from the truth. It is an impoverished world that has no mystery to it, but the easily hoaxed world of Photoshopped monsters will cast doubt on all contenders, I fear, forevermore. We can no longer trust the veracity of the lens. Our world has become an electronic illusion. The creature spotted in the Pine Barrens can be more readily believed without photographic proof. The sober, shaken witness who can’t explain what s/he saw one dark night is more believable than a goat with wings or a stuffed animal on a string. Our religious sensibilities urge us to believe in the impossible. Our cameras urge caution. After all, internet fame is often the only kind available to those whose videos and photos go viral. The devil, they say, is in the details.


Inventing Concepts

A neologism is an invented word. Of course, it is impossible to be certain about the origins of many words, and even the many neologisms attributed to William Shakespeare may have been overheard by the bard at the local pub. Still, one of the things I sometimes dream of is inventing a word that will come into wide circulation. I think it must be easier to do in fiction than in non-fiction writing. When I first wrote my book, Weathering the Psalms, I chose what was, at the time, a neologism for the subtitle. “Meteorotheology” was a word I’d never read or heard before and, quite frankly, I’m not sure how to pronounce. Although the world-wide web existed when the book was written, scholarly resources were still few, and tentative. Amazingly, that has changed very rapidly. Now I’d be at a loss to find most basic information if I were isolated from a wifi hotspot. In any case, the web has revealed that others beat me to it when it comes to meteorotheology.

I suppose that some day, when I have free time, I might go back and see if I can trace the web history of the word. It is used commonly now to refer to God taking out wrath on people through the weather. For example, when the Supreme Court decision on the legality of gay marriage was handed down this summer, there were various websites—more popular than mine!—asking a “meteorotheological” question: when was God going to send a hurricane to punish the United States for its sin? These were, as far as I can tell, all tongue-in-cheek, but there can be no question that some people treat meteorotheology that way. It is a sign of divine wrath. My own use of the word had a wider connotation. When I was invited to present at talk at Rutgers Presbyterian Church in Manhattan a few weekends ago, I was reminded of my line in the book: “To understand the weather is somehow to glimpse the divine.”

That’s an idea I still stand by, but it is difficult to move beyond. What exactly does the weather say about beliefs in the divine? There’s plenty of room for exploring that. I know that when I walk outside to fetch the paper on a clear fall morning when the moon and stars are still out, I know that I’m experiencing a kind of minor theophany. The brilliant blue of a cloudless October sky can transport me to places unlike any other. What exactly it is, I can’t lay a finger on. That’s why I came up with the word meteorotheology. I many not have been the first person to use it. I may even be using it incorrectly. But the weather, in my experience, has many more moods than just anger. Any autumn day is enough to convince me of that.

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Fundamental Fear

Something truly scary landed on my desk. Working for an organization that has many different departments, there’s no way to know everyone. So when something bible-ish arrives in the mail, it gets directed to me. Now, I don’t follow the afterlife of creepy religious people through prison, so it took a few minutes to remember who Warren Jeffs is. I knew I’d read about him but I couldn’t remember where. Then I remembered the Fundamentalist Church of Jesus Christ of Latter-Day Saints. Jeffs was once the head of this church before being put into prison for child sexual assault crimes. So why had he sent a copy of Jesus Christ Message to All Nations to my publishing house? It is already published, and it is rather modeled on the Bible, at least at a surface level. No letter, no instructions. Just a book that I felt I needed to wash my hands after touching.

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I’d not heard of this book before. The author is boldly listed as Jesus Christ. “President Warren S. Jeffs, Mouthpiece of God” it says, given credit for, I suppose, putting pen to paper. What’s to prevent me, I wondered, from claiming God wrote what I framed into words? It is far too easy a claim to make and the credulous follow where the bold lead. That’s the way human authority, unfortunately, often works. Someone with a surfeit of testosterone declares that he speaks with absolute authority—I think of angry atheists as well as televangelists here. Such sense of irrational conviction must feel god-like. I can only guess from the sidelines. And I wonder about those who wrote what are recognized as scriptures in other religions.

