In most ways, I enjoy progress. Having electronic communication has spared the lives of many innocent trees, information may be had quicker, and ideas can be freed from the sometimes narrow constraints of staid publishers. (On the other hand, it has given internet users way TMI, some of it not worth the double-click.) There is, however, no comparison to holding a book in your hands. I grew up with cheap paperbacks with their brittle, brown-edged pages and their cadre of book-mites, but many happy memories have accrued to those hours of reading. I never much cared if the books were pristine, as long as they were legible. As intensive reading became a major part of my career aspirations, I started to notice the quality and longevity issues of books. Hardbacks were more durable, but less portable. Some were artworks in themselves.

I was disappointed, therefore, when I recently ordered an Oxford University Press book and I discovered that it had been done Print on Demand. Having worked nearly three years for Gorgias Press, pretty much a strictly Print on Demand publisher, I immediately recognized the hallmarks of this quick and easy way of keeping books in print – inferior print quality and image replication were dead giveaways. The truly disappointing part of the scenario was that this particular book has an intensive discussion of artifacts shown in their grainy, low resolution PoD reproductions. I realize that even large publishers save immense warehousing costs by supplying on-demand titles after an initial print run sells out, but when it compromises the quality, in part the raison d’être of a book with illustrations, some troubling issues are raised.

It seemed when I was young that no matter which copy of a book – barring obviously defective tomes – I picked up, the contents were virtually identical. The industry standard, offset printing provided many identical copies of good quality relatively cheaply. With Print on Demand, books can be outsourced to different vendors and interiors can vary considerably. I saw this all the time while checking proofs at Gorgias Press. PoD also means that little changes can be made between “print runs” resulting in different copies of the same book having variable text. The compulsive footnoter in my veins starts clutching his little chest. When books move from a print run that can only be altered by a new edition to a PDF that can be adjusted between each individual copy, I begin to wonder about the stability of the written word. I’m still enjoying my OUP book, despite the uneven printing and the grainy pictures. But deep inside I fear that rewriting history has become much, much easier.