Best If Used

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Used bookstores are like a box of books—you never know what you’ll get.  I perhaps overindulge this particular vice, but it doesn’t feel too sinful to me.  Part of Modern Mrs. Darcy’s reading challenge for the year is three books by one author.  I decided since I’ve been on a Kurt Vonnegut kick that he would be the one.  I figured (mostly wrongly) that his books would be all over the place in used bookstores.  I always found a plentiful supply at the now mourned Boston Book Annex.  At a used shop in Easton I asked where they might put Vonnegut.  “In science fiction,” the owner promptly replied.  I don’t think of Vonnegut as a science fiction author.  Some of his work does fit, but this little exchange got me to thinking about genres again.

Writers, unless they’re strictly commercial, don’t think of genre.  We write.  The novel I’ve been trying to get published for the last decade doesn’t fit into any neat category at all, and that’s probably part of the problem.  Neither fish nor fowl—what is this thing?  I’ve noticed this with my brother-in-law’s books.  Now, I’m holding out on retirement to dig into Neal Stephenson’s books because they require more time than I have in my workaday world, but they aren’t always science fiction.  Still, that’s often where you find him in bookstores.  I was in a local shop in Bethlehem the other day and there he was, in sci fi.  Although I understand why booksellers (and critics) want to use genres, but it seems to me that they limit human creativity.

The past couple of non-fiction books I’ve written aren’t really in genres.  They’re not academic books, but academics (once guilty, always guilty) have a hard time convincing publishers they can do anything else.  Non-fiction may be a more difficult gig than fiction after all.  Holy Horror and Nightmares with the Bible don’t comment on horror necessarily, at least not directly.  They’re not religious books either.  When I try to explain them in one sentence, it quickly becomes run-on.  I began both the same way—I noticed something and began writing about it.  With a little structuring and a little time, you’ve got an entire book.  It may not find a publisher.  It may not fit a genre.  Nobody on Medium is going to come looking for your advice.  And if you’re lucky you’ll find yourself put on a shelf with others who don’t conform to genre expectations either.

Whose Bus? Omnibus!

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The long-distant commute is an extended social experiment.  Although some of the people on the bus know each other—from overheard conversations while in line it’s clear that many of these commuters go to New York daily—they want to sit alone.  The idea behind a bus, short for omnibus (Latin, “for all”), is essential equality.  When I commuted daily from central New Jersey, I was a passenger from the originating city on the route.  By the time New Jersey Transit buses got to New York it was rare for a seat to be empty.  Now I take TransBridge, a bus line that operates out of Bethlehem.  The buses are much nicer, but I’m no longer from the originating town.  By the time the bus arrives at 4:30 a.m., it’s already half-full.  (Half-empty if you’re an optimist.)  That’s not a problem, of course, but the way people claim territory is.

Typically those who get on at the initial stop sit in the aisle seat, place their bag in the window seat, and do their best to fall asleep before reaching my stop, which is only 15 minutes away.  When you go to get on, in other words, there are almost no seats and the happy, dreaming commuter knows you don’t want to wake him or her to get them to move their bag and let you in.  Like most people I’d like to have two seats to myself—who wouldn’t?  But the fact is the bus will be full and these people who do this every day should know that.  But still they try to block others out.  As a social experiment, it is worth some consideration.  If you put your bag in the aisle seat it’s easier to accommodate the person who’ll inevitably sit next to you.  But this is Trump’s America—everyone for himself.

I’m a fairly quiet person, and I don’t want to disturb anyone’s slumber.  Many people not only sprawl out like they’re in bed at home, but they wear dark glasses and headphones so that you have to nudge them to get their attention.  Then they act as if you’ve insulted them.  Or they’re doing you a favor by letting you sit in “their” seat.  I suspect the fact is that none of us wants to have to go so far to work.  And I know that sitting next to a stranger can be less than ideal.  When I buy my ticket, however, I know that I’m opting for an omnibus, and those who do so should be clear on the concept before handing over their money.  Or maybe I’m just dreaming.

