Music is perhaps the most natural of human arts. We are all, as Daniel J. Levitin says, expert listeners from an early age. This Is Your Brain on Music: The Science of a Human Obsession is a fascinating study of neuroscience and music. I began exploring this connection about a decade ago when studies on religion and neuroscience were only just beginning to appear. Music, although closely related to religion in many ways, does not bear the stigma of “belief” and although music programs are often tragically cut from school budgets, we all value music because not to do so makes us less-than-human. Levitin shows clearly how music accompanies the most important parts of our lives and how it forms and develops the brain.
Music is somewhat easier to define than religion. Those who decry the humanities, I suggest, should be locked away with no access to music for a few years to see if they change their tune. I suspect they would. We need music, and music’s impact on the brain is an analog to that of religion. More studies of religion and the brain have begun to appear, and one gets the sense that materialists are a little bit angry and disappointed that religion hasn’t disappeared the way that it was predicted to have done by now. That’s because being human is more than being molecules and chemical reactions. It involves what we call the humanities.
Our brains are our gateways to all of human experience. They are complex in ways that computer designers emulate, but there’s a messy something about biology that straightforward mechanics seems to have trouble replicating. Our brains are part of one large, organic whole that encompasses life on this little planet. While studying the brain to understand it is indeed a good idea, calling it a meat computer is not. While software may be coded to compose music, of one thing we can be sure. Computers can’t enjoy music. It takes a brain to appreciate music, and the brain that appreciates music is mere synaptic connections away from seeing why religion is still important.
Naming Evil
Books don’t tell us what is true; books tell us what could be true. When I was growing up, under the influence of the Bible, I thought that non-fiction books were the truth. I came to understand that people disagreed about the truth, but it took a long time before I realized that books were merely the attempts of their writers to argue their version of the truth. If someone knew the actual truth that person would be a god. These thoughts came to me as I read the fascinating and mystical Dispelling Wetiko: Breaking the Curse of Evil, by Paul Levy. In many ways this is a mind-altering book. For one thing, Levy has made me reconsider how real evil is. Looking at what’s going on in the world it is increasingly difficult to deny the reality of objective evil. Levy’s book gives it a name and even attempts to analyze whence it comes. He calls it “wetiko.”
For several years now I have tried to find information on the monster known as the wendigo. Wetiko is a version of the same word, and it was this that drew me to Levy’s book. The wendigo is a shape-shifting creature that preys on humans. It is mentioned or featured in a few fictional books, and most recently featured in an episode of Sleepy Hollow. Since most academics don’t treat monsters seriously, it is difficult to find accounts of the beast. It is often discussed as a fictionalized version of cannibalism. It is a monster always hungry. The more it eats, the hungrier it becomes. It is this aspect that leads Levy to use it as his main metaphor for evil.
The evil that Dispelling Wetiko focuses on is the extreme selfishness our society has come to embrace. For example, our entire economic system is a fiction propagated by the ultra-wealthy. By defining a fiction as valuable and making it available to everyone else by a system of debt, the one-percenters keep everyone else, literally, in thrall to them. There is no gold to back up the fictional value they claim they have, and yet they consume others constantly in their evil greed. In a nuanced argument Levy suggests that this evil is real. Becoming conscious is the only way to combat it. There’s so much going on in this book that it has to be read several times, I’m sure, to get it all figured out. As I finished this one, however, I thought I had read a book that may actually be true.
Forward Planning
Smallmindedness bothers me. Now don’t get me wrong, I don’t claim any great intelligence for myself. I’m just an average guy who thinks too much. No, the smallmindedness that I despise comes in capitalist colors. More specifically, it comes in the form of business-speak. This is a language in which I make no claims of fluency, but in which I am forced to converse from time to time. I believe there is a secret coven of businessmen hidden in a dark board room determined to make themselves sound intellectual by cobbling together polysyllables. Business is, at the heart of it, really simple. I want your money; how little can I give you for it? They call economics the dismal science for a reason. In any case, the other day I was confronted with the phrase “forward planning.” It was like one of those moments when you walk into the wrong room and you’re disoriented for just a second or two because what you see is not what you expected through that door. Forward planning. What other kind of planning is there? Backward planning? Victims of time have no choice in the matter.
