Watchers and (Un)holy Ones

HiddenOnes Angels, demons, djinn, watchers, giants, and a healthy dose of fantasy pervade Nancy Madore’s novel, The Hidden Ones. In this present world where, I’m told, the supernatural is irrelevant, it is pleasant to come across a work of fiction that delves so deeply into the pagan roots of Judaism, Christianity, and Islam. Monotheism does have its own skeletons in its capacious closets. Madore is a novelist who insists on prying open those doors long shut, and spinning a tale that involves first responders, shady military officers, and a band of rather hapless archaeologists. And Lilith. Throughout the story Madore comes up with clever etiologies for stories that will appear in canonical form much later, and at one point I couldn’t help wondering if the screen writers of Noah had read her book. Well, actually, The Hidden Ones is the first of a trilogy, Legacy of the Watchers. I’m sure the next two books will contain many surprises as well.

The Hidden Ones put me in mind of Michael Heiser’s novel, The Facade. Both take on the mythology of the Nephilim, the fallen ones about which the Bible tells us enough only to leave us hungry. The early chapters of Genesis are like that. There’s so much going on that those of us reading it many centuries after it was written are left wondering what the full story was. The writers of the Bible had no compunction to disbelieve in monsters and beings beyond the human ken. Nor does the Bible attempt to systematize them in any sustained way. These creatures just are. As the old saying goes, however, fiction has to make sense—those who write with gods and angels have to make them fit into a system.

No doubt, the uncanny occasionally intrudes upon our rational world. The Hidden Ones presents one such intrusion that, ironically, takes some of the fact of the Bible while leaving the theology suspect. We know that even before the Hebrew Bible was complete ancient scribes were attempting similar things. The book Jubilees, for example, tries to fill in some of the unanswered questions of Genesis, including the watchers and details of the flood. Jubilees, however, never made it into the Bible thus depriving canonical status to the backstory that demonstrates how religion often chooses for ambiguity, leaving it to theologians to bring it all into a system. And novelists. And among those novels that tread where even J, E, P, and D quail, is The Hidden Ones.


Founding Principles

That feeling is in the air. Autumn began to stretch its melancholy fingers into August this year. Even before the month was half over the mornings had that chill in them that sparked the trees to begin their slow process of shutting down for the winter. Not wanting to admit that it was time to send my daughter back to college, I resisted what is one of the most compelling senses of self-abnegation that can be known—fall, in all its glory. When I saw a blog post on the Salem Witch Trials, I knew I wasn’t alone. The nights are already longer, and that sunset over summer’s beach comes earlier each day. Salem has a way of bringing that home to me. Innocent people murdered for fictitious crimes. Much of the fear that led to this miscarriage of justice was, of course, inspired by religion. The colonials had a great fear of new religious movements. Although it is difficult to believe, Baptists were such a new religion at the time. Considering how Baptist sensibilities now drive much of the Religious Right, it is difficult to imagine that once upon a time, being a Baptist could lead to accusations of being a witch.

As much as the Religious Right likes to make claims to a primitivism that is completely fiction (Christianity has always been this way), we have lost touch with what it meant to be a Christian in early America. States (still colonies) had their religious preferences, some even established. If you were a Baptist you’d be most comfortable in Rhode Island. If you leaned Quaker, Pennsylvania was for you. When these disparate colonies banded together into a country, it was quickly realized that religious freedom was the only way for them to work together. The government, the state, could not determine matters of individual conscience. Until, that is, that we could declare that the views of particular individuals on birth control—as informed by their religious authorities—could legally deny their employees full health benefits. Oyer and Terminer, anyone?

Freedom is a beautiful idea. It is a concept that only works, however, if it is shared equally. When one faction claims liberty for itself while limiting it for others, we’ve fallen back into times when the Baptist at your door was more dangerous than the Devil in his Hell. And so we revise our history and make claims that America was founded as a Christian nation. Evidence can be ignored, or, failing that, revised. Nothing is written in stone. When you visit Salem, there is a quiet little park, off the beaten path. Under some weary old trees are a set of stone benches against a stone wall. On each of the benches are engraved the names of those executed for being imaginary monsters. The leaves on those trees are, I’m sure, beginning to turn. Soon they will silently fall, and only those who are made of stone will deny that autumn is upon us again.

