When the silence was first broken at Gorgias Press, one of my colleagues suggested that I read The Time Traveler’s Wife by Audrey Niffenegger. The title suggested to me some kind of point-of-view rewriting of H. G. Wells’ classic The Time Machine, a novel that had a large influence on my young, science-fiction inclined mind. For some reason I wanted to keep this place sacred to the memory of Wells and I dismissed the suggestion with polite demurral. Since that time Niffenegger has been constructing quite a reputation as a novelist, and because I enjoy the implications of time-travel and I like to keep current – fashionably late, of course – I finally took the time to read the book.
I wasn’t sure what to expect; it is a sensitive love story, wrenching in parts, but the mysteries of time travel are left to a genetic defect and not some technological invention. In the course of wending in and out of past and present lives, the main characters, Clare and Henry, carry on a dialogue that includes the dynamic of a protagonist raised Catholic. Once, while discussing the bizarre nature of time traveling, Henry suggests that Noah is a fairy tale to which Clare replies, “Noah is in the Bible. He’s not a fairy tale.” This statement reaffirms that, for many people, Noah is the obvious touchstone of the Bible and modern society. A versatile figure, enigmatic and only sketchily drawn in the Bible, Noah reappears regularly in the popular media. Just this summer I noted how Justin Cronin’s The Passage also cites Noah as a schematic for much of the plot that bears the story. A few weeks ago I mentioned how the remake of The Day the Earth Stood Still viewed Klaatu’s ship as an ark. Noah from outer space.
Noah is a foundational figure for our society. This should not be surprising since the flood myth is among the most ancient of stories that humanity has relegated to religious literature. The Sumerians and Babylonians told the story long before Genesis was composed. In its own way, the Noah story is an example of time-travel. A tale whose origins are lost in the pre-literate stages of humanity, it becomes history with the uncritical acceptance of the Bible, only to become a defining myth of twenty-first century literature. The world of the twenty-first century often feels like a fragile environment ripe for a catastrophic flood. Consciously or not, we are still looking for our Noah.