New Horseman

You’d think it’d be obvious, but it took me some time to realize that when a story’s being retold in a literary context, the point isn’t to restate the original in new words.  No, sometimes the vision is quite different and the result is like building a different person from the same skeleton.  I’m still on my Sleepy Hollow kick and I’m interested in what contemporary writers see in the story.  Serena Valentino’s Raising the Horseman is a feminist retelling with sensitivity to LGBTQ+ concerns.  Like some other recent Sleepy Hollow novels—Alyssa Palombo’s Spellbook of Katrina Van Tassel and Christina Henry’s Horseman—she takes the point of view of either Katrina or one of her descendants.  In this case, both, as a present-day Katrina reads the diary of the original Katrina in Sleepy Hollow.

The story is pitched at the young adult level—a literary scene that’s thriving these days—and sets up the story this way:  Katrina Van Tassel married Brom Bones and left her vast estate to her daughter and their daughters, as long as they took her name.  This creates an unbroken succession of Katrina Van Tassels.  As might be expected, the current Kat, as a teenager, wants to follow her own path rather than staying in Sleepy Hollow for the rest of her life.  She meets a new girl in town, Isadora, who encourages her to see how her boyfriend Blake has been keeping her in an abusive relationship.  “The Legend of Sleepy Hollow” is a love triangle, and that develops here as well, moving in new directions.

Valentino has been writing a series called Villains for some time.  That series takes on the viewpoint of the antagonist rather that the hero.  Such tales are quite popular these days as we reexamine dusty assumptions that have been sitting undisturbed for far too long.  Fans of Sleepy Hollow will recognize the base story in this novel, but will be taken along a different path and will be left without a simple resolution.  Younger readers adopt a more open attitude towards life, watching, as they do, the antics of many of their elders (particularly angry white men in positions of power), and they recognize bad behavior when they see it.  The novel is a plea for tolerance, a trait that’s much needed in the world.  The Headless Horseman is still there, of course, but the real villains of the story might not be who you assume they are.


Pods

Some cultural assets (ahem) are so well known that you come to know them by association.  I knew the story behind Invasion of the Body Snatchers (1956 and 1978) long before I saw the original, within the last couple of years.  I may have been body-snatched myself since I can’t remember when it was or why I didn’t write a blog post about it.  In any case, I’d long been curious about the remake and discovered it free (for the time being) on Amazon Prime.  The fact I’m still looking for free stuff proves I’ve not been body-snatched, I guess.  If you’ve been raised with our cultural assets you know that the eponymous body snatchers are pod people who look exactly like the victims they destroy.  Their goal is a well-ordered society with no emotions.

The thing that’s so interesting about the 1978 version is that its assessment has changed over time.  When it first came out, many thought, and opined, that the 1956 black-and-white version was better and this one really added nothing.  However, over time this judgment has been questioned.  Critics taking a second look have now scored it as one of the best remakes ever made, and not only that, but it is considered one of the best science-fiction horror movies of all time.  I suspect nothing in that category will ever displace Alien, but still, my first viewing of the ’78 Body Snatchers agreed with the latter assessment.  It is quite good and it has even aged well.  You can kind of guess how it’s going to end, largely because the final scene has been played over and over, but still it’s definitely worth watching.

The social commentary in the film runs deep and strong.  Non-conformity is suppressed.  Life without emotions is better than really feeling something.  Simply go along because everyone else does.  The parable has changed actors over time—fascination with social media/virtual reality have perhaps become the modern pods—but the story is as old as our species.  Probably even older.  It’s non-conformists, generally after their demise, that are realized as visionaries.  Shooting a car into orbit requires tons of money but not much vision.  I’m not conforming, however, when I agree that the 1978 remake is good.  My taste in movies has always stood apart from others, at least from my own experience.  I also think that horror is often among the more intelligent genres of film.  But then, I tend to side with the emotional.


