Light and Dark

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Prophets, mothers, messiahs. A new religion for a new world. While these may not be main themes of Robert Repino’s new novel D’Arc, they’re clearly there in the background offering verisimilitude to a world turned upside down. Continuing the diegesis created in his previous two novels Mort(e) and Culdesac, Repino again shows an uncommon awareness that when survival becomes difficult people (and animals) turn to religion. Many fiction writers create worlds under stress and pretend that characters simply forget the religious option. That may be realistic on an individual level, but as history shows, not on a societal one. People—and mutated animals—are meaning-seeking beings. D’Arc doesn’t shy away from this fact. In a wildly integrated world of different species coping with consciousness and opposable thumbs in various ways, religion naturally arises.

If you haven’t been initiated into Repino’s universe, it begins with a virus and/or a plot—themselves religious—which allow animals to become bipedal and to grow human hands. They can talk and reason and they show us a true reflection of who we are. D’Arc, the female companion of Mort(e), finds her way in a world under threat. Planning to speed up global warming in a dramatic way, the aquatic antagonists conspire to melt the ice caps to flood the entire world. Repino knows the value of the flood story and uses it to full advantage. Along the way we meet beavers who’ve developed a religion that functions between water and dry land. Indeed, as a species their religion defines them as much as their engineering skills. This is a world that’s just been through war and instead of reconciling all species, there remain those (most notably humans) who can only live with their own superiority. This is a complex universe.

The hero of this tale, D’Arc, is sympathetic to the religious sensibilities that have sprung up around her. She herself is a character prophesied in this world where Mort(e) is messianic. There’s a scripture in the background somewhere and theirs is a world without embarrassment about it. There’s also plenty of action and adventure—the war with no name is really not over—but there’s a subtlety to the narrative as well. When things go awry many people do assume they’re alone in the universe and try to find their own way. It’s equally true that many look for meaning in a structured form of belief where all of this has been foretold. Such worlds, to me, seem to be more honest to the human condition, even when the characters are cast as talking animals.

Cloaking Device

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America’s book is seldom read. Those of us who spend an unusual amount of time with the Bible know this from personal experience, but others are starting to notice too. Kenneth A. Briggs’ The Invisible Bestseller: Searching for the Bible in America is a rambling account of the way a variety of everyday people from prisoners to academics and clergy use, read or not read, and perhaps inwardly digest the Good Book. There are moments of stark insight in this book, but with no narrative arc it is somewhat easy to feel like you’re reading about what random people say about the Bible. I don’t need a book to tell me that I’m odd, but much of what I read here was old hat to a guy who grew up Evangelical, went to seminary but never got ordained, completed a doctorate and taught the Bible nearly two decades before being booted out of its company. I’m not sure what I expected to find. Perhaps redemption?

Briggs does provide some useful statistics, and not as maniacally as sociologists do. We learn that few people read the Bible and the numbers are declining. Still, people buy the Bible and tend to have multiple copies in their domiciles. It is cheaper than insurance, after all. Holy Writ, however, is an alien among us. Few people have any idea what it was like to live before smart phones, let alone before the smelting of iron. The concerns and dialogues of the Bible seem so terribly provincial and, to be honest, unenlightened (if one can say such a thing about divine revelation). Still, we won’t accept a president who doesn’t lay his (and it’s always his) hand on the Good Book and swear to uphold America.

The Invisible Bestseller gave me plenty of information to ponder. Some of the tales Briggs tells are interesting. Others are so mundane as to be stultifying. The overarching fact is that the Bible is an established object in our culture. Some take it seriously enough to read it and stick with it—this isn’t easy to do, and I speak from experience here. Such people are rare. After all, apart from getting you a hall pass out of Hell, the Bible doesn’t seem to do much for people these days. Still, when I take a moment to read the Sermon on the Mount, I can’t help but feel we might be missing some wonderful rhetoric by ignoring the Good Book so much. But then again, I’m fully aware that I’m the one that’s odd. Briggs’ book stands as a testament to a couple of testaments that continue to wield enormous power without ever being read.

