Scary Holidays

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One of the real wonder of books is that they can spawn ideas outside their specific topics.  While revised dissertations can be somewhat difficult to read, Derek Johnston’s Haunted Seasons: Television Ghost Stories for Christmas and Horror for Halloween contains quite a few such moments of birthing ideas.  While being largely British-focused, it nevertheless explores holiday horror, a phenomenon that I’ve been researching for some time.  Not really a television watcher (not any more—as a child things were quite different), I don’t really keep up with many programs.  Still, I learned a lot from this book.  One of the main questions it addresses is something I’ve long wondered about—why is there a connection between Christmas and ghost stories in England?

Johnston points out that Celtic areas tended to have Halloween or its precursors to supply an occasion for otherworldly thinking.  The English, not wanting to think of themselves as these outer-lying cultures (I’m simplifying and abstracting a bit here), developed their own tradition of the Christmas ghost story.  It pre-dates Dickens and probably goes far enough back in history that there’s no way to trace it.  Telling ghost stories around the shortest day of the year makes its own sense.  Dickens’ A Christmas Carol was perhaps the most famous example, but M. R. James’ habit of telling ghost stories (later published) to students and fellow enthusiasts on Christmas Eve also plays into it.  In Britain this led to a series of BBC Ghost Story for Christmas shows.  Meanwhile, in America, where there was quite a lot of Celtic immigration, a taste for Halloween grew.

There are so many ideas that swirl around holidays.  I’ve been exploring the topic for nearly two decades now.  Publishers, always with their eyes on the bottom line, don’t produce much like this, figuring people will only buy it one season a year, and for books that means usually the first year only.  Some people (yours truly, for one) will buy books about holidays out of season.  So much of life is preparing for special times.  I suspect that ancient people also fell into humdrum daily existences also.  Humans require stimulation, we like variety and novelty.  Holidays are a great solution—they don’t occur every day.  If they did they wouldn’t be special.  They bring something different into our workaday world and, in modern times especially, we brand them so that each one is at least slightly different.  I don’t mind seeing the seasonal displays so early in the stores—it reminds me that haunted seasons are just around the corner.

Ghosts and Puritans

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One of the victims of capitalism is the tradition of telling ghost stories at Christmas time.  We tend to relegate such downers to Halloween.  Christmas is a cozy time of getting new things, right?  Who wants to think of ghosts?  I recently read Charles Dickens’ A Christmas Carol.  An article in the Smithsonian  a few years back makes the point that Dickens was cashing in on a venerable tradition.  Instead of sending children to bed expecting Santa Claus, it used to be the custom to tell ghost stories on Christmas Eve.  That makes sense in context.  Christmas was established near the date of the Roman festival Saturnalia and the germanic Yule.  These festivities celebrated the passing of the equinox and the slow, but steady increase in light.  A liminal period.  It seems a natural time to tell ghost tales, no?

Image credit: Arthur Rackham, public domain via Wikimedia Commons

The article by Colin Dickey (who has a history of writing about ghosts), calls for bringing back the tradition.  Do we want our cozy capitalism interrupted by revenants?  Why not?  For me the Christmas season is largely about time off of work.  I spend the time working on fiction writing that I tend to put off when I have a book under contract.  Most of those stories I write are some species of horror, often ghosts.  The real haunting factor is I don’t have time during the rest of the year to do the amount of writing that recharges my batteries.  Work seems to take more and more time and the Scrooge-like results are, I think, pretty obvious.  It’s time to bring back the Christmas ghosts.

Dickey points out that one reason Christmas ghost stories never caught on in America was that Puritans had little taste for them.  The more I look at society the more amazed I am at how Puritan we still are, but without their religious ideals (apart from various prohibitions of human behavior).  The fact that this article appeared in the respectable Smithsonian makes me feel a little more accepted for my disposition.  I know there are many horror fans out there.  Poll after poll indicates that people like horror, but, it seems, most don’t like to admit it.  At least among those I know in the neighborhood.  There are a slew of Christmas monsters.  For those who keep track of holiday horror as a sub-genre the most common holiday represented is Christmas.  In fact, I just had a Christmas horror story published (under a pseudonym, of course).  Maybe ghosts will be able to frighten off the specter of capitalism and bring us back the holiday spirit.

