Having read 25 books so far this year, and working for a publisher, I was chagrined to learn that I had overlooked that today is International Literacy Day. One of the greatest buoys that kept me afloat during my days of unemployment, reading is far more than a pastime. The books I read often become friends—some distant and occasional, others close and intimate. Our identities are—we are—shaped by what we read. Writing is the most important invention that humans have conjured, and we have it to thank that we have come as far as we have. Writing has changed forms from poorly executed scrapes of pictographs on clay to fine, syllabic cuneiform, to our alphabet better suited to paper, and now to electrons dancing about LCD screens. No matter how we encounter it, however, writing defines us. So after a long day of trying to get up to speed at Routledge, I needed to add a note of thanks to whoever invented writing. That forgotten genius truly invented modern humanity.
The Truth of Ghosts
Strange noises in the night. Objects moving of their own accord. Disembodied voices laughing fiendishly. It must be nearing autumn. After having a brief discussion on novel writing with Brent Monahan earlier this summer, I decided to read his book, The Bell Witch: An American Haunting. Setting the story in the “found manuscript” genre, Monahan tells this famous account through the eyes of Richard Powell, one-time elected official in the Tennessee House of Representatives. The can be no doubt that the story has some basis in actual events, but the serious study of “ghosts” is a taboo that serious scholars break at their own peril. On my long bus rides this week I read Monahan’s version of the story as the rain continued to fall. As I read I was continually reminded how dependent we’ve become on genre labels. The book purports to be an eyewitness account and there is no genre declaration on the back cover. The Library of Congress Cataloging in Publication (CIP) data declares it fiction. Where is truth to be found?
Human beings are capable of great and terrible acts. Working in a city the size of New York after having been raised in small towns, the amount of distrust is very blatant. Security is evident in many places with cleverly locked doors and guards surveying those who enter buildings. We simply can’t trust everyone. Or anyone. When it comes to literature, stories often blend fact and fiction. Guidelines on books or classifications in bookstores help us to decide if our reading material is conveying actual events or not. The Bell Witch is one of those reminders that sometimes the truth will never be known. Historical records can be searched, but even these are often subject to human error. If someone tells us a ghost story, we base the veracity on the teller’s reputation. At the end of the day, sometimes we just can’t know.
Perhaps the most poignant aspect of Monahan’s version of these events is his reconstruction of the history. Although the supernatural remains intact at the end, Powell is able to uncover the “fact” that Betsy Bell was abused as a child and that the poltergeist-style events that pervade the story are an extension of her trauma. Actually, the treatment is very closely tied to the religiosity of the Bell family, good church-going folk who ran afoul of a fine point of church teaching. In the end, it is this rejection by the church that pressures John Bell to the point of incest. Is the story true? Yes. Did it every really happen? Probably not. The two are very different questions. In a society that increasing seeks easy answers, stories like this remind us that we are all a blend of fiction and fact. Easy answers are inevitably wrong. The movie An American Haunting once again revived “the Bell witch” but also raised the specter of the ambiguity of truth. Is it out there? If it is, how will we know when we’ve found it?
Feeding the Multitudes (on a Budget)
Commuting to New York City by bus can be an epiphany. When an hour-and-a-half scheduled ride stretches into two-and-a-half (I spent three-quarters as much time commuting as I did actually at work yesterday) you have plenty of time to look at the scenery. In New Jersey this translates into several towns and cities of differing socio-economic viability. The bus is a great leveler of people: corporate, business types sitting next to those who can’t afford a car or bicycle. As we trundled through Plainfield yesterday I spied a restaurant called Two Fishes & Five Loaves taglined Soul Food for all occasions. The name, of course, is borrowed from the story of the miraculous multiplication of food from the Gospels. This story fits particularly well in this setting.