Did those who wrote the books of the Bible, for instance, ever feel that they were writing unquestioned truth? Might they not have been a bit more circumspect? Maybe they were writing in the heat of inspiration, but not with the confidence of claiming divinity. Somehow I doubt even that. Writing is a human activity. The creator of an entire universe shouldn’t need to use it. Still, religions are often built around written texts. Parts of the New Testament claim to come from Jesus of Nazareth, although he’s not the actual writer. I guess he must have been working on later works of which I’ve never heard. And I do wonder how the doctrine of the faulty vessel applies in cases like this. I know better than to ask a Fundamentalist of any stripe, because I already know the answer they would give.


The Bald Truth

The book of Judges is one of the most fascinating in the Bible. The “judges” are colorful characters, often rule-breakers, who ultimately seem to deliver the early Israelites from their enemies. Many of their names are familiar: Samson, Gideon, and Jephthah. Well, Jephthah may be a stretch for those who haven’t read the book lately. Anyway, among the most interesting facets of the book is the fact that there are female judges. The most prominent is Deborah. Although she doesn’t seem actually to fight in battle, she leads Barak and he is able to defeat the Canaanites, through the agency of God, of course. The story is told in great detail of how the Canaanite general Sisera gets his chariot bogged down in the mud, flees the field, and finds the tent of Jael, who invites him in. After she lulls him to sleep she drives a tent peg through his skull, killing him. Jael is celebrated for her part in the deliverance.

Gory images aside, I’ve been thinking of Sisera. I wonder what he looked like. I realize that he may not have been an historical person, but still. The Bible is generally shy about describing the outward appearance of people. We get a few people with details revealed, but Sisera is not one of them. The reason I’m wondering is that I’ve got an image lodged in my head. A childhood story that we were read about Deborah showed Sisera as a bald man with a beard. Totally bald. I know that complete baldness can and does occur, but the little iconography of Canaanites we have doesn’t show them as being particularly bald as a fashion statement. As I was reading about Sisera the other day I tried to picture him as a man with a headful of hair, and I just couldn’t do it. The image was too mentally jarring. Sisera was bald.

The images that we’re shown as children, especially for powerful stories, have a way of becoming canonical. It’s like learning to tie your shoes. The first way that leads to success is the right way. We never need to learn another. How many images of Sisera does one person need to have in his or her head anyway? So my Sisera is bald. Religions often provide us with images that impact us for the remainder of our lives. The impressions laid on young gray matter are not easily erased. Now that I know many of the stories in the Bible have no historical veracity, I still can’t help but think of the early images I learned. These are the canonical images and anything else is too difficult to contemplate. My Sisera will always be bald.

Palma got it wrong.

Palma got it wrong.


True Natives

StarPeopleI have long been fascinated by American Indian folklore. In fact, the first book I read this year was a set of Indian tales. Just this week I finished a most unusual book by Ardy Sixkiller Clarke entitled Encounters with Star People: Untold Stories of American Indians. Clarke, who is herself Indian, taught at Montana State University and collected stories from various tribes concerning Star People. Mainstream western science has already made up its mind that Homo sapiens are the most advanced species ever to grace this universe, and so any discussion of visiting non-terrestrials is off the table. What Clarke shows us, however, is that just because there’s no such thing doesn’t mean that all worldviews agree on that point. In many interviews with indigenous peoples of the Americas, belief in Star People emerges as perfectly normal. As does not talking about it because white people will ridicule and belittle anything that doesn’t fit into their limited cosmos of technology and money.

Reading these stories felt like absorbing wisdom from those who observe nature more carefully than those of us of European stock are inclined to do. With eyes pressed to microscopes and telescopes, it is sometimes possible to miss the big picture. We crowd into cities and have no idea how to live under the stars. We can’t even see the stars most of the time. Have we lost our ability to wonder?