Christmas Classic

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While it’s a story I know well, I’d never read the book.  I suppose I tend to think of Christmas when it’s already hard upon me, or perhaps I’m just making excuses.  After all these decades I’ve finally read Charles Dickens’ A Christmas Carol.  The story is so well known there’s no point in laying out the action here.  A filmic version of this has been part of our family tradition for many years now and sometimes it’s difficult not to think the cinematic version has somehow got it right while the book might’ve somehow missed something.  I’m generally disposed to read the book before watching the movie, but I believe I saw this as a young person and we had no Dickens in the house.  Besides, who could miss the endless parodies?

It’s a ghost story, yes, but it’s primarily about redemption.  It’s difficult for me to watch (or read) without getting a bit misty about the eyes.  Our world, especially during the Trump years, seemed a hard and heartless place.  Winter all the time while somehow being Hell also.  It will take many years—perhaps I won’t live to see it—before people unlearn the bad habits they saw being modeled each and every day of those four long, long years.  Every year as I watched the movie I thought, “I wonder if 45 has ever seen this?”  Always the answer came back in a resounding “Humbug.”  A miser who cares only for himself doesn’t change as easily as Scrooge.  So the world had to suffer, and so it will suffer yet a good long time.

The thing about redemption is that it can’t be privatized.  It’s on free offer to anyone who desires it.  While A Christmas Carol may not be Dickens’ best work, it nevertheless bears a message well worth the repetition.  Perhaps there aren’t ghosts enough in the world.  We need to learn to listen.  Were it not for the haunting Scrooge never would have changed.  The sad part is that there are people actually of his ilk.  I hold out hope for redemption to all of them.  I’ve known too many people who seem to care only for themselves.  I need to remind myself that they may not have the reinforcement of this tale every year.  The world could perhaps be better if that were the case.  Dickens clearly had fun as a writer.  Sometimes it seems to get in the way.  But if it makes one’s heart light in December, what can the harm be in that?

Ghost Stories

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Those of us who confess to watching horror are fond of noting that the Christmas season has long been associated with ghost stories.  Charles Dickens wasn’t the first to make use of the trope and certainly won’t be the last.  After reading about elevated horror movies, I decided to watch A Ghost Story (David Lowery, 2017).  Many wouldn’t classify the film as horror at all.  It is quiet, slow paced, and has no gore.  It is nevertheless a haunting film.  I suspect its poignancy comes from a situation we can all imagine and which many people face in life—being left alone after the death of a loved one.  The idea that the dead never really leave us can be both comforting and unnerving at the same time.  The film plays to those strengths.

The premise of the film is simple: the ghost of one of a couple finds his way home and tries to reconnect with his widow.  He ends up staying there until, many owners later, the house is demolished and a high-rise is built in its place.  It’s essentially a story from the point-of-view of the ghost.  There isn’t too much dialogue included, but one significant monologue comes when a party is being held.  One of the party goers, or perhaps the current owner of the house, explains that because of what we know of physics everything on our planet will eventually be destroyed.  His beer-fueled lament is that whatever we do is therefore in vain.  He brings God into the discussion.  The ghost listens intently, but seems to disagree with his conclusions.  For someone like me the introduction of religion into the story is a Venus fly-trap, since religion and horror can’t seem to keep away from each other.

Death is a dilemma, a point that I made in a recent Horror Homeroom article on Pet Sematary.  Horror, like religion demands that we confront it.  Science can only offer cold comfort regarding the cessation of life.  Religion (and horror) open the dialog into the unknown, the realm into which mere human instruments cannot reach.  Sad and reflective, A Ghost Story hits on an essential question in the nexus of religion and science.  If a spiritual world exists, there may be some survival even of the earth’s eventual heat death.  As time passes, the titular ghost continues to learn.  Life is a learning experience, and although many modern forms of religion join in the cultural denial of death, horror is always ready to remind us that confronting it may be the wisest course of action.  Ask the ghost.  He knows.

Puzzling Traditions

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Like most families, we have tried over the years to develop our own holiday traditions.  These, like all things, evolve.  When I was a professor the semester break meant, after a flurry of grading, a month of a more relaxed schedule.  We would travel to family outside of Wisconsin every year, and worked on what a “usual” holiday might look like for our small family in the remaining time at home.  Now that I work for a company, and my wife works for a company, the holiday break is severely curtailed, but it has allowed us the opportunity to invent our own traditions.  One of them is to put together a quality jigsaw puzzle on Christmas Day.  (Two of these puzzles were destroyed in the flood that ruined so many books, and will need to be replaced eventually.)