According to the Gospel writers—this is the only miracle to appear in all four of the Gospels—a crowd following Jesus in a lonely place grew hungry. Instead of sending the crowds away, Jesus took the five loaves of bread and two fish they had with them and fed the crowd of 5,000 with that little morsel. When I was a student it was customary to interpret this story as one of a human-dimension miracle. The crowd, seeing Jesus sharing the food he had, each offered to share with their neighbors. Once the idea caught on, those without food had enough and those who’d brought extra had the right amount. They even had leftovers. This naturalized version of the story illustrates the message of Jesus quite nicely, although those who prefer supernatural intervention naturally reject it.
Plainfield is a town with stunning wealth and abject poverty. This situation is not unique to this location; indeed, it is a hallmark of capitalism. Those who have do not willingly give it up for the sake of those less fortunate. The free market is not really free. Today most readers like to see the story of the feeding of the five thousand as divine intervention. That matches our bail out mentality. When our circumstances make us too selfish, God comes to the rescue with conjured seafood and crumpets—or Tea Partiers—and the rest of us look on hungrily. By the end of the day, enduring that long bus ride home, I too was hoping for a miracle. Instead, as we crawled by Two Fishes & Five Loaves, loaded with people of every status, I was living in a Gospel story.
Biblical Muppets
Back in the days when I was teaching intensive summer courses, I frequently used movie clips to help break up the three-to-four hour class sessions. I would find movies in which the Bible featured in what I’d call a minor supporting role—almost as a character—and would try to get the class to discuss it. One of the immediate observations is that such an exercise is starved for choice: the Bible appears frequently in films, both secular and religious. Sometimes its role is pivotal, at times incidental. Last night as my family prepared to return to work and school, we watched a movie to say goodbye to summer. The movie was Muppet Treasure Island.
Like most children of the 60’s I learned about Muppets from Sesame Street. By the time I was a teenager The Muppet Show had emerged on prime-time. Before long Muppets made their way onto the silver screen. Muppet Treasure Island was a movie I had missed until my daughter saw it in primary school. I have used it as an example in my summer classes for years. The story follows, as faithfully as Muppets can, Robert Louis Stevenson’s Treasure Island. Tim Curry—selected for Long John Silver because of his fame in the Rocky Horror Picture Show—makes a believable singing pirate. In this version of the story, when the pirates reach Captain Flint’s treasure it has been absconded by Benjamina Gunn (Miss Piggy). The pirates, now guilty of mutiny, give Long John the black spot. (For a generation raised and weaned on Pirates of the Caribbean, the black spot requires no explanation.) Long John, playing on the superstitious nature of the other pirates, sermonizes them because they used a page of the Bible to draw the black spot. Terrified of this sin, the pirates beg Long John for forgiveness.
This is a textbook example of the Bible acting as a magical book. Often in the movies it functions in that role; the Bible has the invisible authority to bring mortals to their knees. Pirates in need of paper might dismember any other book (I might suggest Going Rogue: An American Life), but the Bible is itself sacred. This particular role for the Bible reflects American sensibilities about the nature of religion particularly well. Without ever reading the Bible many people venerate it as if ink on paper is a little piece of God. There is a grain of truth in that, for literacy is a little piece of God and books do guide us. The problem is limiting that role to one single exemplar. Perhaps after all the Muppets shall guide us to a deeper truth.
Don’t Know Much
Pennsylvania does not come immediately to mind when “big states” are mentioned. When you have to drive the breadth of the state, however, you start to get a sense of the beast. Despite its abundant natural beauty, Interstate 80 manages to keep it to a minimum, so driving home yesterday we listened to the first disc of Kenneth C. Davis’s A Nation Rising in audio-book format. Mostly known for his Don’t Know Much About — books, Davis is a popular historian with a sense of what makes the past interesting. I can’t speak for the entire book yet, but the unabridged reading of A Nation Rising certainly was an educational experience for the first hour or so I’ve heard. The book focuses on the initial fifty years of the nineteenth century (1801-1850) in the United States. Of particular interest to me is the religious angle. In the introduction Davis states that it will become clear how the concept of America as a Christian nation is a myth. Other than my usual objection to “myth” being equated with falsity, this premise does look very interesting.