 

Built To Last

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Those pyramids sure are sturdy.  The other day I was reading something from a biblical literalist that was discussing the pyramids.  The great pyramid of Khufu and its companions in Giza were built between about 2590 and 2505 BCE.  They’ve been around a long time.  Somewhat later this author casually mentioned Noah’s flood.  It had never occurred to me before, but since Archbishop Ussher dated the creation of the world at 4004 (and so it appears in the Scofield Reference Bible), the flood took place in 2348 BCE.  Now this flood was so catastrophic that it carved out the Grand Canyon and buried all those dinosaur bones that would eventually become fossils.  It was more than a little inconvenient, and terribly disruptive.  Except the pyramids had been around for well over a hundred years by that point.  It’s a wonder they weren’t harmed.

Such inconsistencies populate much of literalist literature.  When the Bible is the full measure of science and history and all human knowledge, there’s bound to be some issues, given that it was written at a specific time and place.  You see, the pyramids aren’t even held together with mortar.  These are loose stones we’re talking about, under great pressure.  The “Bent Pyramid,” at Dahshur, changed its angle at half-way up.  A physicist calculated that if they’d continued at the original angle, the weight of all that stone would’ve caused it to act like liquid, flowing like water.  Best repent and rethink your plan.  But these monuments were built to withstand world-wide floods!  And the mummies weren’t even mildewed.  If only Jericho’s walls had been so well built.

From WikiCommons

Maybe that’s why so many modern myths about the pyramids developed.  This sacred shape somewhere between a square and a triangle is said to have unusual properties.  I’ve read that if you put a dull razor (whatever that is) underneath a pyramid shape when you go to bed at night you’ll awaken to find it sharpened.  Made of wire, that shape on your head will not only prevent aliens from reading your thoughts, but will boost the power of your psyche as well.  The funny thing about the Bible is that it never mentions the pyramids at all.  Joseph spent a bit of time there and his descendants stayed for centuries.  Nobody bothered to note those wonders of the ancient world.  Since we’re literalists, though, that gives us a way out.  If the Bible doesn’t mention the pyramids they might not exist at all.  Problem solved.

See Above

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As we slide beneath the hegemony of technology, I’m impressed by the redefinition of vocabulary it demands.  Because new printing technologies assume, for example, that the XML (one of the many mark-up languages) is primary, directional references in texts are inadequate.  An example might help.  If you’re a human being reading a book, and the author has discussed something a few pages ago, s/he might write “see above.”  Now, it’s not literally above in the sense of being higher up on the same page (but it may be considered literally if the book is closed.   And lying face up).  The pages you already read are above those where you left the bookmark.  I remember the first time I encountered this language; having been raised a literalist (and a naive realist) my eye hovered over the header and I wondered about the accuracy of “see above” or “see below.”  The terminology soon became second nature, however, and I knew it wasn’t a literal reference.

In the days of XML (“eXtensible Markup Language,” therefore literally EML), the sense of play is now gone from writing.  I’ve heard editors explain to authors that, in an ebook there is no above or below because there are no pages.  A time-honored metaphor has been sacrificed on the altar of a tech that sees the world in black-and-white.  You can’t point vaguely in the direction from which you’ve just come and say “it’s back there somewhere.”  I sense, given all of this, that most copyeditors haven’t written a non-fiction book (for this is mostly an academic affectation).  As a human being writing, you get into the flow and you don’t think, “Ah, I mentioned that in paragraph 2749; I’d better say it’s there.”  And the reason you need to know the paragraph number is so the ebook can have a hyperlink.  The argument itself suffers for XML precision.

As someone who writes both fiction and non, I am bound to look at this from the viewpoint of a human author.  I’ve been known to paint and make sketches on occasion.  All of these forms of expression have flow in common.  At least when they’re good they do.   If you want to stop a project cold, just say “Hey, I’m writing!” and watch yourself drop like a cartoon character who’s run off a cliff and just realized it.  I’m sorry, I can’t point you to exact where that’s happened.  It’s in many vague recollections of many cartoons I watched as a child.  If the technomasters aren’t watching I’ll just say, “see above.” 

On Target

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Time, especially weekend time, is a non-renewable resource.  Since I barely have enough time as it is, I do my best not to squander it.  Yesterday we had to visit our local Target—we don’t buy at WalMart because there’s an ethics even to shopping these days.  When we got inside it was obvious that a lot of people had the same idea.  I’d never seen Target so crowded, and I’ve been in one on a Christmas Eve.  We had only a small basket of purchases, so before long we headed for the checkout and saw an enormous line.  Not being afraid of tech, we went toward the self-checkout and found that line long as well.  Long and not moving.

