Long Winter

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I have to confess that I often feel uncharitable towards very long books.  Mainly, I think, that is because one of my main blogging topics is books and when it takes a long time to read one I have to come up with other things to write about.  Still Dan Simmons’ The Terror had been strongly recommended.  I found it in an indy bookshop on independent bookstore day and began reading it sometime back in May.  It started out strong, but about three-hundred pages in began to feel a bit tedious and self-indulgent.  (I’ve done that myself with my fiction, so this criticism is also aimed at the one writing this reflection.)  In case you haven’t read it, the Terror of the title is HMS Terror, the ship captained by Francis Crozier under the command of Sir John Franklin, captain of HMS Erebus.  Both ships, seeking the northwest passage, froze in the Arctic ice in 1846 and their combined crews of 129 died without ever being found.

That’s a strong basis for a horror novel.  Your mind can’t help but wonder what it’d be like to be stuck in the dark, sunless winter, temperatures well below what most of us could survive, and realizing that you were never going to get out.  Simmons traces the story arcs of several of the crew that historically populated the ships.  Since there were no survivors, just about anything is fair game.  Including creating a monster to attack them.  Even as I began to warm to the book in the last hundred or so pages, it seems that some of this could’ve been trimmed and the same sprawling majesty been preserved.  Maybe I’m just jealous because none of my novels have been published and I keep being told you have to keep things short to get any traction.

In any case, by the end of the book I was really drawn in.  This was after the villain got his own, and Crozier starts to recognize the indigenous Arctic people for their truly remarkable survival skills.  (Not vegan friendly, of course, since vegetation doesn’t thrive in ice-bound conditions.)  It comes to a remarkable conclusion and I gradually found myself letting go of my petulance for having to invest so much time in one book.  I’m a slow reader with a very large pile of books yet to read.  In any case, Simmons won me back.  I quite enjoyed his Night of Summer and A Winter Haunting many years ago.  If you’re not afraid of big books, and you’d like to read about what can go wrong with a group of men trapped in the Arctic, then The Terror may be for you.

Note to Myself

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A note to myself (perhaps the best title for this blog) in a forgotten book.  Well, not exactly forgotten, else the post unwritten would remain.  In a book I’d been gifted at twenty-one.  I was working that summer as an intern in a church in Pittsburgh where my duties included visiting parishioners.  One of them was an elderly scientist that everyone mentioned with awe because he’d written a book.  In the eighties, writing a book still meant something.  He gave me a copy.  I could tell, even at that tender age, that the publisher was a vanity press.  Part of the satisfaction of “traditional” publishing is knowing that you’ve convinced at least a handful of people that your writing is worth publishing.  Vanity presses take your money and produce your words with wanton abandon.  Still, I read the book.

This was during those heady college years when I annotated everything.  So many books later, annotation is rare for me now.  Other people will want these books when I’m gone.  Then, I critiqued as well.  You see, the scientist (with a master’s degree) had undertaken a theological topic, trying to explain God with science.  I’m sure he died long ago and now knows more than I.  Still I had to express myself.  That’s what those of us who write do.  Here’s an image of my summary.  It took me a while to figure out the symbols the younger me made up.  One looks like a capital K with the lower diagonal ending in an arrow.  What did that mean four decades ago?  Context gave me the answer: “off the wall.”  Why not write it out?  Perhaps I was afraid someone would find the note to myself.  This is the danger of writing things down.

Another symbol gave me pause.  A circle with a stretched capital H in it within a cube.  Ah, a capital theta, my usual shorthand for God.  In a box.  I flipped through the pages.  Yes, some of his suggestions definitely put God in a box.  Did I ever discuss this book with anyone?  It occurs to me that since my teaching career tanked, I’ve discussed very few of the books I’ve read with anyone, except readers of this blog.  We who write know there’s always the danger that someone else will read our thoughts.  In my experience, putting them in book form is about the best way to ensure that nobody will.  Still, for anybody who’s written a book, if you google them, their tome will be the first thing that shows up.  That’s true of the scientist who died, I’m pretty sure, before the new millennium.  When, as it turned out, that writing a book would become as common as starting a website with a catchy title.