Stepping back before the nineteenth century, Davis spends several minutes (which I assume translates to several pages) describing the ancestry of Aaron Burr, one of America’s bad-boy politicians of the period. Burr was a grandson of the reformed minister Jonathan Edwards and this circumstance leads Davis to recount a bit about the Great Awakening. The first major religious revival on American soil, the Great Awakening spread throughout the States in the 1730s and ‘40s, setting the reputation of the young nation as a bastion of Reformed Christianity. Although many denominations became involved in the show, the origin and orientation of the Great Awakening was Calvinistic. Reacting against enforced Catholicism in much of Europe, many colonials flocked to America to practice their stripped down, Bible-based, generally intolerant religion in the New World. Particularly interesting in Davis’s rendition is George Whitefield. Viewing the preacher from hindsight that includes a distorted religious view of American history, Davis notes that Whitefield was as much performer as preacher.
Whitefield was an Anglican priest who helped set the mold for John Wesley’s success in bringing what would become the Methodist Church to America. “Whitefield pioneered the development of multiplatform marketing strategies,” using the media and staged events to draw attention to his evangelistic efforts, according to Davis. Whitefield knew that religion alone could not sway the masses. They had to be entertained. Davis notes that even the Tea Party has corollaries in early American history. What the mainstream has been slow—perhaps too slow—to realize is that entertainment works. In casting the die for American spirituality, preachers like Edwards and Whitefield knew the value of the gripping sermon vividly illustrated. The antics of many Tea Partiers reveal that they learned the lesson well. Showboating will garner more votes than substance any day. How else can we explain Ronald Reagan, Sonny Bono, Jesse Ventura, and Arnold Schwarzenegger? This is America’s truest legacy: entertaining with religious faith will take you where intellectual depth just can’t go.I will have to wait for another car trip to hear more of Davis’s interesting perspective on American history, but in the meantime I wonder how long it will take intelligent Americans to catch on. Don’t Know Much About History is a frighteningly prescient title for those who continue to ignore religion as a political force.
Secret Life of Language
I recently met with a friend to catch up on several years of silence. Increasingly I’m discovering the wisdom of those I’m privileged to know—perhaps it is the shedding of a purely academic way of learning. We all share in this very human voyage of discovery. This particular friend presented me with an idea that I just can’t dismiss: what if language is a living entity, existing in its own world but intersecting with ours? In a symbiotic relationship, we use words and they help us to survive and advance. This friend is a writer, and like all of us who attempt the art, knows the joys and frustrations of dealing with words that can elude but also fall subtly into place forming a poem or story of sublime beauty. We haven’t fully tamed language, but it defines us. Even my feeble attempt to replicate his fascinating idea is fraught with difficulty, for language won’t be relegated to the page, whether of paper or of electrons.
Language evolves along with us, helping us to express concepts that defy explanation. I recently read of the disappearance of three of our alphabetic letters in English. Alphabets, beginning with the earliest complete exemplar in Ugaritic, contain roughly thirty members that may be combined to replicate, in facsimile, the sounds we make. Different cultures use differing sounds; letters that represent those sounds require symbolic representation. Not all alphabets are created equally. One of English’s missing letters is “ampersand.” I always wondered why when I learned the alphabet the song ended with “W, X, Y and Z”—why the “and”? “Ampersand” was part of the alphabet in the early 1800s. Students sang “X, Y, Z, and per se and.” “And per se (‘by itself’) and” eventually ran together into “ampersand.” Over time it fell out of our rank of letters. As the runic Anglo-Saxon that gave us English was absorbed into Latin characters, the Teutonic “thorn,” or th sound, went extinct in our alphabet as well. As any student of German knows, “th” has distinct pronunciations in Germanic languages. It has its own letter of the alphabet in both Arabic and Greek. Since the Latin “y” resembled “thorn” the letter was replaced by ye olde “y.” The archaic letter “wynn” looks like a flattened “p” but was pronounced as “w.” As Latin superseded runic forms “wynn” was written as a doubled “u,” literally “double-u,” which, in Latin was scripted with a “v” shape. This gives us the anomalous W written with what looks like two “v”s.
