Weird Publishing

It’s a weird world.  Publishing, I mean.  In the early days of shock and angst after Nashotah House, when it had become clear that UWOsh—the University of Wisconsin, Oshkosh—wasn’t going to hire me full-time after a full-time year there, I considered that classic fall-back of the academic—publishing.  I wasn’t exactly clear on what an editor did in those days, but I was pretty sure I could learn.  Gorgias Press hired me and after just over two years, downsized.  I’d been in publishing long enough at that point to have learned about Transaction Publishers.  Housed on the Livingston campus of Rutgers University, where I’d been teaching for a few years at this point, Transaction had been founded by the sociologist Irving Horowitz.  Now that Gorgias was out of the picture, I contacted Transaction out of the blue and landed an interview with Horowitz himself.  Although he was most cordial, it didn’t lead to a job offer.

Eventually I was recruited by Routledge.  I was about to learn the nature of publishing in a whole new way.  Early in my time in the Taylor & Francis group (they had a letter signed by Walt Whitman in one of the board rooms) I learned that presses grow by acquiring other presses.  I suggested Transaction, only to be told it was too small of a “concern;” Taylor & Francis preferred larger fish.  When Routledge downsized I found myself again applying to Transaction.  Irving Horowitz had passed away by this point and before I could make an appeal, I was hired by my current employer.  There I have been ever since.

The other day I had cause to look up Transaction.  It was with some surprise that I learned they had been acquired by Taylor & Francis and merged with Routledge.  I’m sure that my suggestion of that acquisition had nothing to do with it, but I pondered what would’ve happened had I been hired by Transaction after Routledge cut me loose.  A few years later I would’ve found myself working for Routledge again.  And likely I would have found history repeating itself.  Publishing is a fairly small industry.  Books are a low-margin commodity (it pains me to type those words, but that’s the way the business world sees them).  Not too many people are interested in a company that has to sell lots of a specialty item in order to make them profitable.  Consumers tend not to buy books in bulk.  My time in publishing has been about connections.  And some of those connections are just plain weird.

Book and Bell

The Bell Witch: An American Haunting, by Brent Monahan, is a book I’ve read before.  The subtitle was used for a cinematic version.  I discovered the book, however, through what might be considered a chance encounter with the author.  He was teaching a course on offering distance education courses at Rutgers University, and, as an adjunct teaching over eight classes per year, I’d been selected for the distance education program.  (As life goes, of course, I was hired by Routledge for a full-time job before I could actually deliver the course.)  By a strange irony, I had watched An American Haunting just the weekend before the course, and I had no idea who would be teaching it.  Neurotically punctual, I was the first one there for the class, and as Dr. Monahan and I talked, I knew I’d need to read the book.  I posted on it back when I did, but this time I decided to pay better attention than one can on a bus.

Of course, when you watch the movie first, which I had, you know “the reveal” well before it comes late in the novel.  In case you’ve done neither, I won’t give it away.  The tale is based on an historical haunting, attested in sources from near the period.  And it is a strange kind of possession story.  The “witch” is actually a demon conjured by a trauma, and although book wraps things up nicely, it leaves a few questions at the end.  I suppose that’s appropriate for a scary book.  One of my current projects involves tracing the accounts behind fictionalized narratives to their originals.  The Bell Witch was well researched, and is a good example of how the line between fiction and fact can be effectively blurred.

The Bell Witch legend is credited with influencing several horror films, including The Blair Witch Project and others which tellingly have “Bell Witch” in their titles.  The story has a fairly incredible longevity, given that it was a localized legend from early in the nineteenth century.  Monahan’s novel is written as a “confession” from the schoolmaster, and historical personage Richard R. P. Powell.  This blurring of the lines makes for the kind of ambiguity that gives horror its particular ability to stand between fact and fiction.  The early versions of the lore, combined with elements intended to offer verisimilitude, leave plenty of queries at the end.  So much so that I’ve occasionally contacted the author for clarification.  What really happened?  It depends which side of the line you prefer.

AKA

“Professor?”  While not technically correct, I was surprised and not unpleased to hear the title yesterday while on the streets of Easton.  One of the greatest compliments a former teacher can receive is word from a former student.  While dressed in Saturday clothes on the way to the country’s oldest continuously operating farmer’s market, I wasn’t sure the voice intended was for me.  I’ve been out of the classroom now since 2011.  Sure enough, one of my students from Rutgers recognized me and called out.  We had an ersatz but wonderful conversation after a completely chance meeting.  Already since graduating he’s had a few different jobs, but he remembered the classes I’d taught and I recalled that he’s the person who started me reading Neil Gaiman.  Teaching is, you see, a two-way street.