Revisiting Frankenstein

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There’s nothing like going back to the classics. Many people don’t realize that one of the best-selling books of the nineteenth century was Mary Shelley’s Frankenstein. It has never been out of print. As a novel it has its issues, but the tale strikes something deeply responsive in readers. And the story may not be what you think. You see, the movies have made Frankenstein’s monster into something Shelley never intended. Indeed, today’s Frankenstein monster is pieced together from various monster images, just like the mad doctor’s original creation.

After a lapse of many decades, I decided to read Frankenstein again. It must’ve been in my tweenage years that I’d last done so. I recall putting the book down thinking how sad it was. Something happens, however, when you return to a book after a span of many years. This time I was looking for the mad doctor and hoping to determine if the monster deserved that title at all. The story won’t let any easy answers come. Victor Frankenstein is a young, impulsive man carried away by an idea. He doesn’t contemplate the consequences of what he’s doing. It’s like buying a dog without considering that you’ve just realigned your priorities for several years. Not noticing that his growing creation is hideous to the eyes until it’s too late, he simply abandons the creature without a word. (The parallels with an absentee father should be obvious.)

The creature—monster is a bit harsh—wants acceptance. He isn’t a mute brute with bolts in his neck. He’s not a robot. He is Adam kicked out of the garden with no Eve. He doesn’t start out evil. The rejection of his creator forces him to murder in a desire for revenge. Shelley’s world was deeply influenced by the Bible as well as Milton. Religious concepts are constantly under evaluation. The child of radical parents—her mother was one of the first feminists on record—Shelley questions everything here. No doubt in Victor’s mind he’s created a demon. Or has the monster created Frankenstein? Until the very final pages nobody else actually sees his monster, or at least hasn’t seen him and lived to tell about it. What fuels the creature’s fury is rejection. Evil doesn’t just happen in the world of the mad doctor.

Sympathies are divided in Frankenstein. We feel for the monster. His creator never apologizes. Never reflects that he somehow shares (or completely owns) the blame for the sad fate of that which he’s created. Living under a Frankenstein presidency, these unanswered questions hang thickly in the air. Lack of foresight seldom ends well. The monster isn’t always who you assume it to be.

It’s Okay

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It once seemed improbable that an entire book could be written on one word. The first time I noticed this I was a doctoral student who’d run across the late William Holladay’s published dissertation on the Hebrew word shuv. Wow, I thought, an entire book on a single vocable. One syllable, nonetheless. Thus I was predisposed to read Allan Metcalf’s OK: The Improbable Story of America’s Greatest Word. The justification Metcalf gives for his “greatest word” award is the fact that OK is the most-used word of American origin world-wide. Even in languages with other scripts, there are ways of fabricating the “okay” pronunciation and everybody knows what it means. It’s really quite interesting. All the more so since OK first appeared as a joke. It’s now used by everybody in all seriousness. Just think of what one says to someone who’s been hurt or is ill. Isn’t the first question inevitably, “Are you okay?”

OK, you may be saying, but you say your blog’s about religion. Yes, and I’m getting to that, okay? Along about halfway through the book, Metcalf discusses how OK tends not to be used for products because it suggests mediocrity. An exception was James Pyle’s O.K. Soap back in the 1860’s. One of the ads included this affidavit: “The most intelligent classes in New-York use it. Editors of most of the religious papers patronize it.” I had to smile at that. Religious folk had, and sometimes still have (when they’re not too oily) the reputation of clean living. If you’re selling soap, you’re selling sanctity. It’s a very ancient connection. Anthropologists have shown time and again that purity is a concept that the religious own. Something about being worldly makes you feel like you should take a shower.