Come Together

When’s the last time a commercial made you cry?  Well, made you cry for joy?   A colleague sent me this commercial for chewing gum that left me nearly blubbering.  Go ahead and give it a watch, I’ll wait.  You see, I’m in the waiting period after my second vaccination (even scheduling that, it turned out, was difficult) and we’re waiting for everyone we know to reach that state where being together with strangers, unmasked, will become safe and normal again.  We’ve all been under enormous pressure for the past 14 months.  The absolutely directionless response of the Trump administration prolonged the agony in this particular country, and some places in the world are still having a difficult time of it, but there is a light.  There is a light.

Even we introverts are social creatures.  Like cats, we suffer in prolonged, enforced isolation.  We’ve been through difficult times.  It’s been the deepest hope of mine that we would come out of this pandemic better than we went into it.  The commercial, although clearly shot with humor, shows a more inclusive, completely accepting society.  As the couples separated for months reunite the only concern is that they have fresh breath.  It’s not what some other couple is doing.  It’s not who makes up that couple.  It’s simply that we are all ready to be back together instead of divided.  It’s about love, not hate.

Photo by Jamie Street on Unsplash

The most deadly poison of the Trump years was the normalization and acceptance of hatred.  We are already, and we have been from the beginning, a diverse people.  Like some mythological tower, we were divided because of fear.  There was nothing really to be afraid of down here.  Those at the top of the power structures (many of them sociopaths) want to protect their privilege.  It’s far easier to do that when the rest of the people are at one another’s throats.  Is English God’s own language?   Can people not be taught to pound swords into plowshares?  Perhaps when the time comes we’ll burst from these doors ready to accept those who are different as fully human.  Perhaps we’ll not judge them for who they love or how.  I don’t know why this commercial hit me so hard.  Perhaps it’s the Jim Steinman power ballad, perhaps it’s the quality of the acting, perhaps it’s the welling emotion that’s been suppressed alone in shadowy corners for over a year, but this particular commercial hit a chord.  And I don’t even chew gum, if that’s what it’s advertising.


Self-Convinced

Like many people, I suppose that my own views are right.  All people think this, I suspect, otherwise they’d change their point of view.  Unless they’ve been brainwashed, of course.  Religion has a way of convincing people that they alone are right.  (And perhaps also those who believe just like them.)  I have plenty of experience with this.  Seemingly normal, friendly people suddenly turn on you when you’re not there to defend yourself.  All in the name of religion.  The place, unfortunately, that it’s most found is in “conservative” religions.  With preachers braying about righteousness and being washed in the blood of the lamb the human element is often sacrificed.  Anyone who dares to think differently is going to Hell, and, in most of these traditions, you wish them godspeed.  Then there are those who wish for true dialogue.

Dialogue means, however, that you have to admit you may be wrong.  That’s one of the features the self-convinced fear most.  Ironically, even those who think they’re right can admit that they could be wrong.  Otherwise what’s the point of discussing anything at all?  As Tom Nichols points out in The Death of Expertise, many are offended that someone has greater knowledge of any area than they.  Like it or not, some of us have studied religion, the Bible, and spirituality for our entire lives.  You might not agree with everything such a person says—we often disagree among ourselves—but at least one might admit that a mere Ph.D. counts for something.  Even if on the stock market it simply won’t trade.

Ironically, as a young man I too was self-convinced.  For some reason that I can’t fathom, I decided that if my beliefs were solid they would stand up to the challenge of higher education.  As an undergrad I majored in religion at a conservative college and graduated summa cum laude.  I chose a liberal seminary to challenge further what I believed and came away magna cum laude.  Then the doctorate.  (Edinburgh didn’t offer such trifles as honors; if you made it through the program you should be so thankful.)  Tolerance became a massive part of my outlook, even as I ended up on the faculty of a very conservative seminary.  I was willing to listen, but the same could not be said for those who saw things differently.  Many of whom were far less educated, I say with all due self-abasement, than yours truly, in such things.  As time goes on I can’t help but reflect on this.  Even as I do I know others are completely convinced I’m wrong.