I’m aware how nerdy puzzle-solving might sound.  I’m not spending the day out riding an ATV through the woods, discharging a firearm, or watching sports on television.  Piecing together a puzzle is a quieter pursuit, and the puzzles we have are of quality artworks, and completing one makes it feel like all is right with the world for a little while.  As with most things on this blog, it also serves as a metaphor.  Yesterday as we watched the movie The Man Who Invested Christmas (which portrays very well the life of those who try to write; the exception being that Dickens had little trouble finding publishers and the benefit of early success), it occurred to me that as we put together the puzzle of our lives, we do so with the box top missing.  We don’t know what the picture is.  Slowly some sections start to come together, but overall, we don’t know what we’re doing.

Long ago I learned the folly of planning out a life.  Moving forward is good, yes, and making plans wise.  You cannot, however, know the way those plans might fit elsewhere in this decades-long unfinished puzzle.  There’a a fairly large section of mine called Nashotah House.  I would never have planned that intentionally, and thinking back, it was being there that renewed my interest in horror.  I thought I’d be at a university where I might continue my research into ancient deities and how the world of biblical Israel developed its own conception of that world.  That’s what I thought the cover of the box would look like.  Instead I’ve found myself editing the books that others write and using the scant time left over to write my own, on a topic far different than that in which I earned an advanced degree.  As the last piece slips into the puzzle, I feel a sense of accomplishment.  I may not have done much, but I’ve used the limited time off to step back and try to take, however briefly, the larger view.

Solstice Musings

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Should my posts of late be castigated as against the Christmas spirit I would rely on Andy Williams’ song, “The Most Wonderful Time of the Year” in my defense.  “There’ll be scary ghost stories,” the crooner sings amid images of cheer and celebration.  What may not be appreciated by my less sober celebrants is that the long nights of winter have as close an association with ghosts as they do with the numerous religious holidays that fervently pray for the return of the light at this time of year.  In merry old England, which along with Germany developed the modern concept of Christmas, the holiday was observed with evening ghost stories as is well represented by Charles Dickens’ A Christmas Carol (likely the source behind Williams’ lyric reference).

So I read about ghosts when the light begins to fail.  Or at least that’s my excuse.  When Ghost Hunters took to the air in 2004 the world became aware that electronic devices can pick up anomalies and other ghost-hunting groups began to appear.  Alan Brown, apparently curious about this development, wrote Ghost Hunters of New England as a field guide of sorts to paranormal investigators.  The book divides the region by states and includes the answers to survey questions asked to each of them.  The result isn’t especially inspirational, however, as these groups share in common the obvious absence of scientists.  It may be that professional scientists fear the career impact of such associations, but as is the case in many academic disciplines, their lack of participation simply erodes the credibility of science in the eyes of many.

Human investigation of the world has reached a point where many academic specialists can no longer communicate effectively with the average person.  I work in academic publishing and it is clear that many specialists simply do not recollect the level at which those without advanced training read.  We therefore see the rise of hoi polloi as self-appointed experts.  If scientists won’t investigate ghosts, plumbers will.  And since, no matter what science declares, many people experience ghosts, they will listen to those who at least seek answers.  The problem with books like Brown’s, of course, is that if a fad fades the groups disappear leaving the information outdated.  A couple of the groups were interesting enough to send me to the websites listed only to find the domain name for sale and the ghost hunting shingle removed from the door.  Still, the book had some useful information for those willing to consider the possibilities.  After all, the nights can be awfully long in December.  And there’ll be scary ghost stories…

Remembering Catherine

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Literature has been on my mind lately. Although I’ve not read all of Charles Dickens’ oeuvre, he’s been in my consciousness what with the new movie and somewhat older book, The Man Who Invented Christmas. Those who analyze literature sometimes claim Dickens invented the modern novel. In my unprofessional opinion, however, the roots go back a bit further than Boz. Still, it’s an enviable position to hold, even if it’s just in the minds of admirers. Dickens came back to me yesterday in one of those apparently random emails from WikiTree. WikiTree is a genealogy website to which I’ve contributed from time to time. I have no famous ancestors, so WikiTree sometimes helps me borrow them. Turns out I’m 28-degrees separated from Charles Dickens.