Purely from an academic point of view, I wonder why aliens can’t be taken seriously. I try to think of other topics that are simply laughed out of discussion before examining the evidence. To me it seems that human pride is at stake in this case. We are a very proud species, enamored of our own accomplishments. If we can’t reach the stars, nobody else can. This to me is troubling. Aliens, after all, don’t fall into the category of “supernatural” unless we mythologize them into yesteryear’s angels. If they are real, they are as natural as we are. They would have a technology that we haven’t replicated yet, and anyone who doubts interstellar flight should consider the impossibility of carrying a computer around in your pocket or on your wrist only thirty years ago. No, if there are Star People, they are natural. Whether or not they might exist is simply a matter of belief.


Latter-Day Battlestars

Science fiction, when I was a child, constituted my fantasy life. I read such science fiction books as were available to a kid in a small town with no actual bookstore, and I watched what I could on a television with three or four channels. Star Trek and Twilight Zone were staples. As I got to high school there were more offerings, and one that I remember particularly liking was Battlestar Galactica. I was disappointed when the show ran only a few months. Something about looking for a home, being a scrappy, rag-tag fleet fighting against the odds appealed to me. Although I grew away from sci-fi as I went to college and studied more “serious” subjects, I never completely abandoned it. So the other day when I had reason to use the word “cylon” in something I was writing, I decided to do a little reading about the original series. I never did watch the reboot, as I was far too busy for television by then.

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I was surprised to learn that the original 1978 series was an exploration of Mormon theology. The show’s creator, Glen A. Larson, was a member of the Church of Jesus Christ of Latter-Day Saints and, not surprisingly, used his fiction to promote his religious ideals. After all, Orson Scott Card, of Ender’s Game fame, is also a Mormon and elements of its theology come through in his work. As a child I didn’t watch television for religion, but rather as form of escape. I wouldn’t have guessed, however, that I was escaping to Mormon theology. The Church of Jesus Christ of Latter-Day Saints is a bit more shy about telling outsiders its theology than many Christian bodies are. Mainstream Christianity, after all, is one of the main ingredients in our cultural soup. Any Methodist will be happy to tell you Wesley’s theology, if they happen to know it.

I haven’t watched television for over two decades. Very select shows we’ll watch on DVD, being the old-fashioned sort, but I missed the reincarnation of Battlestar Galactica in 2004. I’ve always had a soft spot for the originals when it comes to sci fi. The original Star Trek, the original Star Wars, and even that sleepy and terribly dated Space 1999. I suppose as a working-class child looking for an escape these shows had a kind of religious message. Although my religion taught a conventional Heaven and Hell, I wondered what was out there beyond even that, since the tri-partite universe was basically earth-bound. And science fiction offered to lead me to other worlds where things might be better. On the Enterprise we might whizz past the Galactica and wave, even if it was piloted by Mormons in space. And L. Ron Hubbard was known to me only as a writer of science fiction rather than the creator of a new religion.


Nature of Religion

HerHiddenChAutumn is a moody time of year. Dolorous gray skies hang low one day, and the next a sky of such incredible blue stretches unbroken out into space itself. Nights are definitely longer now; I climb onto the bus in the dark in the morning and get off in the dark in the evening. And thinking about nature’s cycles leads me to thinking about nature religions. Wicca has often been presented as a nature religion, but it is somewhat more complex than that. Her Hidden Children: The Rise of Wicca and Paganism in America, by Chas S. Clifton provides a rare academic look at various pagan religions from the inside. Analysts of New Religious Movements have long classified religious witchcraft as a modern religion. Although Gerald Gardener made claims of being initiated into an ancient British coven when he began what was to become Wicca, it is recognized that this claim was unsubstantiated and that Gardener, in true prophetic form, was inventing a new religion.