Books Left out

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I’m still working on my bibliography of this blog.  It’s going to take some time yet to finish it.  One of the things that has surprised me already, though, is the number of books I read but didn’t discuss here.  In the first five-plus years of this blog I tried to tie every post in to religion.  A friend had told me that staying on topic would get me more readers and I think he was right.  I now discuss many subjects and my readership has fallen off.  But my writing in general has moved away from all religion all the time.  The real loss, however, is that many very interesting books didn’t get discussed here.  Were I to want to do so I’d have to go back and re-read them.  And I don’t have time for the reading of the books required for my current book project.

Books have defined my life since I got past that stage of eating candy and running around to burn off the energy.  I began early with the Bible but started reading seriously when I was a tween.  And I haven’t stopped.  My bibliography, and this is just a guess, has about 600 books on it so far.  These are books that I’ve discussed on this blog.  Goodreads shows me I read far more than that since 2013 (this blog began four years earlier than that).  I don’t regret being a bookworm.  The neighbors might be out mowing the grass, but I’m behind a book living in a different world.  Maybe for a future project I’ll take the books from Goodreads that didn’t make it to the blog and give them their own post.  It might cause red cheeks because I remember that some of them I didn’t post on because I was embarrassed for having read them.

You see, to publish fiction you’re often told to read books from the independent publishing houses to which you’re pitching.  That accounts for several of the no shows.  Early in my blogging life I avoided posting on the paranormal (I like weird things—they help with writing), those books didn’t show up here either.  Others simply weren’t religiony enough.  Or I couldn’t think of anything to say about them.  Still, it might be interesting sometime.  Goodreads has my list at over 1,100 books at the moment.  I’ll be curious to see how many have shown up here.  I was in my late forties in 2009, when this blog began.  I’d been reading for some three decades before that.  How many books?  Well, the bibliography won’t be half the story.

Spiraling

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I’m not the world’s biggest manga fan, so when I post about it it’s a safe bet a friend lent me a book.  This happened a few years back with Kouta Hirano’s Hellsing series I blogged my way through.  (I don’t own the books so please don’t come knocking at my door.)  Another friend recently let me Junji Ito’s Uzumaki.  I lack the finer points of manga (or anime, for that matter) interpretation, but I see the appeal.  Both of these series are horror, and my friends know that I read and watch horror.  Uzumaki is fascinating in the sheer number of ways it involves both body horror and folk horror.  There will likely be spoilers here, so be warned.  It’s all about spirals.  At first I had difficulty seeing how they could be made scary, but there are some seriously disturbing images in this work, if you read through the entire collection.

The story follows Kirie Goshima and her boyfriend Shuichi Saito and their life in Kurouzu-Cho, a town infested with spirals.  The spirals become the vehicle of horror as some people go insane because of them, but others twist into spirals, or have spirals cut into their bodies, or become jack-in-the-boxes, or grow into snails with spirals on their backs, or turn into vampires because of umbilical cords.  The town is plagued with hurricanes and tornadoes.  The ancient lighthouse’s beam becomes an incinerating spiral.  There’s no way out of the town because all exits spiral back into it.  People who stay in the old houses in town twist into each other’s spiral bodies.  That kind of thing.  Kirie (and her family) and Shuichi try to escape but end up surviving until it becomes clear that an ancient spiral culture still has a grip on the town and it will never let go.

As a kid, much to my mother’s chagrin, I used to read American horror comics.  Some of them contained images frightening to a child.  I really wasn’t expecting that this could be replicated on an adult level, but I’m willing to admit I was wrong.  Uzumaki  is compelling as horror.  Creative and bizarre, the comic shows what can be done with a concept that is pressed for more and more ways of developing fear from something otherwise quite benign.  Junji Ito has an eye for horror and my limited exposure to manga makes me think I’d be open to borrowing more of it.  If I can fit it into my spiraling schedule.

Cool Summer

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Daily readers may recognize the cover of this book.  Some time back I posted on a misprinted book I’d received from Amazon.  It was the first time I had to return something to the retail giant in exchange for the book I’d actually ordered.  Although the volume itself  doesn’t say, I suspect William K. and Nicholas P. Klingaman, the authors, are kin.  (Some publishers make a big deal of such things.)  Regardless, I was reading for content.  It was strange reading this during a May when temperatures have generally been running about 1816-average levels below normal (mean temperatures can be deceiving).  It was also a good reminder how erratic weather can be and how dependent we are upon it.  So, basically, the volcano known as Tambora had a massive eruption—the largest during human recorded history—in 1815.  The ash in the atmosphere contributed to a year (1816) with cold temperatures that in many places devastated agriculture and led to widespread starvation.