Mostly Clear

“Chiasm” is a literary technique based on the name of the Greek letter chi, shaped like a latinate X.  The idea is fairly simple and generally resembles a sideways V more often than an actual X.  It goes like this: a poem, or story, begin at a large, or wide premise, narrows down in steps to a center, and then, by corresponding steps, again out toward a larger, or wider resolution.  Another way to think of it is a set of Matryoshka dolls; first you take them apart, and then you put them back together.  David Mitchell’s Cloud Atlas is a chiastic story.  Starting on a cross-ocean voyage at an indeterminate time in the recent past centuries, it moves on to a Briton on the continent in about the turn of the last century, then a mid-twentieth-century American investigative journalist, a late twentieth-century or present-day rogue publisher in Britain, a clone in future Korea, and finally, to a planet of the apes-like Hawaii of the distant future.  Not really finally, though, since after the center of the X, it moves back outward through the nesting stories to bring us back to the beginning.

I’m not going to attempt to retell the story here, so don’t worry—it doesn’t get any more complicated.  There are, however, a couple of remarkable things about the tale.  In the brutish, nasty, post-collapse future that marks the center of the narrative, religion is central.  Some of the Hawaiians have come to believe the protagonist of the nesting story, the clone mentioned above, was a god.  To find her story, however, you’ll need to read the book.  Suffice it to say, that origin myth is part of the overall complex structure.  The second of the remarkable features, and one that makes this book very salient, is that in all the ages the issue of accepting those who are different is central.

In the outside framing story, the initial and terminal points of the chi, one of the characters is a missionary.  He’s trying to “improve” he life of Polynesians by making them into slaves, whereby they benefit from the largess of Christianity.  Quite a bit of the narrative draws its energy from the eventually faltering sense of superiority of the AngloSaxon “race.”  In that sense it’s definitely a parable for our time.  A story that deserves to be read.  Defying easy genre identification, Cloud Atlas is a thought-provoking novel that doesn’t fear religion and its larger implications.  A couple of the nesting stories have exquisite twist endings worthy of the Twilight Zone.  This book will make some demands on your time, but its message makes it a sound investment in a world rapidly heading toward a future that reveals just how troubled our species is.


Light and Dark

Prophets, mothers, messiahs. A new religion for a new world. While these may not be main themes of Robert Repino’s new novel D’Arc, they’re clearly there in the background offering verisimilitude to a world turned upside down. Continuing the diegesis created in his previous two novels Mort(e) and Culdesac, Repino again shows an uncommon awareness that when survival becomes difficult people (and animals) turn to religion. Many fiction writers create worlds under stress and pretend that characters simply forget the religious option. That may be realistic on an individual level, but as history shows, not on a societal one. People—and mutated animals—are meaning-seeking beings. D’Arc doesn’t shy away from this fact. In a wildly integrated world of different species coping with consciousness and opposable thumbs in various ways, religion naturally arises.

If you haven’t been initiated into Repino’s universe, it begins with a virus and/or a plot—themselves religious—which allow animals to become bipedal and to grow human hands. They can talk and reason and they show us a true reflection of who we are. D’Arc, the female companion of Mort(e), finds her way in a world under threat. Planning to speed up global warming in a dramatic way, the aquatic antagonists conspire to melt the ice caps to flood the entire world. Repino knows the value of the flood story and uses it to full advantage. Along the way we meet beavers who’ve developed a religion that functions between water and dry land. Indeed, as a species their religion defines them as much as their engineering skills. This is a world that’s just been through war and instead of reconciling all species, there remain those (most notably humans) who can only live with their own superiority. This is a complex universe.