The alphabet, second to writing itself, is perhaps the most important invention that humans have devised. The alphabet made writing much easier to learn and with writing ideas could be preserved for centuries and could be sent vast distances without changing. Writing allows us to stand on the shoulders of giants. As the school year is beginning again and kids everywhere feel the strain of losing the freedom of summer, I think back to the purpose of education—teaching our young to read, write, and calculate. Language has been guiding us all along. It may evolve, shed a letter or two, frequently grow by taking on entire new words, but it still cradles us as we struggle to find the perfect expression. We should take a little time to get to know our own language better, for without it we are merely biological entities.
A Sense of Place
Franklin, Pennsylvania. The place I was born seems to participate in what is sometimes labeled “sacred geography.” No one really knows why people imbue certain places with a sense of particular significance, but we all do. Whether it is world-famous tourist sites or our humble hometowns, there are places for us that possess an emotional resonance that other places lack. By the time I was an adult I was eager to get away from my hometown, to stretch myself and see if there was more to this world than these ancient green hills were willing to disclose. But still I return. When something brings my town into prominence, it somehow still impacts me. In the second season of the X-Files Mulder and Scully came to Franklin. Of course, the episode was not filmed here, just set here. But that was enough. My small hometown had been validated. It is part of my personal sacred geography.
I recently learned about WestPA Magazine. While it still has a way to go before becoming mainstream, it needles into that sense of belonging that refuses to let me go. Reading about the grandeur that once settled over this town feels like reading my own biography at times. Last night, for example, I learned that one of the first steps of female equality—a small step, but we all must begin to walk somewhere—took place here. One of the inheritors of the oil wealth that originally put this region on the map was Charles Joseph Sibley Miller. He hosted two presidents on his yacht, partnered with John Astor and William Vanderbilt on a business venture, and had his car personally delivered by Louis Cheverolet. Although largely overlooked by history, Miller purchased a hot air balloon in which he took his wife, Mary Prentice Miller, for a ride, making her the first known woman aeronaut in history. One small lift for a woman, one giant lift for womankind.
There seems to be no scientific basis for sacred geography. It is simply something that we sense. I left my home region, the birthplace of the oil industry, a site of some importance in the Revolutionary War, to pursue a more tenuous, if abstract career track. And still I come back and find myself amazed. I suspect our sense of sacred geography evolved along with our penchant for territorialism, our desire for private property, and our need to find sanctuary of some kind. I can stake no claims for the accomplishments of those who settled this region, but for me it will always be a touch-point for sacred geography. When I make my occasional returns, it feels as though I might still belong.
Glass Act
One of the main cultural Meccas of central New York state is the world-renowned Corning Museum of Glass. I recall visiting the museum three decades ago, as a child. Since then the museum has continued to expand and diversify its programs and displays. The Corning Museum of Glass is perhaps the greatest collection of art glass in the world. The history of glass is laid out chronologically, and along about the Middle Ages, religious glasswork comes into fashion. Some of the pieces were manufactured as intentionally religious artifacts. Others acquire a religious significance through less orthodox means.
Near the end of the display is a piece by Gianni Toso, done around 1981. Entitled “Chess Set,” the glass sculpture features Roman Catholic pieces facing off against Jewish rabbinic pieces. The sculpture is intended to be comic as the expressions and the postures of the figures clearly indicate. Each piece bears some symbol of their faith: thuribles, lulavs, crosiers and Torah scrolls face off against one another, each side wearing unmistakable looks of superiority on their faces. Countless hours obviously went into the fabrication of such an intricate piece, and as with most art, it contains a serious message.
The figures here may be Jewish and Christian, but they could really be any religious traditions. The concept of putting them into a chess match is an inspired commentary on the constant struggle for superiority among religious traditions. In a world of differing religious outlooks, and where such outlooks are taken with deadly seriousness, no one is willing to relinquish religious superiority. The aggressors are difficult to discern since, as in life, any true believer must be a kind of missionary.