Soon it became clear that all the registers were down.  Store employees were handing out free bottled water and snacks, like airports used to do with cancelled flights.  We were in for a good long wait.  When we finally reached the register, which had started to come back online, the manager was helping those trying self-checkout.  Since the system was still not really functioning, you could check out one item at a time—after several tries, each time requiring the manager to enter his pass-code—and pay for it and restart the process for the next item.  We asked about the outage.  He said it was global, all Target stores were down.  “You’ll have a story to tell,” he said.  My mind was actually going toward technology and its limitations.  How much we rely on it.  Without tech this blog would not be.  A lot of famous people would be unknown.  How would we find our way from point A to point B?  Or look up a phone number?

The internet is beguiling in its ubiquity.  We use it almost constantly and it’s always there for us.  So we’ve come to believe.  In addition to spreading the tissue of lies that is the Trump administration’s agenda of using post-truth as a means of power, it must be supported by a whole host of experts—those 45 routinely dismisses as irrelevant.  Clouds were gathering outside, and I had a lawn yet to mow before the day was out.  Indeed, my wife and I had intended this to be a quick trip because weekends and sunshine are a rare mix.  As we bagged our six items and thanked the manager, we could see the line still snaking the length of the store.  Had we more time we might’ve come back another day.  Instead, we had briefly fallen victim to something that an old-time punch register might’ve solved.  And a time when the pace of life itself was just a bit slower.

The Lagoon

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My current book project has me watching The Creature of the Black Lagoon again.  One of the Universal monsters—indeed, arguably the last of them—the Gill-man fascinated me as a child.  There was a strange contradiction here.  The creature had evolved in the Devonian Era and remained unchanged into the 1950s.  But the movie opens with a voiceover of Genesis 1.1.  There’s a mixed message here, appropriate for scriptural monsters.  Watching the film again brought back many of the innocent perceptions of youth, as well as the trajectory of my own life.  I don’t often get to the theater to see horror movies anymore, but at the same time the Universal monsters aren’t quite the same thing as modern horror.  As a genre it had to evolve.

Strangely, as a fundamentalist child, the evolution aspect didn’t bother me.  I was after the monster, you see.  The backstory was less important.  Growing up, at least in my experience, means that the backstory becomes more essential.  It has to hold together.  There are, of course, inaccuracies in the story—many of them, in fact.  Still, within the first three minutes Genesis and evolution are thrown together in a happy harmony that belied what I was being taught at church.  The Gill-man is a monster mainly for being a creature out of time.  When modern humans invade his lair, he defends his territory.  The story might’ve ended there, had he not spied Kay.  He doesn’t so much want to kill her as get to know her better.  For a movie posthumously rated G, it has a body count.  Five men die but the Gill-man apparently just wants to evolve.

There’s been a recent resurgence of interest in Creature from the Black Lagoon with both the publication of The Lady from the Black Lagoon and the death of Julie Adams this year.  The Gill-man seldom shows up in the same billing with Dracula or Frankenstein’s monster, or the Wolf-man.  He’s a bit more inaccessible in his watery abode.  Both cold and hot-blooded, he represents how science and Scripture might get along, at least on the silver screen.  The film holds up remarkably well, if a modern viewer can handle the pacing.  Underwater filming was pretty new back in the day, and watching humans swim in many ways suggests the truth of evolution in its own right.  These aren’t the childhood observations of the movie, but rather the reflections of a guy wondering if there might not be some hidden wisdom in the monsters of yesteryear.

Dolls and Puzzles

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Maybe you’re anticipating it too.  Annabelle Comes Home, I mean.  My latest book, Nightmares with the Bible, has a chapter on The Conjuring universe, and with the recent death of Lorraine Warren I’ve been working on another piece trying to fit this whole puzzle together.  “What puzzle?” did I hear you ask?  The puzzle, I answer, between what really happened in the Ed and Lorraine Warren investigations.  You see, the paranormal is one of those things we’ve been taught to laugh at, and we’re told that people who “see things” are dweebish kinds of gnomes that don’t see the light of the sun enough.  Reality television has brought some of these ideas into vogue, what with ordinary people gathering “scientific” evidence of ghosts and the rest of us scratch our heads while hoaxes are revealed on the B reel.  But still, Annabelle lives.