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Cowboys and Demons

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Cowboys & Aliens finally came down into my price range. For movies I’d have to view alone, I generally wait until they appear for free on some online movie service or for less then ten dollars at Target. I’ve been waiting for this one since 2011, but my patience paid off. Inspired, so the rumor goes, by the Roswell incident, the film follows the adventures of some old western stereotypes as they encounter the superior power of aliens. The aliens, it seems, are just as materialistic as humans, coming to the old west in an extraterrestrial gold rush. They abduct humans to learn their weaknesses (which really seems superfluous given the technological imbalance between the species) and anger a number of ornery hombres in the process. Then we have an old-fashioned shootout with ray guns versus bows, arrows, and bullets. Human devotion, however, defeats the evolved armor and flying machines of the—well, what are they exactly?

The cowboys scratch their heads, not quite having the consarned concept to categorize these flying machines and their occupants. The local preacher, who is a pretty handy shot, tries to help the confused cowboys, who settle on the term “demons” to describe the extraterrestrials. We forget that in the early part of the last century other galaxies had not yet been discovered, and although we knew of other planets, there was assuredly no way to get there from here. Ugly things that come from the sky are demons. This doesn’t lead to a whole load of speculation—nobody suggests praying to take care of the menace, although the Native Americans resort to a religious ritual to unlock the mystery of where the demonic hoard is hiding. Through her resurrection we discover that Alice is a good alien, planted in the town to stop the invaders from doing to the earth what they did to her planet. And winning the heart of Jake Lonergan (whose very name suggests lone gunman to insiders) along the way.

Since the movie is three years old, I won’t worry about spoilers—if you’re inspired to watch for the first time, however, you might want to do so before finishing this. When Alice figures out how to stop the alien mining operation for good, Jake is left, for the second time, with his woman being killed by demons. Woodrow Dolarhyde, realizing that the outlaw Jake isn’t such a bad guy after all, seeks to console him at his loss. At the end of the movie, in a camera angle that goes from Woodrow to Jake, the focus falls on the cross atop the local mission as Woody says, “She’s in a better place.” All aliens go to heaven. Literally. With echoes of the X-Files, Cowboys & Aliens is sufficient for a dark night where demons and angels are a little too close to tell apart.


Candle, Book, and Bell

AmericaBewitchedHaving married into a family descended from the surviving relatives of women executed as witches at Salem, I have long been saddened and fascinated by the story. Not just the story, but also by the cultural milieu. We all know about the witch trials and the tragic massacre of innocents (mostly women) that took place in late Medieval and early modern Europe; the Salem miscarriage of justice came at the very end of that, after the start of the Enlightenment. Owen Davies is also fascinated by witchcraft, and his America Bewitched: The story of witchcraft after Salem is an exploration—mostly via newspapers and court trial records—of witchcraft accusations in America that continued up until about the 1950s. The coincidence of the 1950s with the “witch hunts” of McCarthyism will not escape some readers, and indeed, from the time of Arthur Miller’s nemesis on, those who vociferate against witches have kept rather quiet. Unless, of course, you count those who subsequently feared “terrorists” or any other group that might be profiled. We could learn from history, if we’d let ourselves.

Davies’s book brings together largely overlooked, nearly forgotten instances of how many cultures, including that cultural mix of Europeans who were to become “whites,” feared and sometimes killed witches. The difference from Salem was that almost all of these cases took place at the hands of self-appointed accusers (vigilantes) who hounded, punished, or killed someone suspected of being a witch. Surveys still show that a large percentage of people in the United States, although not a majority, believe in witches. It is an idea that has a primal hold on human psyches, and, as Davies points out, it is often used to explain misfortune. As I read this book I reflected how Americans come across as pretty gullible and not exactly sensible in this matter. The germanic strains of immigrants, it seems, were particularly susceptible to such beliefs. We also find witches, however, among Native Americans and African Americans as well. Misfortunate plays no favorites.