The medium of an artwork also makes a statement about its subject. Glass is a difficult medium to manipulate. Since it often must be very hot, the artist is familiar with the burns that accompany such intense heat. Glass produces a superior shine as an artistic medium, but it is also very fragile. Like the conflict presented on this chessboard, the religions behind it bear the limitations of the medium: they shine at times, yet they can also cause severe burns. And above all, they are fragile.
Failing Geology
Some years back while driving out to the western United States, my family camped in Makoshika State Park in Montana. This particular park, apart from its wild, arid, and rocky scenery, also boasts many dinosaurs. You can sidle right up to the exposed, fossilized backbone of a hadrosaurus, and triceratops skulls can be found in situ. Preparing to hike one of the trails, we stopped at the ranger station for a map. As usual, interpretive displays explained what we were about to see. As we entered, an older couple spoke with the ranger. One of them said, “How can that be, since the earth is only 6,000 years old?” Special compensation is required to refuse the evidence that lies all around us. The Fundamentalist movement seldom takes into account that this distorted and bizarre worldview is almost uniquely American. Religion drives their scientific outlook, even as they are relying on the factuality of actual science to prolong their lives with medical advances or to allow them to read this blog (although the latter is not likely).
The same flood had to carve out the buttes of Makoshika and expose its Cretaceous fossils of 65 million years ago at the same time as eroding the first 6,000 years of Watkins Glen, leaving the remaining 6,000 to be worn away during our world’s lifespan so that we might declare the great works of God. It is a worldview that demands a constant center stage for a feeble explanation based on the worship of a misunderstood book. And yet they come to see the beauty. No matter how many persuasive words might be penned, the possibility of changing this outlook will elude us. Reinforced by television personalities and politicians, this utter breakdown of reason is one of our national characteristics. As a nation we suffered through eight years of “leadership” by a president who did not believe in science, and we are still paying off his tab. In another 6,000 years or so we may succeed. By then, however, I expect, if I’ve learned anything from the movies, we will have reversed roles with the great apes.
Bad Eggs
Over the past few months I’ve discovered Jasper Fforde. While my leisure reading tends toward heavier material, Fforde has an amazing sense of wit that makes his writing nearly irresistible. I recently read The Big Over Easy, a gritty detective novel about the case of Humpty Dumpty. Throughout the story nursery rhymes are presented in literal and improbable ways, juxtaposed with the daily life of a down-on-his-luck cop. The reason that I mention the book on this blog, however, has to do with the character of Prometheus (some mythological characters also make their way into the story). Having taught Classical Mythology over the past two years, I’ve had occasion to read quite a bit about Prometheus. He is one of the more intriguing mythological characters posited by the Greeks. The creator of humans, Prometheus has a soft spot for our development that angers the other gods, jealous as they are of their privileged places.
In The Big Over Easy, Prometheus is explaining to the protagonist and his family why he thought it was worth having his liver pecked out daily in order to give humanity fire. He then tells them that he also gave people the fear of death. When asked why, he declares that the fear of death makes mortals appreciate life. There are the negative side effects such as war, hate, and intolerance, but Prometheus maintains, “I’ve seen the alternative. Eternal slavery under the gods.” Greek creation myths leave no doubt on this point; people were created to serve the gods. If we challenge that decree that we simply inherited, we are guilty of hubris, stepping over that line that separates them from us. Gods appreciate no such challenges.
It is ironic that nations based on the ideal of freedom so readily bind themselves to the strictures of the divine. The latest aggressions in which our nation has involved itself purported to be in the cause of “liberty,” “freedom,” and “democracy.” These sentiments were uttered by politicians who believe such principles ought to be bound by archaic instructions handed down through a mythological lawgiver. Our freedom ought to be circumscribed by mythology. The irony is so thick here that it is difficult to believe anyone can take such rhetoric seriously. Perhaps Prometheus brought us fire in vain. Not to worry, however. Jasper Fforde is an author of fiction only, and the arbitrary storms of Zeus no longer strike us when the gods are angry. Unless, of course, you have forgotten Hurricane Irene. Old myths never die, and, like bad eggs, once encountered they are not easily forgotten.