Perhaps their algorithms are getting better, or perhaps one of their robots is reading my blog (goodness knows few actual people do!) but the connections are getting closer. I posted earlier that I’m 37-degrees separated from Bob Dylan and 43-degrees from J. R. R. Tolkien. I’m closer to Dickens than to either of these famous individuals. This is the beguiling aspect of genealogy—it shows how unexpected connections can be part of our unknown background. The maze back to Dickens is through my grandmother on the Tauberschmidt line. This is the one of the four grandparental lines for which I have the least information. Nobody in my family even knows my great-grandmother’s name. She died young and, as with women in that era, was known in census records only by her husband’s surname. I may never learn who she was.

Although the reason for women changing surnames makes sense in its historical context, it is one of the great injustices of both gender equality and history. Signs are indicating that society is finally waking up on this point: women are half of the human story. As a dabbler in fiction writing, knowing that half the story is untold is a troubling phenomenon. Reading about Dickens I learned that he left the wife of his youth for a younger woman. Although such things are common, my reaction was to wonder who Catherine Thomson Hogarth might’ve become, had women had the opportunities they’re starting to have today. She was, after all, from Edinburgh. She has biographies, but not nearly as many as her feted husband. And if my math’s correct, I’m only 29-degrees separated from her. And this may well be the more important connection; the story untold.

Inventing Breaks

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Breaks are good for many things. Time with family and friends. Hours of non-bus time for reading. Watching movies. So it was that we went to see The Man Who Invented Christmas. It really is a bit early for my taste, to think about Christmas, but the movie was quite welcome. Being a writer—I wouldn’t dare to call myself an author—one of my favorite things to do is talk about writing. Watching a movie about it, I learned, works well also. The conceit of the characters following Dickens around, and refusing to do what he wants them to should be familiar to anyone who’s tried their hand at fiction. My experience of writing is often that of being a receiver of signals. It is a transcendent exercise.

Not only that, but in this era of government hatred of all things creative and intellectual, it is wonderful to see a film about writing and books. The reminder about the importance of literacy and thought is one we constantly have to push. If we let it slip, as we’ve discovered, it may well take considerable time to recover. Getting lost in my fiction is one of my favorite avocations. Solutions to intractable problems come at most improbable times. Although publishers tend to disagree with me, I find the stories compelling. In the end, I suppose, that’s what really matters.

On an unrelated note, this is the second movie I’ve seen recently that attributes non-human actors their real names in the cast listing. What a welcome break from the blatant speciesism that pervades life! Animals have personalities and identities. Humans have often considered the privilege of being named to be theirs alone. True, animals can’t read and wouldn’t comprehend a human art form such as cinema. But when they communicate with each other, they may well have names for us. The beauty of a story such as A Christmas Carol is that it reminds of the importance of generosity. We should be generous to those who take advantage of our kindness. Our time. Our energy. We should also be generous to those who aren’t human but are nevertheless important parts of our lives. The movie may have come too early for my liking, but the holiday spirit should never be out of season. If we’ve made a world that only appreciates kindness because much of the rest of the year is misery, it means we’ve gone too far. Films can be learning experiences too, no matter the time of year.

The Morning After

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Quite apart from seeing a live performance of A Christmas Carol, Charles Dickens has been on my mind a bit this Christmas season. I suppose that’s not surprising since it has been suggested that Dickens “invented” the modern Christmas, but it is really, I think, because of how the wider world seems to be spinning backwards. The poor have always been a personal concern of mine. I grew up poor and I know how much suffering it entails. My case was a rather mild poverty—we were never out on the street, and we didn’t actually go hungry. We had nothing in the way of luxuries, though, and I could see the possibilities even as I could see the sky where the boards on the roof were pulling apart. It wouldn’t have taken much for us to have been cast out in a cold Pennsylvania winter. Others have it much worse.

On my daily walks to work, I see the homeless. Some sleep in cardboard boxes, some in tents. Others are out under the stars. One morning I walked by a particularly creepy and sad sight of a person sitting, shrouded in a blanket over his or her head, on a subway vent to catch some of the ambient heat. I know that I don’t have the means to buy each one a meal. Their number has been going up, not down. And I think of Bob Cratchit, threatened and bullied by Ebenezer Scrooge. He will lose his job if he’s not in early today, the day after Christmas. Because of his change of heart, Scrooge buys his clerk a pot of “smoking bishop.” And herein lies the only possible cheer.