I’m bemused by the ubiquity of “best practices.” No, thank you. I prefer to use worst practices. Of course we all want to do things the best way possible. Putting insipid neologisms in the way is not how one achieves it. What’s wrong with just saying what you mean? Oh, I forgot—the guys in the shadowy boardroom. There’s nothing like lingo to substitute for depth.
At a campus book sale a few weeks ago, I found a copy of the Compact Oxford Dictionary. Fully aware that any word can be instantly searched online, I hefted the two, heavy volumes and for six dollars walked out with over a million words. People on campus looked at me funny. Someone even asked why in the world would I buy a dictionary? There are plenty of answers I could give. I could say that I like the feel of something solid in my hands when I practice scholarship. I could say that it impresses people when you show them how small the type is. I could say that I have some leaves I’d like to flatten effectively. The truth, I suspect, you’ve already divined. I bought these books because no matter how much you look, you won’t find “forward planning” listed anywhere as a legitimate concept.
Reptile Fantasy
The generous folks at Exterminating Angel Press graciously sent me a copy of Tod Davies’ The Lizard Princess to review. A fantasy novel that includes a conflict between a world that admits of the supernatural and skeptics who deny anything beyond the material, it is a tale for our time. Indeed, the antagonism is real enough. We live in a world where fantasy can bring in untold wealth while we are taught that not an atom of it is true. Clearly material explanations fit the physical world we inhabit. It’s the world inside our heads that often rejects such materialism being taken to its “logical” conclusion. Davies clearly feels the angst of this discord. The Lizard Princess is a fantasy in the face of harsh reality. And we still need fantasy—perhaps we need it more than ever.
Throughout The Lizard Princess, whether intentional or not, biblical imagery pervades. The Bible offers classical stories that, no matter how we might receive them, continue to influence our ideas and ideals. Here, in a world created especially for the reader, the battle between good and evil is an everyday reality. The turns taken along this path are unconventional, and at times even uncomfortable. The awareness that there is a larger story in the background, however, offers some consolation. Angels, the Devil, and even a subtly veiled God are all players in this fantasy world of Arcadia. Mythical creatures abound, and transformations lead to new perspectives along the way.
In my conversations with other scholars I’m reminded that academics don’t often turn to novels for escape. Some do, of course, but the academy recommends a steady diet of technical non-fiction for those who wish to make an impact upon the world of knowledge. I have always been grateful for literature, however. During my years in graduate school and early in my teaching career I neglected the kinds of books that were my constant companions growing up. In a rural setting far removed from any institutions of higher learning, novels were often the only reading readily available. I never considered the time between their covers wasted. I found in The Lizard Princess a vivid world strangely like our own, but different enough to be more a parable than a simple piece of fiction.
Book Deaf?
It’s Tuesday morning and I have been listening to authors pitching their books for three solid days now. Truth be told, I am a bit jealous. I’ve got a few more books in me yet, but research time simply does not exist in the world of capitalism and its discontents. Not that I envy being on the author’s side of the table—I remember how it felt to pitch Weathering the Psalms to several editors and to receive an icy “no” in response. I think now I begin to understand. Yesterday one of my appointments asked if I was “book deaf” yet. It was a term I’d never heard, but I immediately knew what he meant. Editors hear pitch after pitch. I pull out my phone and look at my calendar and see a new project every half-hour throughout the day, but no, I’m not book deaf. In fact, I have to constrain myself to keep my credit card firmly inside my wallet. Being surrounded by books is like being in a jungle teeming with deadly animals.
From the exhibitor’s booth, Tuesday is a day of relief and worry. Most of the papers are over at AAR/SBL, and most of the participants have already left. As at any conference, fair, or exhibit, we are strictly forbidden from taking down the booth before closing time. We stand about, straining our ears to hear that first transgressive ripping of strapping tape from its roll, indicating that someone in another booth is being naughty. We’re tired, weary even, but not book deaf. Never book deaf.