The hero of this tale, D’Arc, is sympathetic to the religious sensibilities that have sprung up around her. She herself is a character prophesied in this world where Mort(e) is messianic. There’s a scripture in the background somewhere and theirs is a world without embarrassment about it. There’s also plenty of action and adventure—the war with no name is really not over—but there’s a subtlety to the narrative as well. When things go awry many people do assume they’re alone in the universe and try to find their own way. It’s equally true that many look for meaning in a structured form of belief where all of this has been foretold. Such worlds, to me, seem to be more honest to the human condition, even when the characters are cast as talking animals.


Dark Lite

Maybe you’ve noticed it too. While certainly not universal, many forms of Gothic cultural expression (novels, movies, television, etc.) have a playfulness to them. As if taking the genre too seriously might be a misrepresentation. Even Edgar Allan Poe can be caught smirking from time to time. I’ve often wondered about this unusual combination of darkness and light. Catherine Spooner obviously has too. In Post-Millennial Gothic: Comedy, Romance, and the Rise of the Happy Goth she takes on a number of these cultural expressions—both Goth and Gothic—and tries to understand the lighter side that they often present. Sometimes it’s comedy and sometimes it’s irony, but those fascinated by darkness aren’t always as gloomy as they seem.

This book is a real hodgepodge of both British and American explorations of the smiling dismal. It’s a cultural contradiction, maybe, but it certainly feels authentic if you look closely enough. Although Spooner doesn’t discuss it directly, I couldn’t help but think of that great progenitor of the Gothic—the medieval church. Perhaps it was the very real fear of the plague and the nearly constant warfare of the time in Europe, but liturgy, when done right, has a palpable darkness to it. References to ourselves as “miserable sinners” begging God to “have mercy upon us” clearly call to mind some of the deeper elements of the Gothic sensibility. Having attended Anglo-Catholic services for years I came to know many who were compelled by this intensity. A Gothic chasuble is a thing of beauty forever.

Spooner, however, focuses on popular culture. Beginning with the Goth movement of the 1980s, a subculture formed that brought much of this darkness to light. She’s careful to point out that being Goth isn’t the same as being gloomy all the time. It is an expression of creativity, and, as Spooner notes, closely associated with Steampunk. Such things, however, require a recognition on the part of participants that in order to taken seriously, such expressions must become part of daily life. There are risks, however. Even in enlightened cultures we are not yet fully tolerant of those who are different. And really, much of the book is about this—accepting those who are not like ourselves. There is quite a bit going on here that’s beneath the surface. And depth is something the world could use a bit more of. There’s nothing wrong with having some fun while acquiring it, either.


Simply Complex

What does it mean to be a man? Or a woman? Or intersex? As a society we seem to spend quite a lot of political time thinking about this. We want to regulate something we don’t even understand. An opinion piece by Rabbi Mark Sameth in the New York Times raises this question to a new level. “Is God Transgender?” the title asks. The Bible, which most of the belligerents in this battle claim to follow, doesn’t present as hard and fast a rule on sex as it might seem. As Sameth points out, the language of a number of passages seems “gender confused” and even the gods of olden times could slip from female to male and back. The Ugaritic deity of Athtar could be called Athtart, depending on her or his gender at the time. We human beings prefer our genders to be fixed, but nature doesn’t always agree.

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Not only gender identity, but gender itself occurs on a spectrum. In cases of “ambiguous” gender doctors often make the decision at birth. Gender is assigned, and sometimes made surgically. And lawmakers will use an outdated binary system to assign bathrooms. We make industrial, multi-occupant bathrooms because they’re cheaper. At the same time we raise our children telling them that bathroom use is a private function. Of course, when money’s involved the story changes. We thought we understood what gender was. Like most aspects of life, however, our understanding is only partial. Some species have such complex reproductive techniques that the term “gender” just doesn’t apply. Some species naturally change gender in the course of their lives. Which bathroom should they use? Nature doesn’t support our laws here.