Tea Party Science
I sometimes jog in the morning before the sun begins his course across the sky. Funny thing is, sometimes I beat him. I know the sun is a guy because the Bible says so. When I startle a bunny from its hiding place along my path, I am amazed that those little creatures chew the cud just like bovines. It is the word of God. Occasionally a suicidal insect tries to fly into my mouth, and unless they go about on all fours, with legs above their feet, I spit them back out. If they do meet Leviticus 11’s strict standards and I accidentally swallow, I try not to think of Deuteronomy 14.19. I am surprised that the Tea Partiers haven’t tried to correct science on this point: the Bible is clear that insects (technically “flying creeping things”) have four legs, not six. Open your eyes people! Six legs? All those sixes seem to be from the antichrist. That’s why I feel comfortable with the potential of handing our nation over to the Tea Party. Certainty is better than scientific orthodoxy, hands down.
“I don’t know how much God has to do to get the attention of the politicians. We’ve had an earthquake; we’ve had a hurricane. He said, ‘Are you going to start listening to me here?’” The words are those of Michele Bachmann. Those of us who were taught that hurricanes result from the heating of Atlantic waters, swirled by the rotation of the earth (it does not move, according to the only proven source of science, the Bible) have egg on our faces. Do I ever feel silly! Empirical evidence suggests that the earth’s crust consists of tectonic plates that sometimes bump and rub and pull apart. Earthquakes result. Last week’s earthquake creates a problem for me, however, since North America is not mentioned in the Bible. I now live in a country that can’t possibly exist. We had better elect leaders who know how all this really works.
According to a Religion News Service poll this year, 40 percent (that’s more than half, in Tea Party mathematics) of Americans believe natural disasters are signs from God. I am relieved that this clearly shows science to be wrong—surely that many individuals must be correct. That’s the way math works. I sometimes imagine the United States as the Titanic (movies are another good source of science). Ismay, the Tea Party, declares, “But this ship can’t sink!” Thomas Andrews, the engineer (representing science) replies, “She’s made of iron, sir! I assure you, she can… and she will. It is a mathematical certainty.” Ismay, believing the rich are too wealthy to die tragically, refutes the findings of science. When the colossal ship slips into the icy Atlantic, however, he’s nowhere on board. Like the rest of his party, he’s already secured himself one of the rare seats on the lifeboats inadequate to save those of us in steerage. Since the ship can’t sink anyway, why are we even worried about this?
Religious Democracy, Media Style
A delightfully witty book review appeared in yesterday’s newspaper introducing Penn Jillette’s book God, No! Signs You May Already Be an Atheist and Other Magical Tales. Having just learned of the book I’ve not yet read it, but I am intrigued. Penn Jillette is best known as the talking portion of the magic-debunking duo Penn and Teller. Having forged a career of exposing false claims to the supernatural mystique of stage magic, Penn and Teller delight in bucking the orthodoxy of the guild and showing that anyone clever enough can fool many people into believing what they know can’t be true. They are exploiting, of course, a phenomenon that neuroscientists have been exploring for a number of years: human brains retain belief even in the face of disproving evidence. Many religious believers call it “faith.” According to Hank Gallo, author of the review, Jillette uses his book to endorse atheism as the only real option for a thinking person. The book is generally categorized as humor.
Although Bill Maher’s Religulous makes many good points from a similar perspective, one of the haunting realities poised for religious specialists is almost a chiaroscuro with excessive contrast. It takes no special training to be a religious specialist. That is hard news to hear for those of us who’ve spent over a decade of our lives and thousands of dollars learning the trade. Comedians and others who are famous will impact far more people than this little blog ever will. Rick Perry can call together thousands to pray to pave his way to the White House. Maher and Jillette can poke fun at religious yokels and scholars will sit at their desks ignoring the crude efforts of those who have no training. There is no doubt, however, as to which will reach a wider audience.