It has also been announced that The Conjuring 3 is in development.  For some of us—and I’m well aware that movie-making is an industry and that profit is its goal—the question of what’s real can be as haunting as any ghost.  You see, I buy into the scientific method, as far as it goes.  That caveat is necessary, however, since science is neither able to nor interested in assessing all the strange things people see.  Our senses can be fooled, and a great many people haven’t developed the critical ability to scrutinize their own observations skeptically.  Skepticism itself, however, need not become orthodoxy.  It’s like any other tool in our mental box—each has its own purpose.  A car engine is dismantled in order to rebuild it in working order.  And there may be a ghost in the machine.

That’s what gets me about this whole Conjuring thing, and beyond that the contested livelihood of the Warrens.  There may be such a thing as mass hysteria (the current state of the US government can hardly be explained any other way), but the Perron haunting that was the subject of the first film provides, I think, a good test case.  A family of seven living in a house where they experienced things not only collectively and individually but also in different combinations would seem to be a place where multiple angles could be used.  According to Andrea Perron’s written account, the Warrens’ investigation never really took off there.  That didn’t prevent a very successful movie franchise from being launched, loosely based on their story.  And getting at the truth is never as simple as buying your ticket online and waiting for the show to begin.

Taking and Giving

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Dystopias are among my favorite kinds of literature.  Things tend to go wrong in human society, and although we’ve made great progress over the past couple of centuries, in many ways we’ve set ourselves back.  Dystopias are searching, thoughtful ways of addressing that slippage and they warn us of what me might become.  (Especially if Republicans remain in power.)  Lois Lowry’s The Giver is young adult literature, but I’ve been curious about it for some time.  Set in an undefined time and place, a highly structured society exists where things seldom go wrong.  There are no animals and people take pills to eliminate “stirrings” so that sex won’t complicate relationships.  Families are constructed by algorithm and children are assigned from a pool so they will match expectations.  In order to continue this bland lifestyle, memories have to be repressed in the person of the Receiver—the keeper of communal memories.

At first things seem pleasant enough.  Life, however, lacks color and music.  It lacks emotional engagement.  Those who, in real life, idealize the 1950s as before the madness of the sixties began, have trouble conceiving of how societies go wrong.  The dilemma is that no society is perfect and as time goes on we look for improvements.  For a very long time in American history, for example, nobody had bosses.  The majority of people were independent farmers.  They prospered by luck and hard work, but they worked for no one but themselves.  Now we mostly work for bosses who have bosses who have bosses in some kind of endless regression of power.  Our ability to change things is quite limited, even in professional positions.  Is this better than the uncertainty of farming?  With all the rain this year it might seem so.  Of such things dystopias are made.

The Giver follows a protagonist, Jonas, who when he becomes twelve is assigned to become the new Receiver.  As he gains memories of how things used to be, he’s fascinated.  Learning his society’s darkest secret, however, spurs him to try to make a change.  A lot of questions remain at the end.  (The novel is part of a series, as most young adult fiction tends to be, but it can be read as a stand-alone story.)  Those of us who’ve been around the block a time or two might be able to guess where this is going, but for younger readers to be introduced into the way of human problem solving this is a gloves-off approach.  Those accustomed to dystopias will find themselves in familiar territory.  As will those who live under Republican regimes.

Let It Lie

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At the grave risk of over-simplifying, the list is brief: destructive scapegoating behavior, intolerance of criticism, concern with public image, and deviousness.  These characteristics, back in 1983 (note well the next year), were widely considered the description of evil.  Now look at the White House.  What do you see?  I know that I’m reading into the current situation, but how can one not?  I have never read anything by M. Scott Peck before.  Growing up I saw The Road Less Traveled on many, many bookshelves of friends and clergy.  I recently picked up Peck’s People of the Lie because, along with Malachi Martin’s Hostage to the Devil, it convinced many in my generation that demons actually exist.  At the time, still pretty much a Fundamentalist, I didn’t require any convincing.  Reading Peck’s People, however, in the era of Trump is a frightening thing.  And not just for the politics.