There are those who claim technology will save our culture. The other day a friend reminded me of the third of Arthur C. Clarke’s laws: “Any sufficiently advanced technology is indistinguishable from magic.” Even the most scientific of us knows, whether or not s/he will admit it, that “spooky action at a distance” does occur. It is perhaps only a matter of time before we find the hidden laws that operate the mechanism, but I can’t help but feel a little bit uncanny when I see more and more lifelike robots operating with what seem like human intentions. Of course, those intentions are programmed by humans. And it is often otherwise rational adults who with gun in hand, up until fairly recent times, accused flesh-and-blood neighbors as witches. America Bewitched can be a scary book, especially since unlike vampires, witches do cast their reflections in a mirror.


Working Dead

AmericanZombieGothicPerhaps being born into and reared in a working class environment naturally predisposes me to the populist variety of entertainments. Although this may be true, serious scholars have begun to pay attention to the subjects traditionally classified as “lowbrow,” and particularly zombies. I mention zombies not infrequently because they are monsters with religious origins (although not the only ones). Reading Kyle William Bishop’s American Zombie Gothic (and who could resist such a title?) resurrected all of these interests for a few happy days on the bus. Subtitled The Rise and Fall (and Rise) of the Walking Dead in Popular Culture, Bishop’s study goes back to the beginning with zombies and their religious origins. Since the concept of zombie required the blending of Catholicism with its root African indigenous religions, it seems natural that the concept would emerge in Voudon (voodoo) religions of the Caribbean. What Bishop makes clear, however, is that the zombie is a way of coping with slavery, since, as originally conceived, zombies represent the horrors of enslavement. In other words, they represent a social justice issue.

Dismissed as puerile and unsophisticated, zombies had a difficult time catching on in American culture. Once they caught on, however, they didn’t let go. (They are zombies, after all.) As Bishop shows, this appeal has many bases. George Romero’s zombies were always social critique. Exploiting their shock value made a point, but other filmmakers soon followed, enamored of the potential violence, gore, and exploitation the zombies offered. Then, following 9/11, zombie movies proliferated, demonstrating that even the undead might perform some kind of catharsis. As Bishop notes, zombies were primarily a movie phenomenon, slow to catch on in literature.

Having read a few zombie novels in the last few months, I have pondered this last point deeply. What is believable, momentarily, on the big screen is rendered laughable with the ponderation of reading. When your brain has time to process what slick visual editing denies, it is clear that decaying corpses would have a pretty tough time getting around—even living bodies have trouble with it from time to time. Zombies, after all, are not really ever literal. They are signs, or even prophets. They point to a reality beyond themselves. Zombies, in reality, represent enslavement—whether literal or figurative—that holds us back from our true potential. No wonder they’ve become such fixtures in a world where opportunity has become effaced and terror can breach even secure borders. They may be lowbrow, but having lived the working class life, I have always had profound respect for the walking dead.


War in Heaven

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Van Helsing, about which I’ve posted before, is not a great film, but it is perhaps the closest that modern cinema has to offer for my childhood Saturday afternoon viewing. Vampires, werewolves, and Frankenstein’s monster all appear together in a ménage à trois that Universal would’ve been proud to own in the 1960s. With lines cribbed from some of the Universal originals, plus some less believable chatter from Steven Sommers, the campy film is unrelentingly in dialogue with religion and its monsters. Indeed, the plot revolves around the church’s plan to save humanity from monsters by the employment of the eponymous van Helsing. I’ve probably seen the movie half a dozen times, and I’m a bit embarrassed to admit the this is the first time I’ve stopped to wonder at why, unlike Bram Stoker’s van Helsing, the one in the movie is named “Gabriel.”

It should’ve been obvious at the first viewing, but this time I was watching the movie with the intention of parsing its theology. In medieval Roman Catholic angelology, there are seven archangels. Two of them (or three, depending on whose Bible you are reading) are named in Holy Writ. Gabriel is, of course, one of them. The movie also shifts Dracula from being son of a Wallachian nobleman to being the “son of the Devil” (clearly by adoption). The Devil’s gift of resurrection (with which the movie is rife) comes with the vampiristic curse. And the climax of the film has the leader of God’s army (“the left hand of God”), Gabriel, battling the son of Satan. This is none other than the war in Heaven of which the Bible speaks. The leader of the archangelic army is actually Michael, but having “Mike van Helsing” as your lead just doesn’t carry the gravitas of Gabriel.