Harry Houdini famously debunked spiritualists in his day. Like Penn and Teller, he was a stage magician who recognized that people could be easily fooled. He was able to expose mediums that scientists and academics of his day failed to uncover. It seems that those with access to the most basic of human desires—the will to believe—gain credibility more readily than an erudite yet obtuse specialist with several odd initials after his or her name and several obscure books to his or her credit. Those in the media have direct access to the mind of the public. If the tent is big enough the whole town will show up for the circus. The truth may be out there, but the minds of the public are won over by those who entertain, not those who bury themselves in dusty tomes and seldom see the light of day. The fact is people want to believe. Until a better alternative is offered, we might prepare ourselves for a long round of Texas Hold’em and a Tea Party or two.
Tomorrow Ever After
Last night as we said goodnight to Irene, my family decided to watch The Day After Tomorrow. Beyond The Perfect Storm and Twister we didn’t have any other weather-related disaster movies on hand. I became convinced long ago that weather was somehow key in the conception of divinity. Working at a seminary that required attendance at chapel twice daily where we would lugubriously and laboriously recite every verse of every Psalm according to the unforgiving schedule of the Book of Common Prayer, I began to notice the weather. Among the more common images used in the “hymnal of the second temple,” weather was seen as an essential aspect of divinity. Religions with celestial orientations frequently view the sky with a sacred aura. I began to compile all the Psalm references to the weather and eventually brought them together into a book, still unpublished. What became clear at the end of this exercise was that ancient people had no way to interpret the weather other than as a divine phenomenon. Listening to all the hype about Irene, it still seems to be the case.
In The Day After Tomorrow, our ill-fated teenagers are trapped in the New York Public Library as a super-chilled tropospheric wind freezes New York City. They build a fire and when you’re in a library, naturally, you burn books. I kept looking at all the furniture they spared as they consigned the books to the flame. A minor character called Jeremy is shown clutching a Bible. A girl named Elsa asks if he thinks God will save him. Replying that he is an atheist, Jeremy says that this is a Gutenberg Bible, “This Bible is the first book ever printed. It represents the dawn of the Age of Reason. As far as I’m concerned, the written word is mankind’s greatest achievement. You can laugh, but if Western Civilization is finished I’m gonna save at least one little piece of it.” This little dialogue represents the full circle of the celestial god. Jeremy doesn’t believe in this god, and the Bible requires human protection. Instead of being the instrument of war and political badgering and tea parties, it is seen as a symbol of enlightenment. It represents the first steps toward reason.
As Hurricane Irene still gusts outside my window, dropping rain as if New Jersey were a desert receiving its first drink in a century, the Tea Party is busy crafting ways of getting the Bible back in the White House. Their Bible is the antithesis to the Age of Reason. It is the symbol of superstition and prejudice and authoritarianism. It is the means of political power. The god of the Tea Party is a white-bearded man living in the sky, sending his fury against the liberal cities of the East Coast in a mighty wind. He is the punishing god of the Psalms. As the helicopter lifts off over a frozen Manhattan, the teenagers saved by a flawed father who walked from Philadelphia to New York to find his son, the camera pans across Jeremy as he hugs the Bible to his chest. I was in Boston for Hurricane Gloria back in 1985. Watching the waves crash on the beach at Winthrop I felt the power of fierce nature at the beginning of my own journey to, I hope, enlightenment. When it was over, however, there was not yet a Tea Party threatening an even worse, unnatural disaster to follow.
Calm Before the Storm
All the build-up for Hurricane Irene masks a deep-seated fear of the uncontrolled. If the storm devastates anyone, there will be Biblicists who say, like Job’s friends, that they must have sinned. Such pronouncements accompany nearly every natural disaster, as if God is huddled over the globe attempting to concoct more horrid and sinister ways to punish sinners. Natural disasters, however, have a way of effecting good and bad alike, just as the benevolent sunrise and the soft kiss of the rain (both according to someone mentioned in the Bible as being the son of someone important). But when danger looks down its barrel at human communities, they don’t neatly divide into sheep and goats. All people are a mix of virtuous and vice-ridden in varying ratios, and only the God of the Marquis de Sade would slam the iron maiden shut on all alike. The East Coast saw this earlier in the week when a benign earthquake shook our world. Barely had the ground stopped trembling before we were informed it was divine punishment. For what, no one could really say.
