Red Eye Religion

It is a slow news day when Bigfoot makes the front page of the New Jersey Star-Ledger (without a body being found, of course). Not even halfway through the article the word “supernatural” shows up. This illustrates once again my contention that paranormal and religion often share mental space. A few months back I posted on the recent book Paranormal America by Christopher D. Bader, 
F. Carson Mencken and 
Joseph O. Baker. The authors, sociologists by trade, expressed a revealing connection between religious belief and willingness to accept the paranormal. One exception stood out, however; professionals who engage the hunt for sasquatch often toe the line of science and disparage the popularizing notion that their quarry is supernatural. There’s no doubt that Bigfoot has a growing clientele. Whether mythic or biological, there can be little doubt that the big guy’s here to stay.

Appearing in the newspaper as a bit of New Jerseyana, the local tradition about Big Red Eye—the north Jersey version of Bigfoot—suggests instant comparison with the Jersey Devil, a tactic the paper takes. Similar to responses presented when religious behavior turns criminal, adding a light touch helps to ease the tensions. Both religion and the paranormal thrive in the realm of belief. As I waited all morning in the garage for car repairs yesterday, the incessantly chatty morning talk-show hosts were going on about some quote that the Tea Party had been compared to terrorists. One of the gambolers stated, in rather self-righteous tones, “they are entitled to their beliefs-the constitution protects our right to believe what we want,” or something to that affect. Belief is a very powerful motivator. Even those who thrive on science alone secretly imbibe.

The physical reality of a phenomenon is not the sole indication of its significance. People are meaning-seeking creatures. Our concepts of what life means range from nihilistic, to simple, to complex. Even those who claim life has no meaning arrived at that place after the search. The significance of the unseen, the unknown, is that it provides an Ebenezer for meaning. Does Bigfoot exist in New Jersey? I can’t say. If so, it would still not rank as the strangest thing I’ve seen here. Nevertheless, among the fervent critics and uncritical adherents a common bond exists. Belief can’t be measured in any laboratory (yet) but only the most naïve would assert that it doesn’t exist.

Do you want to believe?


Monsters Are Due on Elm Street

November 1984. George Orwell’s dark vision had not fully emerged, but the veneer had worn off of the fairy-tale world promoted by the evangelical, free-market professors at Grove City College. As a blue-collar kid in a blue-blood institution, I was out of place. The campus was buzzing, however, about a new movie—A Nightmare on Elm Street—for which I finally plucked up the courage to ask a cute coed for a date. I’d never seen a slasher movie before, having sampled mostly traditional monster-flick fare as a child. I felt a sense of accomplishment since some of my college friends had to leave the theater for fear. On the big screen, with no previous knowledge of the plot, the film worked for me on many levels. Last night I decided to watch it again.

My first reaction was a sense of surprise at how much of the movie I still recalled with pristine clarity. For having been nearly thirty years ago, such clarity is a rare phenomenon for many details of life, often reserved for memories of early girlfriends. A second reaction was noticing how religion featured in the film. The girls skipping rope chant, “One, two, Freddy’s coming for you / Three, four, better lock your door / Five, six, grab your crucifix.” Indeed, the crucifix features in several scenes as an ineffectual weapon against Freddie Krueger. The days of defying vampires are over when your own subconscious turns on you. In one of the early chase sequences, Freddie, raising his infamous glove, says, “This is God!” Religion and its overarching concerns with death and suffering come together with horror in that one moment. The traditional power structures of religion have lost their power to defend the troubled teenagers. The only one well adjusted is, ironically, Johnny Depp’s Glen. Even he falls victim to the revenge sought by Krueger.

Surprisingly, the scene I had most trouble recalling was the end. I recollected the bright, hazy sunshine, but couldn’t remember how Wes Craven released his audience from the drama. Of course, there is no end. Freddie came back in countless sequels, none of which I ever watched. Although I wouldn’t know it at the time, Robert Englund based the screen presence of Freddie on Klaus Kinski’s Nosferatu in Werner Herzog’s classic remake of that silent gem. Freddie is the vampire that defies religious cures. Movie villains are among the most adept practitioners of resurrection on the silver screen. The occasional E.T., Neo, or Spock will come back from the dead, but those who repeatedly return are the denizens of our nightmares. As Orwell’s vision continues to unfold in subtle ways, 1984 looks like an age of innocence before the ineffectual god worshipped by the establishment became self-image, writ large, on Elm Street.