The Year Without Summer is an interesting book, even if overwritten (which could be a function of having two authors, each with a lot to say.  One is a meteorologist and the other an historian.  And historians, especially, tend to write long.  That’s partially because so many interesting connections can be made.  Certain things happened because precipitating events owed their existence to a volcano.  There were several points, however, where I said to myself, wait, now, what does this have to do with the weather?  All authors (including yours truly) are selective and tend to focus on what they find interesting.  Detours are permitted.

The combination of meteorology and history was very interesting in its own right.  The weather is something we talk and perhaps think a lot about, but to which we tend not to ascribe too much ultimate importance.  The many, many pages of loss, despair, and death that make up this book should belie that understanding.  The weather is vitally important for our entire way of life.  We often take food for granted, but it’s anything but.  Many of those who starved to death in 1816 did so because they couldn’t afford food.  It was sometimes available, but at princely prices.  Many otherwise law-abiding citizens opted for riots and many governments didn’t see it as their responsibility to care for the people they governed (that still happens in capitalism).  This book, a bit overwritten, is nevertheless full of interesting information and creates some weighty thoughts.  If a Tambora-level eruption were to take place today, we’d see capitalism on display with all of its very ugly teeth.

Paper Writer Back

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We need to push back against the technocrats a bit more.  A story in Publishers Weekly recently affirmed what many of us know—people prefer books in print.  Ebooks have been shoved at us for years now and in academic publishing there’s been a trend away from print to electrons.  It was cheering to see in the same issue of PW that some British publishers are actually listening to readers and starting to release paperbacks first.  Imagine that.  People will read if they can afford to do so, and they do buy books.  And when I say books, I mean objects made of paper.  I don’t have a paper phobia.  I enjoy holding and reading books.  The only ebooks I’ve ever read were those I couldn’t access in print.  When I sit down to write a book, I have an image of a specific object in mind.

Technocrats are fond of telling us what we should prefer.  I wonder who died and made them king.  Or God.  If I recall correctly the latter preferred to write on stone.  That might create a few storage issues, but at least it was physical.  Consciousness, which we’re still a long, long way from adequately defining, can’t be captured in electronic form.  AI can pretend to be human, but it isn’t.  Nuance, subtlety, and embodiment are all missing.  We need to say that they need to stop telling us what to do.  Even as I was writing this post my laptop showed signed of requiring replacement.  To me, five years is a bit young to consider something old aged, but that’s what our tech masters tell us.  Thinking back over my laptop history, my previous computer lasted, let’s see, about five years.  It happens that this is a bad time for an expensive, unplanned purchase.  The tech lords have made the alternative unthinkable.

By my count, I’ve purchased six laptops over the course of my life, all primarily in the service of writing.  And they average out, it seems, on about five years.  This blog was started three laptops ago.  And the years seem to be going faster and faster.  I do most of my writing in a room filled with printed books.  I spend a lot of time in this room reading said books.  Tech has me caught between two worlds.  I’m trying to reconcile myself to spending a large amount of money after being scammed (by people using tech) last year.  If only I had a book to help me decide what to do.

Rabbit Holes

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Rabbit holes are my favorite part of the internet.  They can be used for heavy-duty research, but in my case they’re mostly just fun.  I’ve written about Dark Shadows many, many times on this blog.  Although I did watch many episodes of the original run with my brothers, my memories of the story line tend to come from the concurrent series of pulp fiction books by Marilyn Ross.  These books, which I have only ever seen used, were distinguished by their olive green covers and an oval cutout on the front where an image from the television series, sometimes apparently selected at random, was shown.  There were a total of 32 of them and, as an adult I collected them all.  Some months ago I wrote about my delight at finding several of them, in very good condition, at an antique and curio shop not far from us.  Recently in that shop again, I looked over the titles and discovered one that wasn’t in the series but was in the larger series, Paperback Library Gothic.