Interpreting nature according to the Bible is so misguided that it is difficult to know where to begin the critique. Yes, some biblical writers with a flare for the dramatic will claim that Yahweh was behind some disaster. Of course, they had no concept of science, in this case, meteorology, upon which to draw. Nature acts in unexpected ways because God has his fingers in the bowl. Even the early church gave up on that way of interpreting things as soon as natural processes could substitute for God. When religion because politicized, however, we started to see a backlash of backward thinking. It is a simple enough deception to utilize. People fear natural disasters, and the politically savvy know that few have any theological training. You can very easily encourage panicked masses to follow you if you claim to have read the Bible. From years of teaching it, I can certainly affirm that many clergy have not read the whole thing. Yet we use it as the barometer of divine wrath.
I, for one, am not worried about Hurricane Irene. As New Jersey has zigzagged in and out of the predicted track of the storm, it seems as though God may be wavering. If it misses the politically astute will say it is Chris Christies’ righteous policies of helping the wealthy at the expense of the poor. If it hits they will claim it is the sinfulness of the liberal camp that led the winds this way. It is all wind. Having written a book-length manuscript on weather in the Psalms, I know a fair bit about biblical perceptions of weather in the world of ancient Israel. Although over-zealous translators ill-informed about meteorology used to translate a word or two as “hurricane” the fact is that biblical Hebrew has no such word. Due to the rotational direction of the planet (about which they also did not know) hurricanes never hit Israel. Herein lies the basis of my confidence in the face of Irene. If the Bible doesn’t mention hurricanes, they can’t possibly exist. Literalists up and down the coast should heave a sigh of relief. But just in case, I have stockpiled several gallons of water, right next to my Bible.
Girl Meets God…
Once in a very great while I find a book that I simply can’t put down. It is a rare windfall when that book feels like it was written especially for me. I was instantly engrossed in Sarah Sentilles’ Breaking Up With God. Like Susan Campbell’s Dating Jesus, this book reinforced the fact that women experience a side of God’s character generally closed to men—the idea that God might be a lover. In our distorted, still patriarchal culture we have yet to grow beyond the idea that God is male. This simple, persistent teaching ensures that a gender-divide will always remain in effect when it comes to monotheistic religions. What truly spoke to me from Sentilles’ book, however, was not the theology, but the heart. Although the gender view from which I approach concepts of divinity must necessarily be different, here I found someone with a journey in many ways similar to mine. The honesty with which the author lays open her experience is beautiful and terrifying.
One of the recurring questions on this blog is whence the concept of God arose. Anthropologists, psychologists, and theologians come up with varying answers but the fact is the real impact is felt in very human minds. We have, perhaps unwittingly, devised a punishing image of the creator of the universe. A God who causes, allows, or at least condones arbitrary human suffering. A God who permits atrocities daily to be committed in his name (for this is a masculine god). A God who has left a burning ruin in his wake. Those of us who’ve attended seminary, as Sentilles makes vividly clear, are taught perceptions of the divine that can never be translated into the pulpit. Those of us who go on to graduate school are permitted a rare glimpse behind the veil to see something that it frightens us to contemplate, let alone write or speak about. It is a burden best worn like a hairshirt—beneath other clothes so that people don’t know it’s there. Many of us are then cast into the career outer darkness with nothing but our highly educated, disturbing thoughts for comfort.
Sarah Sentilles has given the world a gift with her revealing, sensible, and very human story. Having grown up with the image of God as a father, it was a shock when a seminary professor once revealed to me that God could never really fill that role. Nor, he added, could the church. While it cannot be the same as breaking up with God, the realization that what you were taught as a child was merely a metaphor forces a grand reevaluation of perceptions. My professor was, of course, correct. Carrying around a faulty image of God will lead only to intractable complications further down the road. Although Sentilles started down the path some years later than I did, it seems we have wound up in the same neighborhood. Her book deserves to be read widely, thought over carefully, and pondered for a time. We need to consider: what hath man wrought?

