I’m doing a guest service at a local church next Sunday.  In preparation I’ve had lots of emails (for me).  One of them was from the music director.  He opened by calling me “Reverend.”  I’ve never been a reverend.  The idea isn’t unappealing but I’ve gone pretty far down the path of independent thinking and any church that would ordain such as me would need to be comfortable with that.  In fact, I heard a sermon recently by an Episcopal priest and was pleasantly surprised at how welcoming and, dare I say, liberal it was.  I was never really welcome in that club, I know.  When I was still fairly fresh out of seminary and working on my doctorate the idea of being “Rev. Dr.” was still appealing.  Now I go by my first name.

Labels.  I tend to eschew them.  Like my young colleague I’ve had to learn that work doesn’t necessarily define you.  (I’ve had many employers, however, who not only beg, but insist to differ on that point.  The ideas of owning individuals die hard, apparently.)  On the weekend, though, off the clock, people are calling me “professor” and “reverend.”  I’m generally sitting in a corner with my laptop on those early mornings calling myself a “writer.”  For none of these things do I receive any pay.  (Well, perhaps some for writing, but very little and very infrequently.)  The move to our new location was a chance, I think, to try to remake myself.  A chance to figure out what labels, if any, really fit.  Better throw “telecommuter” and “remote worker” into the mix.  Those are the ones, come Monday morning, that matter most.

Breaking Day

When does the day start?  Years of awaking around 3 a.m. may have distorted my perceptions a bit, I suppose.  Here in the mid-Atlantic states, the sun is never up that early.  Year round I get out of bed when it’s still dark.  I’m not complaining—this is generally a peaceful time, a rarity in New Jersey.  If the bus didn’t come so early I’d get an awful lot done in a day.  But when does the day really begin?  I rise early to write.  Computers have changed my writing style quite a bit.  I used to write everything by hand.  Even as a kid with a second-hand typewriter, I preferred longhand first.  I still do, truth be told.  It’s slow, though, morning’d gone before I got too far.

So I get up and boot up.  I’m not sure that I’m crazy about my computer knowing so much about my personal life, but one thing it simply can’t understand is that I’m an early riser.  Many days my laptop will condescendingly ask me if I mind if it reboots—it’s been updating software when it thinks I’m asleep.  For the computer, day doesn’t begin this early.  Sometimes I worry that my blog doesn’t get readers because the new posts come up around 5 a.m., before I jump in the shower and head for the bus.  If things don’t appear in the feed at the top of the page, well, they’re old news.  I admit to being guilty of that myself; yet knowing when it’s day has consequences.  Maybe I should be posting a bit later?

For some reason my computer likes to send me notices.  Like I’m not already paying attention.  I’m sure there a setting someplace I could change, but I’m busy most of the time and figuring that sort of thing out takes longer than I have time for.  Birthday notices for complete strangers—maybe they’re connected on LinkedIn?—appear, at 9:00 a.m.  I’m at work already by then.  I think this is my devices’ way of letting me know that it’s a nine-to-five world.  As an erstwhile academic I never cottoned onto that.  I started getting out of bed at 4 a.m. when I was teaching so I would have time to write before daily chapel.  I also taught classes that ran from six-to-ten (p.m.) while at Rutgers.  When does the day start?  When does it end?  The decision’s not mine, as my laptop’s only too happy to remind me.

Admission Price

bibleandcinemaThe drama of acquiring Adele Reinhartz’s Bible and Cinema: An Introduction almost overshadows the joy of reading it at last. Back in my teaching days I realized that in very long class sessions (some went for four hours at Rutgers) students needed a break from me almost as much as I needed a break from myself. So I showed short clips of movies that had the Bible in them. The problem was, there was no easy way to find such movies. I’d seen many myself, but academics hadn’t written much on the subject and even a web search, in those days, wasn’t much help. Reinhartz is one of those scholars who understands we can learn about the Bible from movies, and her book would’ve been welcome in those days of fumbling my way through a darkened room, as it were.

Bible and Cinema is a Routledge book. In fact, it was underway during my brief tenure at the press. I very much wanted to read it but for questions best left to the empty ether, my welcome at Routledge wasn’t prolonged. The book came out before I left, yet I didn’t have a chance to get my hands on a copy. Being Routledge priced, I couldn’t afford it with my own funds. The book stayed with me, though, and last year I found a used copy, in passable shape, offered on Amazon for the price of a regular book (currently about $16). I immediately ordered it and anxiously awaited it. December came and went. The book didn’t arrive. Amazon informed me that it hadn’t been shipped and they would cancel the order unless they heard from the seller. In the new year, that’s what happened.