The movie opens with Dracula claiming that science has triumphed over God, and yet the mythology of monsters prevails. Frankenstein’s creation is morally pure, being a loving child of science, and the church declares him anathema. Throughout the movie all the monsters claim to want is to live, to survive. In fact, they are already resurrected. The werewolves get the dog’s share of the theology, however. They are infected or cursed rather than reborn. The war in Heaven has come to earth as angels and demons battle for supremacy. In the end, it is the human family chosen by God that goes extinct. I’m not sure all the theology adds up at the end of the film, but again, that is the very nature of mythology. And a film that can bring back a careless Saturday afternoon really doesn’t need to make sense at all.


The Call of Madness

mountainsofmadnessPicture this: the wind is howling outside your tent, violently snapping the fabric. The temperature outside is well below freezing, and you are camping at the base of a mountain nobody has ever explored. You are hundreds of miles from any possible help, in the midst of Antarctica. What do you do? Read H. P. Lovecraft’s “At the Mountains of Madness.” At least that was the decision John Long made on his journey to collect fossil fish in the most inhospitable continent on the planet. Mountains of Madness: A Scientist’s Odyssey in Antarctica is one of those rare books where a rational, educated man of empirical approaches allows the creative, emotional aspect of life speak. I picked the book up at a library sale, based solely on the title. I recognized the Lovecraft in it, and wondered whether it was accidental or not. Besides, reading about polar regions has always fascinated me. Indeed, according to the records of those who’ve trespassed into those regions, madness is not a rare consequence.

Long’s book is not religious, but it is filled with wonder. The mechanistic science that’s often fed to the public is frequently technical and lacks those mysteries we’ve evolved to love. Nowhere in this book is the compelling aspect more relevant than in Long’s accounts of Christmas. The population of Antarctica—a select group by anyone’s standards—is mostly scientists and technicians. Deep field expeditions, it stands to reason, take place in December, which is the summer of Antarctica. In the case of those in the field, they are far removed from their home base, and even the earliest explorers noted in their diaries that Christmas was celebrated, in however minuscule a manner rations and perilous conditions allow. Nobody bulking here that it’s all just a myth.

Lovecraft’s story places explorers far from help in the mountains of Antarctica where they discover they’re not alone. The story inspired such movies as The Thing from Another World, and therefore John Carpenter’s The Thing. Lovecraft, like Long, was a disciple of science and yet, even in his atheistic world deities break in. It’s like Lewis’s Narnia where endless winter with no Christmas is unbearable. Long makes it clear in his account that Antarctica changes a person. Transcendence, those of us who linger over religions know, can express itself in many different ways. For some it is the grandeur of barrenness and inhospitable weather of an unfeeling environment where both macro and micro-predators have trouble surviving and penguins gather to struggle through weather humans can barely tolerate. For others it is camping below the very mountains of madness. Without some wonder, we just don’t survive.


Map and Territory

MapsHeavenMapsHellAt first glance the Puritan divines of early New England should seem to be as far from horror films, on the cultural divide, as phenomena can be. After all, academics long ago declared “genre fiction,” and particularly Gothic and horror fiction, to be lowbrow at best, and generally of no cultural worth. The amazing success of scary movies only underscores this point. Edward J. Ingebretsen (S.J.), however, begs to differ. His wonderfully insightful book, Maps of Heaven, Maps of Hell: Religious Terror as Memory from the Puritans to Stephen King, is a surprising study of how religion and terror share much that is essentially human. On this blog I have, from time to time, claimed that religion and horror are close cousins. In fact, they may be siblings. Since studies of Cotton Mather and Jonathan Edwards are often produced by Reformed, or at least Protestant, theologians, it may be that a Catholic thinker will catch aspects often overlooked. The Puritans, with their Calvinistic underpinning, had a worldview that holds much in common with standard horror fare. Ingebretsen suggests that to map Heaven, you must also map Hell.