In my unguarded moments I sometimes think that maybe some day I’ll have a book here that others will clamber to find. Maybe someone like me will prowl to a pre-selected booth with a specific title firmly in mind, and that title will bear my name. I suppose it could happen, although it isn’t likely at this point. I hear each pitch and more. I hear the dreams and deep desires of every author. We want to be heard. We want others to think us respectable, honorable even. There are publishers out there who will publish anything. They will accept books to fill catalogues and websites and you’ll never hear from them again. Still, you’ll find some interesting things if you wander by their table. And if someone sees that you’re an editor while you’re browsing you’ll never turn a deaf ear. This is what religion scholars live for. Books are our reality.
All for Naught
Philosophy, it used to be said, was the handmaid to theology. According to some among the scientific establishment the whole lot should be thrown out, baby, bath water, and tub. It has always distressed me to read scientists dissing philosophy (theology I can understand). Empirical outlooks are definitively based on a philosophy, and no matter what we may think of post-modern theorists, we are indebted to philosophers far more than we probably realize. I just finished reading Robert Kaplan’s The Nothing That Is: A Natural History of Zero. I noticed the book when it was first published, but found it recently at a book sale for almost nothing. I’m glad I did.
I can’t pretend to understand all the equations in the book. There aren’t that many, thank goodness, but Kaplan uses them to make his point. He shows, through a combination of history and logic, how zero has made our modern world possible. One of the features that immediately stood out is how often religion entered the discussion. Kaplan isn’t hostile to it, he merely notes that some theologians resisted it along the way while others declared that nothingness was necessary and inevitable. Likewise philosophers. And mathematical proofs lead into some strange neighborhoods when zero’s your traveling companion. Indeed, some chapters of this little book so resembled philosophy that it was easy to forget a mathematician was our actual guide. I took some advanced math in high school that I survived only with the aid of my brother, but this book helped to make some sense of a past largely forgotten.
Science is all about numbers. Quantification. In fact, many scientific theories would simply fall apart without the math to back them up. A scientist learning math, as Kaplan demonstrates, is learning a philosophy. Even in the strange world of quantum mechanics, we’re told, the math holds up. We wouldn’t even know about some worlds if it weren’t for the equations. If math is near kin to philosophy, how can any right-minded scientist reject philosophy as nonsense? Isn’t this, logically, rejecting the basis for your own quantified discipline? And, if I may be so bold, philosophers generally acknowledge that their discipline has a, perhaps estranged, relationship to religion. If we look at it holistically instead of calling each other names, we might come to see that knowledge comes in many forms. Perhaps the most unexpected among them is that of the lowly zero.
Monsters, in Theory
I want to understand monsters. I suppose that’s pretty common among Monster Boomers, but the thing is academics have been slow to give credence to our creatures. Yes, monsters are a throw back to the Medieval Period or worse, and reflect superstition, the supernatural, and things that go bump in the night. Our scientific worldview has no place for them, but they continually come back to peek in our windows and stomp on our cities. Horror movies, for example, consistently rate high in box-office grosses. And even adults, if caught in unguarded moments, might confess to enjoying the uncanny. So it was that I read Jeffrey Jerome Cohen’s Monster Theory: Reading Culture. Yes, it’s dated, but by humanities’ standards, it’s not too bad. Jurassic Park, one gets the feeling, was the rage when the book was being written.
As with most collections of essays, this is a Forest Gump of papers. Some of them were quite good and others were that kind filled with po-mo nougat. The one thing that was missing, sadly, is, well, monster theory. I’ve read just about every academic book available on monsters. I have yet to find a serviceable theory to help make sense of them. Yes, there are plenty of theories of origins—where monsters come from—but how to we handle them? Everyone knows that a stake is useful for vampires and a headshot is necessary for a zombie, but what are these revenants telling us really? Why do we still, when we can carry the internet in our pockets and call for help in the middle of nowhere, fear monsters? How do we construct, rather than deconstruct them?
Psychologists, of course, have a couch day with monsters. They represent parents, or phobias, or penises, or any number of things that make us uncomfortable. But how do we know a monster when we see it? Monster Theory, for example, has two chapters on conjoined twins. Now, at the time “monster” was a term used occasionally, but it is highly insensitive, let alone politically incorrect, to refer to humans that way. Then there were chapters on vampires and ghosts. Well, I suppose the dead can’t help their state either, but if they come back they could at least behave. Monstrosity is a concept, like religion, that we just can’t live without. We need our monsters in the dark just as we need dreams and desires. The question is what to do about them, and even after reading this weighty tome, I still don’t know.