My wife got me started on Dickens. She also sent me a story from NPR on smoking bishop. It seems, according to the story by Anne Bramley, that British Protestants delighted in making fun of church offices by naming their tipples after titles. Churchmen (and they were men) were largely exempt from being poor and, according to historians, often supported the Poor Laws that made the fate of the poverty-stricken even worse. In a kind of perverse revenge against privilege, drinks were named after various ecclesiastical offices. There’s little that the poor can do, except to try to find the scant humor in a situation where no one has the reach of a Charles Dickens anymore. Ebenezer, unlike Bob, is a biblical name. It means “stone of help.” In these chilly days dare we hope that help may come, even from a stone?

Capital Carol

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The idea of exchanging presents on a holiday emerges from the impenetrable veil of time. We don’t know when the practice began—the idea of copying the Zoroastrian wise men in Matthew is a bit of a stretch and the date of Christmas wasn’t settled until much later in time. However and whenever it started, giving gifts at this time of year has become one of the defining features of late capitalism—it’s almost as if Jesus of Nazareth was born for this. An economy that measures self-worth in terms of money is just the place to have God-incarnate celebrated by giving lavish gifts. Those of us who make no money off the holidays can’t deny that it feels good to give someone something. People like, in general, to make each other happy.

This year my wife asked for a non-material gift. We made our way to the McCarter Theater in Princeton to see their acclaimed performance of Charles Dickens’ A Christmas Carol. A gift of a memorable family time and a truly spectacular play. Seeing this story in 2016 felt especially important. Dickens was a famous advocate for the poor and was well aware of how they suffered at the hands of the wealthy. Indeed, those with too much money lose their humanity almost completely. The story is focused around Christmas, but the message is needed for every day, especially in over-long years such as this. Capitalism is a form of social evil. Anything that lowers humans to mere ciphers on a page is the very definition of sin.

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We all know how the story goes, but to see accomplished actors undergoing conversion is nevertheless a strangely hopeful experience. As the story makes abundantly clear, it requires so very little to make others happy. The point of having money, after all, is to use it for the good of others. Seeing one man facing his own mortality only to realize that he has isolated himself from the care of others is a powerful experience. As we move forward into the long and dark days ahead, there is a reminder here that we need to keep close to our hearts. There may be fewer presents under the tree this year, but we are all the richer for it. This is the kind of gift that we need to share with the entire world.

Are There Not Workhouses?

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dickensworkhouseAs colder days settle in I add layers and sit in our under-heated apartment and think about the lot of the poor. I don’t think billionaires really understand the plight of those who, no matter how hard they work, just can’t get ahead in a society that values class above individual welfare. I’ve noticed the increasing number of homeless on New York City streets. Many are clearly those who’ve lost jobs and can’t afford to pay the rent of even a modest apartment in the city, let alone Trump Towers. Having lost jobs myself after a lifetime of hard work, my sympathies are with the street dwellers. Ruth Richardson’s Dickens and the Workhouse: Oliver Twist and the London Poor reminded me that this is not just an American phenomenon. The book begins as kind of a detective story to locate the workhouse that Dickens features, if fictionalized, in Oliver Twist. Richardson makes a strong case that this workhouse has been found and that relics of Dickens’ under-acknowledged London residence just a few doors down from it influenced much of his first-hand knowledge of the life of the poor.

In the case of London, poor laws were put in effect to punish those who couldn’t fend for themselves. Inmates at poor houses were kept on a legally mandated starvation diet (literally) with inadequate medical care. Instead of censuring this injustice, the Church of England stood behind it. The perverted thinking was that if anyone knew how bad it was in such places they would try doubly hard not to be poor. The funny thing about living in poverty (I have some experience of this) is that it isn’t a choice. I didn’t particularly get along with my step-father. I can say, however, that he was one of the hardest working men I ever knew. Long hours spent at work, sometimes the whole night through, to support a family of six on just above minimum wage. This was his daily existence. I must’ve looked soft in his eyes.