I’ve read quite a bit about witches over the years, but I’ve always found contemporary paganism somewhat confusing. As Clifton points out, there are many branches of this relatively small religion, and there is no single leader or head of the movement. In fact, various groups, just like Christian groups, seem to splinter fairly easily. Many revival religions exist, also claiming the name pagan. You can join those who worship Egyptian gods or Norse deities. Or those who find nature itself divine. Pantheism, panetheism, or just plain paganism. Religions come in endless varieties. In a world committed to allowing individuals to follow their own religious conscience, there are bound to be varieties of religious experiences.

Clifton offers a brief history of these fairly recent groups. Paganism began to reassert itself only last century. There had been a social stigma with lying outside the territory claimed by church, synagogue or mosque. Many Americans only learned that religions such as Hinduism and Buddhism existed at the very end of the nineteenth century. What most people don’t realize even today is that a large, and increasingly expanding, variety of religious options exist for the seeker. Not all Wiccans see themselves as believers in a nature religion. Not all pagans call themselves Wiccans. Although Clifton makes no claims to an exhaustive tome, which would have to be far larger, he is a helpful guide through many of the groups that have existed over the past decades and some of which continue to this day. By learning about them we learn some basic truths about the very human urge to connect with something larger than ourselves.


Nothing But the Truth

Blurbs are the way of the future. It is so much easier to read something brief than to have to wade through an entire article. Is that the way the future’s going? I read the blurbs for Christian Century’s round-up page when it lands on my desk at work, and I find plenty of interesting things there. For example, a recent issue suggested that truth may be getting harder to find. It began: “George Johnson [New York Times was the source] says modern culture is reaching the point at which there are no longer any incontrovertible truths, just competing ideologies and narratives.” It goes on to describe how issues like creationism are less concerned with “truth” than with fitting the world into their view. Likewise, those who object to putting telescopes on Mauna Kea see science as cultural hegemony. In a post-modern world there is no objective truth. Even as a college student I remember learning that if I found the Truth, with a capital T, there was no way to know it was actually the truth. “All truth is God’s true” some professors used to say tritely.

That doesn’t stop those of us who’ve been motivated our entire lives by the search for the truth. But how will we know when we get there? I first learned about post-modernism in my teaching days. Some of its ideas are perfectly logical: we can’t completely share an author’s meaning; words have no meanings, only usages; when we read we bring our own meaning to the text; an author’s intention is not definitive for what a text means. These ideas are deeply disturbing when we look at them closely. Then I began to read that scientists recognize that our brains did not evolve to discern the truth. Our brains evolved to survive, and even a dim approximation of the truth will help us get to reproductive age. In fact, dim approximations of the truth might explain much of our dating behavior. So, we’re led to conclude, there’s no Truth after all. Just “competing ideologies and narratives.”

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I studied a fair amount of philosophy in my time, and I do believe in Truth. That’s not the same as saying I’ve found it, since no one can honestly make that claim. All that we can admit is that we believe we’ve found it. Those who object to evolution say they know the Truth and it is special creation. All the evidence points against it, but all the evidence doesn’t fit the worldview. We lose something that can’t be replaced when we jettison the truth. As soon as I learned about existentialism I realized that it had long been my philosophy—making our own meaning in a world where certainty is unknown. Even those who claim that science will give us the answers have to admit that if faced with ultimate Truth we might not like what we find. We can only believe that it will be good. And hope that we are right.