I’d never really given much thought to it, but the book was in great shape and was riffing off the Dark Shadows series.  It was reasonably priced, so how could I not?  Excited as a schoolboy coming home in time to catch the series on TV, I looked up the series online and fell down a rabbit hole.  There was an entire series in the mass market paperback format that I adore, from the sixties and seventies.  Shy of writing a bestseller myself, I’d never be able to afford them all.  The series included some classic titles out of copyright by such authors as Ann Radcliffe, Jane Austin, Bram Stoker, and Wilkie Collins (no relationship to Barnabas).  To these they added contemporary gothic titles including several by W. E. D. Ross, writing under the pseudonym Marilyn.  These were pre-Dark Shadows books.  There were well over a hundred of them.

Paperback Library was an independent New York City publisher founded either in 1960 or 1961, capitalizing on the pulp fiction and mass market paperback models.  They were bought out by Warner in 1970.  Warner eventually became Grand Central Publishing—still in New York.  In the large conglomerations that brought us down to only five major publishing houses in English, Grand Central was acquired by Hachette, one of said big five.  Recently the main distributor of mass market paperbacks decided it would no longer handle that format, essentially dooming it.  And with it a piece of my childhood.  Thankfully there are still some rabbit holes to fall down.

Hopeful Reading

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Although I prefer independent bookstores, I happened to find myself in a Barnes & Noble between other activities on a recent weekend.  This ended up being good for my spirits, although I didn’t buy anything.  The reason was, perhaps, ageist of me, that I was buoyed up by seeing so many young adults there buying books.  Granted, it was a cold, gray Sunday afternoon, but I read so much about the death of reading that this particular trip gave a bit of balance to all the doomsayers.  There is still a reading public.  And many of them are a good bit younger than yours truly.  I do wish more people my age would spend time in bookstores as well, but the future is with those who know to put down their devices and pick up actual books.

I’ve had more than one academic tell me that they do not assign e-reading for their classes.  One of them was a decade or two younger than me.  The reason?  Students don’t retain well what they read on a screen.  I tend to agree with this.  The context of setting aside time to open a book with no interruptions from texts, emails, or social media, is sacred.  You shut out the world and concentrate.  I try to do this for an hour each day (most days more than an hour) and it has to be done with print books.  I have no great love of electronic “books.”  The experience is sterile.  Devoid of true engagement.  And I’ve even been forced to read ebooks with other people’s highlights left behind.  When I buy a used book I try to make certain it’s an unmarked copy (although some sellers don’t look very carefully).  Why would I want an ebook with somebody else’s notes?

The visit to a bookstore is a restorative one.  In the rare instance where I know the proprietor, it becomes a social visit as well as a financial transaction.  Books are a kind of currency among some of us.  Although I know none of the names of the young people that I saw at Barnes & Noble, I do know something about them.  They enjoy books.  That is one of the most hopeful thoughts I can have.  As long as we manage to survive as a species, there is hope for the future if young people are interested in books.  Reading is a mind-expanding exercise.  Our life together is so much more enriching when we invite others in.  And some of them we meet between the covers of books.

Substitutes

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I discovered Mary Roach in a Borders store in Somerville, New Jersey.  Well, it might’ve been Raritan, technically, but it was right off the infamous Somerville Circle.  We were fairly new in town and I was looking for reading material.  I found Spook, her second book.  I enjoyed it so much I went back for her first book.  I introduced my wife to her third book and, starting with book number four, we’ve been reading them together.  (All of her books are at least mentioned on this blog; I rarely follow an author like that.) That brings us to Replaceable You, which published last year.  The subtitle, Adventures in Human Anatomy, gives you an idea of the content.  Roach is a charming science writer.  The two traits don’t often meet.  She peers at things that most of us shy away from, which, in a way, makes her a good potential horror writer.  Instead, she looks at her subjects with humor, often self-deprecating, and a sense of wonder.

Replaceable You isn’t my favorite of her books, but it’s not her fault.  Roach is about four years older than me and she too is facing aging.  This book is about parts of bodies that can be replaced, printed, or engineered.  Some of it is surprising and much of it almost incredible.  The reason that it isn’t my favorite is that it hits pretty close to home.  Two of my immediate family members have chronic health conditions.  (Life, of course, is a chronic health condition.)  I often think about the implications, but reading about them makes me uncomfortable.  As one reviewer once indicated, though, reading Mary Roach on any subject is enjoyable.

