To a Fallen Goddess

One of my favorite places to visit in New Jersey is Grounds for Sculpture. Over the past several years that we’ve domiciled here, we’ve had the opportunity to take several friends and family members to see the whimsical, creative, and inspirational park over in Hamilton. When my daughter graduated from high school, she requested a visit to Grounds for Sculpture, and, since family were near at hand, we took the opportunity to see it again.

I’ve always been aware of the religious aspect of creativity. Perhaps it is because I like to flatter myself into thinking that I’m the creative sort, despite my years of academic training, or perhaps it is the kind of pipe dream for which the liberal-minded are easily accused. In either case, I have always found that the best art evokes something similar to a religious experience. There is an element of wonder, emotion, and awe here. Not every piece of art conjures it, just as a single god isn’t sufficient for the whole of humanity. As I wander the grounds, I grow convinced that this or that sculpture had a vision akin to what I’d call religion, that led to the creation of such a trenchant piece. I always leave feeling blessed.

Photo credit: Grounds for Sculpture, postcard

Photo credit: Grounds for Sculpture, postcard

On this most recent visit, a very conscientious relative found, and later sent, a postcard of a sculpture I’d never seen. (It is possible that the sculpture is not currently on display, as the Grounds are continually evolving.) The piece is entitled “Excerpts of a Lost Forest: Homage to Ashera,” by Tova Beck-Friedman. Several of my relatives have me to blame for their awareness of Asherah; she is, after all, a relatively obscure goddess in the Hebrew Bible. The sculpture, however, speaks to me of the continuing ability of even extinct gods to inspire artists. Just as Asherah occupied several years of my academic life, I suspect she also haunts the work of sculptors who’ve come to realize that not all gods must be male, and not all gods must be real to be important. Quite the contrary, the collective deities of our heritage may still be found where art thrives.