Scholarly Synchronicity

Simon Parker STH Professor April 2, 1999 PORTRAIT

Simon Parker
STH Professor
April 2, 1999
PORTRAIT

One of the great ironies in my life is having been basically ignored while I was employed in higher education only to have people make overtures to me once I no longer had the resources to undertake the task. I’ve been asked to peer review articles, and write articles and contribute to books. I even had a series editor try to get me to write a monograph. Thing is, I don’t have regular access to a library, and I spend eleven hours a day either at work or getting to and from work. When am I going to find time to write a well-researched book or article? Well, I’ve been working on my Society of Biblical Literature article since May and it should be ready by November. If it weren’t based on pop culture, I could never have managed it under present circumstances. Still, when a colleague asked me to contribute to Simon Parker’s Festschrift I couldn’t say no. Although I didn’t take classes with Simon, he was Academic Dean when I was at Boston University School of Theology. Although I didn’t know it at the time, we shared an interest in Ugaritic studies, and we exchanged articles and ideas via letter when I was in Edinburgh. We became friends. Simon died suddenly the year I lost my job at Nashotah House.

Since that time I’ve written over a couple thousand blog posts, and read a few hundred books, but that’s not the same as academic research. I’ve been worried about what I might contribute to do honor to a scholar and a gentleman. Then I tried looking at some old files from two laptops ago. Of course the new laptop can’t open them (that’s why Scrivener is a lifesaver). I pulled out a paper that I wrote the year I lost my job. I never did finish it, but it was well underway when my confidence began to crumble. After translating it to the new decade, I opened it only to find the first footnote dedicating it to Simon Parker. I stopped, stunned. That can’t be right. When I wrote this I knew nothing of a Festschrift. Then it hit me. I had originally written the article just after I learned of Simon’s untimely death. Do I still believe in signs?

So now I have a base from which to start. I have only a couple months to bang it into shape, and I also have to finish my SBL article. While at Nashotah House I produced an article a year and a second book (published only last year), i.e., the “academic standard.” Nobody invited me to contribute. Now that I have no time, people are finally interested in what I might have to say. Not interested enough, of course, to offer me an academic position, but it does look like the publication record might continue after all. It won’t be what it could have been had I had a library, but I am nevertheless honored. One of the accolades that academics covet is having colleagues care enough to write something for you. I guess that’s been on my mind for a decade in the case of Simon Parker. I only hope that I can do him proud from where I am.


Living Undead

Now that autumn is in the air, my thoughts turn to zombies. I’ve read a few monster books lately, and as I pondered the attraction of zombies to the post-modern psyche, I began to wonder if they weren’t becoming, in their own secular way, a religion. Think about it. Zombies, first and foremost, are about resurrection. In a world ruled by rationality and science, we know that resurrection is impossible. What isn’t possible in science may indeed emerge in the world of monsters. The zombie, often not speaking, proclaims a distorted kind of gospel that the end is not really the end. Resurrection is not all that it seems. Zombies are spattered with gore, reminding us that the visceral existence we know as quotidian experience is temporary. Resurrection comes at the loss of a soul. The zombie is the monster of science: the animating principle is no longer spiritual. It’s just physical.

NightoftheLivingDead

Not only do zombies proclaim resurrection, they are the ultimate proselytizers. Their zealous hunger leads them to bite and their biting infects and creates new zombies. Their brainless goal—as they are unthinking consumers—is to convert the entire human world to their point of view. Once the zombies take over completely, there will be nowhere left to go. The way of the undead flesh may be a dead end, but rationality doesn’t always play a role in zealotry. The zombie is all about making more zombies. They are unbelievable, and unbelieving, but they have the making of a mega-religion nonetheless.

As a student of religion, I wonder how belief systems get started. We hold irrational beliefs on any number of things, including our religions. The difference that zombies make is, in real life, nil. And yet we can’t help tuning into the Walking Dead, or watching World War Z. The zombie is the most recognized symbol of the proletariate among the workers of the world—the brainless, soulless drone in the machine. Mega-churches draw in thousands every week for a religion that doesn’t require much intellectual engagement. Keep doing what you’re doing. Think of others once in a while. God really does want you to be rich. And the minions go out and make disciples of all nations. It is a world full of zombies. We see them in our dreams and in our mirrors. And although we think they’re only entertainment, they are oh so much more.