For human beings the experience of gender is no doubt important. More important, it might seem, would be the acceptance of difference. A rainbow doesn’t have sharp divisions of color. Light blurs from one hue to another and we say it’s beautiful. When it comes to sexes we only want two. Black and white. As the rabbi points out, however, nature prefers the rainbow. The acceptance of difference in the face of the evidence would appear to be prudent. But many people read the Bible only on the surface (although even here it’s not as straightforward as it might appear at first). The biblical writers probably thought of gender in binary terms. In those days congenital “defects”—at least those visible to the naked eye—were cruelly set aside as a divine curse. We’re at last learning to see this “curse” as a blessing of diversity. As long as we don’t have to share bathrooms.


Noah Way

As a fleet of Noah’s Arks near completion, some critics would like to stop these Titanics from their mythical crossing. The Ark Encounter, despite announcements of its demise, is set to open soon in Kentucky. This Noah’s Ark replica, unlike its seaworthy compatriots, is land-locked in bluegrass country. According to a story originating in the Lexington Herald-Leader, Tri-State Freethinkers tried to take out billboard ads suggesting the ark advocates genocide and incest. Well, marrying first cousins has been done before (think about it). And if you go back ten generations things get even a bit dicier with Cain’s wife and that of Seth. All in the Family wouldn’t even air for 6000 years. As for genocide, well, this was more like genomicide. Not a race, but an entire species, apart from kissing cousins, was about to learn the hard lesson of being born not of chosen stock.

According to the article billboard companies have rejected the Freethinkers’ proposal. It might cause accidents, they suggest, which, although not technically genocide, do take the lives of the innocent, even in dry weather. The flood divides people. Thus it always has.

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The culture wars, curiously, pick strange targets. I’m not in favor of teaching children to read myths literally, but then, I’m not in favor of bringing them up as materialists either. There used to be a concept called the “via media”—the middle of the road. Now such a stance appears decidedly wishy-washy. Milquetoast anyone? It is much better to be combative. “Oh George, you’re always so forceful,” sighs Winifred. So we teach our children. Boys, push your way to the front.

Implications can be tricky things. Allowing opponents, no matter how naive, their say has always been a mucking out of the Augean stables. Nobody likes to accommodate other points of view. Watching the parade of politicians we must be assured that we alone are right. Still, the stillborn billboard has a point. Building arks is the sign of the ultimate intolerance. Not only do you condemn those who differ to the outside, you are giving them a self-righteous death sentence. Maybe the billboard should stand. Or maybe it should not. What would Charlie Brown do?


Rainbow Nation

By now I suppose it’s old news that North Carolina has joined the wall of ignominy as the latest state to try to discriminate against gays. It seems our aging leadership just doesn’t get it that a large majority of people in the younger generation just don’t have a problem with accepting homosexuals for who they are. Laws are generally still made by old white men, though. One might be tempted to say “good ole boys.” They may make the claim that this is political, but as one astute editorial in the New Jersey Star-Ledger pointed out, this is about religion. The editorial, which ran on Saturday, notes that studies have shown that when people learn a law sequestered under “religious freedom” is actually discriminatory, the law loses support. The government by the people thing seems to be working backwards. What will it take for elected officials to realize that we are a rainbow nation? And rainbows, according to the Bible, are good.

MyFavoriteNoah

I’m always amazed at these attempts to turn the clock back. It is the season of “spring forward” is it not? Religions that have a problem with homosexuality also have an unscientific understanding of human sexuality as well. Not one person in the Bible had a clear idea of how conception worked. If they didn’t understand the facts of life, how can we expect to learn the life of facts from them? What amazes me most is that such views don’t take the whole picture into account. Intersex individuals—of whom there are many—demonstrate that easy definitions of gender are sure to be wrong. Even tying the concept of gender to sex seems to be misguided. And yet we pass laws the favor a first-century understanding of what it means to be human.