Defining Humanity

Positions of power replicate themselves. In a sense this is understandable as power is the most addictive substance on the planet. Once superiority is asserted, it will never allow itself to be uprooted. With the recognition of homosexual marriage in New York, many heated reactions sprouted from the position of power man-plus-woman (always in that order) camp. Such a response was predictable and anticipated. I suspect it is largely based on fear. I have many friends with differing sexual orientations than mine. Raised to castigate such individuals, that outlook became increasingly difficult to uphold once I got to know my gay friends as people. I count them among my most loyal friends. People are people.

The problem lies in labels. Humans are natural categorizers: bird, fish, or mammal? Predator or prey? Religious or secular? We want our world to stay true to categories we devise. People, however, are seldom easily classified. Still, we try: skin color, ethnic ancestry, religious heritage, sexual orientation. People are people. The world of trite classification is ending, and those in positions of power tremble. Anything that is different might upset the economic balance that keeps those on top in their positions. (My own amateur observation, however, is that the economic balance is naturally top-heavy and readily upsets itself. It seems to have been that way since before this blog began.) Would we not do better to try to understand those who are different than ourselves?

As an exercise in this direction, I recently read Alvin Orloff’s smart satire, I Married an Earthling. As my long-term readers know, I have a slight soft-spot for aliens, and this story of a gay man finding nothing but rejection on earth and eventually marrying an alien seemed quite fitting in the present climate. Not part of the gay subculture, many aspects of the story were foreign to me, but what was painfully clear throughout is that people are people. Some are accepting, others are not. When reality offers so few options that he must flee his own planet, Chester, one of the protagonists, takes to the stars. At a couple points before his exodus, he notes the role that religion played in his antagonists’ outlooks. The book is lighthearted and funny overall, but the serious issue remains. Those in power tend to horde privilege. When that happens, economies—material and spiritual—collapse.


Finding Nemesis

Philip Roth was an author unknown to me (shame on me!) until this summer. Over the past several years I’ve taken it upon myself to read my daughter’s high school novel-reading assignments so that we can stay current (in an aspect where a parent is permitted to do so). Her school requires summer reading and this year Roth’s novel Nemesis was on the roster. As a recent book, it is unusual in being assigned before the test of time has rendered its verdict. Set during a fictionalized polio outbreak in Newark in 1944, Nemesis follows the fortunes of Bucky Cantor, a Jewish physical education teacher in charge of a summer playground program in Newark. As his kids begin to fall to the disease, the protagonist flees to the Poconos to be with his fiancée at a Jewish summer camp. As the situation deteriorates, Bucky questions God’s role in the world of disease and in the war that continues to rage in Europe and the Pacific.

It is the classic issue of theodicy. Having been raised in a tradition that espouses God’s goodness, the protagonist has to face the death and disabling of children by a disease for which there is no cure (at the time). The issue of God’s role in the disaster is a recurring theme throughout the book. In the final chapter when the atheist narrator—himself a victim of polio and one of Bucky’s former students—questions Cantor about his beliefs, Bucky holds onto a dogged insistence that blame must be ascribed. His student opines: “it’s a medical enigma… His [Bucky’s] conception of God was of an omnipotent being who was a union not of three persons in one Godhead, as in Christianity, but of two—a sick f**k and an evil genius.” That statement gave me pause. Traditionally theodicy assumes the goodness of God and tries to bend the facts to fit the premise. Here God is in the dock and all interpretations are permitted in cross-examination.

The angst of dealing with the concept of omnipotence is real enough. In this Tea-Party world where selfish personal aggrandizement is seen as divine prerogative while children starve in misery and die painfully on an hourly basis, very real questions should be asked. Instead, most people assume the religion they have been taught is correct: often the facts of history are distorted to make such a belief match pre-decided outcomes. God is good as long as I get my share.

Reviews of Nemesis have been mixed, but Roth does a powerful job in his final chapter of this novel. The action is almost as predictable as the heat of summer, but the real substance, as usual, lies in the interpretation of the events. When God is brought into the equation, the temperature is sure to rise even further.