We are embodied creatures.  This is one reason that “artificial intelligence” will always retain the emphasis on the first word.  One of the surprising things I learned from this book was that organs/tissues are now starting to be 3-D printed.  Last time I looked, 3-D printing involved plastic, but in some places biological components are being used.  The tech isn’t far enough along to print actual organs yet, but there is incredible work being done.  It’s quite possible, and this is me, not Roach, that people born in a couple of decades (depending on whether we can get Republicans out of the White House, and science funding can be restored) may well be able to have biologically personalized health care that includes new organs made from their own cells.  That gets too close to eternity for my liking.  I enjoy living, but wouldn’t want to do it forever.  I’ll be okay along the way, however, as long as there are Mary Roach books to read.

Crafting Byron

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For a man who lived to be only thirty-six, Lord Byron tends to be featured in very long biographies.  I’ve been curious about him, but maybe not to the tune of 500-plus pages.  I’d seen references to Elbert Hubbard’s Little Journeys to the Homes of English Authors: Lord Byron, and since it was only a handful of pages, and not very expensive, I got a copy.  As a biography it turned out to be exceedingly slim.  And written with a flowery prose.  In fact, you could read this easily in a day.  I did learn about about Lord Byron, but in this instance the author took precedence over the subject.  I knew nothing of Elbert Hubbard.  A free-thinker of the turn of the twentieth century, he was born in Illinois in 1856.  He was a successful traveling salesman but then started a commune called Roycroft outside Buffalo, New York.

The Roycrofters were crafters and artists living together and producing, in some cases influential, artworks.  The community operated from 1895 to 1938.  The buildings, which survive, are now National Historic Landmarks.  Elbert Hubbard was a philosopher and artist, as well as a socialist and anarchist.  It’s not surprising he took a liking to Lord Byron.  One of the crafting supplies at Roycroft was a printing press.  Hubbard published a series of Little Journeys, some sumptuously bound, others with paper covers, and, from experience, uncut pages.  Lord Byron was volume seven, published in 1900.  Roycroft continued for the remainder of Hubbard’s life, and a little beyond.  Hubbard and his second wife died in the sinking of the Lusitania during World War One.  His son kept the community going for another couple of decades.

American history is filled with colorful and creative individuals.  All I knew of Elbert Hubbard was that he wrote a reasonably short treatment of the life of Lord Byron.  Reading it I learned a bit about the other intensely curious and talented writer who’d died just over thirty years before before Hubbard was born.  Byron was then still alive in memory for many.  It turns out that both subject and author lived extraordinary lives.  And each, in their own way, influenced larger society.  And now, having read this small book, I’m inclined to plan a trip to East Aurora, outside Buffalo, to see the settlement of the Roycrofters.  That’s not a bad thing to come from a brief book, not expensive, to read about a poet.

Reclaiming the Past

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It started after Nashotah House.  That event shook me to my very core.  And I was approaching middle age.  I started taking an interest in my childhood.  I learned some uncomfortable truths that probably help explain the way that I am, but more tangibly, losing that job launched me back to both monster movies and the earnest need to collect books that I’d given up when I went to college to “grow up.”  Fortunately (perhaps) the internet had been invented and it was possible to locate used copies from the seventies.  I’ve written many times about the Dark Shadows books that I began collecting shortly after the incident in Delafield.  But there were others.  Many others.  Often it became a matter of identifying and finding the same edition that I’d had as a child.  (Modern reprints complicate this, but with enough patience the exact book editions can be found, and usually no more expensive than  contemporary bookstore prices.

The goal has never been to replace all of my childhood books, but those that evoked a palpable sense of wonder in my young psyche.  This was strange because I was very religious and these books sometimes challenged what my fundamentalist upbringing taught.  Some years back I had to find the exact edition of Erich van Däniken’s Chariots of the Gods? that I had.  The curiosity did not extend to several of his other books from the seventies.  I got rid of these because they caused me to question my faith.  Teenagers.  In any case, I also had a compulsion to replace a book of Twilight Zone adaptations.  The cover of that book still sends me back to Rouseville.  Then I had a hankering to reread Logan’s Run.  It’d been reprinted many times, and the one I had as a kid was itself a reprint.  I needed that exact one.