In the end what will change the minds of the corporations will not be their heads or their hearts. The decision will be made by their backsides where their wallets will be growing a bit lighter as corporations decide to take their facilities elsewhere. It’s a sad commentary on our society when justice isn’t enough to strike down a prejudicial law. It takes money to do that. It is a strange world indeed where it take lucre to lead to light.


Dirty Words

I don’t have any bumper-stickers on my car. As clever as I may think any particular one to be, driving down the highway is not the place that I want other drivers to get ticked off at me. A more judicious use of turn-signals would be my preference over mass-produced witticisms. I suspect that most readers know of my liberal leanings. Some have even bothered to inform me that they no longer read my musings precisely because of this. On the information superhighway, unlike the real highway, you can just click off and not be annoyed anymore. My bumper, therefore, will stay clean. While in a parking lot recently I saw a bumper-sticker reading “Not A Liberal.” I had to ponder this a bit.

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I grew up conservative, although, as working-class folk, we didn’t label ourselves with that word at home. I wouldn’t have even known what it meant. Liberal, in its basic form, has to do with generosity and being respectful of others. The media has built it up into a kind of evil juggernaut that intends to take over the safe, unchanging world of religion and politics. I wonder how liberal became a dirty word. Who, among your friends, would want to remain so if you disrespect their views and refuse to show generosity? I get the sense that even conservatives are liberal with their friends. When I walk past the homeless sleeping on a subway vent to keep warm, I wonder if conservatives ever read the parable of the good Samaritan. What bumper-stickers would the homeless wear?

A polarized society had better prepare for the big chill. In my admittedly limited experience, people come in a continuum of positions, not just one extreme or the other. It makes better news, however, when we divide into camps, the more clearly to spar with one another. What separates us is more important than what brings us together. Yes, I grew up conservative. I continued, however, to grow up. I suspect in some things I am still conservative, while in many I am liberal. I’m not sure what I’d put on my bumper-sticker. What do I want people to know about me while I’m driving? I think it might be better to suggest “I Respect You,” than an implied “I don’t like your views.” Then again, since it happens so often, I now look for a Jesus fish automatically when I’m cut off in traffic. Be careful of what you put on your bumper, because dirty words are in the eyes of the reader.


Retro Progress

LittleOrleyIn these days of high technology, remembering childhood might be seen as cowardly nostalgia. When driving my daughter back to college, however, sometimes I need a little nostalgia. So it was that we passed a pleasant couple of hours listening to Little Orley stories told by Uncle Lumpy. Having read ancient history for years, I don’t mind saying that I was a devoted fan of Captain Kangaroo as a child, and Mr. Green Jeans was one of the reasons. Before the Captain, Green Jeans (Hugh Brannum) had recorded a set of radio stories about Little Orley, beginning in 1946. (Lest readers get too driven by nostalgia, I wasn’t around for the original broadcasts.) In the small town of Franklin, Pennsylvania, across the state from where Brannum died, our library had a record of some of the episodes from his radio show. As a child I listened to these tales so much that I still have parts of them memorized to the word. The web brought Little Orley back to me, and now anyone can purchase the tales that I had gone for decades without hearing. Driving through eastern Pennsylvania on an emotionally laden journey, Uncle Lumpy seemed the perfect fare.

A few facets of the program struck me anew. Little Orley stories, for those unfortunate enough never to have heard them, are tall tales about a farm boy that involve all manner of hypostatized natural phenomena. Animals, plants, the moon, clouds, and even pancakes talk and act like humans. Or gods. Orley encounters these all with no hint of surprise, and yet goes to church on Sunday and Wednesday night for prayer meeting. The God in these stories is anything but a jealous deity, sharing the stage with a king of the oceans, lakes and seas that can transform a person to a fish, or with mysterious voices that can make a boy a worm and a worm a boy. Leprechauns gambol through the woods, and snowmen amble about trying to help with farm chores. Stories like these in the Bible are now considered factual, right Balaam? In the 1940s they were standard fantasy for children.