A World Without Borders

When Borders announced it is closing its remaining stores earlier this week, part of me died. My first Borders experience was with the original Ann Arbor store after moving to Michigan to be with my (then) fiancée. Since then my wife and I have spent many happy weekend hours browsing at Borders. The sensory, indeed, nearly hedonistic pleasure of being among books in a casual, friendly environment where ideas seemed to roam as freely as the bison on the plains before the Louisiana Purchase, is, sadly, about to end. Barnes and Noble never attained that balance nor has it ever aspired to it. I once met Jeff Bazos, the founder of Amazon, and he is a very nice guy. But when I buy books from his store, I never leave my living room. One of the intellectual’s guilty pleasures has been eradicated.

I grew up in a town with no bookstore beyond the local Christian supply shop. When a mall was built nearby and a Waldenbooks came in, I thought I was in heaven. Even the town where I attended college had no bookstores beyond the campus supplier. Borders represented the intelligent side of book buying, without appealing to the lowest common denominator. I can hear the nails being driven in from the pillow in my coffin. Our society is a post-literate one. As a person who has had many an unrepentant love affair with words, it feels like civilization itself has received a mortal blow. As I tell my students: the mark of true civilization is writing. Ever since the Sumerians invented it, it has been a means of release from reinventing the wheel with each generation. Our hearts, however, have gone after technology and gadgets and left bookstores in the dust.

Please allow me my eulogy here—I realize that reading will continue, but its context has morphed almost beyond recognition. I have watched while every employment for which I am suitable has silently gone extinct: higher education, libraries, museums, publishers—the pillars of culture itself. Gone is the day when a kid receiving his summer paycheck would beg his mother to drive the forty miles to the nearest bookstore where he would come out with not a cent in his pockets but his arms full of books. We can read about such idiotic behavior online. A border has been crossed, but some of us will linger on the other side hoping that the civilization we knew might somehow survive.

I had no idea this would become a collector's item


Robot Ethics

One of the benefits of being affiliated with Rutgers University, if only part-time, is keeping a finger on the pulse of the future. No, I’m not on any admissions committees. Rather, this week, now available on YouTube, the university is advertising its robotics ethics program, geared mainly toward high school students. Perhaps reading Robopocalypse is not the best introduction to robot ethics, but it does raise a very serious issue—how do robots and ethics fit together? We haven’t even figured out human ethics yet! One of the principal concepts behind any ethical system is intention: did a person (or rarely, a higher animal) mean to do what it did? If an action has brought harm to a person, we need to know if it was intentional or not. In a world where artificial intelligence is just around the corner, we need to sort out how this will apply to mechanical minds.

Perhaps—if human minds are just soft computers—when robot minds are created they too will have a god concept. Neurologists and philosophers and theologians debate when the human concept of god originated and no consensus has emerged. It may be a by-product of “mind,” however we define that. If computers are eventually assigned true mind, will they also believe in God? According to Wilson’s fictional construction in Robopocalypse, Archon thinks “he” is “god.” Humans tend to project God out there somewhere. None of us has the power ascribed to God, and even if individuals claim otherwise, we don’t actually believe we are divine. Would a computer know?

Pressing just a little further on this, human ethics are always subject to corruption. It is clearly seen, almost advertised even, in politics. Not only do we find government leaders with their trousers down or with dirty money in their hands, we also find the same in ecclesiastical settings. Would robots become corrupt? Wilson calls the corrupting agent a virus, a real enough phenomenon. According to the Rutgers video, within two generations every home will have robots in it. The question is: what will their ethics be? I probably won’t be around to see it happen, but I do have a profound hope. My hope is that whoever fabricates robot ethics will be well aware of the failure our governments and religious institutions have made of the attempt.

Danger! Danger, Will Robinson!


Parry Hotter

With the final Harry Potter movie opening this weekend, it is clear that the brainchild of J. K. Rowling will live forever. When the books first started to gain popularity numerous Christian groups protested that children would be tempted into witchcraft by the appeal of the young protagonists. Ironically, standard Christian teaching denounces the power of witchcraft, although some groups do still acknowledge a very active devil. Now that the series has run its course–all the movie spin-offs of the novels are complete–many are coming to the realization that the message is profoundly ethical if not downright religious. As usual with knee-jerk protests, the message is missed for the medium, and those with fragile faith clamor for a spell of their own to put an end to opposition.