The map conceit works well as the reader navigates through unconventional ways of thinking. The fears of the Puritans included the fear of God, and those who read or watch horror have noticed that nothing scares like the divine. It may not be on the surface, however. Even those not accustomed to deep digging can, upon a few moments’ reflection, see that the Gothic writers of the American canon have drawn repeated from this well. Many literary experts (well, some) celebrate H. P. Lovecraft’s atheistic rationalism, but enjoy his tales of the old gods nevertheless. His modern heir, Stephen King, is quite open about the potential fear of religion. He even blurbed the back cover of the book.

As society grows continually more secular, the religious impulse will not disappear. Sublimation, the process of changing states, may hide what is happening from the casual eye. A close look shows, however, that the same fears Mather and Edwards unleashed on witch-addled, spider-fearing New Englanders, have come back to us in pulp and celluloid. Religion has its earliest roots in a kind of holy fear, it seems. The innovative human mind, however, with its drive to rationalize, devised mythologies that make fears seem plausible. Those mythologies are relatively easy to believe. Everybody likes a good story. Stories, with all their twists and turns, can leave you lost in the woods. It’s good to have a map. I would suggest Maps of Heaven, Maps of Hell. You may still be scared, but you may feel more sophisticated for it.


Gorilla Whale

Monster Boomers grew up with Godzilla. Among the many monsters on offer on a Saturday afternoon, Godzilla was one of the most obvious fakes, but also among the most poignant of realities. Even as kids in the 1960s we knew about the atomic bombs that had been dropped on Japan. We knew, at some level, that we had come to a point where one species could destroy its entire habitat and that we had obliterated millions of our own kind in just the past half-century, let alone the millennia prior to that. Godzilla represented not just a man in a rubber suit, but the fear of what we could bring upon ourselves. Radiation, burning, the terror of Japanese citizens, and yet, that odd sympathy for the monster. Metaphors were growing much faster than the half-life was decaying. Godzilla became a lasting symbol of both childhood and adult awareness.

I haven’t seen the Godzilla that opened in theaters this past weekend. Inevitably, I eventually will. The 1998 version came pretty cheaply on DVD at a local video store a decade after its release, and I saw then that the monster had lost its emotional appeal. The original, compelling Godzilla was now just another monster to be destroyed. Instead of representing the environment fighting back, it was the environment waiting to be exploited. A shift had taken place and Godzilla was less godlike than before, but more terrifying. Monsters can be lovable, too.

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H. R. Giger, Time reports, died this past week. Giger was involved in creature design for the new Godzilla, and the memorial by Richard Corliss notes that he was inspired by H. P. Lovecraft, among others. Lovecraft gave us the old gods, and although the original Godzilla was about the horrors of nuclear war, there is a streak of Lovecraftian righteousness to it. The universe does not care for us. We invent gods, or monsters, or both, for that. Godzilla, as originally conceived, was never really that scary. What people could do to each other, and their planet, was. Sometime in the next decade, I’ll watch the newest Godzilla, and in the meantime, I hope that the message of the original somehow manages to sink in. We Monster Boomers can be quite naive that way.


Underwater Zombies

Z-BoatOne of the (many) benefits of blogging about zombies from time to time, is being sent books to read on the subject. Just as I cracked open The Zombie Bible volume What Our Eyes Have Witnessed, Permuted Press sent me an ebook of Suzanne Robb’s Z-Boat for comment. Z-Boat is an action novel with a strong female protagonist, that sets two naturally phobia-ridden subjects together: submarines and zombies. Since zombies, whether they acquire their undead status by vodou or by infection, are inherently a religious creation, they find their way onto this blog often. Unlike Stant Litore’s zombie universe, Robb’s is solidly secular, no mention of deities or demons anywhere. Set in a post-apocalyptic future (aren’t they all post-apocalyptic these days? We have difficulty envisioning anything much better), the crew of the submarine Betty Loo has to fight off a host of zombies intent on eating, and yes, converting, the living.