And it’s not only soap that makes okay religious. In the concluding chapter that describes OK as an American philosophy based on the “I’m Okay—You’re Okay” transactional psychological school, Metcalf notes we treat religions in just that way. Religious tolerance is saying “your religion’s OK.” That’s a lot to think about, considering that we’re talking just two letters here. And this book was written before the 2016 election, when tolerance was a word Americans were just beginning to understand. Maybe our hope is in getting OK back into circulation. After all, giving national security secrets away to Russia is okay. If you’ve got a Republican majority who’s going to quibble? Even Russians know what OK means, at least when it works to their advantage.

Write or Wrong

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Lots of people write for lots of reasons. Some love it. Some hate it. Some can’t help themselves. For those who know me primarily through this blog, it may not be obvious which of these sorts I am. After having read Dani Shapiro’s Still Writing: The Perils and Pleasures of a Creative Life I finally feel confident putting myself in category three. It’s not that I don’t like writing—I live for it. The kind of person Shapiro describes, however, is the one who defines their entire being through writing. Each day I post between 300 and 500 words on this blog. I’ve been doing it since 2009, which means I’m somewhere over the million-word mark. But those compelled to write will never be satisfied with just that. One does not live by blog alone, after all.

Once in a great while I get asked how many books I’ve written. Well, that’s not a question with a straightforward answer. Two of my books have been published. I’ve written at least ten. Some of them never made it from my desk to a publisher’s wastebasket. A few of them have. Like others who are addicted to writing, I can’t stop. Ironically, with a decade of experience working in publishing I’m not so good at getting my own work placed. Some of it is fiction. Some of it is non. Some of it is even poetry. If you’re a graphomaniac, I don’t need to explain any further. If you’re not, think of chocolate, or sports, or anything else you just can’t get enough of. That’s what it’s like.

Shapiro’s book, although not point-for-point, but more than not, is like wandering through my own gray matter. I had no idea that other writers—including a successful one like Shapiro—felt the same constant, nagging doubts and insecurities. I didn’t know that others considered staring off into the middle distance (there’s not always a window nearby) as work. Or that sometimes you write something and when you’ve finished it seems like it wasn’t you at all. Writers can be a trying lot. We tend to be introverts. We have odd habits (in my case, waking up at 3 a.m. to write on a daily basis). We tend to be able to spot one another in a crowd, but more likely as not we won’t say anything to each other. And strangely, we write even if we don’t get paid. With lifelong royalties somewhere in the low triple digits, economically it makes no sense to do what I do. Generally the world feels creative sorts aren’t terribly productive. It’s because we measure value differently, I expect. I’m glad to have met another traveler on this path although, as is often the case, our meeting will only be through writing.

See Around Us

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There aren’t too many people that I consider personal heroes. Those that I do have earned the sobriquet in odd ways, I suppose. That makes them no less deserving. Rachel Carson became a hero because of The Sea Around Us. Published over a decade before I was born, it was a book that I treasured as a teen—or even as a tween, had the word existed then. I was no literary critic, but her style and lyrical writing drew me in and my own love of the ocean I’d never seen was kept alive through her words. Mark Hamilton Lytle, I think, shares my evaluation of Carson as a hero. The Gentle Subversive: Rachel Carson, Silent Spring, and the Rise of the Environmental Movement brought out much of what I admired, and still admire, about her. A woman in a “man’s world,” she became a scientist with a gift for literary finesse. She struggled, she believed, and she died far too young.

Lytle’s book builds up to the publication of Silent Spring, which appeared just two years before Carson’s untimely death. I picked up Silent Spring as a tween as well, but only read it within the last few years. I knew this book had nearly singlehandedly launched the environmental movement, but as the shame of modern life constantly reminds me, I’d been too busy to read it. Born the year it was published, and not terribly far from where Carson herself was born, I had an affinity with the book that strangely kept me from it. It isn’t easy to read, even today. Especially today. With a government ignorantly rolling away all the environmental safeguards that six decades of careful thought have put into place, we need Carson now as much as we did in the 1960s. Her modern critics, as might be expected, tend to be men.