Now we’ve come to an era of biblical literalism that fears and despises challenges to the single God of sacred writ. In Little Orley, however, a message of tolerance (with some notably politically incorrect caricatures) predominates. Orley is time and again in situations where those who are different should be, and inevitably are, treated as equals. Even God gets some help from talking bats who ring the bell to bring the faithful to church when the sexton breaks the bell-rope. Change, I know, is inevitable. As these miles disappear behind me, I can feel it keeping pace, eventually to eclipse me. Progress is good, but sometimes the way ahead is best found by looking back in wonder.


Vive la différence

Scientists, those to whom society has passed the responsibility for knowing, have an increasingly difficult time defining humans as opposed to other animals. Still, we know a person when we see one. That’s when the crucial ethical issues arise: how should we treat others? Two unrelated articles about human rights recently came across my virtual desk: one about Disney’s Beauty and the Beast and another about how religious rights sometimes/often hamper human rights. There’s so much to sort out here, and I’m not even one of those that society deems fit to do such sorting. Well, I am human, so perhaps I can give it a shot anyway. In an article in Friday’s The Guardian, Deborah Orr points out that for progress in human rights to move forward, rights for the freedom of religion have to take second place. Clearly she’s onto something because, historically, one of the greatest enemies of human rights has been religion. Labeling suffering as virtue, it’s relatively simple for religions to suggest that the lot of the oppressed is to bear suffering so that the faith can continue untainted. After all, those religions with an afterlife, in any case, declare that it all gets sorted in the hereafter.

Orr makes a very good point: we are all human, but we may not all share religion. Isn’t the need of the whole greater than even the need of the many? Utilitarianism would declare it so. So would common sense. (Science warns us not to trust common sense, however.) Some of the harshest violators of human rights continue to be religious traditions. Others are heathens, pagans, infidels, heretics, beasts—take your choice—and therefore displeasing to some divine being, generally male and either hetero- or asexual. Oh, and he’s from the Middle East, ethnically. Over on PhotoBlip.com, a piece about Beauty and the Beast makes the point that Gaston, the strapping, über-masculine antagonist of Belle’s provincial town, is frightening because the people so easily follow him. He whips the crowd into a frenzy because, as a thoughtless but handsome (and ripped) figure, people naturally do what he tells them to. He is a dangerous, selfish bully, and many politicians have learned their tactics from him. Belle, a bookish girl, is considered odd and in need of domesticating. The beast is deformed and in need of killing.

We could learn a lot.  (Photo credit: Brian Forbes, WikiCommons)

We could learn a lot. (Photo credit: Brian Forbes, WikiCommons)

These two stories, from very different sources, point in the same direction: tolerance is the only humane response to a complex world where lots of different types of people live. Still, the problem isn’t wholly a religious one. Human rights insist that all people have access to the basic necessities of life, and, ideally, the possibility of flourishing into what they desire to be. Some, however, desire to dominate. With or without religious backing, this Gaston-esque drive to bully is all too real since might does seem to make right, and even some political darlings get their way by being bullies. One of the most poignant points that religion has ever made is that you can identify the divine by its willingness to lay down power and identify with the weak. We are seldom presented with that side of the gospel truth, for there is a paradox at the heart of it, and people want clear answers, not puzzles. Even science, however, when pushed far enough must answer with a paradox. Is light a wave or a particle? Some religions would say that light is a gift of the divine.


