The Call of Balu

After writing a post on Natib Qadish, a modern revival of Canaanite religion in the United States, I received some comments from Lilinah of Qadash Kinahnu, another modern Canaanite religion revival. These movements are a fascinating development in an overly technological era — both movements have online resources that include serious scholarly treatment of ancient religions of the Levant. Both appear to be sincere attempts to get in touch with what modern religions seem to have lost. Both have heard the call of Balu.

In a society where universities seldom offer programs to study the Ancient Near East, people are starved to know about it. I realize that the field of study will never bring in the money that the sciences or finance do, but obviously there is something deeply satisfying about it. And students are hungry for it. Not only appreciated by those who start revivals of ancient religions, many of those who read more recent popular treatments are intrigued. Neil Gaiman’s American Gods was a New York Times bestseller. Although much belatedly, H. P. Lovecraft’s Cthulhu Mythos has become a paradigm for many undergraduates I’ve met. I was reminded of this as I watched Stuart Gordon’s 2001 movie entitled Dagon. A relentlessly tense and macabre film, the Lovecraftian base assures a constant draw for those who hear the call of the ancient deities.

We love technology. I’m posting this entry on an internet where ideas are simply electrons forced into recognizable patterns. We can’t imagine what life was like before being able to communicate with people just about anywhere in the world instantaneously, and where we can live our entire lives without ever actually touching physical money. Over all the noise of technological progress, however, can be heard the distinct call of Balu — a call to a simpler era, pre-Christian, pre-Judaism, pre-Iron Age. It was an era when human destiny fell into the hands of ancient gods.


Death of the Gods

Americangods

Ancient gods surround me these days. Surely part of it is due to having recently finished Neil Gaiman’s American Gods (I know I’m a few years late on this, but novel-reading time is at a premium even when teaching only part-time). Gaiman’s not the first to have taken on the theme of “what if ancient deities still survived?”. As a child I read Lester del Rey’s Day of the Giants with its science-fictionalized version of Ragnarok, and even earlier H. P. Lovecraft had resurrected Dagon and Cthulhu. Gaiman’s treatment, however, is contemporary and is a barometer of how the old gods are faring these days.

Dark and witty, Gaiman’s treatment is a fun-house ride through the fanciful concept that old-time gods and folk-heroes emigrated to American with their believers. The resulting adventure brings a multi-cultural mix of supernatural powers that end up mostly focusing on the Norse mythological cast. Same was true of del Rey — the Norse mythology reflects a stark world of raw power, betrayal, death and resurrection, that resonates with northern European experience. Anansi and Chernobog also take starring roles in American Gods, although the only ancient Near Eastern deities with any prominence in the story are the Egyptian Thoth and Anubis in supporting roles.

Casting an eye over the American landscape, this assessment is perhaps true to life. Ancient Near Eastern deities seem so distant and unfamiliar. Gods long dead. Despite recent movements to revive the worship of Mesopotamian or Canaanite deities, their powers seem to have dissipated at the middle of the first millennium B.C.E. as Yahweh gained a prominence he has never relinquished, and the Greeks and Romans paved over the graves of Ninhursag and Yarikh with European versions of the more prominent West Asian gods. Universities reflect this lack of knowledge with slowly dying departments of Ancient Near Eastern studies. Like Gaiman suggests, America seems to have gone after the more modern gods suited to our present-day lifestyle.


Love the Craft

It is a cold, windy New England day in November. You find yourself in Providence. How can you not visit the gravesite of H. P. Lovecraft? I have mentioned Lovecraft before, in my podcast on Dagon, but that brief citation does not give credit to a man whose life provides episodes that feel strangely familiar to me. Barely known as a writer in his own lifetime, Lovecraft had difficulty finding employment and had a fascination with ancient gods. Indeed, I discovered Lovecraft while researching Dagon for a serious presentation and soon students were telling me about the Cthulhu (I would not dare attempt to pronounce) Mythos and how I had only scratched the surface of his writing.

Lovecraft’s fascination with ancient gods brought new life to forgotten entities. Dagon, despite being a major deity of ancient Mesopotamia, would likely have been completely forgotten by all but professors of arcane mythology had not Lovecraft resurrected him, albeit in a fishy form. His fascination with the protagonists of ancient myths, nearly forgotten deities, clearly influenced Neil Gaiman in his American Gods, and has preserved for the modern reader some of the fascination with powerful, ancient forces that show the insignificance of humanity. I found reading American Gods while in Providence a very humbling experience. Lovecraft also gave the world Arkham, the asylum of Batman fame, as well as Miskatonic University.

Along with Melville and Poe, Lovecraft deserves a place of honor in the pantheon of American literary explorers. The assortment of gifts left for him at his tombstone, including a small cairn, pennies, a pen, and even a note reading “thank you for the ideas,” attests his local fame. The prominence of his books at neighborhood bookstores assured me that I was not the only traveler to breathe in the air that Lovecraft exhaled. My visit also brought to mind a story that a friend of mine started to write some years ago. It had something to do with ancient gods coming back to life, although my friend had never heard of Lovecraft or Gaiman. Lovecraft’s spirit, it seems, may still be alive and well in Rhode Island and in the minds of other residents of Arkham.

Lovecraft