Carson showed that a woman can change the world. Those who disparage her stunning work claim that her following is a religion, not science. Carson was a rare scientist who saw that everything is interconnected. There may be some mysticism to this, but for those willing to admit it, we feel it to be true. On the eve of environmental degradation that will, in a perverse kind of justice, possibly wipe us out, we need to return to the fine words and clear thinking of one woman who took on industrial giants to give a voice to the people. We do have a right to determine what happens to our planet. Lytle makes the point that Carson was like a prophet. For me the comparative preposition can be removed altogether.

Kindling

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Paula Cocozza, writing for The Guardian, describes “How E-books Lost Their Shine.” Like most inveterate readers, she says she has stacks of books growing like mushrooms after a summer rain, in her bedroom. I was working in the publishing industry (I still am, so please take no alarm at my rhetoric) when e-book sales plateaued. Then declined. “Industry analysts” were baffled. I wasn’t. The reasoning goes like this: e-books are light and cheap and amazingly convenient—why would anyone want something different? Those of us who love books know. If you know what I mean when I write “library smell” I’m preaching to the converted. More beguiling than new car scent, that first deep breath when you step into a library takes you places your physical body may never go. All those bodies of books gathered together let off a bouquet that insists you follow your nose to an earthly paradise. I just tried sniffing my iPhone. Nothing. No synapses fired. I’ve read books on it, but have I really?

Studies tend to show we have trouble remembering books read electronically. It’s just too fast. Wham-bam-thank you whoever you are. Let’s get on to the next thing. But books, as Cocozza writes, are slow. Publishing’s a slow industry. You submit your proposal, and the editor reads it. The editorial board discusses it. The book is written and sent to a copyeditor. Then a compositor or typesetter. Then a proofreader. Then it’s off to the presses. Printed, bound, and shipped. It can take a year or more. And when you curl up in bed with a book, furtively sniffing it, gently rubbing your fingers along its pages, drawn into a world not your own, plastic’s the last thing on your mind.

A few Saturdays ago I attended the Hunterdon County Library book sale. I go every year. It’s a big deal. People line up in advance. You step into the barn-like sales floor and it hits you—the smell of all those books. The aroma of knowledge. You can’t repurpose an e-book. You can’t sell it back because nothing was ever really produced. You purchased electrons, you’re stuck with electrons. Hit “delete” when the storage is full. All these books in this room are valuable. All for pocket-change. Many of them were wildly overprinted in the exuberance that naturally comes from being over-stimulated. Like kids about to enter Willy Wonka’s chocolate factory. Industry analysts are puzzled. If they’d get their fingers dirty by thumbing through a used book once in a while they wouldn’t be. Yes, its dusty, grungy, and probably laced with germs, but I wouldn’t trade it in right now for a Kindle, even if it costs me nothing.

Filling the Frame

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Those who study the Bible have to reckon with the fact that someone else probably said it first. This is one of the inherent liabilities of studying something a couple thousand years old. Still, scholars have to keep their jobs, and so they come up with new ways of looking at something ancient. One of my favorite new methods is the use of movies to understand the Good Book. Clearly nobody in ancient times had any ideas about films, let alone stills, but still, they liked to tell stories. They have that in common with modern cinema. Although I’m naturally distrustful of collections of essays—there are so many of them and they are all of mixed quality—I decided to read Close Encounters between Bible and Film: An Interdisciplinary Engagement, edited by Laura Copier and Caroline Vander Stichele. I have to admit that I picked it up with some trepidation, but I was pleasantly surprised in the end.