Zombies, whether conjured by spells and concoctions or by a contagious organism, while unthinking, always appreciate converts. The age-old human fear of being overwhelmed by swarms pertains just as well to the undead. We tend to avoid cemeteries at night, but death has a way of seeking us out in any case. I knew when my wife received a rather unsubtle flier in the mail advertising a local mausoleum that I too was likely on the list. Isn’t being a zombie all about the desire to survive, no matter what the cost? Still, it’s nice to know your custom is valued, right down to the end.

As I’ve mentioned before, zombie stories are difficult to take seriously in any rational world. Why a corpse with no stomach and no tongue would want to eat baffles the quasi-scientific mind I’ve installed. The Zombie Bible suggests that it’s hunger, and a metaphor is always appreciated in a room full of zombies. In Z-Boat the drive is more along the lines of the plot. You wouldn’t have a story without the undead. A potboiler, this is a page-turner, or, if you’re reading an ebook, a page-swiper. And although the function of a submarine is inherently like an ark—the preservation of breathing animals when overwhelmed by water—when the zombie organism eats its way into the crew, the only safety is found in escaping that ark. Robb’s tale is rollicking and rough, but her female Noah gives us all ground for hope.


Roman Undead

ZombieBibleLike most monster movie fans, I enjoy a zombie film now and then. I’ve even heard some very sophisticated people commenting positively on Shaun of the Dead. One of the standard features of the zombie is its forthright impossibility—reanimated dead are the stuff of humanity’s earliest nightmares, but in our rational minds we know that bodies missing vital organs, limbs, and blood, don’t just get up and try to eat the living. That doesn’t prevent me from watching zombie movies, and even considering participating in a zombie walk. Nevertheless, I’d not read any zombie books. That suddenly changed when I sat down with Stant Litore’s What Our Eyes Have Witnessed: The Zombie Bible. Literally the day I started reading it, a publisher sent me a copy of Suzanne Robb’s Z-Boat. I was surrounded by zombies.

I had decided to read What Our Eyes Have Witnessed because I was curious what a Zombie Bible might be. I quickly learned that it was an apologetic exercise where zombies are used as a vehicle for evangelization. It was difficult, however, to take the idea seriously. When a zombie breaks through the door of a Roman villa at the start of the book, I found the thought strangely funny. Many zombie movies go in that direction, acknowledging that they could never really happen, so they decide to give viewers a laugh or two along the way. Litore’s parsimony, however, became clear right away. This is a retelling of the martyrdom of Polycarp, but with zombies. It is a curious mix of Roman history, Christianity under persecution, torture porn, and the assurance of salvation. The premise is that Cain’s slaying of Abel resulted in zombies and their soulless souls must be put to rest. If they bite you, you become a zombie—you know the story. Meanwhile, the Roman authorities believe the Christians are to blame and decide to kill off the historical Polycarp.

The story dwells on the emotions of the Christians, in a kind of maudlin evangelicalism, as they try to avoid both flesh-eating zombies and Roman authorities. Zombies, it is said, are driven by their constant hunger and only Christianity has the true bread. This is a creative account of how the early Christian movement dealt with persecution. The zombies, however, feel somewhat superfluous in that situation, for the terror of imperial persecution was real enough. The zombies, however, aren’t after brains, and they don’t speak. They want to eat and the only thing they can digest, even if they have no stomachs, is other people. As an allegory it almost works, but zombies are a kind of fifth column in what was a very real struggle for early religious tolerance. Ironically, the undead and resurrection are never juxtaposed, although they are the most obvious way to connect the dots.


Heavenly Beings

FromAngelsToAliens Religious tolerance suggests that it’s less important what you believe than it is that you believe. After all, where you are born—socioeconomically as well as geographically—determines which options are open to you. And now that the world is virtually inter-connected, the media must play into the idea of what we believe as concepts mix and brew and distill. Lynn Schofield Clark’s From Angels to Aliens: Teenagers, the Media, and the Supernatural, is a study that takes all of this seriously. We know teens as the ultimate disenfranchised demographic. For those of us who were once there, no doubt concerning that status exists. But what of teens in an age where God seems to be effacing and angels and aliens invading? At least according to the media. Clark interviews several teens and their families about their belief in the supernatural, and, in keeping with what the statistics of national surveys continually show, belief in some world beyond ours is indeed deeply rooted. Many youth, however, have trouble distinguishing angels from aliens.