Joining the bandwagon late, I first started reading the Harry Potter books when the third or fourth volume had been published and public interest was riding high. I haven’t kept up with the movies, however, last watching Goblet of Fire at a theatre in Wisconsin while contemplating my own position at a school like Hogwarts, minus the magic. The books, however, convey the message more clearly–the power of evil is real, good is not always what it seems, and institutions can’t save you. The importance of love (the main thrust, many would contend, of the preaching of Jesus) is the driving force behind the story from the moment Lord Voldemort (the Darth Vader of the twenty-first century) failed to kill young Harry Potter. Perhaps the true concern that many religions have with Rowling’s work is that it has trumped the traditional mythology with a bit more style and panache.

As a regular Protestant Christian, Rowling expresses traditional beliefs in her writing. The fantasy of witchcraft, however, has always maintained a lure for those cut out of society’s pathway to wealth, recognition and ease. In the days before Christianity, the early Israelites believed the power to be real to the point of making witchcraft a capital offence. Of course, omnipotence had not yet been invented. Once a deity becomes all-powerful, why should fear remain concerning magic? More likely protests against Harry Potter had less to do with the witchcraft than with the insecurity that many believers feel about God. The plan doesn’t seem to be unfolding as the Pat Robertsons and Timothy LaHayes are saying it should. Doubt is a much more powerful force, it appears, than magic.


Deliverance from?

At times it seems strange that I missed so many formative movies when I was growing up, but then my wife pointed out that many of the films were released when we were minors. That, combined with the fact that most of them bore R ratings, acted as an effective deterrent at the time. So it was that we only saw Deliverance yesterday. References from friends, colleagues, and even The Simpsons made us feel like we’d missed a part of American culture that everyone else had seen. Of course we knew the basic story, but seeing it played out intact is a much more satisfying experience. Since I am scheduled to do a church talk on Christianity and the movies later this morning, I was interested in the way the church is portrayed in the movie.

After the three survivors make it back to civilization, the first building that meets them at the riverfront is a plain white “Church of Christ.” At the moment of their eponymous deliverance, the church is there. As Ed and Bobby are being driven to the hospital in a taxi, however, the church appears again. The valley is being flooded to bring hydroelectric power to Georgia, the reason the men set off to see the river in the first place. Since the town is shortly to be flooded, the church is being moved. The taxi driver tells the men, “We might have to wait a minute for the church to get out the way.” In the extras director John Boorman spoke about the highly symbolic nature of the film, including the way that the symbol of stability in the community, the religious establishment, could not hold its own ground.

I also sensed another element of irony here. The church had been, symbolically, in the way of the advancement of civilization. Paralleling this inhibition is the utter, and bewildering freedom from the law experienced by the men following the murder of the mountain man. The viewer is left to decide which is the worse fate. Now that I have seen the film, I think I can understand the depth of struggle it represents. As the continuing debate on the relative merits and demerits of religion in society rages on, there is always a very human aspect that stands beyond simple formulae. Perhaps we save religion in the hope that it will save us.


Stobor and Dogs

Having spent seventeen hours on public transit of various sorts yesterday, I had plenty of time to read. My chosen book for this trip was Daniel H. Wilson’s Robopocalypse. In my recent reading spate of dystopia novels Wilson’s vision seems more likely than others and thus perhaps a bit scarier. An obvious reason for this is that much of our tax money goes toward military projects that are, naturally, secret. A large part of Robopocalypse deals with military robots gone feral. Well, not really feral. The robots are controlled by a mastermind computer virus. In the first chapter this robot overlord declares to its creator, “I am your god.”

That statement is probably, metaphorically, true already. We live in a world where culture would change irrevocably without our current technology. Without it even fewer people would be reading the words I daily post here. Without it industry would shift into reverse back to the days of Thomas Edison or Eli Whitney. Present-day culture would be unrecognizable. Although not the best-written novel I’ve read, Wilson’s story does raise a salient issue—at some point the tool becomes the master of its user. For many years those who loudly proclaimed the superiority of Homo sapiens declared that we were the only tool-making animals. Subsequent observation has, of course, proven that to be inaccurate. Nevertheless, once knowledge of tools is acquired a trajectory is set. We lose a little bit of control.