Like all edited volumes, Close Encounters is uneven. Nevertheless, a fair number of the essays are well done and insightful. The others may be insightful too, but my exile from academe has led to a drop in tolerance for method-heavy essays. They make me think the Bible should mean nothing to anyone but experts, which, if true, is a sad state of affairs for a world that depends on it for salvation. But I digress. The fact is movies quite often draw on similar collections of brain cells as do sacred texts. That’s interesting. Not only that, but flicks show just how deeply embedded the Bible is in western consciousness.

Having read many books on cinema and the Bible, I was pleased at how well this one seemed to flow. At times it’s as if that authors are struggling to find some common ground, but the realization that both sacred text and cinema are part of the cultural sphere suggests that the connections are there. More than that, they suggest that the Bible might still retain some relevance for modern people after all. Hollywood hasn’t lost sight of Holy Writ either. Just a few years back three major biblical epics came out in one season. For me this makes it clear that the stories of antiquity still speak to modern people. They have to be gussied up with CGI and big-name actors, but the underlying tales go back to a day before lights and camera were necessary for action. And we might learn something while our intention is simply to be entertained.

Taking Time

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Good writing is hard work. One of the mixed blessings of the internet is that it makes publication so easy. Get yourself a blog and nobody has to approve anything! Ideas come tripping across your fingers onto some electronic substrate and, viola! You’re an author! The problem is that being an author’s not the same as being a good author. Writing well (and I make no such claim for myself—after all this is just a blog) is hard work. A piece has to be written, and then read again and again. I’m reminded of the story of a convicted murder whose name I’m forgotten (call it a defense mechanism). This was early last century. The murderer was caught, initially after having been found wandering, disheveled, in public. As a respectable man (he was a doctor, I think) part of his defense was that he’d never have left his house without being presentable. He would have on a collar and hat. People would see him, and he had to convince them of his presentability every single time he walked out that door. (This isn’t an affliction that I share, by the way.) Writing for publication is like that—you need to take care to look respectable every single time.

I can’t speculate about how other writers do their thing, but for me the main requirement for this is time. Any piece that I want anyone else to see, has to be written. Read. Edited. Re-read. And probably edited again. All before the public sees it. This is just for the informal stuff. I’m currently writing a book (which is pretty much a constant state with me). The draft was finished months ago. I started thinking about a publisher. Then I read it again. I couldn’t believe I’d ever thought it was ready for a publisher. Several rewrites followed. I’m in the midst of another one at the moment. I think of it like my ill-used rock tumbler. You want shiny rocks, you’ve got to send them through with finer and finer grit. If you do it right, they’ll come out looking like they’re wet, and they’ll stay looking that way. Polished writing takes time.

Some things can’t be hurried. As a middle-schooler I had a summer job with the school district. One of my assigned tasks was painting bus shanties. Many of these were, as you’d expect, way out in the middle of nowhere. I’d be dropped off with a couple other teens and we’d paint the shelter inside and out. One day I got tired of the constant, boring, and repetitive task of filling a paint pan with white paint, carrying it into the shelter, using it up, and then doing it all over again several times. I decided to pour the paint directly on the plywood floor of the shelter. All I’d have to do would be to roll it out and who’d be the wiser? I only did it once. Little did I consider that the best painting, like the best writing, is a thin layer over the substrate. You need to go over it more than once, leaving time between layers. More importantly, I didn’t realize that you can’t gauge how much paint you need this quick way. The best thing is to run out and refill. Then you can pour the remainder from the pan back into the can. The floor took hours and hours to dry. Not only that, but the top surface dried first, so when I stepped in, I pulled up a thick layer of paint off on the bottom of my shoe. Tom Sawyer I was not. I had to redo it. What I learned that day, though, was a lesson about writing. Take your time. But you don’t have to take my word for it. I just write a blog.