My wife has been very patient with me.  I’m seeking something here.  I’ve always been haunted by the truth and there is a nagging feeling that I had grasped, only by the very tips of my fingers, a little bit of it before college.  Facing higher education (the first in my family to do so), I felt I needed to “put away childish things.”  The library that sustained me through those difficult Rouseville years was scuttled.  There’s a saying about babies and bathwater.  I’m beginning to think there may be something to it.  There were some very dark incidents in my early childhood, before I learned to read.  I think of them often.  And yet, a sense of wonder remains.  Mostly in the escapism of  old, mass market paperbacks from the seventies.

Uncut

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I remember well the first time I encountered a book with uncut pages.  It was in Edinburgh and the book was mine on inter-library loan.  This presented a dilemma: should I, a mere post-graduate student, cut the pages of a book older than me?  The librarian told me it was fine to do so.  I wasn’t sure how to go about it.  I’ve never trusted myself with scissors and this seemed like such a permanent act I was about to commit.  I settled on a butter knife, figuring a sharp knife might cut into the meat of the page.  It worked fairly well.  I later bought a book with uncut pages.  I didn’t do so well on it, but I need to read what was inside (and it wasn’t a cheap book).  

This is more common in Europe than it is in the United States.  I recently bought an out of print book for my research.  The pages were uncut.  Now we have the internet which can be useful from time to time.  The proper technique, it turns out, is to use an index card with a saw-like motion.  It works extremely well.  Fighting paper with paper.  And I love these old books.  The heavy paper.  The actual, clear imprint of where the type hit the page.  This was an object being crafted, not electrons cycling around a screen.  When it was done you were left with something that felt permanent.  Something that wouldn’t disappear when an online vendor went out of business.  These old books also give you an idea of how they were made.  Offset books (those made on a traditional printing press) are printed on paper that is then folded and bound together.  Most modern presses also trim the edges, but you can, on rare occasions, still see where metal met paper.

Substantial.  These books feel substantial.  Don’t get me wrong—I enjoy the trim, clean look of the modern book, but part of me misses the solidity of old fashioned books.  As much as I enjoy visiting new bookstores, I also like used bookstores.  There used to be several around here, but I think the pandemic killed them off.  You can browse their inventory online, but it’s not the same experience as that dusty, musty smell of books aging well.  Now that mass-market paperbacks are being discontinued, they have their own place of pride as being the books that brought reading to the masses.  Now people stare at screens and call it reading.  I, for one, will be keeping my index cards handy for the next book with uncut pages that comes my way.

Leaving Soon

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I’d been hoping to read the novel before seeing the movie, but there’s nothing like the words “leaving soon” on your streaming service to spur you into action.  So I watched Misery before I was ready to.  I remember the newspaper reviews from 1987, when the novel came out.  I didn’t read any Stephen King novels until those I’ve posted about on this blog.  There’s a full record here!  I do remember the reviews saying it was self-referential.  The protagonist, as in The Shining (is Jack Torrence a protagonist?), is a writer.  And the book is a writer’s nightmare.  When the movie came out in 1990, I had no interest in seeing it.  A couple of things changed my mind, however.  First of all, it is referenced all the time.  I didn’t even know how it ended.  Another factor was that it was a Rob Reiner horror movie.  And Reiner himself had been murdered a few weeks before I sat down to watch it.

I really wanted to read the novel first.  My reading pile is pretty high.  And currently the next Stephen King novel on it is The Dead Zone.  And yes, I have already seen the movie.  Unlike some critics, I think King is a substantial writer.  He has profound things to say, especially about religion.  And, of course, the movie Misery has plenty of that.  Annie Wilkes is a religious fanatic.  She’s also a fan of Paul Sheldon (the writer).  God tells her things.  She wears a cross.  She can’t stand swearing.  But even so, I wonder if King clearly had her religion in mind.  I would’ve guessed that, given her cinematic profile, she would’ve not been a wine drinker.  And I would’ve guessed that the Bible would appear in the movie.  She drinks and she doesn’t even quote the Good Book—at least not that I caught.