Make Believer
My brother is way cooler than I ever hope to be. While I was busy learning all a tween and teen could about the Bible, he was listening to Lou Reed and David Bowie and Black Sabbath. Since the “door” between our rooms was only a curtain, I heard the forbidden sounds and, despite myself, had to admit that I liked what I heard. In fact, I once gave a lecture on Christian influence in secular rock music, and found many students staring at me in surprise for knowing so much about such debased music. In any case, when my brother recommends a book I know it will always be an adventure. Thus I came to read Corey Taylor’s A Funny Thing Happened on the Way to Heaven: (Or, How I Made Peace with the Paranormal and Stigmatized Zealots & Cynics in the Process). I didn’t want to admit to my brother that I’d never heard of Corey Taylor and that I couldn’t identify a Slipknot song even on Spotify, but the book sounded interesting, blending as it does bad-boy attitude with ghost hunting. November seemed a perfect time to read it. It could lead to some street cred on the bus.
It is difficult to distrust people like Taylor who write with absolutely no pretension (I’m a working-class kid, too). You know that what you’re getting is the real deal. It is also clear that like my brother and many rockers, Taylor is of above-average intelligence. Being smart can sometimes feel like a curse, and Taylor lashes out in several ways during the course of his narrative. He finds it odd to be an atheist who believes in, and has personally experienced, ghosts. I’m not sure that he would find it comforting to know that such a position is not at all as rare as he seems to think it is. Science deals with neither gods nor ghosts, and the average person is left to their own devices to decide who might speak with authority on such issues. Where are we supposed to look when scientists refuse to address such things? Personal experience is a powerful influence.
As with most books by opinionated, brash extroverts, it is difficult not to find yourself liking the writer. Trust may be too strong a word, but I do believe that Taylor writes without guile. After all, people have experienced ghosts for as long back as we’re aware. Why should it be any different for a celebrity? Is Taylor’s house haunted? (Or, more accurately are his houses haunted.) That’s a question no one can answer with certainty. Ghosts are beyond our realm of knowledge. Although plumbers can use scientific instruments, until actual scientists try to explain the immaterial we will be left to choose whom to believe. A metal singer can know just as much as a priest. Or even more, depending on the context.
Shipmates
Ghosts have a way of persisting. I’ve had Valerie Martin’s The Ghost of the Mary Celeste on my reading list since I first saw it in hardcover on a bookstore shelf. The Mary Celeste was an actual ship, found with not a soul aboard, lifeboat intact, and no sign of violence, back in the 1870s. To this day no one knows what happened to the crew. Valerie Martin takes this frame and fills it in with a family drawn into Spiritualism, a religion that was just beginning at the time. Spiritualism, which developed in the aftermath of the Fox sisters and the eerie rapping at their upstate New York home, is one of the few religions to be completely at home with ghosts. The faith still exists today, and although Margaret Fox “confessed” to having hoaxed the effects she also retracted her confession, leaving ghost hunters perplexed to this day. These two mysteries, brought together in the moody month of November, make for a compelling novel that urges the reader forward.
Martin also adds the presence of Sir Arthur Conan Doyle to the story. Doyle, an avowed believer in the spiritual realm, also created Sherlock Holmes. As the various characters try to piece together what happened to the Mary Celeste, the ghosts of those lost at sea ambiguously communicate with the living. The world between realms, in this story, is permeable but indistinct. Those lost at sea are, in the narrative, restless. The mood of the novel is unrelentingly moving and thoughtful. Ghosts haunt, but don’t appear. Readers are left to draw their own conclusions.