Not literally, of course. Rather, supernatural entities are so much a part of our media experience, and church attendance so little, that clear ideas of how these things all fit together, if they do, are lacking. Scientists are looking for life in space while denying that if it exists it ever could have intentionally travelled here. We are, after all, the most intelligent species in an infinite universe. (Did I say that belief in God was effacing?) Socially, however, angels are much more acceptable than aliens. Belief in aliens is easily equated with mental instability, while belief in angels is normal, if not a little naive. To the average person, it seems that we’re not alone. As many popular media portray, however, God remains silent and we have to wonder if there’s anyone really driving a universe with no real up or down and with an exploding singularity at its center. It’s all a little disorienting—rather like being a teenager.

Clark remains wonderfully open-minded as she asks her questions to the younger generation. I felt a bit of recognition when she mentioned her church experiences in theologically conservative western Pennsylvania, the area in which I grew up, and where neither aliens nor angels were particularly uncommon. And we were in a media black hole in those days. Stations from Pittsburgh or Erie didn’t boost their signal to reach those of us in the boondocks with much reception beyond the big three. Of course, there was nothing beyond ABC, CBS, and NBC. Well, there was PBS in the background, but this was a universe still awaiting its big bang. Angels were good, aliens were evil, and God never remained silent for very long. And nobody really cared what teenagers thought. We have evolved since then, but we still look to the sky and wonder who, if anyone, is out there.


Any Witch Way

Witches&WitchHuntsIt’s easy to feel smug over the past. At every moment of human civilization we deem ourselves higher than those who came before. There’s no doubt that the eradication of the thought-processes that led to the witch hunts of past centuries seems decidedly positive for all parties involved. Wolfgang Behringer’s Witches and Witch-Hunts, however, is a surprising book. I’ve read a fair number of studies of those dark ages when people were cruelly tortured and murdered in horrendous ways because they were deemed to be in league with Satan. As usual in such books, Behringer begins with that history. What makes his study surprising, however, is that he doesn’t stop in the eighteenth century when, in what we’re usually told, the witch trials ended. Behringer points out that witch hunts are still happening, and that the rates of those killed perhaps rival those, per capita, of the numbers during the Middle Ages. How can this be? In an era of global awareness, we sometimes forget that the focus isn’t always on Europe or America.

In many parts of the world, witches are still part of local belief systems. Not all of these are women, by the way. Many cultures favor the male witch. What these cultures do have in common, however, is their natural fear of black magic being suppressed by colonialism. More “civilized” westerners came and enacted laws which, to the minds of the locals, protected the witches! Local tradition of eradicating those who practice black magic was considered righteous, and now the government forbids it? That seems strange, especially when many of the colonizing forces were also interested in Christianizing as well. Missionaries wanted to affirm belief in the supernatural, and, ironically, often became the vehicles that allowed beliefs in witchcraft to continue. As Behringer points out, some populations converted to Christianity precisely because it allowed the continued belief in physical evil—therefore witches—and the eradication thereof.

This creates a vexing problem. When cultures meet they inevitably attempt to assert their values. When the technologically superior force their ways of life on those behind on that front, a kind of pressure of misunderstanding builds. Instead of bringing witches to trial, they lynch them instead. It seems we may have underestimated the pull that belief in witches has on people. Traditional societies uninfluenced by the developments in Europe also came up with the idea of witchcraft independently. Witches, it seems, stand for the classic issue of theodicy—explaining why things go wrong in a world that should be ordered by deities. Coincidence is always cold comfort in explaining loss. Even the rule of law breaks down. At the same time, how can it be right to allow the murdering of those suspected of witchery even in the enlightened twenty-first century? This fear is one of our most abiding demons, and the solution remains out of reach, unless, of course, we allow ourselves to resort to magic.