Some day, if I keep doing this long enough, I might make the connection between religion and horror plain.  I know scholars, not shackled by a 9-2-5 are working on that.  And like the books I have to read, there’s a waiting list for those I want to write.  One has my particular attention at this point, and I’ll be trying to put that to bed before starting on a new one.  Before working on such a book I’ll have to read Misery, the novel.  I do plan to do so.  I’m not a fast reader and I have quite a big stack.  In fact, I wouldn’t even be thinking about reading it now.  But my streaming service came up with those fatal words, “leaving soon.”

Little Gems

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On a recent diversion to a curio shop we like, I found that one of the “Dark Shadows” paperbacks they had was one I hadn’t read.  Dark Shadows had, of course, spurred a pretty amazing franchise for its day.  It’d sunk its fangs into many young people who would not have otherwise been inclined towards soap operas.  I’ve written several times about the spin-off books by Marilyn Ross.  That series encompasses much of my childhood.  This particular book was a knock-off with the same branding titled The Dark Shadows Book of Vampires and Werewolves.  Now, to be fair, the asking price was about the same as a trade paperback price today—a little less, even—and the collection included, I saw at a glance, Polidori’s “The Vampyre.”  So now it sits on my shelf next to the other Dark Shadows books.  Apart from the gimmick of listing the book as edited by Barnabas and Quentin Collins, it is actually a nice period piece.

In addition to Polidori, eight stories I’d never read.  Two of them make the claim of being non-fiction, and a third maybe.  The tales, which favor vampires over werewolves, also include what are some little gems.  One is a story by M. R. James (“Count Magnus”).  Other noteworthy members are “Wolves Don’t Cry” by Bruce Elliott and “The Vampire Nemesis” by “Dolly.”  “For the Blood is the Life,” by F. Marion Crawford, is also good.  In other words, the collection was better than I suspected it would be.  I’d not read any of these before, so they were all new to me.  I was particularly intrigued by “Dolly.”  Apparently the author of The Vampire Nemesis and Other Weird Tales of the China Coast has remained anonymous since its 1905 publication.  The book has been rediscovered in modern times, and I’m now curious about it.

Although I like to think myself immune, I am sometimes susceptible to branding.  For whatever reason, that olive-green oval-cutout cover design, when spotted in the wild, makes me ecstatic.  My childhood wasn’t ideal, and I remember when I started to find these books used.  It was a very challenging phase in my younger years.  I knew even then that these cheap paperbacks would take me away from my troubles for a while.  And they would transport me back to an even more troubling period of my childhood when I would watch the show after school with my brothers.  A visit to the curio shop from time to time may be just what the doctor prescribes.

Cool Book Festival

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So yesterday I was at the Lehigh Valley Book Festival.  (It occurs to me know that I should perhaps post such notices in advance, but I know few people in the area where I live.)  I was there displaying my books.  I have participated in the Easton Book Festival for at least four years now, but I had only recently learned about this event held in Bethlehem.  The weather was clear, but cold for an outdoor event that involves a lot of sitting—it put me in mind of having to put on gym shorts and tee-shirts to go outside one November in college to have the coach lecture us about football, with no moving or actual playing involved.  It turned out to be an endurance test.  Not quite of the Shackleton magnitude, but I am sensitive to cold and it was struggling to reach 40, and this on the 28th of March.  At least there was a cool breeze.

Several lovely people stopped to talk and showed some interest in my work.  I’m grateful to all of them.  As an author you often wonder if you really are alone in your interests.  Since my table was next to a run of three tables of children’s books—when those authors decided on an unauthorized move of their tables into the sun (we were on the shaded side of the building), they did not invite me to join them—I was a bit self-conscious.  Parents hurried their kids past my modest display.  I took a quick swing through the other stands and I think mine was the only one for adults.  Many people glanced and frowned as they walked by, but several people got it.  I know there are local horror fans out there, but I have trouble finding them.

The Lehigh Valley Book Festival isn’t huge and several people just happened upon it, asking why we were there.  It was held at the main branch of the library and it is fairly centrally located in town.  Also, there was a cherry blossom festival taking place on the other side of the library.  I couldn’t be certain but it seemed that many more people were headed for that.  And honestly, I’ve lived in this area for going on eight years and I just learned about the festival last fall.  And I’m a book guy.  Not too connected locally, I’ll admit.  There was enough interest that I might consider it again next year (if selected again).  Especially if the temperatures are back towards the seasonal norm.