As today is the fortieth anniversary of the sinking of the Edmund Fitzgerald, it seems appropriate to think about the Mary Celeste. Since Percy Shelley drowned in his own personal boating accident, loss at sea has become one of the hallmarks of Romanticism. Conceived as an answer to the cold, callus industrialism that trailed the scientific revolution, Romanticism suggested that there was an enchantment to nature and that things were not always as they seemed. Prosaically, there’s nothing poetic about dying in a violent shipwreck. That’s what makes the Mary Celeste so compelling. There is no violence here. The sea calls and claims captain and crew as her own. The lack of resolution has led to a very open-ended mystery—the perfect foil to a harsh materialism. Today the Mary Celeste and Edmund Fitzgerald will be sailing my internal seas as the season of spirits and shipwrecks come together in the lengthening nights of November.
Revisionist History
I recently came across a website with academic papers available on it. Although the internet has yet to achieve its promise as a locus of solid academic material, such sites are becoming more common. I’ve been uploading my own papers onto Academia.edu since they seem to be old enough not to impact anyone’s sales aspirations. In any case, this particular website I found noted that a paper had been updated at such-and-such a time, and that anyone who had downloaded the previous version should delete it and use the new one instead. This is a dilemma. I know of publishers who make corrections without issuing new editions. When I buy a book, what it actually says will depend on the printing rather than on the edition. I wonder if such retractions are really fair. How does one know when she’s reading something outdated?
Picture this: a young kid, perhaps an unknowing fundamentalist, reading his Bible. Then he gets a newer copy of the same translation. But soon he notices that there are differences. Although the example may sound overly Talmudic, it is factual. Bibles, being printed in large quantities, are especially susceptible to error. When did the printed word become something that’s negotiable? I’ve been pondering clay tablets and their apparent immutability. Contrary to popular belief, most clay tablets weren’t fired—it was a lot of effort for something that had limited value. Some tablets show signs of erasure or additional words being added. In the case of clay, this is often very clear. Besides, the readers were few and specialists. They knew what they had. But for a modern person staking the salvation of her soul on a document, is it not problematic to change a jot or tittle (of which not the least shall pass away)? Has technology made us immune to fixed texts?
Back to the website I found. What if I downloaded the faulty paper and wrote my own paper based on it? How would I know to go back and check to see if a new version had been uploaded? Am I to spend all my time revisiting web pages to see what has changed? Knowledge itself seems now to have become whimsical. What is true depends on the date and time you accessed it. Perhaps I’m just a dreamer, but there was a time, it seems to me, before post-modernism, when you might purchase a book and be fairly certain of what you had. Errata sheets (or the more fancy addenda et corrigenda) didn’t intrude into the typeset page. You could still read correctly, assured that someone had spotted and acknowledged the mistake. We have, I fear, outlived the need for sic. And it is only a small step from siclessness to truth that changes second by second. Is this the siclessness unto death?
Think Bigger
I’ve spent a lot of time with academics. Having been one myself, I know something of their habits. Getting through a doctoral program involves, at least in some fields, becoming the specialist on a very tiny piece of information. Since people have been thinking about things for millennia, finding something new to say can be a challenge. Often, by the time they’re done, newly minted doctors know an incredible amount about a very specialized topic. This is, in many ways, simply an intensification of the human experience. We think small. Part of the problem is that our brains haven’t evolved to think big. Having learned an awful lot about the weather in the book on Psalms, I have instinctively taken an interest in natural disasters. Charles Officer and Jake Page share this interest, as is evident in When the Planet Rages: Natural Disasters, Global Warming, and the Future of the Earth. This, however, is a big idea book. Globally big.
Throughout the first two sections of the book, which deal with humans in the face of nature, God often comes up. As scientist and science writer (respectively) Officer and Page simply reflect common beliefs. Nowhere do they advocate invoking God, but they note that throughout history, in the face of just about any species of natural disaster, people have. Many people still do. Disasters and God. What a team! We worship what we fear. Once Officer and Page reach the third section of human impacts on nature, however, God drops out of the picture and the fingers are pointing solely at us.
When I read about what we’ve already done to this planet, I, as a colleague once said, start seeking another species to join. We have destablized the atmosphere so throughly that it will take at least ten-thousand years to return to it’s pre-Industrial Revolution state. Ten-thousand years. At the same time, the largest industrial pollutor (the United States) has jury-rigged politics so that only the wealthy can attain high office. Votes can be bought and we simply won’t sign the Kyoto Protocol. Those who knowingly doom their children are the smallest thinkers of all. We have changed the course of the biosphere well beyond our share of time, and even those scientist who deny global warming know that it is true. You don’t bite the hand that signs the pay check. After all, specialists have a tendency to be very small thinkers.