Richardson’s book, although fascinating, is also distressing. The idea that a society thinks the most humane way to deal with those who are struggling is to punish them further, for me, defines evil. One of the characteristics of our species, according to biologists, is that humans often show extraordinary care for other creatures, often of other species. For our own, however, we feel that if you’ve “earned” something by exploiting others it is your “right” to keep it and let them suffer. This economic system is rotten to the core. We may have come a long way since Dickens’ time. We don’t have such exploitative workhouses in Manhattan. Instead, we have so many people sleeping in the streets that a walk to work has become very Dickensian indeed. Somehow I don’t see the situation improving in the next four years.

Feasting

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In addition to music, Christmas has also been associated with seasonal foods. Unlike today, when we think of foods primarily in terms of either fast food or culinary sophistication, Christmas dishes of yesteryear often had religious symbolism. While singing an English carol, for instance, you might hear of figgy pudding. I tried my first when living in the United Kingdom and it was nothing like the images its name conjures. It is more like a dense cake made of raisins and dried fruit, set aflame to burn off the brandy. Sometimes it is topped with holly. According to an interview on NPR, the Christmas dessert, in addition to taking weeks to make, contains thirteen ingredients, to symbolize Christ and the apostles. The holly is to represent the crown of thorns, and the flames the passion. That’s a lot of theology to stomach. (In seminary I had friends who used food analogies for theological purposes, but I suspect they didn’t know it was such an ancient tradition.)

Christmas cheer, I would’ve been shocked to learn as a child, generally involved spirits. For example in A Christmas Carol, Charles Dickens reverses his entrepreneurial relationship with Bob Crachit over a bowl of smoking bishop. I had always supposed this was a kind of soup or stew, but, again NPR comes to the rescue with a piece about Christmas drinks. Smoking bishop was made of port, and, according to the NPR story by Anne Bramley, is of the class of Protestant drinks called “ecclesiastics.” These were various alcoholic drinks named after Catholic church offices that Protestants used to poke fun at the ecclesiastical hierarchy of the Catholic tradition.

Christmas

A Christmas Tree primer

It is difficult to conceive of anything more basic than food and drink. All living things require nourishment. It stands to reason that when religious sensibilities began to appear that they would certainly be associated with the necessities of life. Holidays, as necessary breaks from the mundane, offer opportunities for bringing theology to the table. The most basic of ingredients, as any observer of biblical holidays knows, can contain more than just nutrients and roughage. There is a symbolism in what we eat. In these days when it is fashionable to declare religion nothing but stuff and nonsense, it can’t hurt to stop and look at what might be on our plate or in our cup before declaring it to be mere animal nourishment.

Bucking Star

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Entitlement comes in many forms. Culturally we’ve been sensitized to substituting “holidays” for “Christmas,” although the reason we spend money at this time of year is well known. Although technically not a Christian nation, the United States has a large number of Christian believers and always has. Charles Dickens certainly participated in the invention of Christmas, but the commercial aspect is very much an American thing. So much so that we can’t wait to get Thanksgiving out of the way to dip our fingers into Black Friday, a holiday in its own right. Starbucks has, for many years, shifted to a banal, neutral winter-themed cup design, to get customers into the spirit of spending. Who really needs to pay five dollars for a cup of joe? Wrap it like a present and the cash flows more freely. So the tempest in a coffee pot over the “war on Christmas” by choosing a simple red (and by default green) cup design became front-page headline news recently. Had we dissed the Almighty or the babe in a manger by going red?

Religious groups feel increasingly threatened. Not everyone thinks globalism is a good thing. We try to educate our children, but many religious groups insist on home schooling to avoid the contamination of an open mind. Any act, no matter how trite or banal, may be perceived as an attack. Nobody seems to think that stopping in to pay so much for a cup of coffee may be a sin in its own right. The economy has tanked and bumped along the bottom ever since I’ve entered the professional sector. And yet, Starbucks has flourished. No matter how down you are, a little arabica stimulus can’t hurt. It has, apparently, become the bellwether of how Christmas-friendly we really are.

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Ironically, the Christmas decorations begin appearing in stores before the spectre of Halloween. Stop in to pick up some last-minute scares and you’ll find them on the bargain rack as the red and green tide take over the valuable shelf-space. We gleefully move from one spending holiday to another. And in the midst of it all, we stop to complain about the design of our coffee cup? I try to avoid disposable items whenever I can. I don’t collect holiday cups from coffee vendors. I wonder what all the fuss is about when the world is full of so many serious problems. If I sound cranky to you, there’s a good reason. I haven’t had my morning coffee yet.