Has technology replaced God? For some it clearly has. God is a symbol of comfort and meaning. As I watch thumbs busily texting away on planes, trains, automobiles—and especially in the middle of lectures—I realize that this altar of technology boasts many worshippers. There are very few scenarios where advanced technology is not present, like an omniscient being. Thankfully we have a few more years before Raymond Kurzweil’s artificial brain comes online. We should use those few remaining years to prepare ourselves for either an epiphany or an apocalypse. When the slaves become the masters, we are firmly in the territory of dystopia, at least from a human perspective.


Kings and Codes

I readily acquiesce to the suggestion that others are smarter than myself. In a world of overly competitive commerce that has wormed its way into higher education, I have found myself ill-equipped to compete against those who are more clever at working the system. At times I can be decidedly pre-medieval in my perception of fairness. Thus it was a combination of self-denigration and legitimate surprise to find a brief piece in the May edition of Wired magazine on the Code of Hammurabi. In this arena I would have supposed myself to be on firmer ground. The piece by Joel Meares appeared in the Blast from the Past section of the “Humor Issue” of the erudite magazine. The writers at Wired are by default well beyond my ability in the tech scene, but this piece was a consideration of how Hammurabi’s justice still plays its way out in popular culture. Beginning with the 1970’s movie series Death Wish, Hammurabi is given credit for inspiring Hamlet, The Count of Monte-Cristo, Red Dead Redemption, Frankenstein, Moby Dick, and Batman. Holy pedigree, Hammurabi!

Each semester I try to explain to my students why study of the ancient world is still relevant. It may be overly simplified to suggest that Hammurabi directly inspired all these works (the Akkadian language wasn’t really deciphered until the middle of the nineteenth century, CE, long after Shakespeare), but clearly the trajectory had been set long ago. Even before Hammurabi. The earliest known law-codes predate Hammurabi by many centuries and demonstrate that our sense of justice and fair play were being bandied about by the gods long before Hammurabi was a twinkle in Shamash’s eye. If we want others to play nice, the best way to convince them to do so is to lay the dicta in the realm of the gods.

Maybe I can’t figure out where Death Wish and Moby Dick share anything beyond a cursory resemblance to Hammurabi, but it is clear that the Mesopotamians were the first to articulate the idea that the gods set the rules and it is our duty not to upset them. Of course, in our society fair play is frequently sublimated to corruption at various levels. Someone is always willing to bend the rules if the covert payment is enticing enough. After all, doesn’t it look like Hammurabi is placing his fingers to his lips while receiving a kickback from Shamash on the pinnacle of the famous stele bearing the code that now bears his name?

Hammurabi winks at Shamash


Metaphor

Author Neal Stephenson, inspired by fellow author George B. Dyson, built a baidarka a few years back. The baidarka, an Aleutian version of the sea kayak, was such a necessity of life among the Aleut that it was treated as a living being. Whenever I find myself at the same latitude and longitude as the baidarka Neal built, I like to take it out for a relatively safe lake voyage. I’m not much of a swimmer, and taking boats out on the big water always chills me before the water actually touches my skin, but this is a kind of ritual that I feel compelled to observe. It is a participation in the mythic world of the Aleut. As spiritual beings, kayaks were a necessary part of life for island dwellers. In their own way, I suppose, they are saviors.

Author and partner in the baidarka

Traveling by water, I find, is a spiritual experience that eschews scientific quantification. It is a feeling, not a measurable commodity. To quote the great sage Rat in Kenneth Grahame’s The Wind in the Willows, “There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats.” We are born of water, mostly made of water, and ineluctably drawn to the water. Rachel Carson suggested in her classic, The Sea Around Us (always one of my favorite books), that having evolved from the sea we are forever yearning to get back to the sea. Water is life as much as blood is.

broken water

When water breaks by being forced into an unyielding shore or by being thrown over a cliff to become a waterfall, flinging refreshing spray into the air, its great energy is released. Although its flow may be interrupted it will break apart granite and basalt, literally moving mountains and carving coastlines. Water that is placid in the morning may be raging by the end of the day. Water is life, and if life is anything more than a metaphor no one has yet convinced me of it.


Black and What?