Supernatural Quest
Two things we’re told about the supernatural: one, it doesn’t exist and two, it can’t be studied. Of course the vast majority of people in the world don’t buy into number one and hardly care about number two. Both, it seems to me, could be wrong. As Jeannie Banks Thomas says in her introduction to Putting the Supernatural in Its Place: Folklore, the Hypermodern, and the Ethereal, belief in the supernatural is not declining. In fact, the more we’re told by cocksure scientists that all of reality is quantifiable and material, the more we become aware of the many exceptions to the rules. Of course, “supernatural” may be a misnomer. It could be that anything sloughed off into that category is simply not understood well enough to be empirically studied. Thinking back over the history of science I find it ironic that the very system that had to convince people that something couldn’t be seen (many gases) could be deadly. Now if it can’t be seen it can’t exist. We certainly don’t want any deities hanging out around here.
But back to the book. Putting the Supernatural in Its Place is a folkloric study of place. The contributors to the volume look at popular beliefs, some serious, some not, that accrue around certain places. As I’ve often stated on this blog, we are aware as humans that some places are fraught with meaning. Scientifically we know this shouldn’t be true, but we feel it when we approach any space of significance. The contributors to Thomas’ book look to some very interesting places: New Orleans, Salem, St. Ann’s Retreat, Lily Dale, Japan, and even movies and the internet. If any of these places aren’t familiar to you, it’s worth picking up a copy of this accessible book to learn more. Supporting folklore is a very good thing. Folklore, after all, is the wisdom of the people.
The places in this book are rumored to be haunted by ghosts, witches, zombies, vampires, and even fairies. Folklorists, of course, don’t try to prove that beliefs are true. Like any academic they study and analyze. The main form of exploration for the non-academic is the legend quest. Many of us have gone legend questing from time to time. A place where something happened is said to have a certain feel or manifestation, so we go to see what it’s all about. If such trips are given religious sanction we call them pilgrimages. We want to see. But more than that, we want to experience something that the past has left behind. In the part of the year when each night grows longer than the last, my thoughts turn to what is usually termed “the supernatural.” And I, for one, am glad to have able guides along the way to make the simple voyage into a quest.
Ordinary Magic
The concept of grimoires, as well as being seasonal, has been on my mind as I finish up my paper for the Society of Biblical Literature annual meeting next month. Grimoires, books of magic, have eluded, for the most part, the interests of scholars. Who takes magic seriously, anyway? Slowly our gaze is working its way away from our noses and out to the magical world beyond. Conjuring Spirits: Texts and Traditions of Medieval Magic is a textbook example of what happens when you bring the two together (scholars and magic, that is). Like most collected works, the pieces range from fascinating to somewhat magical in their ability to cause the eyes to close. Nevertheless I learned quite a bit from this book edited by Claire Fanger. Magic is not nearly so rare as we like to claim it is.
Perhaps the biggest takeaway from these essays is that grimoires were not only written by witches. Indeed, in the Middle Ages many of them were written by clerics and monks. They were avidly used by doctors, as science likely has its roots in magic rather than in some sudden enlightenment that matter is all there is. Medicine was still beholden to Aristotle, Hippocrates, and Galen. Humors and stars could make you unwell, and the wise physician would do well to pay attention to magic as well. Today we’re too sophisticated for that, but we still call the unexplained the placebo effect.
Although the church became the great enemy of magic, it was also one of its main sources. The Mass, with transubstantiation, seemed alchemical. Miracles of healing, known throughout the Bible, suggested that the improbable was indeed possible. A number of grimoires contained instructions to work such wonders. One of the most vehemently condemned was a book informing how to attain the beatific vision—a worthy enough goal—but it did so in a way that circumvented the power of the church. Garden variety magic was also available, of course, as were recipes calling for brain of black cat and blood of bat. Witches, after all, were mainly sought out by the church. Those with power are not easily compelled to relinquish it. It should surprise no one then that magic continues to thrive.