The Cthulhu You Knew

DissectingCthulhuThe word “fan,” an apocopated form of “fanatic,” is a word borrowed from the realm of religion. Most often associated with sports, it can refer to any overly enthusiastic devotee. While I enjoy reading H. P. Lovecraft’s fiction, I think I would stop short of calling myself a fan, but were I to take that step I would have some serious competition. The circle of those truly enamored of Lovecraft have yet to break into the hallowed, or perhaps haunted, halls of the western canon. Fans there are, but not the sort who find regular play in literature classes. Still, as I read S. T. Joshi’s edited collection, Dissecting Cthulhu: Essays on the Cthulhu Mythos, I came to realize just how committed Lovecraft’s fans are.

My fascination with Lovecraft arises from his felicity with gods. Some argue that his gods are aliens, but even Erich von Däniken hasn’t stopped the true believers. Dissecting Cthulhu is a collection of articles from a variety of Lovecraft analysts debating the fine, and sometimes gross, points of the postulated “Cthulhu Mythos.” Cthulhu hardly requires any introduction these days. He has basked in his underwater fame since the internet has made a star of him. The eponymous deity of the alleged cycle, the divinity, or alien, was never really put front and center by his creator. Deities are all the more powerful for being unseen. Here is where Lovecraft the atheist becomes Lovecraft the theologian. By creating gods we tacitly admit their subtle power over our psyches. We may call them aliens or monsters, but compared to us, they’re gods.

After reading Dissecting Cthulhu, however, I’m not sure that I could say much more about him than before. This is often a problem shared by theologians—what more can you say about an entity that won’t sit still long enough to be interviewed? Gods will be gods. The rest of us are humble hermeneuts. There’s no doubt that Lovecraft touched on a deep and abiding current in human experience when he held alienation high as the standard of life on earth. Somehow we resent Cthulhu for not being there, even though his is no octopus’s garden under the sea. Other galaxies were discovered and partially understood for the first time during Lovecraft’s lifetime. Suddenly it felt pretty lonely down here with all that empty space up there. It is better to populate such a large expanse with gods. Not seeing is believing after all.


Holy Hollow

HollowCityEveryone wants to belong, to fit in. Growing up, I seldom felt I managed it. When you’re very young you don’t know enough to notice that you are more melancholy than other kids, or that you can’t afford the nice things they can. As you reach your teenage years, however, and you know that you come from the kinds of families that other parents warn their kids about (fairly poor, very religious, and just a bit peculiar). No wonder I find Ransom Riggs’ books so engaging. Yes, they’re written for young adults, but just about anything that Quirk Press publishes is worth the read. As an adult, if I’m honest with myself, I’m still waiting to feel like I fit in. The kids in Hollow City, the peculiars, know that they can never fit in. They have special, impossible talents that make them the targets of monsters called hollowgasts, or hollows, who try to gobble down as many as possible. Monsters, outsiders, and very human relationships—it’s a winning combination.

Quite apart from the spellbinding pace Riggs spins out (he’s a master of building tension), there are some quasi-religious elements in the books as well. I read Miss Peregrine’s Home for Peculiar Children a couple years back, and Hollow City develops the mythology a bit more. The real enemies are the wights—mean-spirited malcontents who rule the monsters. They learn that they can become demigods if they extract what makes a peculiar peculiar. That’s a religious concept: the essence that materialists tell us isn’t really there at all that makes us what we are. The children are self-sacrificial toward their mistresses, birdlike and godlike at the same time.

Peculiars have two souls, although most of us don’t know what to do with even one. The soul has, of course, come under great suspicion over the last century or so. There seems to be something that makes us what we are, and it isn’t just cells and DNA. Some call it consciousness, others personality. There are those with élan and others with spirit. We can’t call it “soul” because that smacks of superstition and yesteryear. So we read of children with two souls and none to spare. Even Philip Pullman had souls for his children in His Dark Materials. The soul, in both these book series, leaves a person completely dehumanized when it is excised. Of course, materialism will do that for free. Yes, I know it’s fiction—young adult fiction at that—but my money’s on Ransom here. Let’s hear it for those who have a surfeit of souls!