Dystopias are not all of the same stripe, or, in this case, color. Jasper Fforde’s Shades of Grey is perhaps the most colorful look at a bleak future I have ever read. The premise, funny and strangely serious, is that in the distant future color perception ability determines social rank. A cast of odd characters who see predominantly only one color vie for superiority while keeping to the rules of the founder of this society. The hilarious results often carry profound consequences. Those who live within this highly stratified culture fear those who do not, including a mysterious group known as the monochrome fundamentalists. The founder of the social order, Munsell, has achieved god-like status and his writings have the force of scripture.

This dystopia reflects, whether intentional or not, the social impact of many religions. Reading about the prefects, the political leaders of this culture, is like reading about the clergy who mistake spiritual guidance for power. The transition from pastor to politician is simple enough among social creatures like ourselves: we need those with persuasive powers to make decisions in accord with our best interests. Prefects and priests, however, are both eminently corruptible (let us say nothing of politicians) and evolution favors those who look out for themselves. The trick is to make others buy it.

Fforde’s dismal future includes Leapbacks where useful technology from the past is discarded in order to make people more compliant. In a world where color is a rare commodity, a modern usage of the rainbow seems apropos. Everything we are learning from psychology and biology—sciences still in their youth—suggests that sexual orientation is deeply ingrained, more so that just preferences or likes. The mainstream religions, however, have actively discriminated against those who are aware of their deepest needs. I know many excellent, caring individuals who’ve been kept from the ministry because of their orientation. Others who are clearly deleterious to the church climb to positions of power based on their approved sexual appetites. And society falls into lockstep with them. I don’t know Jasper Fforde’s political views, but along with him I would suggest that the ability to see shades of gray might be the best thing for any society, whether in the distant future, or especially, in the present.


Contriving the Rapture

In the light of last month’s failed rapture attempt, I decided to read a book that I picked up some years ago that had been written in the wake of the millennial scare. Having grown up with nightmares of the rapture, I learned during my first college class on the book of Revelation that it was relatively modern meme, invented in the nineteenth century. Barbara Rossing’s The Rapture Exposed seemed a good way to refresh my memory without having to go through all those boxes of books in the attic to find my original textbooks. Rossing, a Lutheran minister and New Testament professor, brings to light some very important facts beyond the historical roots of this theological fabrication—facts that should concern religious and secular alike. The rapture was invented by John Nelson Darby, a founder of the Plymouth Brethren and convoluted biblical scholar. Basing his roadmap of the future singularly on Daniel 9, he concocted the rapture to make sense of his apocalyptic epiphany. Drawing diverse sections of Paul’s letters to the Thessalonians, the Gospel of Matthew, and the book of Revelation together, he mixed thoroughly, half-baked it, and pulled the rapture out of the oven.

The idea caught like wildfire. Today young people who’ve never read the Bible and who’ve seldom attended religious services know what the rapture is. What they do not realize is that nearly all of the Christian tradition rejects it, seeing it for what it is—a Johnny-come-lately of amateur theology that sees the Bible through the lenses of dilettante-sensibilities like those of Michael Drosnin (The Bible Code man). Instead of seriously reading the Bible and trying to understand it, society prefers to see it as a little bit of magic in the midst of our scientific and technical world view. It is a safe place where bits of the supernatural are preserved and that defies rational explanation. Rossing’s book does a good job of exposing the wrong-headedness of LaHaye’s Left Behind conclave, but she overlooks an important feature of this coterie: they have an unconfessed agenda.

The unspoken agenda is best summed up by Lt. Frank Drebin of Police Squad when he says, “blowing away a fleeing suspect with my 44 magnum used to mean everything to me. I enjoyed it, well who wouldn’t?” Rossing misunderstands Fundamentalism when she expresses surprise at the bloodlust present in the Left Behind novels. What she doesn’t take into account is that, as a collective, Fundamentalists thrive on self-righteousness. Feeling the same violent urges that others do—all humans experience violent emotions—they sublimate that aggression and save it for the unrighteous—God’s enemies. When the gloves come off in the apocalypse, that hatred bursts out in good, old-fashioned bloodletting—albeit with combat helicopters and high-tech weaponry. Of the Christians I know who own guns, the Fundamentalists are most avid in their rights to do so. In college I met my first Christian survivalists and I learned that the rapture was a ruse. It is a deadly mix, especially when this warped theology makes it into politics. Although Rossing’s vision of a new earth in the second half of her book may not appeal to everyone, Americans should read at least the first few chapters to learn why the rapture will never occur.