Good Newsists

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In the interest of avoiding conflict thereof, I cannot yet give a review of Randall Balmer’s Evangelicalism in America. Since I’m writing a review of it for Reading Religion, I’ll use it as a springboard into a topic that should concern all who believe in religious freedom. One of the resounding themes of Balmer’s treatment is that Evangelicalism, after it wedded to the Religious Right, lost its soul. Those are my words, not his, but the sentiment’s about right. For anyone who wasn’t politically aware in the 1980s, it may seem a surprise that religion didn’t enter into politics before that decade. With the exception of the fear of the Catholic in the case of John F. Kennedy, religion wasn’t used as a political wedge until the presidency of Jimmy Carter. The Religious Right, unhappy with the born again Southern Baptist in the White House, moved to solidify the Evangelical bloc.

Evangelicals had been an underground movement for half a century. Many had no idea what being “born again” meant when Carter first claimed the sobriquet. Balmer points out that it was the threat of the withdrawal of tax-exempt status to discriminating Christian schools that led to political action. Bob Jones University, fearful of racial intermarriage, didn’t admit African American students. Leaders of the Religious Right saw the loss of tax-exempt status as a move against their sacred segregated culture and a push that required a shove. Coopting the abortion issue (historically Evangelicals had supported women’s rights, including the right to abortion in many cases), they nailed together a platform for political activism which put women “back in their place,” kept racial “purity,” and romanced a total aberration in Christianity—the “prosperity gospel.” All of this is well documented. And well hidden.

Looking at Evangelical politics today, abortion—the control of women—has become THE issue. It’s hard to believe, as Balmer amply illustrates, that Evangelicalism used to be allied with the Social Gospel. It was a religious view with a conscience and it supported issues that are now polarized as “liberal” and leftist. This shift came about gradually, but not accidentally. There were political players—Balmer names names—who had one goal in mind, and that goal wasn’t Jesus or what he’d do. It was the sweet prize of political power. Evangelicals, you see, are born followers. A leader with a strong voice can lead them just about anywhere. Many Evangelicals today would deny their more liberal history, but it is right there for anyone who’s willing to learn something about who they once were.

Weather Vain

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The other day I was awakened by a severe thunderstorm. It’s been quite a while since that’s happened. Unlike when we lived in the Midwest, thunderstorms in New Jersey tend to be widely scattered and somewhat uncommon. (It’s all a matter of perspective, I know.) My basis of comparison is how often I notice such storms. I’ve never been able to sleep through one. Thankfully this one came at around 4:30 a.m., past when I’m usually awake on a weekend. I’d forgotten the raw power of just how loud and bright such a storm can be. Danger seems all around. The feeling is primal and urgent. As I got out of bed and walked into the dark kitchen, windows filled with electric blue followed by and tremendous blast, I thought once again of Weathering the Psalms and the story behind it.

By the way, when I speak to young scholars about publishing I tell them this isn’t the way to go about finding a topic. That having been said, my book was born in the Midwest. Life at Nashotah House revolves around required chapel twice daily. Weather does not stop it. In fact, holding the daily office by candlelight because a storm had knocked out the power was not uncommon. Morning and evening prayer—indeed, all of the canonical offices—are built around the recitation of the Psalms. Reading the Psalter in slow, stately tones while thunder raged outside, rattling the ill-fitting stained-glass windows, left an indelible impression. It was only natural in such circumstances to notice how often the Psalms mention the weather. Thus a book was born.

I’m currently at work on a new book. I can’t say the topic just yet because someone might be able to beat me to it. (Knowing the way I come up with book ideas, however, I doubt it.) Sitting in my darkened living room, in my writing chair with the fury just outside, I was strangely inspired by the storm. Then it was over. Silence followed by birds singing, just like in Beethoven’s sixth symphony. The thunderstorm is one of nature’s psalms. As at Nashotah House, in the Midwest we had perhaps too many of that particular kind of psalm. Nevertheless, in the silence that followed I was left strongly in touch with my muse. These are the states that lead to poetry and song. Every great once in a while they might even lead to a book idea. As I tell students, just don’t expect that anyone else will get it.