The Subtle Elephant

“Beer,” the list reads, then “Sex, Tacos, Weed.” At the top of the list, “Jesus.” “Which one of these is best?” the magazine page virtually shouts. Not Playboy, but Wired. At times I have difficulty figuring out what is an advertisement and what is an article in Wired. It is the future, I suppose. Anything’s for sale as long as there’s lucre to be generated. The page is topped with “Wired Insider,” so I suppose it’s a whimsical pop culture section, but I’m not really sure. The page seems to be promoting an app called Proust. I’m still pondering this list: “Jesus, Beer, Sex, Tacos, Weed.” One of these things is not like the others…

Vices

While there may be nothing inherently wrong with beer, sex and tacos (the jury’s still out on weed), such indulgences are often labeled “vices.” Jesus, until recently, never really populated such lists. Even those who do not claim divinity for Jesus of Nazareth do tend to see his teachings as embodying virtue rather than vice. In the media, however, we often see Jesus turned into a kind of addiction, a vice, if you will. What I mean is that Jesus has become a kind of iconic symbol, emptied of tolerant teachings and benevolence toward all. He has become a “white man,” who does not put up with anyone who deviates from the McCarthy-era lifestyle. He is Ozzie (Nelson, not Osborne). We know so little of the historical Jesus that it is difficult to say anything definitively, but I might suggest that he may have felt more at home at a Black Sabbath concert than watching Leave it to Beaver. There is, after all, value in shock value.

Some scholars now confer about the Iconic Book (i.e., the Bible). The Iconic Book is where the Bible is used not for what it says, but what it represents. Swearing on a Bible means nothing to an atheist, and yet we persist. These hollow symbols become powerful indicators of social norms, while losing their radical content. Many might think the Bible utterly conventional, but there would be weeping and gnashing of teeth on Wall Street if people actually read it and took it seriously. Jesus, it seems, has also become iconic. I don’t mean that icons are painted (although they are), but that he has become a hollow symbol for some. In a world where gaining as much money as possible is called “Prosperity Gospel,” despite what the iconic man in the iconic book supposedly said, I guess it isn’t unusual to find the erstwhile savior among the vices of the world.

“Our dried voices, when
We whisper together
Are quiet and meaningless”

Yes, Mr. Eliot, this is the way the world ends.


Duck, Dynasty

The Fundamentalist mouth has no filter. I’m a bit surprised by the furor raised by Phil Robertson’s comments about race and sexuality. Did A&E not realize that it was dealing with a Fundamentalist family on Duck Dynasty? I’m frequently amazed at how Fundamentalism is exoticised by the media as some quaint, back-woodsy phenomenon. Do they not realize that similar views are held by several members of congress and the pre-Obama presidential incumbent? By the numbers, Fundamentalism is a powerful force, but, like our universities, the media can’t be bothered to try to understand religion until a large demographic is suddenly threatened. A&E supports equality across sexual orientations, and, as it should go without saying in the twenty-first century, races. Prejudices, however, run very deep. Perhaps it’s just not so surprising to me, having been raised in a Fundamentalist environment. There was nothing exotic about it. It was, as we understood it, simple survival.

Phil Robertson has been suspended from his own show for comments made off-air. Wealth does not necessarily make one a better person. In fact, the figures trend in the other direction all too often. If instead of just promoting books written by the stars of the anatine series, the studio executives read those books they might have foreseen something like this coming. The Fundamentalist mind, I know from experience, tends to see things as black or white. Despite the camo, gray is a loathed color. Rainbow is even worse. The Fundamentalist psyche is not encouraged to try to see things from the other’s point of view. There is only one perspective: the right one. And when asked a straightforward question, a straightforward, if misguided answer will be given. It’s the price of fame.

The Robertson family, according to CNN, has closed ranks with their founder, claiming he is a godly man. There’s no irony here, folks. Fundamentalism isn’t into irony or subtle possibilities. Religious rights and freedoms are being press-ganged to the aid of those who long to speak free. Not about ducks, or guns, or calls. But about the naturalness of white skin and heterosexual love. And the Bible as the only possible source of the truth. The media often treats Fundamentalism as if it were a game, turned on or off at a whim. In reality it is a comprehensive worldview in which the inmates are commanded to speak the truth. The filters are not on their mouths, but are in their minds. Until we can learn to take them seriously, no duck anywhere will be safe.

Even the Roman Empire didn't last forever...

Even the Roman Empire didn’t last forever…