Lords a’Leaping

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As I’m writing a not insubstantial check for the rent, as I do every 25th, I am participating in a Christmas ritual. Having grown up with trees, presents, cookies, and a general warm glow about the holiday where you got things for free and didn’t have to do any work (home or otherwise), it is hard to believe that this kind of Christmas is a modern invention. Some years ago I wrote an unpublished book about the holidays. In researching it, I learned that Christmas was only gradually accepted as a day of celebration. For many it was too popish, and for others it was too frivolous. It was the day when tenants paid their rent to their landlords—and here is the tradition in which I’m participating—for landlords who don’t make money from their tenants are no lords at all. Indeed, this commercial transaction gives the lie to the common lament that Christmas has become commercial. It has been commercial for a very long time.

Some suggest that Charles Dickens—who wrote not just A Christmas Carol, but several stories about Christmas—is largely responsible for our sentimental image of the holiday. Individual traditions of the day go back to Medieval or earlier times, but the conglomeration of events that occur around December 25 come from many sources. Human beings, entrepreneurial by nature, recognize the economy of bringing various disruptions to the flow of money onto a single day. Indeed, the day after Christmas is often a day to rival the holiday itself, with people returning items and purchasing more. Soon enough Epiphany will ring in austerity. In watching for economic recovery, Christmas is a mere indicator of financial health. There need be nothing more to it.

A capital Christmas

A capital Christmas

As I was sitting in my windowless cubicle this week, receiving little email from academics (who are the main business partners for publishers) already out on a semester break, my thoughts turned toward the deeper meaning of the holiday. Business is business. Meetings with recurring set dates popped up for Christmas reminding me of events that, one senses, are only reluctantly cancelled. The true entrepreneur can’t wait to get back to the office. I’m busy looking deeper. The trappings may be modern, but the idea of celebrating in the darkest time of year is very ancient. We are hoping for something better. We are looking for a new start. Christian or not, anyone looking over the sprawl that we’ve made of everyday life can appreciate the symbol of a baby on the day the rent is due.

Abbey Rood

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On the long flight home from London, experiences during my brief free time play back in my head in a continuous loop. One monument to civilization I wanted my daughter to experience was Westminster Abbey. I would liked to have taken her to St. Paul’s as well, but churches are just too expensive to visit. I’ve written before about our drive to visit places of significance, the urge toward pilgrimage that is as old as humanity itself. (Perhaps even earlier.) Because of the reach of the British Empire, events that have taken place in Westminster have affected people all over the world. The cream of the British crop is buried there. To see them, however, you need to pay an unhealthy sum of money. “Money changers in the temple,” as my wife aptly observed. And once inside photography is prohibited. How easy simply to become a slab of marble hazily remembered in the mind of an overstimulated tourist. There is no way to absorb it all.

The church has fallen on hard times in much of Europe. Speaking to several Brits the real interest seems to be in Islam, a religion clearly on the rise in the United Kingdom. During a brief respite from work, during which I ducked into the British Museum, the queues were out the door for an exhibit on the hajj. Tickets for the exhibit were sold out. Meanwhile, across town, the Church of England charges a visitor 16 pounds even to enter the great minster with roots in the eleventh century. Christianity and capitalism have become inextricably intertwined. A building as massive as Westminster, let alone St. Paul’s, must be costly indeed to maintain. These have become, however, icons to culture rather than religion. Their value in that regard cannot be questioned.

Standing beside Isaac Newton, Charles Darwin, Charles Dickens, and T. S. Eliot, it is noteworthy how few clerics buried in the Abbey maintain such a draw. Kings, queens, knaves and aces of many suits may abound, but apart from the eponymous Archbishop of Canterbury, few men and women of the cloth stand to gain our attention. The nave soars high overhead and the crowds of sightseers jostle one another to get a view of the sarcophagus that now houses the dusty bones of those whose names endlessly referenced from our childhoods vie for admiration. The sign says “no photography,” and the docents throughout the building cast a suspicious eye on anyone holding a camera. How jealous Christendom has become in a land of secular advance. I stand next to Sir Isaac Newton and contemplate how the seeds of destruction are often planted within the very soil that surrounds the foundations of mighty edifices of yore.