Blood Brothers

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Every once in a while I take a chance and write about music. I don’t do this too often since it’s a very personal thing, and as open as I may be on this blog, I’m not as accessible as I seem. We all need a place to retreat in this world, and Bruce Springsteen’s music is one of those places for me. Late last year, just after it was published, Springsteen’s Born to Run—his philosophical and revealing memoir—sold briskly for several weeks. Since it made its way into my stocking I’d been intending to read it since then. And putting it off. There’s something disillusioning about finding out your heroes are only human. The best among mine are heroes precisely for that reason. Gods need not apply. Overcoming my fear, I dove in.

Two things stood out in this autobiographical account: religious imagery looms large, and depression mingles liberally with it. I recall reading an early review where the writer expressed surprise that the Boss suffers from depression. I responded (perhaps out loud), “have you ever listened to his songs?” I became a Bruce fan because he sang about working class people. Bruce and I share that background. He knows that your roots never let you go. Indeed, roots are what keep you grounded. Many of my academic colleagues, I learned, were simply carrying on the family business—and a privileged business it is. Those of us who had to overcome poverty to get in the door were never really welcome in the ivory tower. You can’t help where you’re born, but you can sure be punished for it. Bruce understands that.

I’ve never been to one of his concerts. I don’t even like to listen to his music when someone else is in the room. There’s something deeply personal about communing with someone you feel understands you. Of course I’ve never met Bruce Springsteen. I probably never will. He won’t know the kind of influence he’s had on my life and I feel that I’m risking an awful saying so here on this blog. There aren’t too many heroes in my life. I’m not inclined to idolize people. In this memoir, however, Bruce won’t let himself become an idol. He’s not perfect and he takes pains to make sure that you know that. We were, nevertheless, raised in situations not dissimilar from each other. Unlike Bruce, I have no musical gifts. No, I’ll never likely meet him—and if I did I wouldn’t want it to be with other people around. Some things are just too personal that way.

Independent Bookstore Day

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Many modern mini-holidays are centered around things you might buy. I don’t mind that so much in the case of Independent Bookstore Day—of which I wish you a happy one. Quite by accident I found myself in an independent bookstore just last night, not aware I was prematurely celebrating. If anything might save us from the muddle we’re in, it’s books. We live in a society with plentiful distractions, many of them shallow. Books take some effort. They demand your time. They make you take some quiet space to think. Books came along with, and perhaps were the source of, civilization. Today we’re harried and hurried and frantic with an electric source of information and entertainment that never turns off. And we’re seeing the results of that playing out on an international scale. How different it would be if we’d grab a book instead!

The strange thing is that those inclined to action often suppose reading to be an utterly passive activity. The basis for human progress, however, has often been what someone has read. Surprisingly, books can be the source of progress. When we see reactionary elections taking place around the world, leaders who don’t read emerge as the hailed champions of regress. We’re living through that right now. Books can be dangerous. Think about it—you’re being given access, however briefly, to someone else’s mind. The combined power of minds is an impressive thing. If what I’m reading is anything to go by, the hive mind is a source of incredible strength. You want action? Put multiple minds together. There’s a reason that civilization has gone hand-in-hand with literacy.

In the wake of Borders going under, independent bookstores have started to make a comeback. Those of us who work in the publishing industry have to keep an eye on those numbers. A visit to a bookstore is all about discovery. Quite often I’ve walked in with a list in hand. When I exit my list has grown rather than shrunk, and the purchase I’ve made was likely not on the list to begin with. Independent Bookstore Day gives us a chance to think about how very much we do not know. Unlike those who claim power and brag that they don’t read, admitting that we have more to learn is the way toward progress. I may not be the most active man in the world, but I do recommend action in the form of getting to a bookstore. If we each do our part, we can’t help but to make the world a better place.