Once I’ve made to order a book, I have a hard time stopping. I had to cough out a bit more since reasonably priced used copies still couldn’t be found now that the one had gone AWOL. I’d been bitten, though. The new seller also delayed. The Trump administration began. I received a familiar message from Amazon. I wrote to the seller in anxious tones—if only I’d comped myself a copy before exiting Routledge! At last, late, and a bit beat up for the price, it arrived. It was worth the wait. This is a fine exploration of how the Bible has been made into movies and how movies have incorporated the Bible. Reading it was like watching movies on the bus. And for that, it’s hard to overestimate the price.

Vitruvian Savior

If memory serves, I was still in seminary when “Piss Christ” was first unveiled. As photographic art, I can’t say when the shutter snapped, but I seem to recall animated discussion over it and since seminary animated discussion has been at a premium, so I think I’d remember something like that. In any case, the artwork still has the power to shock and enrage as the world teeter-totters in its love-hate relationship with religion. Some people seem surprised when other people respond somewhat pointedly to what they perceive as affronts to their beliefs. The thing about beliefs is, well, people believe them. In this day of electro-chemical signals between synapses it may be hard to attribute any substance to belief. Still, if someone makes that claim, insult their mother and see what happens. Beliefs, by their nature, are sacred.

438px-Vitruvian

I was reminded of this when my wife pointed out to me a story about Dartboard Jesus. If you’re not a Rutgers University person (as I no longer am), it takes only a little imagination to visualize this artwork. Conjure a dartboard in your mind. Then picture a crucifix superimposed on it with darts instead of nails. Red darts, if that helps. You’ve got it. The official name of the piece is “Vitruvian Man,” but the public outcry was enough to have the piece removed from public display. I taught (strictly as an adjunct, no complications, please) at Rutgers for four years. People sometimes expressed surprise that multiple sections of Intro to “Old” and New Testaments filled up every semester. I wonder if the university ever takes measure of its students’ beliefs. I had Seventh-Day Adventists in my courses. I had Jains, Muslims, and Hindus. I had Atheists and, God help us, Episcopalians. One thing all these people had in common was belief. Not beliefs, but more singular: belief.

No one in the world intentionally believes falsely. Indeed, should Oxford Dictionaries be trusted, belief is “Something one accepts as true or real.” By definition, it seems, beliefs are believed. Artists serve a valuable function in expressing ideas that words struggle to articulate. There is more going on when your crucifix is juxtaposed to a glass of urine or a dartboard than you might otherwise imagine. It says something about belief. In some cultures such heresy is punishable by death. It isn’t so much a matter, I would suggest, of freedom of expression as it is a matter of advocacy. Artists are teachers and even teachers sometimes don’t consider how their lessons will be taken. Respecting belief, perhaps, is something electro-chemical signals leaping tall synapses in a single bound simply don’t understand.

The Climate of Belief

As I’ve noted before, in our culture where an individual voice is hard to hear, those without institutional affiliation are generally considered self-promoting hacks. That’s really too bad, given that so many highly educated people end up in menial positions—our society’s “greatest resources” squandered away behind a counter or sequestered in a cubicle. So it was my great honor to be asked to present Rutgers Presbyterian Church’s Autumn Guest Lecture this year in Manhattan. When I taught at Nashotah House invitations to speak came frequently, even though it was a small school. I even once received an invitation to talk when I was an adjunct at Rutgers University. Since “going corporate,” it seems, I have nothing to say. It really is wonderful to be asked to speak again. Practicing my talk brings back many fond memories. Lecturing is in my blood. The Pastor asked me to come after my book, Weathering the Psalms, was published. Never intended as a best-seller, it has quietly sat on the sidelines, like its author.

weather wiggins ii sml

I suppose a bit of shameless self-promotion might be in order, but of course, I will feel ashamed for pointing out, when it’s all over. If you happen to be in New York City this coming Saturday and Sunday, so will I. Rutgers Presbyterian is located on the upper west side, not far from Lincoln Center and the Museum of Natural History. I’m always glad for an audience. See? Now I feel bad for having said so. My theme over the weekend will be “The Climate of Belief.” In addition to the weather, we’ll be talking about religion and science. Two worldviews that seem to be in constant conflict are not really the bitter enemies they seem to be. I won’t give away any spoilers since then you’d have no reason to come to my New York debut.

Further along, I am scheduled to give a paper at the Society of Biblical Literature annual meeting in the Society for Comparative Research on Iconic and Performative Texts (SCRIPT) session on sensing scripture. My talk on that occasion will be on how the Bible is presented as an iconic book in the first season of Sleepy Hollow. Be sure to mark your November calendars now! It’s not too often that a person with no institution willing to back him gets to speak twice in a year. Someone who’s in a position to hire professors once told me that with so many candidates out there, you have to wait until you fall in love with one. Being a Don Juan, whether in amore or academia, has never been my strong suit. Still, if Elijah is to be believed, even an unamplified voice may carry. I’ll utter my “yop” for those who wish to listen.