I always find books by psychologists and psychiatrists difficult to read.  I admit to having had a less-than-ideal childhood, and although self-healing is possible such books make me think I should spend my free time in therapy rather than writing.  In any case, People of the Lie is difficult in another respect as well—the labeling of evil.  Peck advocated for the scientific study of evil.  Good and evil, however, have generally been considered values rather than facts.  Science studies the latter while religion and philosophy deal with the former.  Not that lines in the sand are intended to be permanent.  Still, what one person calls evil may not be what others call evil.  Peck focuses primarily on narcissism and laziness as sources of evil.  He may very well be right, especially with the narcissism aspect, but some of the patients he described certainly didn’t seem evil to me.

Many aspects of this book could be discussed on a blog like this.  No doubt many of them will be, in sublimated form, in future posts.  Books, however, are part of the context in which they’re read.  In Peck’s day, the great political evil still fresh in many minds was the Vietnam War.  Today’s world, however, is one where Vietnam, Watergate, and even to a great extent the tragi-comedy of the W administration have all been eclipsed.  The cult of personality headed by one of the most obviously narcissistic individuals this nation has produced makes what Peck labeled “evil” seem perfectly normal.  And those who have the authority to do something about it either sit idly by, or worse, use it for their own means.  Roads less traveled indeed.

Targeted by Technology

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We get along in life, I believe, by routinely ignoring the rather constant dangers that surround us.  Oh, we’ve taken care of the larger faunal predators, but we’ve replaced them with ourselves.  Our success as a species leads us to places we might not be comfortable being.  I was recently exposed to the documentary National Bird.  It’s about drones.  Not the friendly ones from Amazon that we hear will soon be delivering books to our doorstep, but the military grade kind.  I first became aware of how pervasive the military use of drones is while reading Wired for War (on which I posted here some years back).  The difference between that academic knowledge and watching the documentary is the human element.  Drones are assassination machines with high explosives and they are subject to no regulation.

Many of us feel, occasionally, some level of discomfort with how much information “they” have on us.  We don’t even know who “they” are or what they want.  Using the internet, we give them our information.  Caving to our desire for instant communication, we carry around smart phones that know where we are constantly.  Martin Luther once said you couldn’t stop birds from flying over your head, but you can prevent them from making a nest in your hair.  It’s becoming harder to shoo them away.  The nest is well established.  Our houses are easily found on Google maps, and drones can keep constant watch, like weaponized guardian angels.  Only they’re not our guardians.  As National Bird makes clear, drones kill civilians.  Women and children.  The conversations of the operators reveal how much they’ve bought into the jingoism of the “war on terror.”  The film also deals with the human cost of those who operate drones.

Technology stands to make life better, for some.  Watching people who have very little, who live in what would be considered poverty in this part of the world, being bombed by people remotely, is disturbing.  The operators, trained as if they’re playing a game, kill and then have to deal with it.  The use of tech to try to sanitize brutality was dealt with decades ago on a particularly famous episode of Star Trek appropriately called “A Taste of Armageddon.”  Rather than try to resolve conflict we, like those of Eminiar 7, readily accept it if it’s kept at a distance.  Only drones aren’t science fiction.  We’ve been using them for over a decade now, and we prefer not to think about it.  This isn’t an option, unfortunately, for those who’ve been targeted by technology.  The predators are still out there after all.

Identified or Not

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Okay, so this will require some explanation.  It came about like this: I was in a used bookstore.  (This in itself requires no explanation, of course.)  I noticed a slim book, cover out, called A Pocket Guide to UFO’s and ETs: A biblical and cultural exploration of aliens.  Biblical?  I picked it up only to discover it was from Answers in Genesis.  Please note: I do not buy books or paraphernalia of Fundamentalist groups unless I can get it used.  I don’t want to support this particular weirdness in any way.  Well, the money for this used book was going to support a used bookstore and not a religious aberration, so I figured it would be good to see what the Fundies have to say about a topic that seems to have started to engage public interest again.

The book begins by helpfully pointing out that if there’s life on other planets the Bible doesn’t mention it.  And since the only way it could’ve got there is by evolution—for surely the Almighty would’ve said something about it in his book, if he’d invented it—the whole idea is a non-starter.  Evolution, as everyone knows, is a satanic idea meant primarily to challenge the Bible and secondarily explain the diversity of life forms on earth.  And since earth is the only planet the Bible recognizes, it is the only one with life.  So, UFOs, it stands to reason don’t exist.  Well, that’s not quite fair.  They do exist but most can be explained away and those that can’t may well be demonic.  Since there can be no aliens, and since some sightings can’t be otherwise explained, then demons—which the Bible does mention—must be responsible.  They (demons) can also explain why other world religions exist.