Pagan Religion
Framing. Much of what we call “religion” has to do with framing. At one time it was standard practice to assume “pagan” was distasteful, if not downright evil. “Witch” was a pejorative term intended to humiliate and excoriate. Ronald Hutton is one of the few scholars who has taken the time to consider Wicca and related religions seriously. The Triumph of the Moon: a History of Modern Pagan Witchcraft has been on my reading list for quite some time. It is a big book, but this is a complex subject that can’t be dealt with briefly. Taking the time to get to know witches, with a historian’s patience, Hutton has given the world a valuable, balanced resource. Without prejudice, he traces how paganism, Wicca, and witchcraft are religions difficult to define or even categorize. There is little to frame them.
Rumor and hearsay make poor substitutes for understanding a religion. Most of what I grew up learning about witches was, in short, completely wrong. I wonder how much more pleasant the world might be if people assumed religions all to be similar in many ways. They are varied attempts to find ways of being moral in a world that gives little clear instruction on the matter. Witches and pagans are only evil in the uninformed opinions of more powerfully established religions. Religions of empire, whether real or only imagined. Those that had political backing and brute force to anathematize those who were different. Theirs is still a stigma that persists.
The Triumph of the Moon recounts the development, since the early part of the last century, of a somewhat organized experiment of religion as it grows organically. Without a leading figure or spokesperson, radically egalitarian, these groups, while sometimes in conflict, coalesce around the practice of finding something magical in the world. Theirs is an educated, literate world that does not judge other religions. It isn’t perfect, but then what religion is? The belief structure isn’t so different than many established religions except in the matter of degree. It is private and secretive in a way that we could only wish in many religions, if they could be counted on to behave themselves. I’m not likely to do a sky-clad spiral dance any time soon, but I would say that if we took religions at their word for being what they say they are, we might have a lot more resembling that of the noble pagan.
Heaven Unawares
In order to have this book fit my blog, I’ll begin with a spoiler alert. If you plan to read Cat Winters’ The Uninvited, I will be giving away information below. Please believe me when I say it’s not intended to be persnickety by this preface, but I know what it’s like to enter a book knowing too much.
When autumn comes around I like to find a ghost story or two to read, to settle into what seems to be a primal urge connecting harvest with death. Sometimes the books I find are advertised in places like the Library Journal, or Publishers Weekly (which I see more like biannually). More often than not, however, they are books that I spy at a store. The Uninvited stared at me from a table. I picked it up, read the blurbs, and put it back. A week later I stopped in again and picked it up. It is a moody tale set during the First World War and the influenza epidemic. That was a time, I suspect, of great fear. And many ghosts. It’s easy to see why Winters chose such a time to set a tale. Still, the narrative is gentle and despite the places where the language sounds too modern, it is artfully told. Like most ghost stories it is a love story. Seriously folks, here come some spoilers!
The protagonist, Ivy, falls in love with Daniel, a German immigrant living in Buchanan, Illinois during the war. Germans have been under suspicion and lynchings have occurred. We come to learn, as in many ghost stories, that the protagonist and her lover were both victims—he of a lynching, she of the flu. He’s aware they’re dead, she’s not. The novel is one of Ivy’s growing self-realization that she’s deceased. While avoiding those who spy on Germans, she discovers the joys of an interracial, prohibition-free (being prior to prohibition, of course, but the idea was in the air) club where jazz is played all night long. She wants to bring her lover to the club, which is just across the street from his apartment, but he is German and feels he would not be welcome. The reader at this point doesn’t realize the two are dead. Once Ivy discovers the truth, she realizes that the club is actually Heaven. The reluctant ghosts, lost, stay away. She tries to convince them to come.
Heaven has been portrayed in many ways in literature. Although I find jazz very difficult to bear (it is like being inside a beehive without a bee suit, to me) the idea that Heaven is complete and utter acceptance of who we are is a compelling one. Religions are often all about change—how we must alter who we are to merit Heaven or Nirvana or whatever might await us at the end. Winters suggests that it is a place where people can be who they are and nobody will try to make you be any different than you were created. It is a comforting idea. It is my personal hope, however, that there might be a few different clubs in town and that some of them might be playing music other than jazz.
Steve A. Wiggins 