Intellectual property is a concept that only arises where thought can be monetized. Think about that. (But don’t charge me, please!) It is a strange idea, when you ponder it. In any case, one of the problems with writing book reviews is that the reviews themselves become the intellectual property of the journal in which they appear. In a mental ménage à trois, everyone gets something out of it: the publisher gives away a book for free publicity, the journal gets copyright content of value to its readers, and the reviewer gets a free book. In the best of these encounters everyone goes home happy. I began doing book reviews when teaching at Nashotah House. Academic books are expensive and although professors make more than editors do, they are still hard-pressed to pay academic press prices. After my strictly platonic affair with higher education, I stopped doing reviews for a while, but now that I have hours on a bus to read, I’ve picked up the habit again.
Most often I review books for the two societies of which I’m a member—the American Academy of Religion and the Society of Biblical Literature. There might, however, be a conflict of interest here. One of the main things I do on this blog is talk about books. Since I’m no longer a professor, but I still think like one, I figure it’s a compromise I can live with. The conflict arises because I post daily on my blog while publishers take weeks, or even months, to publish reviews. Despite technology, publishing is a slow business. That means that I read books I can’t really talk about until the review has appeared. That’s the case with Jill Graper Hernandez’s Early Modern Women and the Problem of Evil: Atrocity & Theodicy. I can’t say here what I say in my review since the review isn’t my intellectual property anymore. There’s another trade-off here: publishers get your name out there in return for owning your content—everything can come down to the level of business, it seems.
Still, I can use this post to reflect on theodicy—the justification of God in the face of evil. Since I don’t address this fact in my review I can say here that since Trump’s election it’s difficult to read a book about suffering without tying it to the current political situation. Many of the incumbent’s ardent supporters are coming to see that he doesn’t really care for them or their issues, and conservatives as well as liberals have four years of suffering to face. I was surprised how often in reading this philosophical treatise that our present national shame came to mind. Perhaps that’s inevitable in a book that discusses how women have been repressed in a world where they too have been relegated to the level of a commodity. Intellectual property seems less a concern when human beings are still trafficked as chattel. That’s not just bad business, it’s evil.




Good and evil. Well, mostly evil, actually. No, I’m not talking about Washington, DC, but about horror movies. Cynthia A. Freeland’s The Naked and the Undead: Evil and the Appeal of Horror is a study that brings a cognitivist approach to the dual themes of feminism and how horror presents evil. It’s not as simple as it sounds. Like many philosophers Freeland is aware that topics are seldom as straightforward as they appear. Feminists have approached horror films before, and other analysts have addressed the aspects of evil that the genre presents, but bringing them together into one place casts light on the subject from different angles. Freeland begins this process by dividing her material into three main sections: mad scientists and monstrous mothers (which allows for the Frankenstein angle), from vampires to slashers, and sublime spectacles of disaster. Already the reader can tell she’s a real fan.