There’s plenty in here to offend just about everyone apart from the Answers in Genesis crowd.  The screed spends quite a bit of time knocking down ancient astronaut ideas, and taking Erich von Däniken to task.  Science is useful in explaining how pyramids were built, but not in how the rock used to build them was formed (it takes far too long to make limestone the old fashioned way; God simply used a variety of different rock types to make the one inhabited planet more interesting geologically).  And those UFO religions?  Inspired by demons, no doubt.  In fact, even reading a little book like this could lead you to become interested in the subject, so be careful!  In fact, the safest thing of all (and I’ve only got your well-being in mind) is to leave it on the shelf.

Time Off

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Perhaps you’ve noticed it too.  Time away from work has an utterly different feel from time on the job.  Those rare individuals who really love their professions probably feel differently about it, but a timid free spirit since childhood, I’ve always noticed a difference.  And it has become more pronounced as time’s gone on.  Recently I cashed in a vacation day near a national holiday (Memorial Day) so that I could drive across the state to see my mother without feeling utterly wiped out from a twelve-hour drive on a regular weekend.  As I slipped back into work mode on Tuesday the change was palpable.  Time was no longer my own.  I tend to work well over eight hours daily—the telecommuter must prove his/her worth—and something about the quality of the time itself was decidedly unlike that of the previous four days (two of which had been spent driving).

That quality, of which we’re not encouraged to speak, is the feeling of freedom.  More precisely, auto-determination.  Okay, I’ve read enough philosophy to know this is just an illusion, but work with me here.  Few and exceptionally fortunate are those who find careers they love.  What the rest of us love is time off work.  Time when we can decide what to do.  How long to sleep.  When to cut the grass rather than waiting until the bell rings at 5 p.m. and the inevitable afternoon rain begins.  Perhaps best of all is going to bed knowing that the next day you don’t have to get up and report for duty.  I’m not dissing employment here, I’m just noticing something.  What I’m reaching toward is a concept of sacred time.  Unstructured time in which creative types thrive.

Early in life the concept of summer was instilled in my soft and malleable psyche.  It said once May was over you have three months to do whatever before facing regimentation again.  I grew to appreciate this schedule.  To love it, in fact.  It was part of why I decided higher education was the best vocational fit for someone of my particular disposition.  Every year when June rolls around I still feel it, like a migratory bird.  The reality, however, is the quality of time changes on Monday morning.  It slows down and feels more like sandpaper than silk.  I can see there’s a holiday just a month away, if I can only reach it.  And it is, perhaps with a dose of unintentional irony, call Independence Day.

Premature Burial

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I have recently finished writing an article for a collection of essays on the Bible and horror.  Have no fear—I’ll pass along details once it’s published.  I do have to wonder, though.  All those years I was teaching and publishing regularly in ancient Near Eastern studies nobody ever approached me about contributing.  It took coming out of my monster closet for that to happen.  Monsters, you see, are a guilty pleasure topic.  They’re so much fun that they hardly seem like work to write about.  Or read about.  I was a child when Dark Shadows aired as a daily soap opera on ABC.  For reasons about which I’m beginning to speculate I found this series strangely compelling.  Marilyn Ross (W. E. D. [William Edward Daniel] Ross) based some 32 of his over 300 novels on the series.  I collected them as a kid and then got rid of them when I went to college.  I’ve been collecting them again in a fit of nostalgia over the past several years.

I just finished Barnabas, Quentin, and the Crystal Coffin.  The story was actually quite different than typical Collinwood fare.  What drew me to these novels as a child was their atmosphere and, if I’m honest, the fact that Barnabas was a vampire.  Memories of youth are fleeting things at my age, but it may be that Barnabas Collins was my introduction to vampires.  I was four when the series first aired, and I’m not sure if I discovered it before I came across Dracula or if it was the other way round.  Dracula, once I was experienced enough to have an opinion on such things, was my favorite monster.  I liked the others as well, but he was rich and immortal—the things sickly kids in poverty idealize.