Dog Daze

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I read quite a bit about animals. One reason is that when you’re counting all the species on the planet we’re pretty clearly among the animal part. Having grown up with many pets, the dogs particularly stand out. We tended to have only one dog at a time and they were so full of personality that it obviously wasn’t a matter of projecting to understand that one was more or less optimistic or joyful than another. Some could be mean while others were loving. There was quite a bit of buzz about W. Bruce Cameron’s A Dog’s Purpose back in January. For Modern Mrs. Darcy’s 2017 Reading Challenge the book fit one of the categories for me, and so I found myself reading about animals again. The thing about buzz is that I listen with only half an ear. I didn’t know much about the book except that it was a novel narrated from a dog’s point of view.

A couple of things struck me as I got into the story. One was that the protagonist ended up still believing that humans were more important than dogs. I suppose there’s some kind of evidence for that, from a dog’s viewpoint, but it doesn’t seem very strong to me. After all, we’ve bred wolves into pugs and cockapoos with an intentionality that even Mr. Darwin would’ve recognized as unnatural selection. Left to their own wolves would’ve adapted, but they’re pack animals and while dogs may think us the alphas, they’re each an important part of the group. They are giving, but that’s the nature of being in a pack. It’s also something that elected officials in Washington could stand to learn. When there aren’t rifles and traps, pack animals prosper.

The second thing that stood out about A Dog’s Purpose was reincarnation. The idea scares me. Life’s been a long challenge this time around and, unlike Nietzsche I’m not sure I could face it this exact way again. In any case, reincarnation only works if there are souls to pull it off. Cameron posits that for Toby to become a fully developed Buddy four cycles of reincarnation are needed. Like a good Platonist, our protagonist recalls the important lessons from each previous life and is able to develop into a more fulfilled dog each time around. The karma here is good. Cameron does seem to “get it” from a human-projected dog’s point of view. It can be fun, and it can be sad. The important lesson, for me, is that animals are who we are and to be a successful pack we need to look out for the good of each other.

The Labyrinth of Copyright

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Here’s another post originating from my daily work as an editor. (As an editor you tend to assume nobody’s really interested in what you do all day, but I’ve been told this isn’t so.) What is copyright? And do I have it? First of all, a caveat: I’m not a lawyer. Copyright is complex and, to answer my second question first, yes, you do have it! So what is copyright? Essentially it’s the protection of intellectual property. As long as that property remains in your head, it’s yours alone. Once it’s expressed in writing, art of any kind, music, or even as a chart, it is automatically covered by copyright. If you want to use something someone else wrote, or produced, in your book, you need permission. Small quotes are generally considered fair use, but don’t push that doctrine too far! Fair use is listed as just that, a doctrine.

What many authors don’t realize is that your book contract is an exchange—you’re selling your copyright to the publisher for their services (they publish your book, promote it, register the copyright (it already has copyright, but registering helps to protect it legally), and handle the financial aspects of selling your book). You can’t publish your own work again without permission of the publisher. Sometimes I’ve had people ask me to use my artwork (from my own published articles) in their work. I don’t mind, of course, but I don’t own the copyright! If I published my work, the publisher has taken that copyright and I remain simply the author. If I want to publish my own published work somewhere else, I have to ask permission. Copyright, however, doesn’t last forever.

The only safe date before which material can be used without fear of infringement is 1922. Works published before then are in the public domain. Right now new works (such as this blog) are covered by copyright for the life of the author plus 70 more years. After that, unless the law changes, you don’t need permission to reuse these idiosyncratic musings. Not that that’s ever been an issue. I’m not a litigious person, but I do like to be cited. (Who doesn’t?) In any case, if you’re working on an academic piece, and you want to reuse somebody’s drawing, or an extended piece of writing, or even a tiny bit of a poem, you must have permission to do so. That’s what copyright does for you. The “fair use doctrine,” like most doctrines, doesn’t hold up well in court. If in doubt, just ask. Before you do, though, you might want to consult a copyright lawyer, just in case.

All opinions my own.