American Haunted

Serendipity, although rare, still occurs in university life. As an adjunct instructor whose livelihood revolves around the number of courses that may be squeezed into a limited number of days, I have been considering online courses. As an avid watcher of horror movies—excellent preparation for adjunct life these days—I have attempted to sample the genre widely. It is therapeutic to see people in fictional situations worse than my own. While attending a training course on constructing online courses earlier this week I was surprised to find out my instructor was Brent Monahan, a versatile and talented individual of whose presence at Rutgers I was unaware. Most famously Dr. Monahan wrote the novel and screenplay for An American Haunting, a movie I had written a post on back in January.

Compulsive in my desire to be on time, I generally show up to all appointments early. For this particular session I was the first person present, so, not recognizing my teacher, we struck up a conversation about my field of studies. (He asked; I try not to lead with my chin.) He was nonplussed about the fact that I am affiliated with the religious studies department—in general this is a conversation stopper since, along with politics, it is a forbidden topic in polite company. Before I realized who he was he suggested that perhaps people go into this field because of their internal struggle with good and evil. It was a perceptive statement and it made sense when it came out that he was a writer of horror films and novels.

Since I’ve been exploring the nexus between religion and horror I have wondered what the deeper connection might be. Clearly fear of the unknown, the overly powerful, and the randomness of life in an uncaring universe play into it, but perhaps it is also the struggle of good and evil. Horror films often present the “what if” scenario: what if the side of evil were allowed free reign? Often the fount of that evil, in horror films, is religion gone awry. Certainly in An American Haunting a pious man is driven by inner demons to the abuse of his own child. That he is a religious man is made plain from the near-constant presence of a clergyman in his house once the haunting starts. While the exact relationship remains to be parsed, it is clear that fear and religion reside very near one another in our brains, perhaps as near as good resides to evil.


Literary Floods

Oryx and Crake ends with a cliffhanger. I read the book at the suggestion of a friend and found a dystopia that simply continues along present trends. Naturally I had to read the second part, Margaret Atwood’s The Year of the Flood. I had picked up this book first, not realizing that there was a previous novel, because I supposed the eponymous flood to be that of Noah. I was not disappointed on that score. In keeping with her strong biblical awareness, Atwood has given readers the creation in Oryx and Crake, and the deluge in The Year of the Flood. Set in the same forlorn future, those who survive the pandemic described in the first book seek to survive in a world where most of the people are gone. Many of the survivors, as we learn in the second installment, are former members of an alternative religion, God’s Gardeners. This quasi-cult, led by Adams and Eves, prepares for the waterless flood (pandemic) by caching Ararats—supply stores—around the broken-down city they inhabit. As in Genesis these Noahs and Mrs. Noahs are replications of Adam and Eve.

Not only is Atwood an engaging author, she supports the green causes advocated by her books. This is a more honest form of religion than most sharply chiseled theologies that do nothing to improve the lot of a suffering world. Academic religionists like to tell us exactly what God is like while shrugging shoulders over the destruction of everything he putatively made. In Atwood’s world, those who believe in God express it through care of their planet. As always, however, they are the modest voices easily drowned out by the unconscionable greed of the powerful. In the words of John Dickinson from the musical 1776, “Don’t forget that most men with nothing would rather protect the possibility of becoming rich than face the reality of being poor.” Rare is the person willing to take the higher road and set aside his or her own wants for the benefit of others.

Ethics, at one time, meant seriously considering the implications of what we do. With the morals of our “leaders” it is pretty difficult to hold to that illusion any longer. Yesterday I sat through another round of ethics training and learned nothing that I hadn’t learned in Sunday School as a child. Be nice to others, don’t use them for your own advantage, help those who need assistance. It really isn’t that hard. Newt Gingrich with his highly unethical treatment of his ex-wife, Anthony Weiner’s peccadilloes, Sarah Palin’s revisionist reality—these scarcely inspire confidence. The flood is upon us. I think I might rather live in a world the Margaret Atwood would envision, as long as she was there too, to show us how to survive.