In my fascination with Dark Shadows I’m not alone.  Despite Tim Burton’s movie version, Johnny Depp (who is my age) admitted growing up wanting to be Barnabas Collins.  Friends about my age have discovered PBS’s recent re-release of the original series in all its campy glory.  For whatever reason, however, it is the books that always draw me back in.  They, for me, defined the Gothic novel.  Ross’s writing is formulaic and predictable.  His adjective choices feel forced and subtleness was never his strong point.  Still I can’t stop myself from occasionally dropping into the world he manages to recreate in the woods of Maine.  Afterwards I move on to more profound writing, but then, his work is the very definition of a guilty pleasure.

Adversaries

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Satan isn’t who we think he is.  Inheriting a tradition from across centuries, it can be easily supposed that modern ideas help to explain the reality of that tradition.  Sorry, let me try this with more specificity.  The character of “Satan” does not occur in the Hebrew Bible.  By the time of the Gospels, however, he’s there.  We tend to use modern ideas of Satan to understand the enigmatic person of “the satan” in the Hebrew Bible.  Peggy L. Day explored this idea decades ago in her revised Harvard dissertation, An Adversary in Heaven: śāṭān in the Hebrew Bible.  Reading this took me back to those heady days when I consumed Harvard Semitic Monographs like breakfast cereal.  To those of us not from Harvard we pretty much knew what to expect, but we read anyway.  Scholars are like that.

In any case, Day here explores what is sometimes surprising to those who read the Devil back into the Hebrew Bible: the satan is mentioned in only four passages and in none of them is he “Satan.”  In Numbers the satan is identified as a good angel sent to knock Balaam off his ass.  In the book of Job the satan is a member of the divine council and he does his job by accusing Job.  Day shows, by the way, that his accusation is really against God and not the mere human sufferer.  Her outlook on Job is still amazing after all these years.  After Job, the satan appears in the short book of Zechariah to accuse Joshua the high priest of the restoration era.  He’s no Devil here either.  The final reference comes in Chronicles where instead of God tempting David to take a census a satan does.  By this time the reader already knows a satan is an accuser and need not be superhuman.

This monograph raises the perennial issue of how to understand ancient texts without chaffing under the weight of tradition.  The character of the Devil developed over many centuries and, when he appeared, he was only one of many iterations.  The New Testament made Satan “biblical” and later readers tried to explain the Devil (who came from Zoroastrian mythology) as part of the Christian divine economy.  In Judaism he went on to play a much lesser role.  Once Christian writers established this character, he was read back into the Bible, even where the original writers didn’t see him.  Day isn’t the first to have noticed this, but she handles it very well and her book is still thought-provoking after all these years.

Tyranny of Plants

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Notwithstanding what I wrote yesterday, there is a tyranny of plants.  Specifically those which make up lawns—in my case, mostly weeds.  A friend recently reminded me that weed is just a name for a misplaced plant, and I confess that I’m fine with weeds but neighbors may not be so open-minded.  Non-conformity is still a virulent stigma.  If an observer from outer space were to observe us during the spring and summer, they might well conclude that we were in the service of our yards.  The irony here is that yard care is perhaps the ultimate sign of success.  You have really made it if you can keep it neat and trim.  And you’ve excelled beyond that if you can pay someone else to do it for you with their tractor full of buzzing implements.

Because I’m concerned about fuel consumption, we purchased a reel mower when we bought our house.  I never mowed the lawn as a child.  First we rented, and when a stepfather came into the picture he didn’t let the kids mow.  (It wasn’t to be kind—it was a control thing.  If he saw a snake he’d race across the yard to dismember it.  More than once I’d be out playing only to find snake suey, with flies.)  College at Grove City involved carefully manicured lawns done by others, and after grad school we lived on campus at Nashotah House where the students cut the grass.  From there it was back to renting.  In other words, I never had the opportunity to learn how to mow lawns.  My lines aren’t straight, and I’m tempted to sneak out at night, when the grass is high, and leave crop circles at which the neighbors might wonder.  I don’t like being a slave to plants.

The reel mower is like pushing the grim reaper in a baby carriage.  Or at least it must seem so from the perspective of the grass and weeds I call my lawn.  The suddenness with which constant lawn care becomes a major concern has tightened my focus on the fealty we owe to ground cover.  We’ve had a break from the rain for a couple days and after work I find myself pushing that mower like a deadly thurible, releasing the scent of newly shorn grass.  Our particular town retains the right to fine those who let the grass get too long.  As I go along cutting back both grass and weeds indiscriminately, I wonder at the biblical nature of even this.